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Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.  相似文献   

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《Political Theology》2013,14(2):216-237
Abstract

Current scholarship on human rights and torture largely ignores places and scenes where extra-judicial violence is routinely practiced. That is, framed within a secular discourse, the agency of religious bodies in the systemic infringement of ‘rights’ is never considered. This paper explores one question with two parts: What are the conditions in church governance (Christian) in which systematic violation of human ‘rights’ is the norm, and in which the production of behaviors very much like torture is made possible, even necessary? Why do such behaviors go unnoticed, or, when they are observed, are they discounted? Using the crisis of homosexual presence within contemporary Roman Catholicism I shall argue that pressure for ‘confessional’ purity produces behaviors and activities within lines of authority that mimic torture. The essay examines documented policies, ecclesiastical directives and procedures concerning the management and treatment of persons (mostly homosexuals and women) during the second half of the papacy of John Paul II (1986-2001).  相似文献   

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From 1965 to 1969 the eminent diplomat Averell Harriman was at the forefront of US efforts to achieve a negotiated peace in Vietnam, pursuing numerous initiatives with vigour. He grew frustrated and embittered at how, in his view, President Johnson and his advisers were responsible for missing a number of opportunities for peace. However, recent research indicates that Communist attitudes were at least as much a sticking point. Harriman was also keen to enlist Soviet assistance, but it has become clear that Moscow was ambivalent towards engaging wholeheartedly with the peace effort. The article provides a fresh perspective on Harriman's attempts to bring peace in Vietnam, not least through the use of recent research in Communist archives.  相似文献   

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The conceptual category of the Anglosphere never found explicit currency in John Howard's narrative when he was prime minister. While in office, he ostentatiously avoided ‘putting Australia into a particular sphere – Anglo or otherwise’. This article suggests instead that his endeavour to reshape Australia drew on an Anglospherist perspective. The reshaping of Australia he undertook when he won office rested on two pillars of Anglospherism: the rejection of multiculturalism and the alignment to countries with ‘shared values’ in Australia's external relations. The article traces how these two Anglospherist precepts found actual implementation in Howard's re-framing of ‘Australian multiculturalism’ and re-conceptualisation of ‘Australia's engagement with Asia’.

约翰·霍华德担任总理期间,英语圈的说法在他的叙述里并不通行。在他的官方官样文章里,他明确地避免把澳大利亚放进特定的圈子——英语圈也好,别的圈也好。霍华德在职的时候重塑澳大利亚的努力,其实是基于英语圈的视角。他赢得竞选时要重塑澳大利亚的事业,有两个英语圈的支柱:拒绝多元文化;对外关系中优先“持共同价值观”的国家。本文研究了霍华德如何将这两个英语圈思路落实到对“澳大利亚多元文化”的重新塑造、对“澳大利亚与亚洲关系”的重新思考中的。  相似文献   


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The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.  相似文献   

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This paper describes two approaches to the facial approximation of three individuals from the Wairau Bar burial site (New Zealand). Two individuals were approximated working in direct reference to the remains and incorporated manual drafting. The third individual, ‘Aunty’ (the respectful title given by the iwi Rangitane elders) was approximated from CT scans and using computer graphics. The computer graphic approach enabled a greater level of precision in the application of the research and recommendations that inform a facial approximation, and facilitated collaboration with appropriate expertise. The computer-graphic approach, however, also resulted in a more photographic facial appearance, which can imply a greater level of knowledge about hard/soft tissue relationships than is currently available.  相似文献   

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In this article I react to dismissive remarks made about my Jacob Vernet, Geneva and the philosophes (1994) in a recent book by David Sorkin, The Religious Enlightenment (2008). Vernet, a distinguished Genevan pastor and theologian, who fell foul of d'Alembert, Voltaire and Rousseau, is one of six figures studied by Sorkin, who claims that the religious dimension of the Enlightenment has been much underestimated and that the philosophes were considerably less significant than has usually been thought. Reacting to the accusation that my treatment of Vernet's theology was superficial and unreliable, I reconsider the latter's major theological works (including his Traité de la vérité de la religion chrétienne, Instruction chrétienne, and Pièces fugitives sur l'eucharistie) in an attempt to validate my previous interpretation, and illustrate that Vernet refused to acknowledge ideas that he had actually published. The second part of the article draws more general conclusions, pointing out spectacular errors in Sorkin's depiction of eighteenth-century Geneva and arguing that he has a clear agenda, which, in my opinion, is wrong-headed, easy to refute and—above all—often based on gratuitous accusations and statements lacking any evidence.  相似文献   

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This paper is about the body, specifically a child's body, as a site where identity becomes contested. It is also about a surface or space where we lay claim—a site of vested interest. In April 2004, the Australian Family Court ruled that a 13-year-old child (Alex) had gender identity dysphoria and decided to allow reversible hormonal treatment. The Court ruling produced considerable legal, medical and public reflection over whether these decisions were in Alex's best interests, whether Alex was able to make such a decision at his age, and to assess Alex's competency. These debates also aimed to fix sex and gender through the deployment of a nature and nurture framework. The purpose of this paper, using the example of Alex, is to illustrate the various ways that these claims over a child's body, undermine the possibility for rethinking sex and gender.  相似文献   

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《Central Europe》2013,11(1):55-75
Abstract

The film Somewhere in Europe articulates a vision of the political future of post-World War II Europe. War orphans are depicted as the agents of the continent’s reconstruction. The Marxism embodied in the film challenges the Soviet-style Communism soon to be imposed in Eastern Europe, and stylistically Somewhere in Europe distances itself from Socialist Realism. It assumes the role of a foundational film for the recently rebuilt Hungarian film industry and aims to provide the emerging generation of Hungarian filmmakers with an inventory of the major cinematic styles of the first half of the century.  相似文献   

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The main thrust of this text is to acknowledge the relationship between gastronomy and heritage as a key motivator for travel. Gastronomy, as a central part of culture, and its influence on other aspects of culture has received scant recognition from the academic world generated by tourism. Gastronomy, heritage and tourism are old friends; the relationship between them is mutually parasitic. Gastronomy's role as a cultural force in developing and sustaining heritage tourism is addressed, as is its increasing role as a catalyst in enhancing the quality of the tourist experience. Today's consumers’ search for an individual lifestyle is changing tourism and the ‘new tourist’ is using the holiday for acquiring insight into other cultures. Recent research and current market trends are examined to reveal the increasing significance of gastronomy to holiday choice. It is argued that gastronomy brings culture and cultures together. Place and setting enhance the food experience and arguably vice‐versa. Heritage and gastronomy combined make for an excellent marriage of tourist resources. The text argues that this combination is both used and viewed by the tourist. As such the tourist becomes engaged in cultural heritage to a deeper level.  相似文献   

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