‘Water mixed with the blood of Thomas’: contact relic manufacture pictured in Canterbury Cathedral’s stained glass

Four remarkable stained glass panels in the Trinity Chapel of Canterbury Cathedral (executed c.1185–1220) picture the mixing of Thomas Becket’s blood with water at Becket’s tomb. The ‘water of St Thomas’ was among the most widely renowned medieval water relics, reputed to have healed the sick throughout Latin Christendom. This article examines the glass images, comparing them with narratives in the glaziers’ source text, Benedict of Peterborough’s collection of Becket’s miracles. The glaziers presented an enhanced and carefully designed version of the early history of the water relic: the visual images draw strong parallels between the water of St Thomas and the Eucharist, and trumpet the role of the monks of Christ Church Cathedral Priory, Canterbury, the patrons of the glass, in the mixing process. The glass panels also provide suggestive evidence regarding the personnel, vessels and ceremonial involved in the actual mixing of the relic at Canterbury, including the likely participation of a lay sacrist and the possible use of mazers.     

The Bruce dynasty,Becket and Scottish pilgrimage to Canterbury, c.1178-c.1404

This paper seeks to question the assumption that the outbreak of prolonged Anglo-Scottish war in 1296 brought an abrupt decline in Scottish interest in St Thomas, his shrine at Canterbury and the great abbey dedicated to him in Scotland at Arbroath. A survey of Scottish devotion to Becket after 1296 reveals that in fact the interest of the monarchy and certain sections of Scottish society intensified. For the two Bruce kings, devotion to Becket developed a double importance although in very different political contexts. For Robert I (1306-29) St Thomas, Canterbury and Arbroath served as both a focus of personal faith and of strategic observances in the struggle against England. However, for David II (1329-71), captured in battle against England in 1346, such observances also became a central feature of attempts to persuade his subjects of the value of closer Anglo-Scottish relations: David's reign was marked by a surge in pilgrimage to Canterbury by Scottish royals, nobles, clerics and ordinary lay folk. Had David lived longer and/or produced a Bruce heir, continued Scottish devotion to Becket might have formed the basis of far more amicable Anglo-Scottish relations than would be the norm under Stewart kings of Scots after 1371.     

Criticism of Henry II's expedition to Ireland in William of Canterbury's miracles of St Thomas Becket

The long collection of miracles of St Thomas Becket written by William, a monk of Christ Church, Canterbury, between 1172 and c.1179 is, like many other examples of the genre, a rich source for attitudes towards sanctity, relics, and pilgrimage. A far more unusual feature of William's text is the author's criticism of the recent English presence in Ireland. William's comments on this score amount to a loaded stretching of the normal parameters of his textual medium, resulting in an evaluative engagement with current affairs of the sort that we would more normally associate with reflective forms of history-writing. William's criticism focused in particular upon the expedition to Ireland undertaken by King Henry II (October 1171–April 1172), inverting the very rhetoric that Henry had used to justify his Irish adventure. William was not himself Irish, as has sometimes been supposed, nor was he registering his institution's frustrations about its exclusion from the new ecclesiastical order in Ireland, as might be implied by the traditional but questionable ‘Canterbury plot’ interpretation of the much-debated papal bull Laudabiliter. Instead, William was skilfully engaging with current debates about the rectitude of Henry II's Irish expedition, and more broadly contesting emerging prejudices about England's ‘uncultivated’ neighbours, in order to effect a subtle critique of the king's involvement in Becket's murder.     

∆ιoνυσίoυ Σoλωμoυ, Φoιηματα και ϕεζζ 'Eϕιμέλεια καιεσαγσ Στυλιανòσ'Aλεζίoυ

Abstract

In the last issue of this journal there appeared an article by Bissera Pentcheva in which the author argued that before iconoclasm the cult of Mary knew no images, in particular in processions, and that in addition images of Mary had no significance as protector of the city. Such phenomena first appeared in the tenth century and were then projected back on the past. In order to examine this thesis we will need once again to review the sources.     

The Fabulous Tales of the Common People,Part 1: Representing Hadrian’s Wall

Abstract

Hadrian’s Wall is one of the most instantly recognizable ancient monuments in the UK. This paper explores the historical and contemporary visualization practices which have created this iconic image. Moving between the disciplines of archaeology, cultural geography, and heritage and tourism studies, the paper draws upon a variety of data sources such as paintings, photographs, models, and reconstructions to consider how the Wall is visually represented within contemporary public discourse. The paper focuses on digital photography and considers the ways in which images create and sustain particular readings of the Wall’s function and significance. These contemporary representational practices demonstrate strong continuities, and earlier images are used to provide historical context. Emphasis is placed on the monument’s landscape setting in visual representations and the importance of this environmental context for readings of the Wall’s cultural and political significance. The present paper deals primarily with representations of the Wall, but it is argued that these representational practices are also fundamentally embodied. The physical encounters of visitors and archaeologists will be considered in greater detail in the second part of this study (Witcher, forthcoming).     

"Unworthy Servants": The Rhetoric of Resignation at Canterbury, 1070–1170

Medieval attempts to resign episcopal office hold many complexities: legal issues, religious ramifications, and the personal motivations behind such acts. Taken at face value, appeals to resign appear direct and explicit; bishops desire release from an office they feel unworthy to hold, or in which they feel they have accomplished little. On closer scrutiny, however, many of these texts reveal purposes quite apart from resignation. Indeed, the attempts of three archbishops of Canterbury to resign office in the eleventh and twelfth centuries reveal strikingly similar rhetorical devices that indicate less a desire to leave office than to bolster the archbishops' spiritual authority. The requests of Lanfranc, Anselm, and Thomas Becket employ language designed to reinforce episcopal centrality at times when kings and even popes dis-regarded its importance, at least in the eyes of these archbishops. Despite the differ-ing circumstances that gave rise to each appeal for resignation, the stylized discourse in all of them suggests a need to make specific points that would rouse support for or bolster the perception of the requestor's episcopal status. All three archbishops, as well as their chroniclers or biographers, saw issues of Canterbury's leadership in the spiritual life of England at stake, and resignation became the means to pro-mote and advance the episcopal cause. By bringing repeated phrases of unworthiness or lack of accomplishment into their appeals for resignation, each man sought a response that would reassure him of his worthiness and ability to lead Canterbury.     

The Geoff Egan Memorial Lecture 2011 Artefacts,art and artifice: reconsidering iconographic sources for archaeological objects in early modern Europe

Abstract

This paper reviews a key dynamic in post-medieval archaeology, that is, the relationship between artefacts and images, and in particular the questions raised in the study of historic domestic material culture depicted in contemporaneous painting and prints. Both media underwent a major transformation from c. 1400. Two main groups of pictorial art containing domestic material culture are reviewed, namely pre- and post-Reformation art in the Netherlands and Germany and genre paintings of the Dutch Golden Age. The historical iconographic record may shed a potentially rich qualitative light onto the quantitative archaeological patterning. Excavations at Duisburg in the Lower Rhineland are selected as a rich source of archaeological correspondence.     

Strandloping as a Resource-Gathering Strategy in the Cape,South African Holocene Later Stone Age: The Verloren Vlei Record

ABSTRACT

Elands Bay and adjacent coastline near the mouth of the Verloren vlei on the South African Atlantic coast offered Later Stone Age foragers a variety of marine, estuarine, and terrestrial food resources. We suggest that strandloping (beachwalking or beachcombing) by latest Holocene foragers as a regular practice constituted an important component in their repertoire of subsistence activities. Washed-up mussels, seals, birds, whales, and other recently dead animals would have been available to such strandlopers. We distinguish strandloping as a subsistence practice from the procurement of living prey, including shellfish, mammals, birds, and other animals. The Holocene archaeological record of the Elands Bay area suggests changes through time in resource use, and these changes appear to be recognizable in patterns of shellfish gathering. During the latest part of the Holocene, between about 1,500 and 300 years ago, subsistence practices display a distinctive character that perhaps conforms more strongly than previously to what we conceive of as strandloping.     

ETHNICITY AND MATERIAL CULTURE IN ANTEBELLUM NORTH CAROLINA

Abstract

During the early to mid-nineteenth century, the expanding market revolution caused the broad distribution of a wide variety of mass-produced goods, even to frontier regions of the United States. This analysis uses the material assemblages from three contemporaneous sites (ca. 1840–50) in southwestern North Carolina that represent the households of Cherokee and white tenants and enslaved African Americans. Analyses of three distinct artifact classes suggest a homogenized material culture in which faunal remains are more illustrative than other artifact classes in identifying ethnicity.     

Ruodlieb VIII, 103

The essential question in this article is why Cyprian chose to suffer martyrdom sub Valeriano and not sub Decio eight years earlier. In his letters Cyprian defended what he called his withdrawal from the persecutors by referring to his obedience to God but also to his responsibilities as a bishop. It is claimed that Cyprian both in 250 and 258 acted as a patronus for his congregation, his behaviour being typical of an aristocratic pattern of behaviour.     

The Kitchen Area of Northolt Manor,Middlesex

Abstract

The Winchester Moot Horn was found in a chest in the late 19th century when the Westgate was cleared out in advance of its conversion to a museum. Although generally believed to be of late-12th- or early-13th-century date on stylistic grounds, and a civic horn appears in local documentary sources, its excellent state of preservation has always raised some doubt as to its antiquity. Recent study and scientific analyses have now confirmed its early date. A survey of other moot horns from England suggests that at least one other, from Canterbury, dates to much the same time.     

Political Theology as Liberative Theology

ABSTRACT

Challenging the widespread assumption that “political theology” as a discipline began with Carl Schmitt in the 20th century, this essay explores the biblical theme of God’s preferential option for the poor and oppressed first articulated as a modern political theology by Latin American theologians, but organically and independently manifest in US black liberation theology, and First World feminist theologies. At the heart of this movement is a commitment to speak truth to power at the risk of personal loss and even martyrdom.     

ZOOMORPHIC EFFIGY PENDANTS: AN EXAMINATION OF STYLE,MEDIUM, AND DISTRIBUTION IN THE CADDO AREA

Abstract

Caddo zoomorphic effigy pendants were crafted from a wide variety of raw material, such as freshwater mussel shell, Busycon perversum (whelk) marine shell, animal bone, and various types of soft stone. They have been documented at contemporaneous Late Caddo (A.D. 1400–1700) sites along the Red River in northeast Texas, southwest Arkansas, and northwest Louisiana; the Black Bayou, Big Cypress Bayou, and upper Sabine River basins in northeast Texas; the Ouachita River in south-central Arkansas; and the Arkansas River in central Arkansas and eastern Oklahoma. This paper describes the development of a comprehensive corpus that investigates stylistic groups, differential raw material or medium utilized, and the spatial distribution of zoomorphic effigy pendants throughout the Caddo area. Results reveal north-south heterogeneity, suggesting the presence of broader traditional cultural narratives associated with a complex idea that is manifest regionally in distinct stylistic forms and linked to Caddo beliefs concerning Beneath World themes. Additionally, this stylistic and spatial analysis offers an additional dataset to further explore social, political, and economic linkages among and between contemporary Caddo groups around A.D. 1500.     

Evidence of behaviour from refitting‐a case study

A re‐examination of the lithic remains from the preboreal site of R?rmyr II by means of the method of refitting has shown that the site represents the remains from a single occupation. In this article the authors focus on various behavioural aspects recognized within three contemporaneous activity areas on the site. Furthermore, the idiosyncratic knapping characteristics of the people who produced the material will be discussed. By distinguishing between the various types of refits represented, in addition to examining the implications of the typological inventory, the site of R?rmyr II has been characterized as a short‐term hunter's camp‐site, and not as a specialized hunting station.     

Medieval land remediation of a quarry site at Wallingford,Oxfordshire, revealed by microfossil analysis

Abstract

Backfill material from a 12th- to13th-century quarry, north of Wallingford, south Oxfordshire, comprises sandy loam overlain by Cretaceous (early Cenomanian; Mantelliceras mantelli Macrofaunal Biozone) Glauconitic Marl Member, of the West Melbury Marly Chalk Formation as identified by its abundant, biostratigraphically useful, foraminifera and ostracods. A local outcrop source of the Glauconitic Marl Member, less than 1 km north of the quarry pit, is the likely provenance of this material, and a contemporaneous road, which was discovered adjacent to the medieval quarry by magnetometer surveys and archaeological excavation, would have aided its transportation, into the town via the North Gate. We hypothesise that the use of a calcareous marl to overlay sandy loam deposits probably encouraged land restoration when the quarried area was returned to pastoral agriculture.     

Coils,slabs, and molds: examining community affiliation between Late Archaic shell ring communities using radiographic imagery of pottery

ABSTRACT

Radiographic imaging is used to determine the techniques used to form vessels from two contemporaneous Late Archaic shell rings in coastal Georgia. These data, in concert with decorative and technofunctional data, suggest that different potting communities occupied each ring. The presence of different communities at each ring corresponds with larger regional patterns in which localized socio-political bodies developed during the Late Archaic. The findings offered in this paper suggest that localized groups did not exist in isolation but rather lived near one another for centuries.     

Classical Temples and Industrial Stores: Survey Analysis of Historic Unreinforced Masonry (URM) Precincts to Inform Urban Seismic Risk Mitigation

ABSTRACT

Oamaru, Winton, and Invercargill feature some of New Zealand’s most intact heritage precincts that are confronted by ongoing threats of seismic activity. The 2010/2011 Canterbury earthquake sequence and Canterbury Earthquakes Royal Commission of 2012, identified a nationwide trend through the proportion of deaths that occurred in public places as a result of the prevalent historic unreinforced masonry (URM) building stock. The reported study was undertaken to address urban safety and seismic risk mitigation through the lens of heritage conservation. The range of classically designed public buildings and industrial warehouses in the South Island of New Zealand were often produced by singular architectural practices, using locally sourced materials and construction techniques. It is vital to incorporate an examination of unique architectural qualities within urban seismic risk assessment and mitigation. Historic urban layout, architectural deployment of masonry, and extent of retrofits were recorded through onsite visual surveys via Geographical Information Systems and three-dimensional representation technologies. Extending the scope of information collected for engineering seismic risk assessment by focusing on the historical architectural context informs the selection of future mitigation measures. Oamaru, Winton, and Invercargill present intriguing case studies for multidisciplinary analysis, prior to testing urban-scale survey approaches within comparable historic centers across New Zealand.     

Reviews of Books

Abstract

Responding to the relatively sparse literature on choir stall canopies, this article concentrates on the micro-architectural canopies of the Lincoln, Chester and Nantwich stalls of the late 14th century. At Lincoln, a new three-dimensional polygonal canopy design appears, the precedents and sources for which include the York Minster chapter-house stalls, tombs, bishops' thrones and the Stratford monument in Canterbury Cathedral. The circumstances of the commissions of the Lincoln, Chester and Nantwich stalls are explained, with reference to patronage and architectural projects. Ambitious patrons commissioned stalls which broke with the tradition of double-screen construction in order to create impressive tabernacle canopies.     

William Temple: Christianity and the Life of Fellowship

Abstract

William Temple is best known for his contribution to the forging of a social consensus that resulted in the foundation of the post-war British welfare state following his untimely death in 1944 after only two years as Archbishop of Canterbury. Widely regarded as the most theologically gifted holder of that office since Anselm, his pioneering contribution to the elucidation of a methodology for Christian social ethics which emphasized the role of ‘Principles’ that should inform Christian social action and reflection reinvigorated the Church of his generation in the task of bringing to bear the Christian message on social problems. What is less well appreciated is how he was not only the spokesperson for the most advanced Christian witness in the inter-war years, but that he also provided a basis for Christian ethics that brought together the strengths of the Anglican incarnational theology stemming from F. D. Maurice with the British tradition of philosophical social idealism. Often moving from the circumference to the centre, he sought to relate philosophical questions and insights to the richness of the revelation of God in the person of Jesus Christ. He was as at home in this task as he was in leading a mission on a Blackpool beach and the British public loved him for it. He was, as Winston Churchill said at the time of his elevation to Canterbury, "the half-crown article in a penny bazaar."     

Upwardly Mobile Footnotes: German References in the Encyclopédie des gens du monde 1

Images should be released from the monopoly of art history and integrated into the study of history itself. For culture, in the strict sense of the term, is an essential aspect of political history, especially in a state as centralised as 18th- and 19th-century France. This is the context in which visual images of Napoleon should be explored. Under the Directory, he began shrewdly to exploit paintings and engravings in his first campaign to win over public opinion, rapidly achieving renown by putting a face to his name. The development and profusion of images under the Consulate and Empire reveal the way, or ways, in which Napoleon sought to present himself to contemporaries and posterity. They also illustrate his main objectives: the strengthening of his power and the consolidation of his dynasty. The number and variety of these images suggest that he was acutely aware of his lack of legitimacy. Napoleon himself realised just how much he resembled a 'colossus with feet of clay'. In order to base this colossus on firmer foundations he set to work all the means at his disposal, not least painting and sculpture.