Sisters in cahoots: female agency in the marriage of Beatrice of England and John of Brittany

As the study of queenship and female agency continues to flourish, this article contributes to recent historiography which has increasingly emphasised the importance of family ties in the functioning of the monarchy in the Middle Ages. This was particularly prevalent in thirteenth-century Anglo-French relations, as Henry III of England and Louis IX of France were married to the count of Provence’s two eldest daughters. The sisterly bond between Marguerite and Eleanor was one of the key components of improved relations between the two kingdoms. One of the ways the sisters were able to restore cordiality was through the marriage of Eleanor’s daughter, Beatrice, to the heir to the duchy of Brittany. This marriage demonstrates the many facets of female agency in reinstating and consolidating peace between England, France and Brittany. It also suggests that Beatrice was more than a pawn and played a role in the diplomacy involved in securing her marriage.     

Eliza’s Babes: Poetry ‘Proceeding from Divinity’ in Seventeenth–Century England

This article examines the poetry and prose meditations in the anonymous 1652 volume Eliza’s Babes: or The Virgins–offering. The article begins by reconsidering Liam Semler’s recent assertion that Eliza was a Parliamentarian and religiously radical, arguing instead that she was a centrist, loyalist Protestant. The article then examines the handbooks to devotion and meditation from this loyalist tradition that helped define Eliza’s understanding of public and private and how these concepts were gendered. In keeping with writers such as Joseph Hall and Daniel Featly, Eliza views her private devotion as on a continuum which leads to public worship, or ‘thanks’ as she terms it. Eliza uses this paradigm of public and private to justify both the printing of her poems and her very unusual theology of marriage, in which she considers Christ her only true husband. The final section of the article considers whether Eliza’s understanding of public and private offers her more ‘freedom’ than other women writers, and concludes that any judgement of her freedom must be carefully calibrated to the religious and political contexts of her book.     

Does the Law and the Constitution of the Family Have to Change?

The law and constitution of the family has been targeted for transformation in recent years, leading most notably to the Supreme Court's decision in Obergefell v. Hodges, mandating same-sex marriage as a matter of constitutional law. In this essay I undertake a thought experiment, asking how advocates of traditional marriage ought to want the law of marriage to change in light of this development. I begin by reviewing the argument for legal change sketched by Aquinas and then applying it to developments concerning marriage in modern America. Next I sketch the natural-law argument on behalf of traditional marriage. Finally, I turn to the case of Michael H. v. Gerald D., in which the Supreme Court upheld a statutory reiteration of the common-law presumption that the husband of the mother is the father of her child, against a challenge from the biological father, suggesting that this case, long admired by conservatives, needs to be reconsidered—and that the dissent in the recent Indian Adoption Case recognizing a constitutional right of biological parents might prove useful to the restoration of marriage law.     

Interview with Jeanne Hyvrard

Born in Paris in 1945, Jeanne Hyvrard published her first novel, Les Prunes de Cythère (Minuit), in 1975, and her subsequent work ranges from prose novels to short stories, poetry, essays, and experimental texts which exceed the bounds of conventional genre definitions. Hyvrard claims to be articulating the emergence of a new organisation of thought, la tierce pensée, which will enable us to understand and to manage the economic changes brought about by the increasing globalisation of trade and by technological advances. She is an economist by training, and her writing manifests a deep concern with relationships of production, exchange and consumption between individuals, at the heart of which is the possibility of a renewed ethical relationship between the self and the other. This ethical stance influences Hyvrard's thought on themes as diverse as psychology, gender, education, literature, environmentalism, and immigration; and her holistic vision of the world, as structured by networks of interconnected relationships, is now attracting growing critical attention, as it strikes a chord with contemporary concerns about the effects of economic and cultural globalisation.     

KOSELLECK,ARENDT, AND THE ANTHROPOLOGY OF HISTORICAL EXPERIENCE

This essay is the first attempt to compare Reinhart Koselleck's Historik with Hannah Arendt's political anthropology and her critique of the modern concept of history. Koselleck is well‐known for his work on conceptual history as well as for his theory of historical time(s). It is my contention that these different projects are bound together by Koselleck's Historik, that is, his theory of possible histories. This can be shown through an examination of his writings from Critique and Crisis to his final essays on historical anthropology, most of which have not yet been translated into English. Conversely, Arendt's political theory has in recent years been the subject of numerous interpretations that do not take into account her views about history. By comparing the anthropological categories found in Koselleck's Historik with Arendt's political anthropology, I identify similar intellectual lineages in them (Heidegger, Löwith, Schmitt) as well as shared political sentiments, in particular the anti‐totalitarian impulse of the postwar era. More importantly, Koselleck's theory of the preconditions of possible histories and Arendt's theory of the preconditions of the political, I argue, transcend these lineages and sentiments by providing essential categories for the analysis of historical experience.     

Capac Women and the Politics of Marriage in Early Colonial Peru

During the major Inca civil wars, Atahualpa had almost exterminated Huascar’s kin. Only a few capac women, those who descended from Manco Capac, the founder of the Inca dynasty, remained alive. Atahualpa had planned to take them as his principal wives since only this type of marriage could successfully maintain the authority of the Incas over a large Andean territory. The Spanish arrival in 1532 interrupted his plans, but it did not eliminate Inca claims of sovereignty through marriage. In fact, it was through marriage that Atahualpa aimed to establish political alliances with Francisco Pizarro. While both Incas and Spaniards understood marriage on their own terms, there were many instances in which both were willing to redefine their own concepts of marriage in their struggle for power. In all of these, the women engaged in these unions were not only conscious about their political roles, but agents in the main historical events of this period.     

Reading Margaret Oliphant

Margaret Oliphant's fiction has been steadily undergoing critical reassessment since the 1990s. The advent of the Selected Works from Pickering & Chatto testifies to the growing significance of this great novelist within the scholarly community. The inquiries of several researchers, especially Elisabeth Jay and Joanne Shattock, have transformed our understanding of this prolific author's achievements. Yet the larger proportion of Oliphant's novels await the critical attention they deserve. The present discussion focuses on the main reasons why her seemingly minor works of prose fiction possess a psychological understanding that is as great as that which we find in her more famous narratives, such as Miss Marjoribanks (1866). The recognition of divided minds, of the games the mind plays, and her dramatization of them, is part of what gives her novels power that general critiques of her work often miss. This point becomes clear when we broaden our perspective on Oliphant's novels beyond the six fictions that comprise her Chronicles of Carlingford (1862–76). Here the analysis concentrates on The Ladies Lindores (1883) and, more expansively, the little-known For Love and Life (1874).     

Protagonists and politics in the Italian women's movement: a reflection on the work of Annarita Buttafuoco

This article retraces Annarita Buttafuoco's work as a historian of the women's political movement in Italy through a brief survey of her essays and books. These covered more than two centuries of history, ranging from the echoes of the French Revolution in Italy and the constitution of the Jacobin Republics to the struggles for female suffrage and emancipation in the liberal era down to the period after the Second World War and the founding of the Italian Republic. Emphasizing the originality of both the sources and the methodological approaches she used, the article offers a critical appreciation of Annarita Buttafuoco's research and her role in organizing and shaping collective research projects. It is focused on three specific issues: the history of women as conscious historical subjects, the history of women's political movements not only in their social and political contexts but also in relation to institutional networks and the practices of citizenship.     

A History of Chinese Immigration in the United States and Canada

The 2005 Québec novel by Nicolas Dickner (English publication, 2008) presents intertextual effects that become a reflection on writing. The novel is a voyage of self-discovery while offering connections to Melville, Joseph Conrad, the German “bildungsroman,” nineteenth century classic novels, twentieth century French existentialist essays, Anglo-Saxon seafaring sagas, Central and South American imaginative tales, “cric-crac” stories of Québécois “raconteurs,” subversive Canadian novels, adventure stories, detective narratives, comic books and computer-generated discourse. This complex mise en abyme of writing through interlacing genres stands as a metaphor for diversity and rootlessness in North American society.     

Ardent Service: Female Eroticism and New Life Ethics in Gertrude Dix's The Image Breakers (1900)

Gertrude Dix's socialist-feminist novel, The Image Breakers (1895) has perplexed twentieth-century critics by its brief, short-circuited representation of homoerotic affection between the two female protagonists. In answer, this essay roots the women's relationship in the wider social, historical context of New Life politics and ethics in the 1890s. Members of the Fellowship of the New Life heralded not merely a variety of alternative lifestyles including vegetarianism and co-education, but also extensive discussion about sexual mindfulness and generosity. The charismatic seer and inspiration for the FNL, James Hinton, preached that utopia could be achieved by practicing an erotically-charged altruism. If, as Sharon Marcus has claimed, such female mutual devotion was common and perceived as normative, it was particularly affirmed by ethical-socialist culture. In the novel, Leslie Ardent's loving service to Rosalind is fuelled by her political mission and desire for self-realization. Through this female intimacy, Dix evokes the initial phase of New Life socialism as Hinton and his followers had espoused it. By contrast, the women's heterosexual relationships are more troubling, as male comrades pressure them respectively into heterosexual marriage and free love. In order to discredit heterosexual free love, Dix paints its proponent as a disturbed anarchist, rather than admit that historically some in ethical-socialist circles had advocated polyamoury. Nor does she acknowledge the philosophical convergences between collective anarchism and ethical socialism at the fin de siècle, though she herself was engaged in radical communities. Through her indictment of free love, Dix punctures the utopian vision of a pure, selfless, erotic affection flowing between individuals; figuratively, the novel re-enacts the collapse of Hinton's own reputation from seer to seducer. Echoing scenarios by other female ethical-socialist writers, the early intimacy between Rosalind and Leslie then serves the function of nostalgia, symbolizing a now-lost stage of New Life optimism and association.     

The Ritual Year of Athena: The Agricultural Cycle of the Olive,Girls' Rites of Passage,and Official Ideology

Through the ritual year of ancient Athens, many festivals were dedicated to Athena. The Panathenaia was the most important festival. It has been regarded as a political festival, but the importance of agriculture is also illustrated through the offerings and rituals carried out during this main festival dedicated to the Goddess of the olive crop. All Athena's festivals were related to the olive, the third main crop of the Athenians, and protected by her, as her festivals were celebrated in the crucial period for the olive crop, from the flowering of the olive tree, growing period of the fruit, until the gathering in winter. The summer festivals, particularly, may be related to the importance of securing the dew for the growing fruit. Many rituals during the festivals reflect the daily activities of women, several rituals are also important to the rite of passage undergone by girls at puberty to prepare them for marriage.     

“Talk & talk & talk”: Virginia Woolf's responses to Ireland

The complexity of Virginia Woolf's relationships with Empire can be illustrated by considering her responses to Ireland. Woolf's relationship with Ireland and Irish writers has received only cursory attention. Those critics who have addressed the topic have assumed that she responded positively to her experience of Irish “talk” on her holiday in Ireland in 1934. However, her response on that holiday reveals some underlying imperial presumptions and a sense of Ireland as stereotypically a land of “talk, talk, talk”. Indeed, this is in keeping with her responses to a wide range of Irish writers over many years (most notably, it chimes with her reading of Ulysses). This essay brings together for the first time Woolf's comments on Ireland and Irish writers, from her diaries, letters, essays and reviews, in order to show that she consistently characterised them as loquacious. Ireland was thus merely a subject of talk, a “question” that could only by discussed, and then only in stereotypical and liberalist terms. Further, Woolf associated talk with looseness and bad writing, and sought to maintain a mode of semi-privacy, apart from the “talk” that went on around her.     

Constitutionalism,the Public Philosophy,and Political Science

Examining Willa Cather's corpus of literary works reveals several phases of her illustrious career. After defending commercial culture in O Pioneers! and My Ántonia, her later novels, especially her One of Ours, diagnose an unmediated split in the Western world illustrated by the experience of the Great War: the bourgeois commercial culture undermines aspirations for human greatness. Her later novels deepen this diagnosis and offer a way out in a return to a rooted community of believers living in the shadows of the Church.     

The polis and the res publica: two Arendtian models of violence

The influence of the ancient Greek world on Hannah Arendt’s thought is well documented, yet her interest in the politics of the Roman Republic is often considered less central to her work. This paper explores Arendt’s analysis of both these political worlds, with a particular emphasis on what this comparison can tells us about her understanding of the role of violence in politics. Arendt has generally been understood to structurally exclude violence from the political, in part due to the claims she makes in her later essay ‘On Violence.’ Yet in her portrayal of Roman politics, and her preference for this political system above the Greeks’ (in certain respects), a genuinely political engagement with violence can be discerned. The paper claims that this particular case study indicates the framework of the vita activa, set out by Arendt in The Human Condition, should be reinterpreted, particularly insofar as ‘fabrication’ or ‘work’ here appears as something that is legitimately part of the political, and incorporates within it some forms of violence. The claims that violence is structurally anti-political, this paper concludes, are temporally specific to a twentieth-century context, rather than constituting a foundational ‘rule’ of political practice for Arendt.     

Le fou du tzar—A nail in the body of the empire

In the Edwardian period, the essays, novels, and criticism of G.K. Chesterton gave voice to a unique but emblematic form of patriotic anti-imperialism. The article places his views in the context of the Liberal Little Englander reaction to the Boer War, and offers two comparative case studies. The first focuses on Chesterton's inheritance of the late-Victorian anti-imperialist rhetoric of William Morris; the second assesses his fraught relationship with internationalism, as represented in the writings of Morris's political collaborator, E.B. Bax. Chesterton's radical populist patriotism, it turns out, had more in common with contemporary socialist ideologies than the currently prevailing view of its parochialism would allow.     

Changes in the Foot Binding Culture: The Female Body and Politics in Regions Governed by the Communist Party of China during the Anti-Japanese War

Since 1949, Chinese mainland historians and creators in film and television, novels, and reportage have continued to shape the heroic image of female groups in the base areas of the Communist Party of China (CPC) during the Anti-Japanese War. They participated in production, women’s mobilization, and reconstruction of the rural political order “like men.” They pursued the equality between men and women, marked by freedom of marriage, and also participated in regional guerrilla warfare to combat the Japanese puppet army “as men.” However, in the remote villages of north China at the end of the Qing dynasty and the beginning of the Republic of China, it was not common for women to unbind their feet. In wartime, most women over twenty years of age were forever left with the “three-inch golden lotus” (sancun jinlian) feet. The damage of the war accelerated their acceptance of the CPC’s emancipation concepts and policies and presented them with an opportunity to actively implement them. The experience of survival drastically changed traditional aesthetics, ideas, and customs related to women. Physical and psychological changes occurred as a result of the war; women began to go out of their homes to participate in the work of the Women’s Salvation Association and the Youth Salvation Association, and a group of women achieved marriage equality between men and women in the form of “divorce her husband” (qi xiu fu). Due to pressure, women carried more physical and mental responsibilities, faced insufficient advocacy for their rights, and the aesthetics and mentality of womanhood underwent change.     

Theology and Democratic Futures

Abstract

The essays in this special issue of Political Theology engage in a vigorous and wide-ranging conversation between theology and theologically inspired forms of critical thought and the possible futures of democracy as an idea(l) and as a political practice. This collection seeks to provide some key coordinates for thinking through the linkages and disjunctures between the theological and the political in formulating new conceptual frameworks that obtain a critical purchase for understanding the multiple meanings of democracy in the (post)modern world. By posing the question, "What is the fate of theology in a post-theological moment?" this introductory essay focuses our attention on the contemporary configurations of intellectual and political power that animates so much of our discourse on the interrelationships between theology and politics and proceeds to provide a brief rehearsal of the essays included in this special issue.     

Reviews

The Kukukuku of the Upper Watut. By Beatrice Blackwood. Edited from her published articles and unpublished field-notes, and with an Introduction By C. R. Hallpike. 218 pages, 38 plates, 16 figures, 3 maps. Pitt Rivers Museum, Monograph Series No. 2, University of Oxford, 1978.     

Fashioning the Domestic Novel: Rewriting Narrative Patterns in Margaret Oliphant’s Phoebe,Junior and Dress

This article argues that in her 1876 novel Phoebe, Junior, Margaret Oliphant used fashion and dress as a means to rework and modernize the narrative patterns of the domestic novel. In a volume entitled Dress, written for Macmillan’s ‘Art at Home’ series in 1878, Oliphant developed a mode of dress that privileged the adaptation of prevailing forms and fashions to the needs of the individual body. Oliphant saw such an individualist approach to dress as a modern understanding of fashion that favoured change and the adaptation of prevailing styles over the imitation of dominant social and aesthetic forms. This article links Oliphant’s understanding of fashion in her Dress volume with the revisionary narrative process that she exemplified in her writing of Phoebe, Junior. Returning to her series of novels charting the Chronicles of Carlingford after a number of years, Oliphant marked in sartorial terms the social and aesthetic changes that had occurred since the publication of her penultimate Chronicle, Miss Marjoribanks, in 1866. Revising in Phoebe, Junior her earlier novel, the trope of female creativity that linked the pen with the needle, and the conventional narrative patterns of the domestic novel, Oliphant posits a model of artistry based around the image of scissors and a process of cutting in order to create.     

Lo que le sucedió a María Zambrano: Dulcinea

Don Quijote is constantly present in María Zambrano’s works, especially in the years of exile. Along her career, Zambrano wrote many essays about Cervantes, in which she reflects on love, always about the character of Dulcinea. One of these essays, significantly titled “Lo que le sucedió a Cervantes: Dulcinea,” raises the lack of love as the most important topic in Quijote, and discusses from this point of view the ideal image of Dulcinea contradicted by the carnal Aldonza.