Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

Critical heritage studies and the legacies of the late-twentieth century heritage canon

ABSTRACT

In recent years an interest in ‘critical heritage studies’ (CHS) has grown significantly – its differentiation from ‘heritage studies’ rests on its emphasis of cultural heritage as a political, cultural, and social phenomenon. But how original or radical are the concepts and aims of CHS, and why has it apparently become useful or meaningful to talk about critical heritage studies as opposed to simply ‘heritage studies’? Focusing on the canon of the 1980s and 1990s heritage scholarship – and in particular the work of the ‘father of heritage studies’, David Lowenthal – this article offers a historiographical analysis of traditional understandings and approaches to heritage, and the various explanations behind the post-WWII rise of heritage in western culture. By placing this analysing within the wider frames of post-war historical studies and the growth of scholarly interest in memory, the article seeks to highlight the limitations and bias of the much of the traditional heritage canon, and in turn frame the rationale for the critical turn in heritage studies.     

Heritage and ethnic identity: preserving Chinese cemeteries in the United States

This paper critically examines the role of ethnic community in the process of heritage management and preservation. Drawing on two heritage projects dedicated to historic Chinese American cemeteries – the nineteenth-century Chinese Memorial Shrine in Los Angeles, California and Concordia Chinese Cemetery located in El Paso, Texas – this study examines how heritage serves as a central referent in constructing a collective identity that gives continuity and political unity to an ethnic community. Heritage preservation, as a practice connecting the past and present, provides us with insight not only into the historic meanings attached to heritage, but also the contemporary values and ideologies of communities with regard to their efforts in interpreting the past. This paper highlights the relationship between identity politics and heritage, suggesting that heritage becomes a vital means of identity formation which helps articulate cultural traditions in the face of a dominant national culture that essentialises ethnic pasts.     

Rhetoric and pragmatics in Ulysses: how Joyce invented Twitter

Particularly upon their first appearance, Twitter and James Joyce’s unique style had to face similarly infamous charges in that they were both accused of slowly but inexorably corrupting the English language. In fact, the linguistic practices – stylemes in the case of Ulysses – breeding such corruption are often the same: clippings, abbreviations, the dropping out of inflexional endings, omissions, ellipses, the overabundance of acronyms, creative compound words and blends, symbolisations and onomatopoeias, lexicalisations of (often) vernacular pronunciations. This paper sets out to investigate these features, their rhetorical effect and pragmatic function in order to explore the epistemological, perceptive and social context which made it possible a hundred years ago for an Irish modernist to anticipate how English was to be used on today’s social media and on Twitter in particular.     

Heteroglossic heritage and the first-place of the Kalahari

Abstract

Using Bakhtin’s concept of ‘heteroglossia,’ this article examines the layering and intersections of multiple claims to heritage places that form dialogics about heritage truths. Social groups derive their collective-self, in part, through association with a place, or places, to which they attribute their origin, described here as a ‘first-place.’ Identity maintenance can occur through the praxis of heritage tourism in which group members exhibit emotional performances during their visits to a first-place. Through the extended example of the Tsodilo Hills in Botswana and the various social groups – local ethnic communities, national citizens, and segments of the global community – who each form a collective-self using Tsodilo as a first-place, this article addresses the roles of science (archaeology) and tourism, and their interplay, in enabling several languages or dialects of belonging to coexist without dissonance. The argument is that heteroglossic heritage is possible because visitors’ affect-mediated encounters with heritage places facilitate the reaffirmation of their shared group identity. While all heritage discourse is heteroglossic, the article focuses on claims to a first-place set within a postcolonial context of nation building and modernising that involves the politicisation and re-spatialization of heritage places through tourism development.     

Heritage,transnational memory and the re-diasporisation of Scotland

For a long time in Scotland, diasporic – and popular – heritage with its imaginary emphasising kinship, stylised images and ritualised practices was either overlooked or discredited. The term ‘diaspora’ itself to define Scotland’s vast overseas population has been scrutinised for its usefulness. However, since devolution, it has gained currency in public discourse and policies and has led to the ‘re-diasporisation’ of Scotland. Yet, the ‘diaspora’ had long been identified as an important niche market in relation to heritage perceived as an economic resource. This article explores the changing perception and place of diasporic heritage in Scotland since the 1970s through two case studies. Focusing on processes of remembrance of nineteenth-century Highland emigration materialised through monuments and museums, it highlights the conflicting and shifting relationships that different communities – home and diasporic – have with their past, place and the meanings ascribed to them. The transnational memories increasingly promoted in Scotland act as a means of re-energising nationhood and initiating revisions and re-reading of popular and diasporic culture.     

Commemorative events at destination memorials – a dark (heritage) tourism context

In the past, sites and events related to war and atrocities were viewed in the wider context of heritage tourism. The term ‘dark’ was added with the aim of recognising heritage sites closely related to death and suffering. Given that commemorative events as part of dark heritage are not prevalent in heritage and tourism literature, there is a need to understand the behaviour of visitors involved in visiting these sites or attending this type of event, which presents a special challenge. Public commemorations, especially those that mark particularly disturbing occurrences, such as ‘The Great School Hour’ – an event which is presented in the artistic form of a ‘school class’ – are unique form of tourist activity that has not been thoroughly investigated previously. Thus, the aim of the study is to explore the influence of the main motivators on revisit intention and willingness to recommend for those who attended the commemorative event ‘The Great School Hour’ in Kragujevac, Serbia, with a particular focus on younger people. The results suggest that learning, emotional response and uniqueness have a significant positive effect on revisit intention, while emotional response and uniqueness have a significant positive effect on willingness to recommend.     

Heritage destruction and cultural rights: insights from Bagan in Myanmar

Recently, the UN Special Rapporteur in the field of cultural rights has stated that the intentional destruction of cultural heritage is a violation of cultural rights. The Rapporteur examines a timely issue but bases her statement on narrow understandings ‘heritage’ as irreplaceable and ‘destruction’ as ideologically motivated and aggressive. This reinforces hegemonic ideas about heritage and what constitutes its destruction. In this article, I discuss the case of Bagan in Myanmar to illustrate the limitations of the Rapporteur’s statement. In Bagan, whether and how ‘heritage’ should be protected has been the topic of controversy. By implication what is – or is not – considered intentional destruction is contested. Ambiguity about the meaning of cultural rights, the dissonant nature of heritage, the subjectivity of destruction, and complex multi-layered motivations behind ‘destructive’ practices make overarching statement about the destruction of cultural heritage and cultural rights violations too bold and call for more nuance and contextualised research.     

Global heritage: perspectives from the Northern Territory,Australia

This article examines the way in which selected cultural institutions, government and non‐government organisations and individuals in Australia’s Northern Territory have responded to globalising influences on the preservation, interpretation and public face of its history and heritage. It draws upon a number of interviews with local practitioners and professionals in the field to explore the multiple understandings of cultural heritage, history and identity in the Territory, to investigate how competing interests and expectations are managed at the state and local level, and to address issues of sovereignty in the context of global heritage. Respondents indicate that, despite a strong resurgence of local cultural identities, without people on the ground who care about their heritage, efforts by international bodies will have little effect. There has been increasing concern about the protection of local cultures in the face of globalisation, and research such as this is critical in providing feedback to international heritage organisations. Without strong local support for cultural heritage and identities, they can become increasingly vulnerable in a rapidly globalising world. In Australia’s Northern Territory, however, there seems little indication of this happening.     

Mooring subjects of heritage: proprioceptive emplacement at Head-Smashed-In Buffalo Jump

This article examines how visitors to Head-Smashed-In Buffalo Jump (HSIBJ) in Fort Macleod, Alberta, are physically and affectively situated within an immersive heritage landscape. A designated UNESCO World Heritage Site, HSIBJ is inextricably tied to regional Blackfoot and settler-colonial histories, as well as the tensions that emerge between the two. HSIBJ’s Interpretive Centre is organised to plunge audiences inside the ‘live’ archaeological scene and an evocative heritage landscape. It does so through technologies, including motion-triggered projections, which locate and secure visitors within official national – and universal – heritage narratives. The central argument of this article is that HSIBJ’s Interpretive Centre beckons subjects of heritage through proprioception, the awareness of the body’s position in and movement through space. Extending beyond the physiological sensation of one’s own body, proprioception also works alongside the two other substantiating buttresses of archaeology and heritage to provide a gravitational ground upon which the visitor is located and their subjectivity confirmed. Proprioceptive grounding emplaces a body within an expanded and ‘ancient’ narratology of nation, and in this way, also becomes the mechanism through which exogenous settlers assuage anxieties about their latecoming status.     

‘Unity,stability, continuity’: heritage and the renovation of Franco’s dictatorship in Spain, 1957–1969

Spain between 1957 and 1969 – the period in the history of the dictatorial regime of General Francisco Franco known as desarrollista (development‐guided) – presents a peculiar case of a state‐driven heritage industry. The present article examines the desarrollista policy aimed at creating and coordinating heritage tourism, focusing on periodical publications, official speeches, films and promotional materials. It looks at late‐Francoist heritage as a vehicle for achieving, simultaneously, an ideological and an economic effect. Economically, heritage was conceived as a tool for diversifying and individualising Spain’s tourism product in the Mediterranean market, and above all, for confronting the uneven territorial and seasonal distribution of ‘sun and beach tourism’. At the same time, ideologically, the models and uses of heritage examined here served the regime’s interest in securing the country’s territorial unity, maintaining the high profile of the Catholic Church, and re‐legitimising the Civil War (1936–1939) which had brought Franco to power.     

Heritage and scale: settings,boundaries and relations

While recent years have seen increasing interest in the geographies of heritage, very few scholars have interrogated the difference that scale makes. Indeed, in a world in which the nation state appears to be on the wane, the process of articulating heritage on whatever scale – whether of individuals and communities, towns and cities, regions, nations, continents or globally – becomes ever more important. Partly reflecting this crisis of the national container, researchers have sought opportunities both through processes of ‘downscaling’, towards community, family and even personal forms of heritage, as well as ‘upscaling’, towards a universal understanding of heritage. While such work has had critical impact within prescribed scalar boundaries, we need to build a theoretical understanding of what an emergent relationship between heritage and scale does within the context of dynamic power relations. This paper examines how heritage is produced and practised, consumed and experienced, managed and deployed at a variety of scales, exploring how notions of scale, territory and boundedness have a profound effect on the heritage process. Drawing on the work of Doreen Massey and others, the paper considers how the heritage–scale relationship can be articulated as a process of openness, pluralism and relationality.     

An experimental evaluation of an anti-corruption intervention among Ukrainian university students

In this paper, we investigate experimentally the effect of an anti-corruption intervention – an info folder based on materials developed by Transparency International – on Ukrainian university students’ willingness to participate in an anti-corruption campaign and their general attitude toward corruption. In a survey of 600 students in the Ukrainian city of Lviv, individuals were randomly exposed to either the anti-corruption folder (treatment group) or a folder with information about Lviv (control group). The results suggest that students who have previous experience with bribing are more open to the campaign, while the effect on the total sample is not statistically significant. Furthermore, the intervention increases the overall perception that corruption is a (long-term) part of society rather than a temporary phenomenon. Finally, students with experience in corrupt practices tend to adopt a more negative view of corruption. For those without such experiences, however, we find some indication that the treatment could bolster the acceptance of corruption by instructing the students about its dissemination. The effects of this intervention are therefore ambivalent and appear to depend on the students’ previous exposure to corruption.     

Caught between nationalism and internationalism: replicating histories of Antarctica in Hobart

In December 2013, a replica of ‘Mawson’s Hut’ (a historic structure in Antarctica) joined a growing list of polar tourist attractions in the Australian city of Hobart, Tasmania. Initially promoted as the city’s ‘latest tourist hotspot,’ the ‘replica museum’ quickly took its place in Hobart’s newly redeveloped waterfront, reinforcing the city’s identity as an ‘Antarctic Gateway’. The hut forms part of a heritage cluster, an urban assemblage that weaves together the local and national, the past and present, the familiar and remote. In this article, we examine the replica hut in relation to the complex temporal and spatial relations that give it meaning, and to which it gives meaning. Our focus is the hut as a point of convergence between memory, material culture and the histories – and possible futures – of nationalism and internationalism. We argue that the replica hut, as a key site of Hobart’s Antarctic heritage tourism industry, reproduces and prioritises domestic readings of exploration and colonisation over a reading of Antarctic engagement as a transnational endeavour. However, like other ‘gateway city’ heritage sites, it has the potential for aligning with a larger trend in international heritage conservation and heritage diplomacy, that of prioritising narratives of the past that weave together transnational connections and associations.     

Assembling nostalgia: devices for affective captation on the re:heritage market

This article builds on the current rethinking of nostalgia in heritage studies and an increasing amount of research that explores the formatting of customer – producer relationships in terms of ’market attachments’ to analyse how nostalgia is performative on the market for retro, vintage and second hand, what we call the re:heritage market. Based on a multi-sited study including offline and online ethnographic observations, photography and qualitative interviews with shop owners and staff at a selection of central streets in Gothenburg, Sweden, the article explores the way shop owners work with nostalgia in order to attract, or ‘captate’, the public, through engaging affective market devices. Our particular contribution is to show how the re:heritage market contribute to our understanding of an alternative of cultural heritage, through configuring exchange and value, and details how ‘affective captation’ adds conceptual strength for understanding the emotive and sensate pull of certain market-based heritage practices. Staging nostalgic encounters involves practices of selecting, collecting, displaying and preserving for the future: practices that are vital for all heritage-making. A variety of actors are involved in this unconventional of heritage at safe a distance from traditional heritage practices.     

A cultural justice approach to popular music heritage in deindustrialising cities

ABSTRACT

Deindustrialisation contributes to significant transformations for local communities, including rising unemployment, poverty and urban decay. Following the ‘creative city’ phenomenon in cultural policy, deindustrialising cities across the globe have increasingly turned to arts, culture and heritage as strategies for economic diversification and urban renewal. This article considers the potential role that popular music heritage might play in revitalising cities grappling with industrial decline. Specifically, we outline how a ‘cultural justice approach’ can be used within critical heritage studies to assess the benefits and drawbacks of such heritage initiatives. Reflecting on examples from three deindustrialising cities – Wollongong, Australia; Detroit, USA; and Birmingham, UK – we analyse how popular music heritage can produce cultural justice outcomes in three key ways: practices of collection, preservation and archiving; curation, storytelling and heritage interpretation; and mobilising communities for collective action.     

Politics of tangibility,intangibility, and place in the making of a European cultural heritage in EU heritage policy

The EU has recently launched several initiatives that aim to foster the idea of a common European cultural heritage. The notion of a European cultural heritage in EU policy discourse is extremely abstract, referring to various ideas and values detached from physical locations or places. Nevertheless the EU initiatives put the abstract policy discourse into practice and concretize its notions about a European cultural heritage. A common strategy in this practice is ‘placing heritage’ – affixing the idea of a European cultural heritage to certain places in order to turn them into specific European heritage sites. The materialisation of a European cultural heritage and the production of physical European heritage sites are crucial elements in the policy through which the EU seeks to govern both the actors and the meanings of heritage. On the basis of a qualitative content analysis of diverse policy documents and informational and promotional material, this article presents five strategies of ‘placing heritage’ used in the EU initiatives. In addition, the article presents a theoretical model of circulation of the tangible and intangible dimensions of heritage in the EU heritage policy discourse and discusses the EU’s political intents included in the practices of ‘placing heritage’.     

Conserving by aesthetics,conserving by development: the rescaling and worlding of global south heritage

ABSTRACT

This study investigates the genealogy of rescaling the cultural armature of heritage in the Global South rooted within the colonial culture and postcolonial aid programs. Taking the case of historic Cairo, it explores how policies have developed through experimental practices of conservation to scale up authority, control, and power over residents and neighborhoods from the 19^th century to the present. The paper theorizes two paradigmatic approaches of conservation practices – by aesthetics and development – which have expanded Cairo’s inventory of monuments. The infatuation of heritage experts (the Comité de Conservation des Monuments de l’Art Arabe and Aga Khan Trust for Culture) with old neighborhoods has fostered accumulation by dispossession, disrupting people’s environments to generate a worlding image of heritage. The paper concludes with the metaphor of conservation practices as re-construction sites, as they repurpose the relationships between heritage, people, and their means of governmentality.     

Rebranding the Republic: Rome and the 1960 Olympic Games

The 1960 Rome Olympic Games were held at a pivotal moment in the history of modern Italy and its capital. At the height of the ‘economic miracle’, tourists, international movie stars and entertainers, in addition to a record number of international athletes, flocked to the city to participate in the Games and the dolce vita. As a great ‘national’ project within a global and European context, Rome 1960 offered the organizers and ruling Christian Democratic Party (DC) the opportunity to rebrand Italy and show how far the country had come since the fall of Fascism and the end of the Second World War. While Rome 1960 was a marketing success – Italy’s international reputation was significantly enhanced – close examination of the preparations for the tournament, as well as the Games itself, reveals significant continuities, deep and unresolved political and social tensions, evidence of corruption, and a failure to come to terms with Italy’s recent past and the memory of Fascism. Questioning the extent to which the 1960 Olympics was a turning point in Italian sport and society, it exposes the Italy that existed beneath the sheen: one of stagnation, minimal change, political division and corruption.     

Value systems and the archaeological resource

The paper deals with the various values held by people for the heritage, specifically the archaeological heritage. Attention is directed away from economic values towards sociological interpretations – sets of assumptions, beliefs and knowledge‐sets which may be termed ‘value systems’. Such value systems underpin and inform individual and collective attitudes and, by implication, approaches to the physical and experiential environment. After examining the nature of value systems and gradients, the paper identifies three main value gradients with reference to the archaeological resource. These may be characterised as: use value, based on present requirements, option value, based on future possibilities, and existence value, which acknowledges value ‘because it is there’.