Symbolic Reparation,Heritage and Political Transition in South Africa’s Eastern Cape

This article first examines the Truth and Reconciliation Commission’s recommendation of symbolic reparation for apartheid, and its effect on South African heritage. Second, it considers the relationship between public history and civic nation building in South Africa, as well as problems in trying to develop an inclusive public history through museums. Case studies drawn from Grahamstown and Mthatha in the Eastern Cape are explored as examples of the redevelopment of the old and establishment of the new public history as part of the negotiated transition.     

The contested interpretation of heritage landscapes in northern Ireland

Abstract

Because the nature of society is both negotiated and contested, cultural artefacts, including heritage landscapes, will be invested with differing and conflicting meanings by various social groups. This is but one aspect of what might be termed the dissonance of heritage. The present discussion is framed within the context of the argument that relics of the past are a resource to be selectively exploited in accordance with contemporary political and cultural demands. The paper uses the example of Ulster's Folk and Transport Museum to examine these issues. It concludes that while consumers do appreciate the cultural complexity of the Museum's role as one medium of communication of identity in a contested society, the institution's effectiveness in this regard is undermined by the middle‐class bias of those consumers.     

Vanished Circumstance: Titanic,heritage, and film

James Cameron's 1997 Hollywood blockbuster Titanic broke box-office records. This article argues that one explanation of this success was that Titanic is a heritage film which held a powerful attraction to audiences steeped in a contemporary heritage culture. Sections of the public are attracted to heritage and crave its illusory evocation of a retrievable and meaningful past. Titanic embodies this and several other heritage traits: the idea of the 'time capsule'; a cult of authenticity; presentism; a time-tunnel syndrome; and the film's picturesque and sublime aesthetic, all of which combine in an explicit articulation of a heritage ethos.     

Sense and sensitivity: Appraising the Titanic

Abstract

The first substantial exhibition of material retrieved from the wreck of the Titanic was mounted by the National Maritime Museum, Greenwich, in October 1994. Extended for a second six‐month run the following April, this was to be the most popular exhibition the museum had ever staged, helping to attract some 720,000 people through the turnstiles during the year. It also generated an unprecedented level of media attention, particularly in the period leading up to the opening, placing a wide ranging (but ultimately soft) focus on the museum's motivation for proceeding into the deep waters of apparently delicate subject matter. Indeed, the controversy of the exhibition —a phenomenon partly created, developed and sustained by the media itself — not only formed a backdrop to the planning, design and installation of the show; to some extent the displays, their effects and their meanings became dependent on the context of argument and rhetoric in which they were generated. In the curators’ attempts to reconcile appropriately the often‐competing demands of the museum market of professional ethics, economics, and contemporary standards of taste and morality, it may be asked whether the National Maritime Museum was passenger or pilot in the stormy waters it encountered through this project. Moreover, what was the true nature and consequence of the unrest: a minor local difficulty or a museological issue of some significance? This article is an attempt, despite the probable partisanship of its author, to explore with some of the objectivity of hindsight these questions and the circumstances in which they arose. ¹     

Balto,the Alaskan Dog and his Statue in New York’s Central Park: Animal Representation and National Heritage

This article explores the statue of Balto in New York’s Central Park within a framework of discussion of animal representation in creating national heritages. It discusses the reasons for Balto’s statue being sited in New York with reference to the competing demands for different heritage commemorations within the park’s space. In exploring the role of different interests in promoting this particular commemoration the article questions a simplistic notion of heritage being created by bodies of the state and draws analogies with other national animal ‘symbols’ such as Greyfriars Bobby, and ‘The Dog on the Tucker Box’. The article suggests that animal commemoration in everyday space may help create ongoing interest in animal pasts while noting the disjuncture between the represented animal and Balto’s actual existence.     

Selling Conflict Heritage through Tourism in Peacetime Northern Ireland: Transforming Conflict or Exacerbating Difference?

The paramilitary ceasefires in 1994 and the ensuing peace negotiations brought to a close some three decades of ethno‐nationalist violence in Northern Ireland. The conflict, colloquially termed the Troubles, cost almost 3,700 lives, and bequeathed both a tangible and intangible heritage of division and hurt. This paper considers the commodification of physical conflict ‘heritage’ such as military installations, memorials and street murals through an examination of various tourism initiatives. Such initiatives have been employed by a number of agents ranging from local councils and tourist boards to small community groups and ex‐prisoner organisations. While ‘official’ agencies recognise the economic potential of this form of heritage, community‐based groups often view the sites and symbols of the conflict as vehicles through which to propagate political perspectives. Those sold by the latter, in particular, are often supported by government bodies that fund such forms of tourism under the auspices of ‘conflict transformation’, a strategy that is aimed at transforming the nature of the conflict through fostering self‐understanding within disputant communities. I participated in a number of these tours over the course of six months in 2005/2006.     

Contested heritage at the Cape Town waterfront

Abstract

Cape Town's Victoria and Alfred Waterfront is a prime example of the international trend of revitalising economically defunct harbour areas for tourism and retail usage. This paper examines the various contested images of heritage evoked at the site during the period of South Africa's political transformation in the early 1990s:‐ a nostalgic perception of a harmonious past (by middle‐class Capetonians) versus a place of privilege and exclusion (by predominantly black working‐class inhabitants); academic concerns to commemorate the social history of the area versus commercial sensitivity to current marketing image; and the multiplicity of images in a postmodern space of spectacle and pastiche.     

The role of the museum in interpretation: The problem of context

The key questions in interpreting objects in museums are: What are they doing there? and Where did they come from? National and local importance are not mutually exclusive: the critical difference is between intrinsic value, and value through context or association. Context is an integral part of interpretation. Experts can visualise an original location or environment; ordinary museum visitors need the context of people, or place, or familiar activities, to be able to relate to unfamiliar objects. Is seeing a good replica as good as seeing the original?     

Trafficking in Liquor,Trafficking in Heritage: Beer Branding as Heritage in Post‐apartheid South Africa

A burgeoning literature on post‐apartheid heritage configuration has largely overlooked the use of branding in the creation of heritage discourses in South Africa and the significance of liquor for national identity. This article brings these two concerns together through an examination of two heritage‐scapes—the SAB World of Beer and the SAB Newlands Brewery Heritage Centre—constructed by South African Breweries (SAB) in 1995. It suggests that the commercial construction of heritage as branding provided a vehicle for a powerful corporate capitalist narrative in the post‐apartheid rhetorical contestation over a desired path for the future. It also suggests that dissonance within and between these corporate visitors’ centres mirrored a wider uncertainty over the meaning of national identity in early post‐apartheid South Africa.     

Mapping the past: Turkish Cypriot narratives of time and place in the Canbulat museum,northern Cyprus

The Canbulat museum is located within the Venetian Walls of the mediaeval city of Famagusta in northern Cyprus, and traditionally marks the spot where the Ottoman warrior Canbulat fell during the siege of Famagusta in 1571. The tomb of Canbulat, which is housed within the museum, has for centuries played an important part in the folk tradition of Turkish Cypriots. Its incorporation into a formal museum in 1968 marked a conscious reworking of the Canbulat legend into a narrative of the Turkish presence in Cyprus. This paper explores the relationship between history and memory which emerges from the shared space and diverging practices of shrine and museum and considers the alternative visions of past, present and future which it opens up.     

Urban Regeneration/Heritage Tourism Endeavours: The Case of Salt,Jordan ‘Local Actors,International Donors,and the State’

The paper explores some of the key developments in maritime heritage in Britain in recent years and reflects upon the changes that have taken place, particularly in the ways in which maritime history has been defined. It examines some of the work of major heritage theorists and the relevance of their ideas for the expansion and ‘reinvention’ of maritime heritage. In particular, it seeks to evaluate the significance of perceived shifts towards a more accessible and nostalgic form of cultural representation. For maritime heritage, it is suggested that this approach may pose difficulties in that it can serve to promote a romanticised and sometimes uncritical perspective of British associations with the sea.     

Ecomuseums and the Democratisation of Japanese Museology

The idea of the ‘integrated museum’, a more socially inclusive form of cultural institution, was a key outcome from the UNESCO/ICOM ‘Round Table of Santiago’ in 1972. Many of the concepts embodied in this idea became part of ecomuseum philosophy and practice during the 1970s and 1980s, in particular the need to involve local communities and make museums more democratic. The ecomuseum has the potential to be a socially inclusive mechanism and is now a worldwide phenomenon. Many of its tenets (the museum as territory, fragmented sites, in situ conservation and community leadership) are used—in a variety of ways and with varying success—as a mechanism to conserve cultural and heritage resources and to construct and promote local or regional cultural identities. Although the philosophy and practice of ecomuseums has been subject to criticism, they are still being created, mainly in rural areas, as a means of conserving traditional landscapes and ways of life. Japan has embraced the ecomuseum philosophy, and three contrasting ecomuseums (Hirano, Asahi and Miura) are described here, their roles analysed and their democratic nature questioned. It appears that the ecomuseum does have the ability to be a truly democratic method of heritage conservation, but that ultimately much depends on leadership and the identification of the local community as the key stakeholder.     

Cultural sustainability as a strategy for the survival of museums and libraries

Cultural sustainability has become a growing priority within sustainable development agendas, and is now often depicted as a fourth pillar, equal to social, economic, and environmental concerns. Museums and libraries play a unique role within cultural sustainability by preserving their communities’ heritage. However, sustainability policy and research within these sectors still tends to focus on the social, economic, and environmental pillars. This article provides a critique of sustainability policy and research for museums and libraries. It argues that more explicit coverage of cultural sustainability is required to not only improve the contributions of museums and libraries to cultural sustainability, but also to provide an increased understanding and appreciation of the value of these institutions necessary for their continued survival.     

Social divisions carved in stone or cenotaphs to a new identity? Policy for memorials,monuments and statues in a democratic South Africa

Popular protests in 2015 in South Africa around statues and memorials, sparked off by the #RhodesMustFall campaign, drew attention to heritage policy and practice in the country since the advent of democracy in 1994. The protests and commentary in social and other media revealed the extent of polarisation along racial fault lines in South African society. They also exposed the apparent failure of official policy implemented for more than 20 years of promoting heritage for the purposes of nation building and social cohesion. Numerous writers have analysed heritage in South Africa since the transition to democracy, but none has traced the details of the evolution of heritage policy within the ruling party and government. This study seeks to shed light on the current debates on the politics of heritage in South Africa by examining the various policy processes and practices within the ruling African National Congress and the government. It argues that many of the heritage practices and policies in South Africa are rooted in the apartheid past and that failure, especially by decision-makers, to critically interrogate these has led to the stunted transformation of society and the current ferment.     

Towards more inclusive,vital models of heritage: An Australian perspective

Abstract

This paper's review of relevant Australian writing critical of theory and practice concludes that official protection of the nation's heritage is a prejudicial, narrowly conceived system in the sense that it is not readily embraced by the public at large, and does not relate well to vigorous public concerns for the environment. Heritage remains too securely tied to the historic artefact. Much broader, vital concepts are needed. A ‘social and environmental relations’ model is proposed. Ideas related to such a concept are explored, including examples where heritage is integrated with aspects of community development. Practice in some communities is argued to be blazing paths well in advance of some of the heritage professionals. In support of such initiatives, research directions for historically‐based disciplines that are in accord with the proposed model are outlined.