Translation and World Literature: The Perspective of the ‘Ex-Centric’

Before his death in 2003, Brazilian poet, critic and translator Haroldo de Campos had produced a robust body of work on translation theory, which consistently addressed the problem of subordination of target literatures to their source. His audacious concept of ‘transcreation’ championed that translation should be a creative re-invention instead of a mere reproduction of texts. In this article I demonstrate that De Campos’s translation theory subverts the hierarchical categories and values that have structured the field of world literature. Positioning himself as an intellectual from an ‘ex-centric’ literary culture, situated outside of the centers of global circulation, De Campos critiqued the unequal weight usually assigned to translated and original texts, author and translator, established and ascending traditions. His theory effectively illustrates how power differentials between diverse literary contexts affect the ways in which world literature is conceived. I argue that De Campos’s response to the standing inequality that characterizes translational exchanges involved a literary solution. As a creative act in its own right, imbued with the values of originality and difference, transcreation offered an aesthetic answer to the problems of authenticity, influence and literary dependence.     

‘Discipline and Interference’: Ruskin's Political Economy,Natural Law,and the Moral Disorder of Victorian England

When Ruskin turned from art and architectural studies towards political economy in the late 1850s works such as Unto This Last, Munera Pulveris and Time and Tide met with negative critical reactions. In these works he attempted to restore to the language of Victorian political economy the moral content which, he argued, had been lost since the time of Adam Smith, under a cloak of misleading scientific terminology associated with utilitarian ‘orthodox political economy’. In doing so, he resorted to pre-Enlightenment sources of political and economic practice. His study of classical, Biblical, medieval and selected renaissance texts led him to gradually embrace older natural law arguments which contrasted sharply with the assumptions of post-Enlightenment positivist forms of natural law and science. These older and more organic natural law based understandings informed the principles by which he established his ideas on economics as well as his late social experiment, the Guild of St George. The charter and oath of the Guild illustrates how Ruskin's early upbringing in the Protestant Evangelical tradition was replaced by a more comprehensive natural law tradition of ethics.     

‘A Terrific Ogre’: The Role of the Devil in Victorian Popular Belief

The Devil played a vital role in Victorian popular belief. He was a multifaceted figure who could be humorous or terrifying, depending on the occasion. While he struggled for space with an array of supernatural figures, the Devil managed to maintain a presence in a wide variety of supernatural narratives and beliefs.     

Reassessing the ‘Crisis of Faith’ in the Victorian Age: Eclecticism and the Spirit of Moral Inquiry

This article examines both recent scholarship in the field of Victorian religion and conviction alongside new research on secularization that have cast doubt on an older historical narrative about the ‘crisis of faith’ and the ‘triumph’ of the secular. My discussion challenges the emergence of an alternative narrative of crisis that focuses on the ‘crisis of doubt’ rather than the ‘crisis of faith’. In particular, it answers the recent work of Timothy Larsen who argues that many past (and some present) approaches to Victorian religious culture have overemphasized doubt at the expense of considering enduring forms of Christian religiosity. By reappraising the career histories of the radical secularists (notably, Annie Besant) that Larsen uses to support his thesis, I test some of the key assumptions and conclusions of his influential account. My analysis questions the positioning of faith and scepticism as polar opposites and the usefulness of the idea of ‘crisis’ when examining either belief or doubt. Changes in individuals' convictions and practices might be better seen as part of their life-long quest for an all-embracing morality.     

Earthquakes and Petticoats: Maria Graham,Geology, and Early Nineteenth-Century ‘Polite’ Science

Re-visiting the controversy caused by the first female-authored report in the Transactions of the Geological Society, this article probes the gendered layers of the early nineteenth-century scientific community. Maria Graham's ‘Account of Some Effects of the Late Earthquakes in Chili [sic]’ (1824) had considerable influence, and was referred to by Charles Lyell and Charles Darwin. In 1834, however, George Greenough, President of the Geological Society, questioned the accuracy of Graham's observations. Graham in turn defended herself adroitly, in an acrimonious exchange which found an international audience. While this dispute has received some attention from historians of science, previous discussions assume that Graham was no geologist, but simply a traveller who witnessed events of great relevance to contemporary geology. Drawing on extensive archival research, this article demonstrates to the contrary that Graham had considerable interest and expertise in this branch of science. Using the dispute to shed light on the multiple milieux in which early nineteenth-century science took place, it explores the constraints and opportunities faced by women with scientific interests, and the rhetorical strategies required of them, as they negotiated the diverse modes of contemporary science. It also highlights little-known networks of friendship, correspondence and intellectual exchange between scientifically minded women.     

‘Schools for the moral training of the people’: Public Baths,Liberalism and the Promotion of Cleanliness in Victorian Britain1

This article examines Victorian public baths as institutions of active, embodied liberalism: as political spaces where subjects went to practise and enhance their powers of self-government, and in so doing embody and perform a clean and respectable lifestyle. To some extent, public baths can be understood as disciplinary institutions. According to its promoters, personal cleanliness went hand in hand with sober, industrious habits and a conscientious sense of domestic and social responsibility. At the same time, they also formed significant ethical sites, for bathing was a privilege that had to be paid for and as such actively adopted as a lifestyle choice; and, to this extent, they were about facilitating, rather than coercing, a certain civilised freedom. Public baths also allow for an exploration of the material facets of Victorian liberalism, of its spatial and corporeal dimensions. Washing was a practice that not only took place within a privatising architecture but one that also entailed an intensified awareness of the materiality of the self, and especially its covering, the skin. As an art of the self, as a form of subjective individualisation, washing was at once an ethical and a sensory, a moral and a physical, enactment of power.

résumé ?Cet article se penche sur les bains publics comme un exemple pratique et physique du libéralisme, comme un espace ou les possibilités de la connaissance de soi et de la gouvernementalité pouvaient s'exprimer. Dans un certain sens les bains publics avaient une fonction disciplinaire dans le sens d'un parallèle entre la propreté et la sobriété, la responsabilité et la domesticité. En un autre sens les bains représentaient un site éthique dans la mesure où ils restaient un privilège payant et un choix de vie qui facilitait plutôt qu'il ne forçait une entrée dans le domaine de la liberté et de la civilité. Les bains publics permettent aussi une exploration de l'espace physique et matériel du libéralisme et des rapports entre une entreprise de type privé et les soins du corps et plus particulièrement de la peau. Dans ce sens les soins corporels et les bains représentaient un ensemble d'exercices du pouvoir de soi sur soi: éthique, sensorial, moral et physique.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

Interpreting Enterprise,State, and Society: A Critical Review of the Literature in Modern Chinese Business History, 1978–2008

This article offers a critical review of literature in the area of modern Chinese business history from 1978 to 2008. It focuses on four interconnected topics: (1) the evolution of industrial capitalism, (2) the adoption of corporate hierarchies and/or social networks, (3) the change of financial institutions and monetary system, and (4) the development of state-owned industries and the formation of the (central) state enterprise system. The review reveals not only significant growth of the field of modern Chinese business history over the last three decades but also the existence of major gaps. The article concludes by considering the implications of its findings for understanding the political economy of business enterprises and enterprise systems in different national and historical contexts.     

Tibetan livelihoods and the ‘Great Development of the West’:Modernization,pastoral resources,and the ‘urban future’ of the grasslands

1.Introduction Rural livelihoods in Tibet2 have,during the last fifteen years,undergone fast and profound processes of economic transformation and state-led modernization,both in the TAR and the Eastern parts of the Tibetan plateau.Local life styles have changed at a pace rarely seen in an area where people subsisted,until the late 1990s,almost entirely on nomadic mobile livestock production.New local socio-economic structures with peculiar characteristics have emerged.They include the decline of traditional livestock-based (mobile) pastoralism;the emergence of a ‘post-pastoral’ economy based on the extraction of medicinal fungi for Chinese and international markets;and the emergence,often from below,of new arrangements governing rangeland access and usage.     

On the Tragedy of the Modern Condition: The ‘Theologico-Political Problem’ in Carl Schmitt,Leo Strauss,and Hannah Arendt

This article addresses Eric L. Santner’s claim that “there is more political theology in everyday life than we might have ever thought” by analyzing the “theologico-political problem” in the work of three prominent twentieth-century political thinkers—Carl Schmitt, Leo Strauss, and Hannah Arendt. Schmitt, Strauss, and Arendt share a preoccupation with the crisis of modern political liberalism and confront the theologico-political problem in a similar spirit: although their responses differ dramatically, their individual accounts dwell on the absence of incontestable principles in modern society that can justify life-in-common and the persistence of the political order. Their writings thus engage with the question of the place of “the absolute” in the political realm. In particular, Arendt’s indirect approach to the theologico-political problem is crucial to understanding the radicality of a political world in which traditional certainties can no longer be re-established. The theoretical trajectory I present suggests that the dispersion of political theology in everyday life has a specific corollary: modern politics operates within the tragic and paradoxical nature of its unstable and common origins that cannot be incorporated in exceptionalist versions of the body politic.     

Anton Dumitriu,the ‘Axiomatic Culture’ and the ‘Crisis of the West’

Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.