‘Underhand Dealings with the Papal Authorities’: Disraeli and the Liberal Conspiracy to Disestablish the Irish Church

During the parliamentary election of 1868, Prime Minister Benjamin Disraeli sent a ‘gentleman spy’ to Ireland to seek evidence showing that William Gladstone had agreed to disestablish the Church of Ireland in return for the Vatican's promise of Irish catholic votes. Proof of this conspiracy, Disraeli hoped, would prompt an anti‐catholic backlash and tip the election to the Conservatives. Disraeli's spy spent four weeks interviewing various Liberal politicians and Irish catholic prelates and claimed to have discovered not only a secret agreement between Gladstone and the bishops, but also a vast Vatican conspiracy to use Irish nationalist agitation to undermine the English constitution. Unfortunately, he never found written proof of any either scheme. The Liberals won the election by a large margin and soon passed an act disestablishing the Church of Ireland. Although out of office, Disraeli remained in contact with his secret agent, using him for further missions in England and on the continent. Despite its failure, the spy's mission offers fresh insight into Disraeli's character and policies. Disraeli combined opportunistic political scheming with a weakness for conspiracy theories. His agent's mission to Ireland was certainly an intrigue meant to turn the political tables on the Liberals but was based on Disraeli's belief that Rome actually had conspired with Gladstone. Recognition of Disraeli's faith in the existence of papal conspiracies helps to make his public statements about disestablishment more comprehensible and suggests a new explanation for his ongoing inflexibility in regard to Irish grievances and reforms.     

The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory

This article offers a new perspective on Victorian freakery and prehistory by reading the career of Krao Farini, the ‘Missing Link’, through lenses of queer theory and archival studies. Born in Laos with hypertrichosis, a condition that produces an abundance of body hair, Krao transformed into living proof of the ‘Missing Link’ upon migrating to London in the 1880s. I contextualize Krao’s exhibition by situating her show within contemporaneous visual, textual, and performed examples of the ‘Missing Link’. Reading Krao alongside these other ‘Missing Links’ illuminates inconsistencies in their representations of gender and sexuality that nullify firm distinctions between ‘pre’ and ‘history’. I argue that the freak show’s ‘Missing Link’ materializes rhetorical and epistemological connections between Victorian prehistory and contemporary queer historiography to provide a valuable framework for accessing queer archives otherwise buried in the historical record. Though the correlations between prehistory and queer history are not necessarily explicit, locating their similarities reveals how persistent notions of Victorian time inform contemporary queer scholarship. Presaging recent queer archival interventions, Krao’s remaining archive demonstrates how prehistory breeds alternative models of evidence that disorder the archive’s relation to time: evidence of the ‘Missing Link’ unravels the language of stability, family, and presence on which archives typically rest. Resisting the implicitly heteronormative logic of the archival document, prehistory makes possible new ways of narrating Victorian histories of freakery, imperialism, and gender and sexuality.     

Portraits of the Artist as Politician,the Politician as Artist: Commemorating the Disraeli Phenomenon

This article examines the reception of Benjamin Disraeli as a bestselling novelist and respectable elder statesman as reflected in obituaries and biographical sketches appearing in the wake of his death in 1881. It starts out by tracing Disraeli’s entry into the popular imagination during his lifetime before focusing on the intersections of literary and political fame in late nineteenth-century commemorations. Disraeli’s posthumous media reception reveals that his deft migration between the literary and the political fields as closely interconnected arenas of self-fashioning crucially influenced his position as one of the most eminent figures in Victorian public life. It will be shown, however, that the narrative of the duality of Disraeli’s public acclaim is complicated by the celebrifying impact of his lifelong position as a social, ethnic, and intellectual outsider who transgressed Victorian norms and categories. In its attempt to unpick the multiple layers of Disraeli’s Victorian pre-eminence from the angle of Celebrity Studies, this article illuminates the tension between processes of self-fashioning and media appropriation that informs the production and consumption of fame and celebrity in nineteenth-century Britain and beyond. It thus participates in an ongoing scholarly conversation about the cultural history of fame and celebrity, presenting Disraeli as a type of media celebrity whose public profile was fashioned from a variety of dynamically interacting and mutually sustaining manifestations of fame.     

Beyond the stereotypes: Mary Lavin's Irish women

This paper discusses Mary Lavin's place within the Irish literary tradition by means of an analysis of her representations of female characters. It argues, first, that Lavin's short stories depart from the short story tradition in general and the Irish short story tradition in particular by failing to subscribe to the cultivation of the romantic outsider and focusing instead on family relations and social responsibilities. Second, Mary Lavin's marginal position in a feminist or female literary tradition is explained through her unwillingness to portray women as victims and through the absence of a clear critique of patriarchy in her work. The paper then tries to characterise the relationship between individual and society in Lavin's short fiction in a more positive way, by focusing on the notions of individual fate and personal responsibility, which turn out to be crucial to Mary Lavin's philosophy. This philosophy is first discussed explicitly in a reading of the story ‘Happiness’ and ‘The Widow's Son’ and subsequently shown to lie behind the oppositions and dilemmas in several other stories. Finally, the article demonstrates how Lavin manages to realise her Nietzschean belief in an Amor Fati in some of her most positive female characters through a clever use of imagery and point of view, without thereby succumbing to sentimentality or cliché.     

Power and Historical Figuring: Rachael Pringle Polgreen's Troubled Archive

Rachael Pringle Polgreen, a freed‘mulatto’ woman who owned an infamous brothel/hotel in Bridgetown, Barbados during the 1770s and 1780s became known to her contemporaries through her role in the (sexual) entertainment of transient naval officers and the visits of Prince William of England. Piecing together ‘evidence’ from her will, estate inventory, a nineteenth‐century novel, a lithograph and an interview with a British officer, I engage Polgreen's complicated and fragmented archive, revealing how Polgreen represents an example of the problems with sources depicting women of African descent who lived in a slave society and the silences that inundate their archive. The first part of this article critically re‐examines pieces of her archive, through which an image of Polgreen emerges incommensurable with narratives of her triumphs. Next, through an analysis of the processes by which Polgreen is historically confined by powerful archival and subsequent historical representations, I challenge previous assumptions about her life. Finally, introducing material from the British parliamentary debates in which an incident involving Polgreen is described and new material from Barbados deeds left by Polgreen's former slave, I expose the nuances of Polgreen's ‘agency’ in a slave society – that which depended upon her sexual subjugation of other women of African descent.     

The Case of Mister X (Formerly Miss X): Intersexuality in Modern Kenya and the Ethics of History Writing (c. 1940-present)

Relying on fragmented archival records, this article examines the life of Mr X – an intersex Kenyan – who was raised as a girl but, after a surgical operation in London in 1968, became a man. With assistance from officials, the wealthy and well-educated Mr X received new identity documents, which recognised him as male and, in turn, preferential land access. Mr X's story makes clear the importance of class in decolonising Kenya and reveals how state power could deeply shape Kenyan lives. Indeed, the state produced most of the archival traces on Mr X's life. This history not only offers rare insight into the life of an intersex Kenyan in the mid-twentieth century, but it also raises questions about biography and historical evidence, how we piece together human stories in spite of the epistemology and erasure of the archives, and how we do so ethically. Given ethical concerns about maintaining Mr X's anonymity to protect his family from stigmatisation and discrimination, I withhold some available information. Where possible, though, I enrich the evidentiary fragments by rendering the context in detail and drawing on comparative contemporaneous accounts of intersex Kenyans. The conclusion explores contemporary Kenya's legal recognition of intersex identity and gestures to the building of a new intersex archive.     

Straight Pins,Gauze, and Linotypes: The Cuban Post-Soviet Artists’ Book

Matanzas’s Ediciones Vigía and Holguin’s Ediciones Cuadernos Papiro construct an arc from the revolutionary 1960s and its investment in collective and communal goods, to the increasingly privatized 1990s and 2000s through their materials and procedures, as well as through their engagement with the figure of the archive. I contend that the books printed by Ediciones Vigía and Ediciones Cuadernos Papiro are both artists’ books – that is, books that are art unto themselves – and books as ‘archives’. Here, I understand the ‘book’ as ‘archive’ in a similar fashion as art historian Hal Foster interprets ‘archival art’: that is, art, in this case book art, that ‘draws on informal archives but produces them as well’ in an effort ‘to make historical information, often lost or displaced, physically present’. The hand-made books of Ediciones Vigía and Ediciones Cuadernos Papiro project a new figure of the reader and occupy social spaces that are radically different from their predecessors. Where Cuban institutional archives have left incomplete territories of the Revolutionary-era and pre-Revolutionary book, the 1990s and 2000s ‘archival book’ incarnated in Ediciones Vigía and Cuadernos Papiro has come to occupy these voids in a compensatory fashion as an ‘archival’ product.     

The Lost Leader: Sir Stafford Northcote and the Leadership of the Conservative Party, 1876–85*

Sir Stafford Northcote has gone down in history as a man who fell short of the ultimate achievement of being prime minister largely because of personal weakness, and lack of political virility and drive. The picture painted by Northcote's political enemies – most notably the Fourth Party – has been accepted uncritically. Yet, political motives lay behind the actions of these supporters, and their harsh black and white portrait is not illustrative of the complexity of the situation in which Northcote found himself. Although individual characteristics undoubtedly played a part in his final political failure, underlying dynamics and structural transformations in politics and political life were more significant. It was more than simply the misfortune in succeeding the exceptionally charismatic Disraeli as leader. Northcote was faced with unparalleled disruption in parliament from Irish Nationalist MPs; the starkly polarised debate on the eastern question left him detached as a moderate. His temperament was better suited to constructive government rather than to opposition. However, following general election defeat in 1880, Northcote was denied this opportunity. Equally, his position in the lower House denied him the capacity to define a clear political critique of the Liberal government. Northcote's leadership of the party reflected the changing nature of British politics as radicals, tories, Irish Nationalists and Unionists increasingly contested the consensual style more appropriate to the political world of Palmerston and the 14th earl of Derby.     

Covert Control? Indigenous Agency in Edward Winslow Gifford’s Fijian Archaeological Expedition of 1947

ABSTRACT

The story of University of California archaeologist Edward Winslow Gifford’s 1947 Fijian fieldwork has been told up to now as a classic piece of colonial fieldwork with aims and direction dictated by the foreign specialist. But examination of the extensive Gifford archive held in the University of California Berkeley’s Bancroft Library and its Hearst Museum and a bit of ‘reading against the grain’ reveal a quite different story. Indigenous agency played a major, probably even decisive, role in how the expedition unfolded. The value of archival research into the history of archaeology, and particularly its contribution to the teaching of archaeological practice today, is significant in revealing ‘hidden histories’ that make a difference.     

Silas Marner,Catalepsy, and Mid-Victorian Medicine: George Eliot's Ethics of Care

‘Silas Marner, Catalepsy, and Mid-Victorian Medicine’ reads Eliot's novel Silas Marner through the history of medicine, and particularly in the context of Marner's strange cataleptic trances which embody his alienation and suffering. Eliot, I argue, employs catalepsy in order to investigate ideas of illness and care, especially as that relates to professional medicine and to ideas of community. Focusing on cataleptic case histories and on Eliot's personal health concerns I show how issues of care become philosophical questions about ethical responsibility. It is through Silas Marner and his catalepsy, I conclude, that Victorian scholars can come to understand more about what that means within Eliot's canon and, more widely, in the mid-Victorian period. Overall, the article provides a unique reading of Silas Marner, drawing on significant new archival research on catalepsy and in Eliot's writing of illness narratives.     

Positioning Patronage: Lanyer's Salve Deus Rex Judæorum and the Countess of Cumberland in Time and Place

This article places the composition and publication of Aemilia Lanyer's Salve Deus Rex Judæorum within the context of particular periods in the life of Margaret Russell, Countess of Cumberland and her daughter, Anne Clifford, Countess of Dorset. Lanyer's use of mirroring, shared discourse, possible worlds and reconstruction of memory all relate to these periods and were designed to engage the interest of Russell and Clifford. Through the identification of the period of the women's stay in Cookham in 1604, Lanyer's poetic strategies – directly appealing to Russell – can be identified. Lanyer's decision to publish her verse collection in 1610 was also influenced by events in the lives of Russell and Clifford, thus providing insight into Lanyer's canny understanding of patronage in the period.     

Darwin Wept: Science and the Sentimental Subject

Could a man of science be sentimental in an age of objectivity, when emotions were largely purged from the field of Victorian science, and feelings themselves defined as animal instincts and reflex mechanisms? This essay addresses the question through Darwin's work on the expression of emotions, and the relationship between his work and his own emotional experience, with particular attention to grief and tears. An old woman in a railway carriage is suddenly overcome with a painful recollection, perhaps that of a long lost child – her mouth becomes ever so slightly contracted, her countenance falls, her eyes suffuse with tears … . An opthalmic surgeon perseveres with his treatise on the physiology of weeping while mourning the loss of his daughter … . With difficulty, a mother prolongs her infant son's screaming in order to record the shape of his mouth for a family friend and famous naturalist … . Her observations later appear in a work on emotional expression (Darwin's), together with photographs of sobbing children, and faces of a psychiatric patient charged with electrodes. Such subject matter, presented in correspondence, private journals, and print, suggest that science and sentimentality could form a more reciprocal pair, where observation was conducted in a sentimental setting, the feelings of observers regulated but not withheld, processed by an experimental regime, and then reinserted in the domain of print, reconfiguring the sentimental for Victorian readers.     

Poison and romance: Oscar Wilde and the strange case of Edith Thompson

Oscar Wilde considered crime and sin no impediment to art or culture, as the case of the poisoner-artist-critic Thomas Wainewright (1794–1847) allowed him to demonstrate. English society of the time, as George Orwell famously declared, was as fascinated by poisoning as was Wilde. One of Orwell's cases was that of Edith Thompson who, along with her young lover, was convicted in 1922 in London of conspiracy to murder her husband whom it was alleged she had tried to poison. She and her lover were hanged in early 1923. Thompson's preoccupation with poison was entangled with her preoccupation with popular romance fiction of the day which she read copiously and discussed perceptively with her lover in the letters that helped to convict her. Her favourite novelist was Robert Hichens, the acquaintance, imitator and caricaturist of Wilde. She quoted Hichens's novel Bella Donna (1909) in letters to her lover, including on the practical matter of poison, which helped convince the jury of her guilt. Her trial, like Wilde's trials – all involving sexual transgression – raised the difficult question of whether literature could poison and influence for the worse its readers or whether it lay outside both morality and the world of action. Moreover, were Thompson's own letters literature and fantasy or were they oblique discussions of practical intent, including the intent to murder? As in the case of Wilde, a larger question supervened. In part through her reading, in part through her own experience, Edith came to believe, even before the murder, that freedom is an illusion, fate an inescapable reality.     

The reader as writer,the author as con artist: Nuala O'Faolain and the criminal narratives of Chicago May

Nuala O'Faolain seeks to revise the life story of May Churchill Sharp, an international con woman born in Ireland, in hopes of establishing a feminist identification with her. But O'Faolain's claim for her writing of a kind of authorial authenticity ultimately precludes an identification with Sharp, as Sharp's narrative – like all narratives – is a criminal narrative which renders feminist ‘authenticity’ impossible to achieve, something O'Faolain herself refuses to acknowledge.     

The Authoritative Medium: George Eliot,Ruin, and the Rationalized Market

This essay analyses the competing dynamics that shaped the formation of market relations in mid-nineteenth-century Britain: abstraction and rationalization, on the one hand, and embeddedness and personalism, on the other. It takes as its central case the mid-century debates over bankruptcy reform, focusing in particular on two textual representations of ‘ruin’: the system of certificates classifying bankrupts according to their culpability of character, established in 1849 and abolished in 1861; and Eliot's 1860 novel The Mill on the Floss, with its account of financial and sexual ruin. I argue that the debates surrounding the character certificates' intervention in market relations, and Eliot's explorations of abstract and embedded or sympathetic modes of knowledge were part of a larger concern to negotiate the tensions produced by the contemporary impulse toward market rationalization. Eliot's mode of omniscient narration – her construction of a simultaneously interested and disinterested, authoritative and sympathetic narrative voice – represented, I suggest, a novelistic instance of a broader cultural fantasy that an approach to character representation could be found that would mediate the changing marketplace. At the same time, her narration of the story of debt through familial and sexualized representations highlights the way that the personal continued to pose a challenge to the establishment of market rationality. However, despite the generic distinctions that can be traced, I argue that their shared interest in character provides grounds for the project of reading across genres, and suggest that the cultural history of the Victorian credit economy requires attention to what different genres have in common, as much as how they have diverged.     

Creole Performance in Wonderful Adventures of Mrs. Seacole in Many Lands

Mary Seacole's autobiography has been read as a feminist performance as well as a paradigmatic Victorian travel narrative. While these assessments address important aspects of the memoir, neither affords the author's Jamaicanness significant space in its analysis. This essay addresses the silences left when Wonderful Adventures is removed from its Jamaican context, then offers a reading of it from this perspective. Grounded in histories that document nineteenth‐century Jamaican social categories, the article analyses Seacole's book using Caribbean literary perspectives that explore raced, ‘coloured’ and geographically‐located identities. The result is an interpretation of the memoir that offers insight into Jamaica's Creole population, its status and colour politics, and identity concerns. All have been expertly shaped by Seacole's rhetorical manoeuvres.     

狄斯雷利与东方危机时期的英国政治斗争

1875-1878年的东方危机几乎贯穿了狄斯雷利的整个第二届首相任期.在这次危机中,狄斯雷利不仅在国际舞台上为维护英国的利益纵横捭阖,还在国内与格拉斯敦为首的自由党反对派和以德比为首的党内反对派明争暗斗,而后者在相当大的程度上影响了狄斯雷利外交政策的基调.分析狄斯雷利的帝国主义观点以及当时的国内政治斗争,无疑有助于我们从一个侧面加深对英国东方政策的认识和了解.     

‘The innate yearnings of our souls’: Subjectivity,Religiosity and Outward Testimony in Mary Howitt's Autobiography (1889)

Recent years have seen a resurgence of interest in women's involvement in nineteenth-century religious cultures. However, the overwhelming focus remains firmly on the role of religion in providing motivation, sustenance and justification for women's involvement in feminism and other public campaigns. Questions of faith and devotion, spirituality and Christian selfhood, and the relationship of spiritual freedom to other liberations – religious issues that are at the heart of many women's life histories – remain largely unaddressed. This article focuses on the life of Mary Howitt, the popular nineteenth-century English poet, journalist and campaigner for women's rights, whose Autobiography (1889) describes an extraordinary religious journey. Raised in a strict Quaker household, Howitt resigned from the Society of Friends in the midst of a Unitarian interlude in the 1840s, became deeply involved with Spiritualism in the 1850s and 1860s, and finally moved to Rome, both physically and spiritually, at the end of her life. The article explores Howitt's representation of the Quaker piety of her youth as stifling and oppressive in its concern with outward forms of religious observance, particularly an emphasis on a traditional style of dress and on resisting ‘worldly’ activities, including poetry and art. A reading of the autobiography alongside her earlier writing reveals how themes become ‘composed’ into a coherent, stable life story, one shaped by later nineteenth-century public discourses that allowed for a greater religious fluidity and a new reflection on childhood experiences.     

On Not Reading The Soldier’s Pocket-book for Field Service

This essay focuses on Garnet Wolseley’s controversial war instruction manual, The Soldier’s Pocket-book for Field Service (1869). While the Pocket-book’s contribution to discussions of reading and soldiers’ education has carved out a significant place for it in Victorian military history, in its day it was constantly contested and undermined by contradictory representations, as a book much talked about but little read. This essay is an exercise in tracing these eccentric reception histories, as an acute reminder that books may well have vibrant intellectual lives without actually being read. To examine the literary and material circulation of the Pocket-book in the late nineteenth century, it draws on archival research in the Macmillan Archive and Wolseley’s private papers to discuss the genesis of the text not just as a compendium of information but also as an object that is handled, carried, and exchanged. I juxtapose these considerations with episodes in the representation of the Pocket-book: in an anti-war pamphlet; an anonymous satirical drawing found in Wolseley’s personal scrapbooks; and in Kipling’s short stories about British soldiers in colonial South Asia. In all of these, the Pocket-book is characterized as a dubious, even dangerous text – one that was neither read, nor should be. The examples demonstrate three of the different trajectories through which the Pocket-book emerged as an unread book in the Victorian imagination: through encouragements not to read, rejection, and misappropriation.