The crisis before the crisis: the ‘problems of modern society’ and the OECD, 1968–74

‘Economic crisis’ is conventionally understood as the absence of economic growth. However, far from being straightforward and self-explanatory, this understanding is itself an expression of a very particular ensemble of statistical techniques, economic theory, state practices and broader societal beliefs; it is not adequate for the historical analysis of what people have historically perceived as economic crises. This article aims at illustrating this divergence by analysing debates within the Organisation for Economic Cooperation and Development (OECD) on the so-called ‘problems of modern society’ from 1968 to 1974. These problems, which occurred at a time of comparatively robust economic performance, were perceived by contemporaries as a crisis closely related to the economic system. This debate led to a new impetus to recast the formerly dominant quantitative-growth paradigm in terms of environmental policies and qualitative growth. It was spearheaded by critical intellectuals within the OECD Secretariat and the OECD's Committee on Science and Technology Policy, who were at the same time launching the Club of Rome. In this article I will draw out the main arguments, actors, relevant contexts and effects of this discussion to highlight some of the characteristics of the intellectual uncertainty so distinctive of this period. The author argues that a historical understanding of this ‘crisis before the crisis’ demands a broader conception of economic crisis, one that is able to grapple with the divergence of economic growth, human welfare and environmental sustainability.     

Difficult heritage and digital media: ‘selfie culture’ and emotional practices at the Memorial to the Murdered Jews of Europe

ABSTRACT

This article sheds light on the entanglements of difficult heritage and digital media through an ethnographic analysis of digital photography and social media practices at the Memorial to the Murdered Jews of Europe in Berlin. After a discussion of the project ‘Yolocaust’, through which an artist publicly shamed the ‘selfie culture’ at the memorial, the article argues that the sweeping condemnation of digital self-representations in the context of Holocaust remembrance remains simplistic. Instead, many visitors explore and enact potential emotional relationships to the pasts that sites of difficult heritage represent through digital self-representations. This observation raises critical questions about the role of digital media in current transformations of touristic memory cultures.     

‘Hold the Heathen Hammer High’: representation,re-enactment and the construction of ‘Pagan’ heritage

Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.     

On the edge: ‘Community’ and ‘sustainability’ on the Isle of Harris,Outer Hebrides

Although scholars have recently begun to question the manner in which nationalist temporal narratives are constructed, a similar analysis of nationalist spatial narratives has yet to occur. Instead, scholarship often remains trapped within the territorial boundaries of the nation‐state; the only ontologically given container of nationalism. In order to advance theoretical understanding of nationalism, however, it is imperative that geographers break this sedentary spell, by beginning to map the interstitial historical‐geographies of nation‐building in the context of globalisation. Through an analysis of the transnational development of Irish nationalism in the second half of the 19th century in particular, this paper will illuminate the important role played by the diaspora and other transnational actors in the development of Irish nationalism in Ireland.     

Introduction to the themed section ‘digital heritage and the public’

Abstract

This introductory essay for the themed issue “Digital Heritage and the Public” begins by alluding to the profound effect of the digital revolution in how society manages the production, administration, publication and access to information. The effect on heritage is noticeable in all fields. The process of digitalisation, traceable from the early days in the 1960s, is increasingly impinging on the relationship between the professionals and the public. Critics have debated on the advantages and challenges of the digital revolution in the heritage field. Related to that discussion, in this themed issue the first article by Taylor and Gibson questions whether the assumption often made inextricably linking the digital media with democracy is correct. This contribution is followed by two others in focusing on case studies of use of digital media in heritage. Mazel explains about three projects in which their use has facilitated access and encouraged public participation to rock art sites in Northern England. In the last article of this issue, Purkis argues that in the ‘Local People’ exhibition she organised in Derry/Londonderry, digital media allowed the creation of heritage out of people’s ordinary lives. This way of disrupting ideas of heritage also turned the museum into a contact zone, a place for cultural and social mediation.     

Responding to the ‘crisis of masculinity’: the perspectives of young Muslim men from Glasgow and Edinburgh,Scotland

Debates about the so-called crisis of masculinity have tended to focus on the experiences of white working class young men and black young men to the exclusion of other groups of men. This article seeks to redress this omission by exploring young Muslim men's knowledge and understanding of the crisis of masculinity and the ways in which they respond to such discourses. Using qualitative data collected during interviews and focus groups with young Muslim men – mainly of Pakistani heritage – living in Glasgow and Edinburgh in Scotland, I demonstrate that young Muslim men's responses to the crisis of masculinity debate are informed by a complex range of issues including their own class position, familial and related gendered expectations alongside the young men's interests in sport and leisure activities.     

‘The Pathos of Conservation’: Raphael Samuel and the politics of heritage

When Raphael Samuel’s Theatres of Memory: Past and Present in Contemporary Culture was published in 1994, it was critically received. Yet, the book has not had the impact of other key works such as Lowenthal’s The Past is a Foreign Country (1985) or Hewison’s The Heritage Industry (1987). A number of factors have contributed to this, such as Theatres essentially being an unfinished project, and ‘heritage’ in the book having multiple personas – the net result being that Samuel’s arguments can at times be hard to pin down. Yet with interest in his approach to heritage now growing, this article seeks to unravel Samuel’s core ideas and arguments pertaining to heritage, and to give an historical background to their evolution. With the central tenets of Samuel’s argument essentially being a case for the democratisation of heritage; the validity of what we might today call ‘unofficial’ narratives and discourses; and to challenge the dominant view that heritage was ultimately history’s poor cousin, I argue that Samuel’s ideas have much to offer contemporary research agendas in heritage.     

Re-using ‘uncomfortable heritage’: the case of the 1933 building,Shanghai

This paper opens up a discussion over the processes of forgetting and remembering that occur in the adaptive reuse of quite commonplace buildings that, nevertheless, have been classified as ‘heritage’. For most buildings survival depends upon finding a new economic use once original use has ceased. At this point decisions are also made about what stories are carried forward from the building’s past. The principal case study discussed in this paper is the former Shanghai Municipal Abattoir, a modernist concrete sculpture now branded 1933 Shanghai. The paper delineates how a process of ‘strategic forgetting and selective remembrance’ has been undertaken, negotiating the bloody nature of the building’s past, in its reuse as an upscale commercial venue. Reuse is further considered within the wider frames of a 1920–1930s Shanghai urban branding ‘imaginary’ and as a ‘building of control and reform’ – a category of buildings developed from the eighteenth-century European Enlightenment-thinking. In reflecting upon this negotiation in the heritage making process with potentially difficult past events, we propose the category of ‘uncomfortable heritage’, as part of a wider spectrum of ‘dark heritage’, and conclude with a final reflection upon 1933 Shanghai as a heterotopic space.     

‘In the very eye of the storm’: India,the UN,and the Lebanon crisis of 1958

This paper effectively provides the view from New Delhi of the crisis in Lebanon in 1958, UN intervention in the conflict, and subsequent peacekeeping in the region. The account uses archival material from the National Archives of India, the Nehru Memorial Museum and Library, New Delhi, the UNARMS, the National Archives, UK, and published primary material. Most significantly, the paper revisits the memoirs of Ambassador Rajeshwar Dayal (the UN Secretary General’s Special Representative) who was seconded from the Indian Foreign Service for the special purpose of UN arbitration in the Lebanon Crisis. Dayal played a pivotal role in defining India’s position in the crisis, and through Indian contributions to mediation and peacekeeping, in the UN. Furthermore, given India’s relationships with many other non-aligned nations in the region, the paper takes a broader view of the narratives surrounding the crisis and eventual US intervention and victory from mainly Indian sources, thus contributing to the study of the short-lived crisis.     

‘Now’, ‘now’, ‘even now’: temporal deixis and the crisis of the present in some Northern Irish poems of the Troubles

The problem of how to describe and account for the present can be identified as a particular preoccupation of poets of the so-called Northern Irish renaissance. This article examines how the temporal deictic ‘now’ functions in some well-known poems by Seamus Heaney, Michael Longley and Derek Mahon. All three poets explore how to combine the plausibility of lyric derived from an individual consciousness with the authority of narrative derived from social interactions. This article will do three related things. First, it will argue that discussing ‘now’ as a temporal deictic enables us to appreciate the full ambiguity and complexity of some poems written at the height of the Northern Irish Troubles. Second, the article will argue that these poems reveal that ‘now’ actually functions in poetry more complexly than some theorists of deixis have allowed. Finally, the article will suggest newly fruitful ways of combining literary stylistics with more conventional close reading.     

Growing older and social sustainability: considering the ‘serious leisure’ practices of the over 60s in rural communities

The important role which older people play in rural community development through their various activities has become a substantive area of interest across social science disciplines, including gerontology, sociology, psychology and human geography. Reflecting the demographic shift of an ageing countryside within many parts of the global north, the future of rural social policy initiatives will increasingly depend on a nuanced appreciation of the social and voluntary activities undertaken by the growing older population. We seek to expand this focus to consider the social value of these practices for both the individual and the particular communities of which they are a part, and make a case for ‘serious leisure theory’ (Stebbins 1982) as a potentially rich seam for exploring these relations. This is put into practice through a case study involving the over 60s residents of a village in rural Wales, and through in-depth interviews we draw attention to their role in securing socio-economic sustainability in the locality through voluntary, hobby-based and amateur pursuits. In conclusion, we consider the analytical merits and limitations of serious leisure theory and, more broadly, the implications of the political fashioning of community-engaged older people as exemplar public citizens in the context of ongoing neoliberal welfare reforms.     

Antiquity at the musical margins: rebetika, ‘ancient’ and modern

Abstract

With their insalubrious social connotations, low-brow content and Ottoman musical features, rebetika songs appear unlikely candidates for connection with the revered culture of ancient Greece. Yet this seemingly sacrilegious nexus has repeatedly been contrived by exponents of the genre and by commentators, unlettered and educated alike. It has also exercised the ingenuity of literati, translators, stage directors and graphic artists. The examples surveyed in this article, whether earnest or whimsical, plausible or manifestly deluded, reflect both evolving perceptions of the genre and broader issues of Greek cultural politics. They further exemplify informal mechanisms for disseminating antiquarian knowledge – and misinformation.     

‘Whore-friendly people’: heritage tourism,the media and the place of sex work in Butte,Montana

In 1997, the International Sex Workers Foundation for Arts, Culture and Education (ISWFACE) began the process of purchasing a historic parlor house brothel (the Dumas) in Butte, Montana to create a cultural center and museum. This business transaction drew national and international attention while Butte citizens questioned the presence of ISWFACE in their community. Using media accounts of the Dumas, I examine the framing of sex work and its place in the heritage tourism landscape of the American West. The case of the Dumas captures the complicated relationship between history, a community, tourism and the media on local as well as national/international levels. Sex work is part of the historical landscape of the American West, but is fading from view as communities actively shape their public image, erasing this element from their landscapes.     

‘No more road to walk’: cultures of heritage and leprosariums in Singapore and Malaysia

This paper examines how the state, social activists and former sufferers of leprosy participate in an international heritage discourse and how they construct the history of leprosy in contemporary Singapore and Malaysia. This paper finds both dissonances but also convergences between these different interests. The emergence of such entangled narratives is taking place at a time when the leprosariums are threatened by redevelopment and while social activists are calling for their conservation as heritage sites. The paper finds that both the state and social activists, in different ways, have selectively appropriated the history of leprosy to fit an international heritage discourse. Meanwhile aspects of that history, which are deemed incompatible, are discarded to fall in between the cracks of the discourse. By contrast, the oral history accounts of the leprosariums’ residents, as a possible source for intangible and radical heritage, are ambivalent about the sites’ heritage values. They reveal that while many residents reject the heritage discourse that seeks to save their homes from demolition, others have created a unique culture of heritage that appropriates the international discourse, but also expresses their own needs and perspectives. Cultures of heritage are, however, themselves fluid and liable to change like the memories on which they are based.     

Political imprisonment and the sanctity of death: performing heritage in ‘Troubled’ Ireland

The ‘Troubles’ is a euphemism associated with sectarian conflict in Northern Ireland from the late 1960s until the late 1990s. Similarly, that term also is used to depict turmoil in all of Ireland between 1916 through 1924. During both eras, political imprisonment coupled with various forms of political violence (e.g. bombings, executions, and prisoner abuse) marred Irish society in ways that invoke socio-religious meaning. In particular, the sanctity of death captures the intense semiotics of those events and points to further theorising along lines of the Durkheimian tradition. As we shall examine herein, violations of the sanctity of death compound social conflict and the resistance it creates. Fieldwork was undertaken in Dublin and Belfast where official landmarks were explored in-depth: Kilmainham Gaol and the Crumlin Road Prison, respectively. Additionally in Belfast, other – unofficial – cultural sites provide further evidence of socio-religious symbolism, most notably the Irish Republican History Museum, Roddy McCorley’s Club in West Belfast, and murals in both Loyalist and Republican communities. Whereas Durkeimian theory remains at the forefront of the analysis, insights also are informed by heritage studies, in particular notions of cultural performance in contested societies.     

Empowerment,transformation and the construction of ‘urban heritage’ in post-colonial Hong Kong

In recent years, there have been many political and economic debates in Hong Kong, and heritage conservation has been used as a political and economic weapon by some members of the community. Based on participant observation and in-depth interviews, this paper analyses how buildings of a small street built in the 1950s were constructed as ‘heritage’, and how a community heritage discourse was used by a group of local residents (Kiefang), university students and professionals to object to the urban renewal project led by the Hong Kong government. In this context, heritage was used to obtain political rights and to express anger against the increasing gap between the rich and poor of Hong Kong. Though the immediate objectives of this group were not achieved, the protest process empowered a group of local residents, and has marked the commencement of a politicalized heritage conservation movement in post-colonial Hong Kong.     

Authenticity and heritage conservation: seeking common complexities beyond the ‘Eastern’ and ‘Western’ dichotomy

ABSTRACT

This article challenges the claimed gulf between ‘Eastern’ and ‘Western’ concepts and approaches to heritage conservation through an analysis of the common complexities surrounding authenticity. The past few decades have witnessed an important critique of ‘Eurocentric’ notions of heritage conservation, drawing on ‘non-Western’, particularly Asian, contexts. Authenticity has been a core principle and defining element in this development. Endorsed by a series of charters and documents, a relativistic approach emphasising the cultural specificity of authenticity has been introduced alongside the European-originated materialist approach in international policy and conservation philosophy. However, the promotion of Asian difference has also contributed to an increasingly entrenched and unproductive dichotomy between ‘Eastern’ and ‘Western’ approaches to heritage. This article reveals common complexities surrounding authenticity in two countries crosscutting this dualism – China and Scotland. Drawing on a number of ethnographic projects, our analysis identifies themes that characterise the experience of authenticity across different cultural contexts. It contributes to a more nuanced understanding of the evolving relationships between heritage conservation and contemporary societies with important implications for global heritage discourses and collaborative ventures crosscutting ‘Eastern’ and ‘Western’ contexts.