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1.
《英国考古学会志》2013,166(1):195-202
Abstract

Ely octagon is usually regarded as an original invention of the architect Alan of Walsingham. However, the ground plan of the Norman church, with both eastern and western transepts and two axial towers, has affinities with the plans of some Romanesque churches in the Rhineland which also possess octagonal central towers. The presence of an octagonal Norman tower at nearby Swaffham Prior, a church which has belonged to Ely since before the Norman Conquest, suggests that the Norman church at Ely may also have had an octagonal central tower.  相似文献   

2.
Abstract

This article examines Lucy Hutchinson's pervasive materialism, arguing that her use of corporeal imagery – in part shaped by her early translation of Lucretius – contributes to the soteriological purposes of her later works in multiple ways. Criticism on Hutchinson has tended to divorce the materialist imagery of her translation from the Calvinistic themes of her other writings. I argue, however, for the lasting presence of a materialism constructed from the vocabularies of Lucretian Epicureanism, Neoplatonism and John Owen. Focusing especially on the poem Order and Disorder and Hutchinson's theological tract to her daughter, I show how she uses materialism as a “means” to achieving assurance and grace. I suggest that these various responses to physical experience are part of Hutchinson's enduring investigation into the ontology of “Order” and “Disorder”, and her quest for stable spiritual being.  相似文献   

3.
Abstract

This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral's masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to different audiences on either side of the choir screen.  相似文献   

4.
Abstract

Although the wall-paintings in the three first floor bedrooms and the connecting passage at Ellys Manor House, Great Ponton (SK 927 304), have been known to exist for a considerable time and are amongst the most extensive and important of their period in the country, very little has been written about them and no attempt has been made to co-ordinate the information that is available.  相似文献   

5.
The prior's lodgings at Ely expanded between the twelfth and the fourteenth centuries resulting in a set of apartments with self-contained first-floor circulation, some of which served the prior's distinguished guests. The buildings have been re-examined in conjunction with the recent restoration carried out on part of this complex. The individual buildings and the complex are considered at specific stages of development, and they are also set against relevant comparative data. The documentary evidence is reviewed, shedding light on early grants of land from the bishop, and the function of the buildings and social life in the prior's department are also discussed. This paper provides a reappraisal of earlier studies that tended to present a static view of the medieval monastery at Ely, using mainly post-Dissolution documents as retrospective evidence for their medieval form and function.  相似文献   

6.
ABSTRACT

Archaeological excavations and built heritage recording has been undertaken by Salford Archaeology (based within the Centre for Applied Archaeology, University of Salford) during the construction of a new rail link across the River Irwell between Manchester and Salford, known as the ‘Ordsall Chord’. The new bridge links existing lines of historic importance, and also crosses the extant remains of the world’s first passenger steam railway, the Liverpool & Manchester Railway, being carried over the Grade I designated ‘Stephenson's Bridge’ at approximately deck level. Six further Grade II designated structures were also affected by the scheme, as were the below-ground remains of a dye works that predated the opening of the railway in the 1830s, and a large livestock market that grew adjacent to the improved transport infrastructure provided by the rail network. This paper discusses the archaeological work undertaken on this important early transport hub during the construction programme in 2015–18.  相似文献   

7.
R. H. 《考古杂志》2013,170(1):125-142
Traces of light graffiti recovered from the twelfth-century west wall and nave-piers of Rochester Cathedral represent the remaining evidence for an extensive programme of early medieval wall-paintings, although little of the original scheme can be reconstructed.  相似文献   

8.
Abstract

For several years, geography lecturers at Sydney Teachers College have used and evaluated a number of games, and have refined their programme to make maximum use of four selected games, the Fishing Game, Lynwood, Pred & Kibel's Locational Matrix, and Starpower. The criteria for the selection of these games, the main ways in which they have been modified, and the method of their integration in the programme are described.  相似文献   

9.

The bizarre imagery of Zechariah 5, and the relationship between the two visions contained therein has long been a source of bafflement to commentators. This article argues that the content of these visions is dependent on three texts from the priestly law: Leviticus 14, 19 and Numbers 5. The first of these texts provides the legal precedent for Zechariah's attacks on theft, fraud and perjury, while the action taken by God (the entry of the curse scroll into the house of the perjured thief, followed by its destruction and the removal of ''wickedness'') makes use of Numbers 5 and Leviticus 14 respectively.  相似文献   

10.
《考古杂志》2012,169(1):31-62
ABSTRACT

The large Middle Anglo-Saxon site at West Fen Road, Ely, represents one of the most extensively investigated English archaeological sites of the long eighth century. Recent investigations have significantly expanded its known extent, providing important insights into the origins, development and the nature of the site and modifying previous interpretations. The evidence demonstrates the existence of three separate extensive areas of ditched enclosures used primarily for stock management dating to c. 720/50–825/50, although craft activities and occupation also took place. These enclosures were connected by a network of routeways and droveways and have extensive open areas between them, linked to arable agriculture. The scale of activity and evidence for grid planning indicate that this agriculture landscape was controlled by the contemporary monastic community at Ely.  相似文献   

11.
12.
《Political Theology》2013,14(2):287-303
Abstract

This essay critically examines the theories of radical democracy offered by Martin Luther King, Jr.'s vision of the beloved community and Antonio Negri's vision of the multitude. The radical democratic visions of King and Negri continue to critically inform progressive reflections on democratic theory and propel new dreams of democracy. Despite their similarities, the differences between Negri and King are substantial. I argue that Negri's dream of the multitude and King's dream of beloved community have been shaped by different conceptions of radical democracy. While Negri works out of a tradition of Italian Marxism, King works within a critical tradition of prophetic evangelicalism. Thus, the political task, according to King, is to translate Jesus' teaching of the Kingdom of God into a beloved community on earth. King's creative negotiation of transcendence and history provides the requisite theological and political resources to develop a truly transcendent and immanent vision of a radical democratic society that is attentive to the demands and dignity of "all God's children."  相似文献   

13.
Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.  相似文献   

14.
Abstract

Historic Building Investigations and selective excavations carried out during recent conservation works have shed new light on St Mary's Guildhall, Boston (Lincolnshire), built by an internationally significant religious fraternity in one of the most important ports of medieval England. Dendrochronological dating of the guildhall indicates a construction date of c 1390. This is significantly earlier than had previously been supposed and suggests a close link between the construction of the guildhall and the grant of a royal licence of incorporation to the guild in 1392. It makes the guildhall one of the earliest securely dated brick buildings in Lincolnshire and is important evidence of investment during a period when Boston was experiencing severe economic decline. Multidisciplinary analysis of the archaeology of the building and some of the guild's surviving documentary records enables a reconstruction of the original form and function of the guildhall and its now-lost material culture. Comparative analysis of Boston with other surviving provincial guildhalls begins to shed light on the emergence of a distinctive type of public architecture in pre-modern England.  相似文献   

15.

This paper discusses the teaching of geography to 'non-geographers' at Glasgow Caledonian University (GCU). GCU is one of the so-called 'new' universities in the UK and it shares with many of these institutions a mission to facilitate access to groups that have traditionally been under-represented in higher education. Human geography is one of the six subject area streams within the interdisciplinary social sciences degree programme, although geographical subject matter is taught in many other degree programmes, in each of GCU's three faculties. The arrangements for teaching human geography at GCU present pedagogical challenges for staff. Means to address these problems have been implemented. In this case study, it is argued that the experience of teaching human geography to 'non-geographers' at GCU may be of more general significance to the discipline, to the teaching of geography in both 'old' and 'new' universities and to those responsible for the delivery of mainstream geography degree programmes.  相似文献   

16.
This paper argues that the Poeta Saxo's epic poem about Charlemagne was composed at the bishopric of Paderborn as part of a wider literary programme that included both the Translatio sancti Liborii and the Vita sancti Liborii. Near the close of the ninth century, when Paderborn's renown and resources were at their lowest ebb, these three works articulated an image of episcopal authority, touted the pre‐eminence of Paderborn, and made a bid for royal patronage.  相似文献   

17.
Abstract

The female body has been in the foreground of nation-building in Iran especially since the 1930s projects of modernization, when unveiling women and adaptation to Western clothing became a crucial factor of bolstering modern Iranian national identity as opposed to a religion-based national identity. After the 1979 Revolution, the Islamic dress code became compulsory and female imagery depicting modesty and piety became a source of national identity. Although the representation of women's bodies in nationalist discourses has been subject of different studies, women's representation in official online outlets is still understudied. This article discusses how women's bodily appearance and representation in official online outlets feed into the nationalist discourses in Iran. Three key cases between 2014 and 2017 are addressed: (i) actress Leila Hatami kissing a man at the 2014 Cannes Film Festival; (ii) the public debate on women's entrance to sports stadiums in 2014–2015; (iii) the public revelation of actress Taraneh Alidoosti's tattooed forearm in 2016. Data were collected from multiple Iranian official online platforms and a critical discourse analysis was undertaken to analyse different forms of discursive articulation regarding women's bodies and national identity. Drawing on feminist literature inspired by the Foucauldian concept of biopolitics, the article discusses the ways in which women's bodies are discursively constructed to illustrate a uniform Islamic nationalistic discourse.  相似文献   

18.
19.
Abstract

Observers who have investigated Alleanza Nazionale's relationship to historical fascism have mostly relied on programmatic documents as well as Gianfranco Fini's speeches and interviews. This article tackles the same question by considering the visual propaganda produced by the party from its launch in 1994 to its merger with Silvio Berlusconi's Popolo della Libertà in March 2009. An examination of the logos, the portraits of Fini and other imagery that feature on posters, brochures, websites and the party daily Secolo d'Italia shows that they frequently refer, albeit mostly covertly, to the iconographies of fascism. The contemporary visual sources used by Alleanza Nazionale and the strategies adopted to present a modern and respectable image are also explored. The article argues that much of the propaganda of Alleanza Nazionale incorporates two levels of meaning: an overt and moderate one, which addressed the general public, and a concealed one celebrating ideas and values of the Ventennio, which aimed to reassure a hard-core of activists that the party had not betrayed its original identity.  相似文献   

20.
The medieval wall-paintings formerly in the south aisle of St Andrew's Church, Headington, Oxford, have not hitherto been either comprehensively or accurately recorded. This paper seeks to remedy this, especially as one of the subjects, the legend of the Miraculous Cornfield on the Flight into Egypt, is otherwise unknown among surviving English medieval wall-paintings. Another of the subjects has never been satisfactorily identified, and it will be suggested that it represents one of the miracles of St Clement of Rome, another unique subject.  相似文献   

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