共查询到20条相似文献,搜索用时 15 毫秒
1.
Melissa Crouch 《亚洲研究评论》2010,34(4):403-419
This article examines the local implementation of the national Joint Regulation 2006 on places of worship in Indonesia. It focuses on the case study of the Protestant Christian Batak Congregation, which became one of the first churches to successfully challenge the authority of a local leader to cancel its permit to build a church. I begin by exploring the history of the regulation of permits for places of worship in Indonesia and the various proposals for law reform that have been put forward since 1998. I then outline the provisions of the new Joint Regulation and highlight the ongoing problems for religious minorities at the local level because of the failure of local authorities to implement the national regulation. I will demonstrate how religious minorities are challenging the decisions of local authorities by complaining to independent watchdogs, taking court action and using the political process. In conclusion, I argue that the Protestant Christian Batak Congregation court case is part of a broader trend for local authorities to use conflict over places of worship as an opportunity for political gain in the highly competitive political atmosphere since the downfall of Suharto in 1998. 相似文献
2.
Alistair Robinson 《Journal of Victorian Culture》2017,22(4):450-464
Charles Dickens’s Great Expectations opens with a jolt, as Abel Magwitch – an escaped convict – pounces on the narrator and protagonist, Pip. Despite this rather dramatic introduction, and the pivotal role that he goes on to play in the plot, Magwitch has never been given the sustained critical analysis that he warrants. More often than not he has been treated as one of Dickens’s infamous ‘flat’ characters; a kind of ‘pantomime wicked uncle’, in the words of George Orwell. This is a critical legacy that this paper seeks to redress. Seeing Magwitch as an essential element in Dickens’s critique of mid nineteenth-century society, this paper examines Magwitch’s largely ignored peripatetic and homeless past. By contextualizing Magwitch in his role as a vagrant outsider, and then exploring how this marginal position nuances the cannibalistic appetite he displays in the first pages of the novel, I argue that Magwitch’s violence and ‘savagery’ forms a foil for the more sadistic practices of civilized society. In doing so I position Magwitch at the dark heart of Dickens’s social pessimism, and re-evaluate the culture of cannibalism that we see in Great Expectations. 相似文献
3.
Patricia Gael 《The Seventeenth century》2014,29(2):173-196
Examining Charles II's changing posthumous reputation from his rumored deathbed conversion to Catholicism through the political upheaval of the late-seventeenth and early-eighteenth centuries demonstrates the profound effects affairs of state during the reigns of James II, William III, and Anne had on ideas of kingship. From elegists' depictions as the glory of the Stuart monarchy, Charles became James' feared counterpart during debates over the Copies of Two Papers Written by the Late King Charles II, and finally a distinctly human ruler. Published posthumous representations of Charles II suggest increasing willingness to consider kings as fallible men who made contestable decisions. 相似文献
4.
Klaudia Hiu Yen Lee 《Journal of Victorian Culture》2013,18(1):63-78
This article revisits and challenges some of the presumptions and methodologies pertaining to the current ‘global’ turn in Dickens scholarship, and Victorian studies in general. It uses the case of the cross-cultural transfer of David Copperfield from Britain to China in the early twentieth century to demonstrate the importance of attending to local differences and cultural specificities when examining cross-cultural interactions. This article investigates the influence of the Chinese life-writing traditions on the way in which the text was adapted and translated for the Chinese readership, and explores the relationship between self and society as manifested in the adapted work at a specific historic moment. It reveals the complexities surrounding cross-cultural interactions and demonstrates the intricate relationship between the global and the local, thereby challenging any simplified pursuit of the concept of ‘Global Dickens’. 相似文献
5.
罗杨 《华侨华人历史研究》2013,(1):60-67
论文基于田野调查的结果,从人类学家王铭铭先生提出的“关系主义”人类学的视角,考察了柬埔寨华人的社区、家庭和坟地的土地神和祖灵信仰的内涵与功能,分析了柬埔寨土著文化与佛教、印度教和华人信仰等外来文化之间,内外之别、上下等级、差异和关联、延续与变迁这四对关系。认为任何宗教或文化现象都不是封闭地自我生成,而是在与他者的关系中形成。每一种文化总是处在许多其他文化组成的更大范围的场域中,在彼此的参照、混融和冲突过程中形塑自身。 相似文献
6.
Sarah Mills 《Social & Cultural Geography》2013,14(5):481-499
This paper draws on a case study of the Scout Movement in the UK to explore the everyday, informal expressions of ‘worship’ by young people that occur outside of ‘designated’ religious spaces and the politics of these performances over time. In analysing the explicit geographies of how young people in UK scouting perform their ‘duty to God’ (or Dharma and so forth), it is argued that a more expanded concept of everyday and embodied worship is needed. This paper also attends to recent calls for more critical historical geographies of religion, drawing on archival data to examine the organisation's relationship with religion over time and in doing so contributes new insights into the production of youthful religiosities and re-thinking their designated domains. 相似文献
7.
Phyllis Weliver 《Journal of Victorian Culture》2013,18(3):315-347
This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption. 相似文献
8.
淮南大长公主墓志是目前发现的形体最大、铭文最长的一盒唐代公主墓志,具有重要的历史和文物研究价值.本文在对淮南公主墓志考证的基础上,对墓志中记载的太平公主、唐睿宗李旦等重要历史人物及著名音乐家王长通的有关史事进行了梳理论证,对墓志所反映的武则天"以周代唐"的重大历史事件以及唐代的礼仪风俗、宗教活动、音乐文化等也进行了较充分的论述. 相似文献
9.
Jane Lydon 《Journal of Victorian Culture》2013,18(3):308-325
In this article I explore the affective power of Charles Dickens's character Jo, the crossing-sweep from his novel Bleak House, and his broader cultural significance. Contemporary audiences were deeply moved by Jo's tragic death, sparking a vast popular, and especially visual, culture around the homeless white child. Yet, by establishing an affective and moral opposition between white waif and black ‘heathen’, in a relationship Dickens termed ‘telescopic philanthropy’, audiences were directed to care about the white poor with the inference that black people were not a proper object of compassion. Jo's touching story circulated widely across the colonies of Australia and New Zealand, and was put to work in transmitting inherited British values and making sense of local political and social circumstances. By the late nineteenth century the emotional regime symbolized by Jo the crossing-sweep effectively consolidated racial exclusions. 相似文献
10.
李小成 《古籍整理研究学刊》2007,(2):11-13
《续六经》之一的《乐论》,表述了文中子的音乐理论,《乐论》虽已失传,但从其他典籍可以考知其梗概。文中子看到了音乐在整个社会进程中的作用,它不仅能体现王道,而且是时代的体温计,他的乐理理论其实是秉承了孔子的乐理思想。在经过从汉到隋之前儒学的衰落之后,文中子的乐理思想也是他重振儒学的有机组成部分。 相似文献
11.
Daniel Martin 《Journal of Victorian Culture》2017,22(4):427-449
This essay explores Charles Dickens’s railway journalism of the 1850s and 1860s and its differences from his more well-known fictional accounts of the British railway network. While fictional works such as Dombey and Son and ‘The Signalman’ emphasize the catastrophic aspects of railway accidents, Dickens’s journalism in Household Words and All the Year Round examines the modern systematicity of the railway network, which by its nature as system, necessitated accidents on the lines. The essay incorporates theoretical readings of risk by Ulrich Beck and Paul Virilio into its critical assessment of Dickens’s railway journalism. Fundamentally, it aims to demonstrate that Dickens’s railway journalism illuminates the complexity of Victorian narratives of technological and bureaucratic industrial and transport systems by prioritizing the global dimensions of systematic accidents over the period’s tendencies to focus merely on local accidental events. 相似文献
12.
崇势利是秦汉之际社会上普遍存在的社会风气。它是继春秋战国社会变革后,新兴统一封建政权的政治、经济以及思想化的产物,对当时社会产生了深远的影响。 相似文献
13.
14.
John Lindenbaum 《Social & Cultural Geography》2013,14(1):69-88
Contemporary Christian Music (CCM), popular music featuring evangelical Christian lyrics, is one of the most widely consumed forms of commercial entertainment for America's 70–80 million white evangelical Christians. CCM is an excellent lens through which to examine the complex interactions of religious faith, community sentiment, and popular music practices in the contemporary US. I explain how CCM performs the ‘pastoral’ task of reinforcing Christian faith in an evangelical megachurch in the suburbs of Sacramento, California. I argue that a monthly concert series not only guides evangelical Christians in their ‘walk’, but also helps constitute the flock by building a sense of community. I suggest three spatial analytics to understand CCM's pastoral role: the place of the suburb, the sacred space of the church coffeehouse, and the body. At all three scales of analysis, the musical and religious practices of CCM at one suburban church spiritualize the everyday lives of the participants. 相似文献
15.
Carlo Genova 《Journal of Modern Italian Studies》2018,23(1):75-92
AbstractIn recent decades, social research on youth in Italy has explored a wide range of issues through different interpretative and methodological approaches. However, there are very few studies that seek to identify the keynote features of the juvenile condition. This article argues that collective identities and forms of identification among youth are shaped more and more frequently through the sharing of social practices, of the meanings connected to these practices, and of more comprehensive lifestyles. With reference to four main fields (sport, music, politics, religion) and focusing on youth cultures, it analyses the connections between behaviours, attitudes, values and representations of youth actively involved in each of these different fields. The aim is to identify transversal processes through which young people today elaborate and adopt social practices and cultural profiles, create new social forms, and develop innovative signification processes. 相似文献
16.
During the tumultuous time of financial and colonial expansion between 1825 and 1855, both Charles Dickens and John Galt published picaresque novels depicting transatlantic travel and land speculation. If emigration is the act of permanently leaving one's homeland and living in another, then neither novels' eponymous protagonist Martin Chuzzlewit nor Lawrie Todd is an emigrant. By reading Martin Chuzzlewit (1843–44) and John Galt's Lawrie Todd (1830) alongside nineteenth-century developments of the geo-political and financial spheres, this article shows how these works form a counter-narrative to traditional novels of emigration. Both protagonists leave Britain with the explicit intent to seek their fortune in America through engagement with land speculation companies. Though the characters' experiences of transatlantic financial speculation is dichotomous (with Todd becoming rich and Chuzzlewit losing all he has), both characters ultimately return to Britain. In these counter-narratives, we argue that America is deployed as Britain's financial periphery, rather than an alternative imperial centre, working to entrench British nationalism through transatlantic financial speculation. It is through the act of returning from America that Dickens and Galt counter typified emigration narratives that represent the choice to emigrate to America as synonymous with abandoning the Empire for the ‘Great Republic’. Instead, Dickens and Galt show how America can be exploited as a financial extension of Empire where Britons can maintain national loyalty while simultaneously responding to an unstable global financial market that was increasingly dependent upon speculation and foreign investment practices. 相似文献
17.
David Yeandle 《The Seventeenth century》2019,34(2):159-179
This paper investigates the use of music in worship and recreation at Little Gidding in the first half of the Seventeenth Century. The major focus is the relatively short period from the establishment of the Ferrar family in the Manor House at Little Gidding in 1626 until the death of Nicholas Ferrar in December 1637. Worship encompasses both the formal services in the churches at Little Gidding and Steeple Gidding, and the informal devotions of the Ferrar family in the Manor House. Recreation is conceived broadly, to embrace both the proceedings of the Little Academy and the “night watches”. In each case, religion and piety are central to the activities. The study begins by investigating the Ferrars’ musical education and competence; it then moves on to music in worship, followed by music in recreation. A section on the organs at Little Gidding and their possible fate is followed by conclusions. 相似文献
18.
Joseph Hardwick 《The Journal of imperial and commonwealth history》2017,45(3):365-390
Throughout the period between 1790 and 1914 the governments of the Australian colonies asked their populations to suspend work and amusements and join in collective acts of prayer. Australia’s special days of prayer have much historical significance and deserve more scholarly attention. They had an enduring popularity, and they were rare moments when a multi-faith and multi-ethnic community joined together to worship for a common cause. This article builds on recent work on state prayers in Britain by considering what the colonial tradition of special worship can tell us about community attachments in nineteenth-century Australia. ‘Fast days’ and ‘days of thanksgiving’ had both an imperial and a regional character. A small number of the Australian days were for imperial events (notably wars and royal occasions) that were observed on an empire-wide scale. The great majority, such as the numerous days of fasting and humiliation that were called during periods of drought, were for regional happenings and were appointed by colonial authorities. The article argues that the different types of prayer day map on to the various ways that contemporaries envisaged ‘Greater Britain’ and the ‘British world’. Prayer days for royal events helped the empire’s inhabitants to regard themselves as imperial Britons. Meanwhile, days appointed locally by colonial governments point to the strength of regional attachments. Colonists developed a sense that providence treated them differently from British communities elsewhere, and this sense of ‘national providence’ could underpin a sense of colonial difference—even a colonial nationalism. Days of prayer suggested that Greater Britain was a composite of separate communities and nationalities, but the regional feelings they encouraged could still sit comfortably with attachments to an imperial community defined by commonalities of race, religion and interest. 相似文献
19.
Nadine Fladd 《The American review of Canadian studies》2013,43(2):174-186
Using archival evidence of the editorial process behind the publication of the story “The Turkey Season,” this article explores the collaborative literary relationship between Alice Munro and one of her long-time editors at The New Yorker magazine, Charles McGrath. It reveals McGrath’s exceptional contribution to the story—restructuring it by combining the two versions Munro submitted into a composite—and theorizes the composite version’s effects on the epistemological grounding of the story and the narrator’s certainty about her own memory of the events she recounts, both of which are features that are often considered characteristic of Munro’s style in her mature writing. 相似文献
20.
周公摄政与周初政教关系初探 总被引:1,自引:0,他引:1
周公摄政导致了周初二王并存的局面,而二王并存的实质是国家政权和教权的分离。周公是周代初期的巫史领袖,并于武王后期开始执掌教权,由于不能和政权明确分开,引起王族的猜疑。周公为此迁居东都洛邑,并致力于制礼作乐,目的是使政教分权更加明晰化,造成了一次意义深远的社会制度和思想化的革命。 相似文献