留日学生与近代义务教育

清末民初,广大留日学生在“教育救国”理念的感召下,视义务教育为救国图强、富国强民的根本途径,积极地从事义务教育的宣传、推展工作,使中国教育近代化事业得到了大幅度的拓展,近代中国社会也随之发生了深刻的变化。本拟从义务教育的思想传播、政策制订及师资培养等方面来探讨留日学生为中国近代义务教育的发展所做出的巨大贡献。     

The field, the museum and the lecture hall: the spaces of natural history in Victorian Cornwall

This paper contributes to our understandings of the geographies of science through an analysis of nineteenth–century natural history and, in particular, of the provincial natural history society. Focusing on nineteenth–century Cornwall and one of the main natural history societies operating in the county at that time – the Penzance Natural History and Antiquarian Society – it is argued that a set of key spaces were integral to the operations and outputs of such societies. The paper details the significance of the Penzance Society's museum, field sites and lecture hall as sites for communal work of local natural historians. They were also important, it is argued, in their construction of West Cornwall as a site of national natural scientific importance. Lastly, these spaces defined an agenda for regional scientific study. In particular, they promoted a taxonomic method that would transform local people into rigorous scientists and the local region into a 'book of nature'.     

Early modern ideas about artistic geography related to the Baltic Region

The paper analyses the gradual changes in assistance offered to widows and widowers between 1900 and 1964. It highlights the conflicts between the principle of the family as provider of welfare and the principle of self-help embodied in poor relief, in varying municipal pensions during the inter-war period and in the right to economic assistance legitimised through the Mothers' and Widows' Pension Act in 1964. The development is seen as part of the construction of a welfare society, built on the perception of men as wage-earners and providers, women as wives and mothers. These perceptions of masculinity and femininity resulted in gender-differentiated needs in the case of widowhood, and in gender-differentiated means of covering such needs. Civil status had no importance for men's role as wage-earners, while it was decisive for the economic situation of women. Focusing on the problem of economic support, the paper discusses solutions at the individual private level, at the municipal level and at the national level. The different weighting of widows as mothers or as providers is taken into consideration, and so are consequences of demographic changes in the widowed population.     

Inventing modern Japan: Hobsbawm,Foucault and Meiji history

Takashi Fujitani. Splendid Monarchy: Power and Pageantry in Modern Japan. Berkeley: University of California Press, 1996. US$40.00, hardcover.

James Edward Ketelaar. Of Heretics and Martyrs in Meiji Japan: Buddhism and its Persecution. Princeton: Princeton University Press, 1990. US$35.00, hardcover; US$17.95, paper.     

The Groningen museum: Urban heritage in fragments

Abstract

Changes in West European cities are discussed by many writers in many different ways with the intention of questioning the aim of post‐modern theories. The new perspective has much influence on social, economic and political forms, and on activities in the city centre: Renewed views of the changes in, and the attention to, the roles that heritage plays or could play in the urban area may be helpful in finding adapted forms of post‐modern management of heritage. Heritage has many intrinsically post‐modern aspects such as its eclecticism, its non‐linearity in time and its fragmentation. To explore some post‐modern aspects of urban heritage, the three main points in the post‐modern discussion: the discussion about reproduction, hyper‐realities and legitimacy, are illustrated and examined on the basis of the Groningen Museum, a local museum built a few years, ago in a medium‐sized city in the northern Netherlands.     

The role of the museum in interpretation: The problem of context

The key questions in interpreting objects in museums are: What are they doing there? and Where did they come from? National and local importance are not mutually exclusive: the critical difference is between intrinsic value, and value through context or association. Context is an integral part of interpretation. Experts can visualise an original location or environment; ordinary museum visitors need the context of people, or place, or familiar activities, to be able to relate to unfamiliar objects. Is seeing a good replica as good as seeing the original?     

关于物联网技术在博物馆观众服务领域应用的思考

随着物联网技术的快速发展与普及,其应用已逐渐渗入到社会的各个行业中,也为文博领域提供了有力的技术支持。目前物联网技术已经基本满足了提升博物馆服务观众的能力与效果,本工作以博物馆观众的需求为出发点,描述了物联网技术在博物馆观众服务领域的几种应用设想。     

Western Imperialism and Military Reform in Japan and China

This paper compares the initial efforts at military reform in China and Japan in the late nineteenth century. Changes in military organization and training are situated within a global process of military transformation represented by changes in the structure of the Prussian army. The Prussian staff system and planning program were imported into both Japan and China, but with quite different results. The paper contrasts centralization and standardization as typified by the new Japanese army with the decentered approaches in China. The paper argues that although there was substantive change in China, the Qing state was unable to impose a uniform plan for military Westernization. As a result, the new armies were never integrated into a common organization capable of defending the state from external aggression.     

Female artistic identity in place: the studio

In this paper I examine the role of the studio as a central site of artistic identity construction and maintenance. Using ten case studies drawn from interviews with contemporary women visual artists from Toronto, Canada, I argue that women artists value studio space because it powerfully reinforces their sense of commitment and belonging to a predominantly male‐dominated profession. I consider how women cope with the demands of artistic practice when they are unable to establish a spatially separate workspace by addressing the experiences of artists who are parents. I demonstrate how women artists who are primary care‐givers are rarely adequately protected from the interruptions of daily life and have grown accustomed to working in fragments of time and space. While these women may appear willing to concede space to others, when space is crucial to their artistic practice, they have a remarkably strong influence on the form of their creative environment. I maintain, then, that the studio as a fixed physical space continues to be a very real necessity for women artists in all stages of their careers.     

Local Resource Use in the Pacific War with Japan: Logging in Western Melanesia

Abstract

Americans have traditionally been the most wasteful people in the world. Now, however, we are fighting enemies who beat the world at squeezing what they want out of occupied territory. We must husband what we have, not only by avoiding waste, but also by the maximum utilization of local resources.     

深圳青瓷博物馆

中国是举世公认的瓷国,早在公元前1600年的商代就已发明了瓷器,它的出现比欧美国家大约要早15个世纪,对人类的生产活动产生了不可估量的推动作用,这也是中国古代劳动人民对世界物质文明作出的巨大贡献之一。因为中国发明的第一件瓷器就是青瓷,所以青瓷也就享有瓷器之“根”、瓷器之“母”的美誉。深圳玺宝楼青瓷博物馆作为我国目前唯一的以收藏。陈列、研究中国古代青瓷为主的专题性博物馆,一出现就引起了国内外考古界和陶瓷界的瞩目,成为各界人士欣然向往的知识殿堂。深圳玺宝楼青瓷博物馆坐落在宝安南路2095号,是一处环境优美、风…     

The red line over European colonialism: comparison of the Macao museum and Hong Kong museum of history after their return to China

Hong Kong and Macao were once European colonies. A unique, hybrid culture of East and West now flourishes in these two Special Administrative Regions (SARs) of China. Both cities opened new history museums in 1998, but they adopted remarkably different approaches in their representation of their complicated and politically sensitive history. The Hong Kong Museum of History (HKMH) represents history by closely following the orientation of traditional Chinese nationalism. The postcolonial characteristics adopted by the Macao Museum to reproduce history, in contrast, are likely amongst the richest of all history museums in China. What are the reasons behind the different historical representations by Hong Kong and Macao, which were both promised a ‘One country, Two systems’ policy by the Chinese central authority? This paper argues that both museums reveal two faces of a rising China; the one in Hong Kong emphasises national dignity, and the people’s identification with and loyalty to the nation when it is engaged in state building. The one in Macao emphasises the multiple roles in finding a balanced position to coexist with superpowers, forging friendships with developing countries and building an idealised image of a (re-)rising nation through historical construction. The difference between these two museums indicates the exceptional flexibility of China’s postcommunist regime in engaging in soft power diplomacy.     

The growth of artistic nationalism in Senegal

ABSTRACT. In the 1960s, Senegal's first national leaders narrowly defined how artists should practise nationalism through their work, particularly in the weaving craft, and enforced this definition through selective state patronage. This ideological and stylistic control echoed state control over economic markets. As subsequent administrations have restructured the economy, leading to a powerful informal business sector, so have independent contemporary weavers redefined artistic nationalism. Using ethnographic and archival interviews, this article examines nationalism in Senegalese weaving, placing the perspectives of contemporary weavers alongside those of two arts administrators who helped to develop state‐sponsored programmes in the 1960s and 1970s. I argue that contemporary weavers find inspiration from Senegalese nationalism of the mid‐twentieth century, yet have modified it to encompass individual expression. Because definitions of artistic nationalism in Senegal have shifted, it remains a significant ideology within the national arts scene.     

近代安徽族田经营研究

在近代安徽,就族田的田产经营而言,出租给外姓中、贫农耕种是主要经营方式;地租形态主要是实物地租,且租率较一般私田低;大部分欠租是在催缴过程中通过协商解决.就族田的地租经营而言,宗族通过放贷、购田和投资工商业实现地租的增值;宗族放贷地租的利率大大低于一般私人放贷;族田地租向近代工商业转化已渐露端倪.     

论博物馆管理中的控制应用

博物馆在管理工作中既要遵循一般性管理原则,也要针对本身特点有所侧重。控制是管理的步骤之一,有效实施控制,是管理工作成功的关键。