Inaugural Address at Durham

Abstract

The documented gift of Kilpeck church to St Peter's Abbey (now the Cathedral), Gloucester, is taken as the starting-point for the examination of sculptural and architectural links between Gloucester and Gloucestershire churches, on the one hand, and Kilpeck and Herefordshire churches, on the other. Technical aspects of the so-called Dymock School of Sculpture emphasise its importance in the formation of the Herefordshire School. Aspects of Roman and Anglo-Saxon heritage are also considered.     

A Carved Romanesque Springer with Voussoirs in Church House,Gloucester Cathedral

A Romanesque double-springer and five voussoirs, decorated with foliate carving and pellet, have been reused as a door-head in the ground floor of Church House, Gloucester Cathedral. The carved stones are illustrated, together with a reconstruction of the original double arch, which may have come from an early 12th- century pulpitum screen or the arcade of the first Norman cloister.     

Observations on the Ancient City Walls of Rochester

Abstract

A recent survey of the floor-tiles of Cleeve Abbey has revealed a much larger range of designs and fabric groups than had previously been assumed. The style of the earliest pavements derive from those laid at Clarendon Palace in the first half of the 13th century, and may have been made on site. In the late 13th century tiles of high quality were imported from the Gloucester region to pave the frater. The next group of tiles came from a Somerset tilery operating at the same time or just after the Gloucestershire tilery. By c. 1330 the entire church was paved along with the sacristy and chapterhouse, using tiles made by a local industry. There was no revival of tile-making after the mid-14th century.     

The Great East Window of Gloucester Cathedral and its Heraldic Glass

Although the coats of arms in the great east window of Gloucester Cathedral are often associated with Edward III’s 1346–47 military campaign in France, the window’s function as a commemorative monument has never been thoroughly studied. The aim of this paper is to provide a political and social contextualisation to the heraldry of the east window, while considering its symbolic meaning (and possible intention) in the framework of the window’s iconography and spatial setting. In regarding the heraldry as thematically connected to the window’s overall theme, and by examining the window in correlation to contemporary discourse on England’s military victories, this paper demonstrates how the window’s composition evokes the exalted social position of Edward III’s military companions after the victories in the first phase of the Hundred Years War. Additionally, this paper argues that the window coincides with Edward III’s kingly ideals by celebrating his rule and lineage as divinely blessed, while affirming his right to the French throne.     

On the Coins of Uriconium

Abstract

This paper investigates for the first time the imagery of the octagonal crossing-tower at Ely Cathedral, attempting a reconstruction of the original programme in the light of newly-discovered sculptural fragments and antiquarian drawings. The scheme is shown to have been extremely sophisticated, articulated through a variety of media, including wall-paintings, stained glass and sculpture in stone and wood. The relationship between Ely and Westminster is touched upon and the view of recent research that there was a much closer connexion between works executed at the Court and those in the provinces than had formerly been supposed is supported by the discovery of an Ely model for some of the wall-paintings in the palatine chapel of St Stephen, hitherto seen as rather isolated in mid fourteenth-century England. The iconography of the Octagon's imagery and its original place within the great architectural works then being undertaken at Ely is also analysed, and it is suggested that the man responsible for drawing up the Octagon's programme was the monastic sacrist, Alan of Walsingham.     

The Hall of Oakham

In February 1980 the Winchester City Archaeology Office undertook the excavation of a burial discovered by workmen in the south aisle of Winchester Cathedral. A partly decomposed skeleton and the remains of woollen clothing and leather shoes were found contained in a stone coffin. Analysis of the skeletal material, textile and leather combined with the evidence of its location suggest the burial of a man of high status in medieval society. On the basis of the clothes and in the absence of any ecclesiastical parallels he seems likely to have been a layperson rather than a cleric. The style of shoes and coffin make a date of burial before the mid-thirteenth century likely.     

Identifying stone tools used in mining,smelting, and casting in Middle Bronze Age Cyprus

Abstract

Metallurgical production sites are often difficult to identify in the archaeological record because ore beneficiation and slag processing in the past involved the use of ground stone tools that were similar to those used in other contexts to prepare cereals and foods. Analysis of the ground stone assemblage from a Middle Bronze Age copper mining and production site at Ambelikou Aletri in Cyprus provided an opportunity to distinguish industrial and domestic ground stone tools and to identify the types of tools used in different stages of metal production. A comparison of tool morphologies, raw materials, and wear and breakage patterns from Ambelikou Aletri with those from contemporary domestic contexts, suggests that distinctions in the nature and structure of industrial and domestic tool kits do exist and those distinctions have an important role to play in identifying mining, smelting, and casting sites in the future.     

Typological Classification,Attribute Analysis,and Lithic Variability

Abstract

A typological research strategy can distort the analysis of Upper Paleolithic stone tools because it is ill-equipped to distinguish stylistic and functional similarity. This lack can make the significance of formal stone tool types in either culture-historical or behavioral analysis ambiguous. “Attribute analysis,” as it is being developed with French Upper Paleolithic materials, is introduced as an alternative strategy. The stylistic and functional analysis of burins in three Upper Paleolithic cultures, the Perigordian VI, the Proto-Magdalenian , and the Magdalenian II-III, is presented as an example indicating the advantages of one approach over the other.     

Fuel Fodder and Faeces: An Ethnographic and Botanical Study of Dung Fuel Use in Central Anatolia

Abstract

The Norse inhabited Greenland between AD 1000 and AD 1500 and, toward the end of the occupation, according to archaeological evidence, they were predominately marine mammal hunters. Despite the fact that marine resources became important for subsistence, the Norse Greenlanders settled the area in o?der to farm. This is indicated by site locations, faunal material, archaeobotanical, and palynological evidence.

Phytolith analysis from a quern stone, likely made from stone of local origin, found at Gården Under Sandet, a Norse farmstead in Greenland, was examined to determine if there was any evidence indicating domestic cereal processing. The phytoliths found on the quern stone can be associated with grasses and sedges, but the absence of dendritic phytoliths likely indicates that the quern stone was not used to grind seed. This preliminary study demonstrates that information about Norse agriculture may be obtained by examining the phytolith remains from a quern stone.     

Slicing Cut Marks on Animal Bones: Diagnostics for Identifying Stone Tool Type and Raw Material

Abstract

Butchering implements leave identifying signatures on bones. From these signatures, it is possible to distinguish the different raw materials and types of chipped stone butchering tools. The results of recent experiments enable us to distinguish the different types of raw materials and tools used in the butchering process, in particular those implements that produce slicing cut marks. Three types of chipped stone tools (blades,flakes, and side scrapers) and raw materials (flint, obsidian, and quartzite), as well as issues relevant to lithic production and use were examined and tested. Silicone molds of cut marks produced by each of the instruments were made and subjected to analysis in light optical and scanning electron microscopes under various levels of magnification. The criteria used for distinguishing tool type, raw material, type of production and use characteristics of the respective cutting instruments are presented, as well as a discussion of the application of the experimental results to the Early Bronze Age I site of Afridar, Israel. The data from Afridar indicate that almost all of the butchering marks on animal bones from the site were made by stone tools, in particular haphazardly-made flakes.     

On Medieval Earthenware Vessels

Abstract

Anglo-Saxon architecture was first securely identified in the early 19th century, after which its characteristics were progressively defined and discussed. At the beginning of the 20th century, Gerard Baldwin Brown assembled a corpus of the surviving structures, analysing their architectural styles and attempting to date them; this process was continued and refined by Harold Taylor, culminating in his three-volume opus (1965–78). Since then, many new discoveries have been made and detailed studies of individual buildings carried out, together with major excavations at Winchester, Wells, Gloucester, Jarrow, Wearmouth, Barton-upon-Humber and other locations. Research has also been directed towards the remains of painted decoration on stone and plaster, and on the small amount of carpentry surviving from the period. Consequently, the volume of evidence relating to Anglo-Saxon churches, their construction and decoration has increased enormously. In particular, there has been a growing realisation that these churches were not the ‘rude structures’ that they were dubbed by early antiquaries, but sophisticated in design and execution. Moreover, they were highly decorated internally, and probably externally too. This paper reviews some of the evidence gathered over the last forty years, mainly through archaeological investigation, both above and below ground. It concludes that we have hitherto underestimated the physical complexity and the architectonic and artistic qualities of Anglo-Saxon churches. It is now possible to reconstruct from ephemeral evidence a much greater understanding of the three-dimensional form and decoration of these buildings.     

Reviews of Books

Abstract

Responding to the relatively sparse literature on choir stall canopies, this article concentrates on the micro-architectural canopies of the Lincoln, Chester and Nantwich stalls of the late 14th century. At Lincoln, a new three-dimensional polygonal canopy design appears, the precedents and sources for which include the York Minster chapter-house stalls, tombs, bishops' thrones and the Stratford monument in Canterbury Cathedral. The circumstances of the commissions of the Lincoln, Chester and Nantwich stalls are explained, with reference to patronage and architectural projects. Ambitious patrons commissioned stalls which broke with the tradition of double-screen construction in order to create impressive tabernacle canopies.     

Le Décor Peint de la Maison Médiévale: Orner pour signifier en France avant 1350

Abstract

The remarkable survival of considerable elements of a large rose window at Elgin Cathedral allows an accurate reconstruction of its form. The design can be shown to be from the mainstream of rose window tracery patterns in northern Britain and can be related to the pre-1390 west front of the cathedral. When reconstructed the design of the front shows close affinities with the west front of Arbroath Abbey which also featured a large circular window. Certain elements of the tracery also show similarities with the eastern rose window reconstructed at Fountains Abbey and indicate strong links with sources in northern England.     

Comparing Axe Heads of Stone,Bronze, and Steel: Studies in Experimental Archaeology

Abstract

This paper presents inferences based on the results of an experimental project comparing the effectiveness of stone, bronze, and steel axes in felling trees. The study shows that bronze is as efficient as steel for this task, and therefore the two material types can be considered equivalent when comparing technologies. We support the findings of other studies indicating that metal axes are more efficient than stone axes in a number of ways other than effort expended. Other variables that affect tree felling efficiency are discussed. Tree type, tree diameter, and axe type are the most important, but other factors may also be significant. The use of regionally specific estimates for tree felling time is suggested when making cultural inferences based upon experimental data.     

Seismic Assessment of the Lima Cathedral Bell Towers via Kinematic and Nonlinear Static Pushover Analyses

ABSTRACT

The protection of cultural heritage against earthquake induced actions is one of the main challenges the earthquake engineering science and practice are facing. This article presents a seismic assessment study on one of the most ancient colonial buildings present in Peru, the Cathedral of Lima, focusing on its towers. A historical review highlighted how these structures, together with the whole Cathedral, suffered intense damage and partial collapse during previous earthquakes. In order to identify the structure main deficiencies, both linear kinematic analyses and nonlinear static analyses have been performed. Different nonlinear finite element models have been created to evaluate the influence of the adjacent walls. Different load distributions have been compared to evaluate how simplified patterns could provide results close to load distributions taken from a modal analysis of the complex. A simple retrofit strategy, consisting on the introduction of steel ties, has also been studied as a reference. Results show good correlation between kinematic and pushover analyses. The construction, when compared to the requirements of the national code for new buildings, results significantly vulnerable, pointing out the need to accept some structural damage even after seismic retrofit.     

‘China-ware in the skies’: overlapping identities in the ornamental use of plates in Uruguay

Abstract

This is the study of a church where tableware manufactured in Great Britain was used to decorate the façade in the early 19th century. An argument is made that this one surviving case points to a larger regional tradition, now lost, whose greatest exponent was Montevideo Cathedral, Uruguay. The hypothesis presented here is that the use of British plates in religious façades shortly before the South American Wars of Independence was part of a search for identity in a region trying to break away from Spain, and in the process of becoming a small republic between the two larger countries of Argentina and Brazil.     

Swedish limestone paving in 17th-and 18th-century English buildings

Documents concerning buildings by Christopher Wren record the use of Swedish and Danish marble as a paving material. In order to establish the origin of these marbles, original pavings are examined at St Paul's Cathedral and elsewhere. Through analyses of samples and by means of other evidence both marbles are identified as Orthoceras Limestone from the Swedish island of Öland. The stone industry of Öland is described and the import of Swedish stone into England in the 17th and 18th centuries is traced through Scandinavian and English customs accounts.