A link in ‘the great chain of Empire friendship’: the Victoria League in New Zealand

With the objective of exploring New Zealand women's part in imperialism, this article focuses on the history of the Victoria League. Through its activities during war and peace, the League promoted New Zealand's place as a loyal part of the British Empire. The League in New Zealand was part of a ‘female imperialism’ whereby elite women in the ‘white’ settler societies performed gendered work to promote the strength and unity of the Empire. Women's work considered suitable for empire friendliness and unity ranged from hospitality and socialising in the ‘private’ female world, to the support of immigration and education. Wartime saw patriotic ‘mothers of empire’ in full force. The article covers the League's work into the second half of the twentieth century when, despite the ‘end of empire’, imperial loyalty endured, entwined with emerging national identities. Maternal imperial identity slowly waned, the legacy of Queen Victoria lasting until local challenges to the process of colonisation became vocal.     

His Two Mates Around Him Were Crying: Masculine Sentimentality in Late-Victorian Culture

Abstract

Commentators on late-Victorian culture often tell us that two interrelated developments took place. First, there was a shift away from Victorian sentimentality; second, there was a growing insistence on toughness and emotional reserve as desirable for white men. Commentators on late-Victorian Australia often suggest that these developments were unusually conspicuous there. This is what the historian of mourning Patricia Jalland tells us in a discussion of the paradigmatic representation of death in Victorian Australian culture. In the Australian colonies, she writes, the paradigmatic death was the tough white man’s in the solitary bush. Representations of such deaths were legion, most often infused with ‘ironic realism’ rather than sentiment. In this article I challenge this view. Focusing on the work of popular Australian writer, Henry Lawson, I show that depictions of white men dying in the bush were profoundly sentimental in that they promoted pathos for white men’s suffering and grief in conventional ways. Representations of dying bushmen were indeed part of a specifically white, masculine sentimentality emerging throughout Anglophone culture in the late-Victorian years, part of a process through which white men insisted on the primacy of their emotional experiences and needs. In Australia and other settler colonies, this new masculine sentimentality also supported settler colonialism because promoting tenderness for hardy white frontiersmen diverted sympathy from the Aboriginal peoples they dispossessed. This article accordingly rethinks the dynamic between masculinity and sentiment in late-Victorian culture, paying particular attention to its relationship to power.     

Probability and certainty in seventeenth-century england. a study of the relationships between natural science,religion, history. law,and literature

Enlightenment optimism over mankind's progress was often voiced in terms of botanical growth by key figures such as John Millar; the mind's cultivation marked the beginning of this process. For agriculturists such as Arthur Young cultivation meant an advancement towards virtue and civilization; the cultivation of the mind can similarly be seen as an enlightenment concept which extols the human potential for improvable reason. In the course of this essay I aim to explore the relationship between ‘culture’ and ‘cultivation’ through botanical metaphor. By using the recurring motif of the mind's cultivation as a site from which to explore enlightenment views on female understanding, I investigate how far concerns with human progress extended to the female mind.

I examine the language of botany and cultivation in texts by authors such as Mary Wollstonecraft and Anna Laetitia Barbauld alongside that of Rousseau and Millar. Wollstonecraft's appropriation and subsequent inversion of the conventional cultivation metaphor, for example, demonstrates her desire to draw attention to society's neglect of women's educational potential by substituting images of enlightened growth with those of luxuriant decay. By pushing this analogy further she indicates how society has cultivated women rearing them like exotic flowering plants or ‘luxuriants’ where ‘strength of body and mind are sacrificed to libertine notions of beauty’. I discuss the antipastoral rationalism which enables her to unmask the false sentiment behind this traditional metaphoric association between women and flowers arguing that such familiar tropes are the language of male desire and are indicative of women's problematic relationship to culture.     

Josephus' description of the Essenes illustrated by the Dead Sea Scrolls

The essay analyses the notion of ‘purity’ in the early writings of Walter Benjamin, focusing more specifically on three essays written around the crucial year 1921: ‘Critique of Violence’, ‘The Task of the Translator’, and ‘Goethe's Elective Affinities’. In these essays, ‘purity’ appears in the notions of ‘pure means’, ‘pure violence’, ‘pure language’, and, indirectly, the ‘expressionless’. The essay argues, on the one hand, that the ‘purity’ of these concepts is one and the same notion, and, on the other, that it is strongly indebted to, if not a by-product of, Kant's theorisation of the moral act. In order to make this claim, the essay analyses Benjamin's intense engagement with Kant's writings in the 1910s and early 1920s: ‘purity’ is a category strongly connoted within the philosophical tradition in which the young Benjamin moved his first steps, namely Kantian transcendental criticism. The essay argues that the notion of ‘purity’ in Benjamin, though deployed outside and often against Kant's theorisation and that of his followers, and moreover influenced by different and diverse philosophical suggestions, retains a strong Kantian tone, especially in reference to its moral and ethical aspects. Whereas Benjamin rejects Kant's model of cognition based on the ‘purity’ of the universal laws of reason, and thus also Kant's theorisation of purity as simply non empirical and a priori, he models nonetheless his politics and aesthetics around suggestions that arise directly from Kant's theorisation of the moral act and of the sublime, and uses a very Kantian vocabulary of negative determinations construed with the privatives-los and -frei (motiv-frei, zweck-los, gewalt-los, ausdrucks-los, intention-frei, etc). The essay explores thus the connections that link ‘pure means’, ‘pure language’ and ‘pure violence’ to one another and to the Kantian tradition.     

Passions,patriotism and nationalism,and Germaine de Staël1

ABSTRACT. This essay examines the influence of sentimentalism on conceptions of patriotism at the turn of the nineteenth century in order to historicise conventional views of the nature of patriotism as a fundamental human emotion. It uses a focus on the intellectual thought of Germaine de Staël in order to understand how a ‘sentimental’ view of patriotism took hold at a crucial moment in the European history of the idea of the nation and of the conceptualisation of emotions. I argue that de Staël's ideas and influence lead us to a radical reconsideration of the significance of the emotional history of patriotism for how we explain nationalism.     

Darwin Wept: Science and the Sentimental Subject

Could a man of science be sentimental in an age of objectivity, when emotions were largely purged from the field of Victorian science, and feelings themselves defined as animal instincts and reflex mechanisms? This essay addresses the question through Darwin's work on the expression of emotions, and the relationship between his work and his own emotional experience, with particular attention to grief and tears. An old woman in a railway carriage is suddenly overcome with a painful recollection, perhaps that of a long lost child – her mouth becomes ever so slightly contracted, her countenance falls, her eyes suffuse with tears … . An opthalmic surgeon perseveres with his treatise on the physiology of weeping while mourning the loss of his daughter … . With difficulty, a mother prolongs her infant son's screaming in order to record the shape of his mouth for a family friend and famous naturalist … . Her observations later appear in a work on emotional expression (Darwin's), together with photographs of sobbing children, and faces of a psychiatric patient charged with electrodes. Such subject matter, presented in correspondence, private journals, and print, suggest that science and sentimentality could form a more reciprocal pair, where observation was conducted in a sentimental setting, the feelings of observers regulated but not withheld, processed by an experimental regime, and then reinserted in the domain of print, reconfiguring the sentimental for Victorian readers.     

Fallout from the thunder: poetry and politics in Seamus Heaney's District and Circle

This article examines Heaney's preoccupation in District and Circle (2006) with international political events during this ‘new age of anxiety’, and how he initially approaches these circuitously through a return to originary, boyhood experiences. Such momentous acts as the attacks of 9/ll, the ‘War on Terror’ and the London bombings are filtered through, juxtaposed with and illuminated by episodes both from the ancient past and Heaney's family history. In attendance, as always, throughout the latest volume is the poet's diverse literary ancestry, a reminder of how his work exemplifies core claims made in ‘Tradition and the Individual Talent’ (1919), where Eliot argues that ‘what makes the writer most acutely conscious of his own place in time’ is ‘the historical sense’, ‘a feeling for the whole of literature’ from Homer onwards. Thus, alongside its detailed address to politics and such crucial literary matters as structure, form and metaphor, the essay repeatedly returns to the intertextual ‘presences’ which haunt and animate Heaney's continuing creative project.     

Men Making Home: Masculinity and Domesticity in Eighteenth‐Century Britain

Eighteenth‐century England is, for many scholars, the time and place where modern domesticity was invented; the point at which ‘home’ became a key concept sustained by new literary imaginings and new social practices. But as gendered individuals, and certainly compared to women, men are notable for their absence in accounts of the eighteenth‐century domestic interior. In this essay, I examine the relationship between constructs of masculinity and meanings of home. During the eighteenth century, ‘home’ came to mean more than one's dwelling; it became a multi‐faceted state of being, encompassing the emotional, physical, moral and spatial. Masculinity intersected with domesticity at all levels and stages in its development. The nature of men's engagements with home were understood through a model of ‘oeconomy’, which brought together the home and the world, primarily through men's activities. Indeed, this essay proposes that attention to how this multi‐faceted eighteenth‐century ‘home’ was made in relation to masculinity shifts our understanding of home as a private and feminine space opposed to an ‘outside’ and public world.     

J.G.A. Pocock and the idea of the ‘Cambridge School’ in the history of political thought

This article offers a reinterpretation of the origins and character of the so-called ‘Cambridge School’ in the history of political thought by reconstructing the intellectual background to J.G.A. Pocock's 1962 essay ‘The History of Political Thought: A Methodological Enquiry’, typically regarded as the first statement of a ‘Cambridge’ approach. I argue that neither linguistic philosophy nor the celebrated work of Peter Laslett exerted a major influence on Pocock's work between 1948 and 1962. Instead, I emphasise the importance of Pocock's interest in the history of historiography and of his doctoral supervisor, Herbert Butterfield. By placing Pocock's intellectual development in these contexts, I suggest, the autonomy of diverse versions of the ‘Cambridge’ approach can more readily be perceived.     

The Construction of the League of Nations Secretariat. Formative Practices of Autonomy and Legitimacy in International Organizations

This article investigates the formative staffing practices of the League of Nations Secretariat. Drawing on the social theory of Pierre Bourdieu, it argues that core traits of the League's institutional capacity and identity was produced through the institutionalization of recruitment practices in the League's formative years from 1919 to 1923. Through an exploration of early negotiations and practices of staffing, we show how the League built and balanced legitimacy, by combining a clearly international make-up of the League Secretariat with acute sensitivity to state interests, and autonomy, by defending the Secretary-General's exclusive prerogative of staffing, in a way that has been defining for the trajectory of international organizations (IOs) until today. The article thus turns to the institutional landscape where the individual and its surroundings meet: through the daily staffing practices of the Secretariat, it explores how an institution came to be, function and assert its influence as an autonomous and legitimate diplomatic agent in a broader international field. As such, the article, as an innovative contribution to the field, argues that international historians should connect thorough institutional investigations with elements of the ‘cultural turn’ in International History, in order to properly engage with and understand IOs as diplomatic actors.     

Philosophy,Sociability and Modern Patriotism: Young Herder between Rousseau and Abbt

Summary

In his early years Herder is known to have been a follower of Rousseau (via Kant). This article argues that there was indeed a substantial overlap between Herder's and Rousseau's ideas in Herder's early writings, particularly in terms of their joint critique of abstract philosophy and their understanding of the sentimental foundations of morality, as well as their commitment to the ideals of human moral independence and political freedom. Yet Herder's admiration for Rousseau's moral philosophy did not lead him to adopt Rousseau's critique of sociability even in this early period, and there was in fact a deep divergence between their political views. Herder attempted to combine a Rousseauian cultural critique, ‘human’ moral philosophy and philosophy of education with ideas inspired by Thomas Abbt's theory of monarchical patriotism. In contrast to Rousseau, and following Abbt, Herder posited the existence of natural patriotic feelings and underlined their importance in guaranteeing good government and political freedom. Thus, Herder could have a relatively optimistic view of the role of ‘human philosophy’ in regenerating patriotism in a modern setting. Herder embraced Abbt's emphasis on the positive aspects of modern monarchies and ‘modern liberty’ when compared to ancient republics, highlighting the compatibility of Christianity, international commerce and religious tolerance, and the general possibility of developing one's natural inclinations in modern monarchies.     

Art and Procreative Illusion in the Sepik: Comparing the Abelam and the Arapesh

This essay extends Anthony Forge's ideas about the ‘unspoken meanings’ of Abelam ritual art, by testing them against cognate forms among the neighboring Ilahita Arapesh, and by invoking L.R. Hiatt's insights into ‘pseudo-procreation rites’ among Australian Aborigines. It is argued that the meanings of Abelam visual art and Arapesh myth are comparably ineffable, and that in both cases this non-verbal quality conduces to the expression of ideas that are cognitively, socially, or emotionally unacceptable to consciousness. The conclusions are, first, that veiled, ritual and aesthetic expressions of ‘procreation’ permit the men to enact a fantasy of male parthenogenesis; and, secondly, that the cult-sponsored tricks and illusions surrounding these expressions have the effect of surreptitiously appropriating female procreative power to the concealed goals of male ritual.     

Hegel and Clausewitz: Convergence on Method,Divergence on Ethics

The Hegelian influence in Clausewitz has far more often been stated than it has ever been qualified, quantified, or verified. Perhaps the error was to try to ‘prove’ such a link, rather than focus on what such a convergence consists of and what it means, regardless of how it happened. Using both a historical and a linguistic argument, this essay delineates early writings that are devoid of any Hegelian similarities from those later in Clausewitz's life where a convergence of ideas becomes manifest. A counterpoise to Raymond Aron's overall dismissal of the link between the two authors, this article nonetheless reaches a limit as well: though they agreed in many ways in their methodology, the two fathers of the ‘dialectical war theory’ diverged quite dialectically on ethics. Hegel understands war as an inherently justified ‘right’ of the state, while Clausewitz sees it rather as the neutral ‘instrument’ of a moral agent, the state. The author traces this divergence to a missing link: a foundational aspect of Hegel's method regarding the nature of subjectivity and objectivity is absent from Clausewitz's work, and this appears to generate the impasse. The essay provides grey tones to arguments on either side of the debate about influences, or lack thereof, which have strayed too far into shades of black and white.     

Historicising Agency

Why has ‘agency’ been such a tenacious concept in historical scholarship on women and gender, and what have been the consequences on this tenacity? This essay tackles these questions and proposes, through a brief examination of the history of skin lighteners in South Africa and beyond, how agency might be pushed in more surprising, more analytically productive directions. Too often agency slips from being a conceptual tool or starting point to a concluding argument. For example, in my subfield of African women's and gender history, statements like ‘African women had agency’ can stand as the impoverished punch lines of empirically rich studies. Consideration of Walter Johnson's 2003 essay ‘On Agency’ highlights the intellectual and political imperatives of 1970s Marxist and feminist social history that placed agency at centre stage. This essay examines why, more than a decade after Johnson's critique, agency endures as a ‘safety’ argument for reasons related to representational politics, research methodologies and the circumscribed imagination of intellectual gatekeepers. It argues that we should move beyond agency as argument by attending to the multiple concerns and desires – some intentional, others not – that animate human actions, including contentious gendered practices, and by examining how different historical actors have themselves understood agency. Agency has a history. By acknowledging and tracing that history, we will be better able to discern the usefulness and limits of agency for our own analyses.     

Archaeology in the Lettered City

The ‘lettered creole’ Carlos de Sigüenza y Góngora is widely seen as an antiquarian who collected textual materials associated with the indigenous past. But Sigüenza's historical interest exceeded both the textual and the indigenous. Following a popular insurrection in 1692, which left the viceroy's palace in ruins, Sigüenza was asked to present a proposal for segregating Mexico City into distinct Spanish and Indian zones. He framed his project not as an attempt to trace a new line but as the recuperation of an old one, ‘excavating’ the original plan laid out by Hernán Cortés. Drawing on recent work in the field of archaeology and proposing a revisionist history of Mexican archaeology, this essay reads Sigüenza's interventions in the wake of the uprising as articulating an ‘archaeology of the colonial present’ whose modalities include both digging and ‘walking in the city.’ This operation renders the Spanish city a colonial ruin to be curated by a creole administrative apparatus. For the first time, the Spanish present has become the colonial past.     

Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

Collingwood's New Leviathan and classical elite theory

R. G. Collingwood's New Leviathan (1942) presents an account of two ‘dialectical’ political processes that are ongoing in any body politic. Existing scholarship has already covered the first: a dialectic between a ‘social’ and a ‘non-social’ element, which Collingwood identifies in Hobbes. This essay elucidates a second: a dialectic between Liberals and Conservatives, which regulates the ‘percolation’ of liberty and the rate of recruitment into what Collingwood calls ‘the ruling class’. The details of this second dialectic are to be found not in Hobbes, but in the work of Vilfredo Pareto and Gaetano Mosca, yet Collingwood's connections to these fathers of ‘classical elite theory’ have not previously been discussed.     

THINKING THROUGH DURATION

This narrative offers an alternative Jewish Israeli ‘duration’ of the abduction described by Dalsheim. It agrees that the weight of past experience shapes both present perception and future imagination, reproducing the sense of ‘intractable’ conflict but argues that subjective and collective experience is mediated by what C. Wright Mills called the ‘cultural apparatus’. Taking the case of Israeli Jews who work in solidarity with Palestinian activists, some of whom were raised in extremely right‐wing Zionist backgrounds, it shows how subjectivity is shaped by the ‘received interpretations’ of others. More significantly, it shows how this acculturated sense of self can be transcended by the human faculties described by Hannah Arendt as thinking and judging. Drawing upon his own experiences with these activists in the summer of 2014, the author argues as a sign of hope, that thinking and judging enable a divestment of received interpretations of the cultural apparatus, which define and reproduce the conflict as intractable. Sadly, this duration also describes a period when thinking outside the collective became taboo and Jewish compassion for the deaths of Palestinian women and children was vilified and violently opposed by fellow Jewish countrymen and women. With Israel's cultural apparatus unable to accommodate compassion, there may indeed always be a Gaza War.     

Tyrtaeus and the Civilian Poet of the Crimean War

Recent scholarship has delved into the impact of newspaper press upon Crimean War poetry and highlighted the challenges of war representation facing non-combatant poets. The Crimean conflict (1854–56), this essay will show, was not only a ‘media war’ but also a ‘literary’ one, during which mid-Victorian commentators and poets consciously reworked an array of established traditions of war poetry, especially those of Tyrtaeus, the Greek martial poet of the seventh century, to negotiate the duties and artistic endeavours of the civilian poet. Tracing the construction of a ‘Tyrtaean’ tradition from the Revolutionary and Napoleonic Wars (1793–1815), it explores how a Romantic reworking of Tyrtaeus’ war songs served as a precedent for the civilian poets of the Crimean conflict, and how newspaper reports of the suffering of soldiers intensified a widespread scepticism of the civilian’s knowledge and bodily experience of war, which in turn instigated a reconfiguration of the ‘Tyrtaean’ poet. It argues that whilst the poetic efforts of Tom Taylor, Louisa Shore, and Alfred Tennyson to refashion the figure of the civilian manifest Crimean War poets’ anxiety about their non-combatant status and the use of poetry, they evacuated the ‘Tyrtaean mode’, a poetic mode intended to arouse people’s patriotic sentiment and exhort them to military action, forging a new image of war poet within their work marked by the civilian’s detachment from the spectacle of war and critical engagement with distant suffering.