Commemoration in Australia: A memory orgy?

Australia's commemorations of the First World War have thus far been massive at both the government and local levels, reflecting and affirming the dominance of the memory of war and the ANZAC ‘legend’ in the national political culture. The commemorations in 2014–15 triggered some debate about the commodification of the memory of war and the possibility of commemoration fatigue, but the centenary of the key commemorative event, the landing at Gallipoli on 25 April, attracted large crowds and blanket media attention. Whether Australians of culturally diverse backgrounds engaged with these centenary commemorations, and how strongly they identify with the ANZAC legend as the dominant narrative of Australian nationalism, however, remains unclear.

澳大利亚对一战的纪念迄今在政府和地方层面都大张旗鼓,反映并肯定了在国家政治文化中战争记忆以及澳洲军团传说的岿然不移。2014-15年的纪念活动引发了关于战争记忆被商品化以及纪念疲劳症的辩论,虽然一些关键事件如4-25的加里波利登陆的百年纪念日吸引了大众以及媒体的关注。不过文化背景各色各样的澳大利亚人士是否都参与了这些百年庆典,他们在多大程度上将澳洲军团的传说当做澳大利亚民族主义的主流叙事,这些都不清楚。     

The politics of memory: Commemorating the centenary of the First World War

This symposium examines how the centenary of the First World War has been marked in five countries: Australia, France, Germany, the United Kingdom and the United States. Given their distinctive national historical experiences and political cultures, the metanarratives of the war in these countries differ; as does the relationship between the state and sub-state actors in memory making. However, in each case the commemorations of the war have been shaped by a negotiation between the state and other agents of memory at the sub-state level. National memory has also been consciously projected into international relations, through carefully orchestrated anniversary ceremonies and performative memorial diplomacy. But, despite these transnational commemorative practices, the centenary of the war remains predominantly framed within local and national imaginings.

这次研讨会议论了一战百年在奥地利、法国、德国、英国、美国这五个国家是如何庆祝的。考虑到各国不同的历史经验以及政治文化,这些国家关于一战的元叙事各不相同,国家与次国家主体关系的记忆也是如此。不过,每个国家的战争纪念,都是国家与其他次国家层面主体协商的结果。通过精心策划的纪念仪式日以及表演性纪念外交,国家记忆被有意识地投射到了国际关系之中。除了这些跨国纪念活动,一战的记忆主要是在地方以及国家的想象框架内形成的。     

Nationalism and war commemoration – a Latin American exceptionalism?

Recent scholarship on collective memory and nationalism in Latin America argues that – in sharp contrast to Europe – war commemoration has been of little importance to the memory work of states in the region. The article challenges this claim. A comparative‐historical analysis of school textbooks and school ceremonies in twentieth‐century Mexico, Argentina and Peru reveals that the commemoration of major civil and international wars was central to official national narratives in these countries. The article further identifies important qualitative changes in war commemoration over time, especially with respect to how commemorative discourses portrayed agency and assigned responsibility for military victories and losses. These changes are situated within broader transformations of nationalism and new alignments in the politics of nationhood and memory.     

What Remains: Repatriating and Entombing a Canadian Unknown Soldier of the Great War in the Nation’s Capital

This article chronicles and contextualizes the creation of a Tomb of the Unknown Soldier in Canada’s capital. In so doing, it traces the myriad considerations, as well as complexities — political, procedural, and practical — that abounded in bringing this major memorial installation into being, namely the repatriation, from a Commonwealth War Graves Commission cemetery in France, of a Canadian unknown soldier of the Great War and his ceremonial reburial in Ottawa. Moreover, it argues that the Tomb of the Unknown Soldier, situated within an existing monumental space, functions, in the coinage of geographer Owen Dwyer, as an allied symbolic accretion to the National War Memorial.     

Celebrating victory on a day of defeat: commemorating the First World War in Portugal, 1918–1933

In Portugal, the development of a memorial project commemorating the First World War, from the treatment of physical bodies to their more or less symbolic (or more or less doctrinal) representations, did not achieve its intended results, in the sense that it did not succeed in consecrating Portugal as a participant of recognized standing and a victorious Allied nation. The memory of the war was clearly shaped by a dimension of tragedy and not by victory. This article will provide, via the dialectics between official and public memory, an in-depth analysis of the politics of memory as it manifests in official commemorative projects. It will examine the forms, pace of implantation and rituals carried out to renew the meaning of memory, as well as the underlying play of forces it is subject to, along with the way in which it establishes cultural and even political rupture or continuity. Through the observation of elements that constitute a war culture – images, language and practices – which emerged during and after the conflict, this study seeks to clarify the First Republic’s successes and failures in delineating and consolidating an official memory of the First World War in Portugal.     

Commemoration of the Great War: A Global Phenomenon or a National Agenda?

During the First World War, people from all over the world were present in Flanders Fields. On the eve of the centenary of the Great War, it is striking that the war is not commemorated as strongly in every country that was involved. This article explores the specific national sensitivities related to the commemoration of the First World War and the reasons why some states commemorate it more strongly than others. The data for this article were obtained through desk research and expert interviews. In addition to focusing on the main conclusions, this article briefly explores some theoretical insights on memory and commemoration. The particular history of a nation’s involvement in the war, the extent to which the war contributed to the nation-building process of the state in question, the extent to which a military tradition existed and the extent to which civil society was involved in the commemorative events are all factors that influence the intensity and the way that the war is commemorated. Another remarkable difference is that the emphasis of commemorative events is on a contemporary peace message in some states while other nations focus on the memory as such. Remembrance of Flanders Fields in particular is only important to some nations. The commemoration of the First World War is, as well as much other expressions of heritage, a historic and social construct.     

Concrete and non-concrete: exploring the contemporary authenticity of historic replicas through an ethnographic study of the St John’s Cross replica,Iona

ABSTRACT

What do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.     

“Killing time” in rural Ireland,c.1881–2013

This article explores the way in which episodes that took place during the “long” land war of 1879–1909 have been remembered or forgotten in Craughwell, Co. Galway, between 1881 and 2013. By exploring those episodes and individuals that are remembered locally in monuments, published oral histories and in oral histories conducted by the author, this article explores the complex patterns of remembering in rural Irish communities. The article concludes by reflecting on the implications of this study for how we interpret oral histories, and on how a culture of remembering and not remembering might have affected twentieth-century Irish society.     

Dark Nightmare: The Shooting of William Alexander as Canon Scott Saw it

Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.     

Post‐totalitarian national identity: public memory in Germany and Russia

Through a comparative analysis of Germany and Russia, this paper explores how participation in the memorialization process affects and reflects national identity formation in post‐totalitarian societies. These post‐totalitarian societies face the common problem of re‐presenting their national character as civic and democratic, in great part because their national identities were closely bound to oppressive regimes. Through a comparison of three memorial sites—Sachsenhausen concentration camp memorial in Germany, and Lubianka Square and the Park of Arts in Russia—we argue that even where dramatic reductions in state power and the opening of civil society have occurred, a simple elite–public dichotomy cannot adequately capture the nature of participation in the process of memory re‐formation. Rather, mutual interactions among multiple publics and elites, differing in kind and intensity across contexts, combine to form a complex pastiche of public memory that both interprets a nation's past and suggests desirable models for its future. The domination of a ‘Western’ style of memorialization in former East Germany illustrates how even relatively open debates can lead to the exclusion of certain representations of the nation. Nonetheless, Germany has had comparatively vigorous public debates about memorializing its totalitarian periods. In contrast, Russian elite groups have typically circumvented or manipulated participation in the memorialization process, reflecting both a reluctance to deal with Russia's totalitarian past and a emerging national identity less civic and democratic than in Germany.     

TYING MEMORY TO THE GROUND

In the 1980s Pierre Nora, one of France's most prominent historians, developed the concept of lieux de mémoire (places of memory). Studies of such places where, in Nora's words, “memory crystallizes and is being diffused,” were conducted and published in France and in other European countries in the ensuing decades. Marc Andre Matten's collection of essays, Places of Memory in Modern China: History, Politics, and Identity, is the first methodological attempt to use Nora's theoretical guidelines in the context of greater China (mainland China, Hong Kong, and Taiwan). The book explores sites that are connected with three of China's founding leaders, and with some of its constitutive moments as a nation. Using a variety of research methods, the articles in this book concentrate on the years of the People's Republic, taking the reader from the early revolutionary phase of its short and turbulent history, through the disaster and the chaos of the 1960s and the early 1970s, to the current postsocialist era. The articles in the book examine the local: an archeological site, a memorial hall, a mausoleum, a museum, a park, and a public garden, in order to understand how each one of these locales reflects broader vicissitudes of memory and changes of identity in China.     

French commemoration: The centenary effect and the (re)discovery of 14–18

A centenary effect is bringing the First World War back into the public sphere in France, even though state authorities have struggled to generate momentum around its national commemorations. First, this article synthesises France's memory of the First World War, comparing it with Australian commemoration, arguing that it is generally consensual and that, to date, there has been an absence of debate over its commemoration. Second, it examines the Mission du Centenaire, France's official board for the commemoration of the centenary of the Great War, the key commemorations announced and the articulations between local, national and international commemorative events. Finally, the article analyses the economic rationale behind the French authorities’ desire for an internationalised centenary, the political messages articulated through the memory of the conflict and the level of popular interest in the centenary commemorations since 2013.

在法国,一战的百年效应就是让一战回到公共领域,政府当局大力营造国家纪念的声势。本文首先对法国的一战记忆做了综述,并同澳大利亚的纪念活动进行比较,指出法国的特点是普遍共识,至今关于一战的纪念并无辩论。本文还研究了法国官方的大战百年纪念委员会即“百年使命”,宣布的主要纪念活动以及地方、国家、国际层面的纪念活动的结合。本文最后分析了法国当局希望百年纪念国际化背后的经济理性、通过战争的记忆所传达的信息、以及2013年以来公众对于百年纪念活动热情的程度。     

Recent developments in social and cultural geography in Spain

Controversy has erupted in Selma, Alabama, over recent efforts to commemorate the career of Nathan Bedford Forrest, a Confederate cavalry officer and founding member of the original Ku Klux Klan. More generally, the controversy in Selma is emblematic of an enduring regional pattern in which contests over the future are couched in terms of the past. Relative to other media, monuments appear to be trustworthy and lasting. Despite this appearance of historical consensus and stability, the city's public spaces are the product of and conduit for ongoing politics. The current conflict pits memorial activists associated with the Civil Rights Movement against neo‐Confederates. Interpreted in the context of Selma's increasing promotion of Civil Rights heritage and the recent election of the city's first African American mayor, the Forrest affair highlights the utility of the concept of symbolic accretion for understanding the complexities of commemorating antagonistic histories in the same place. Symbolic accretion describes the appending of commemorative elements onto already existing memorials. The situation in Selma suggests two different types of symbolic accretion, allied and antithetical. More generally, the act of commemoration itself may be understood as a process of accretion in that heretofore anonymous spaces are formally recognized via the grafting of memorial elements.