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1.
In the wake of Native North American activism and moves to decolonize archaeology, some academics have begun to avoid displaying human remains. Though recent World Archaeological Congress accords detail a consent process for ethical display, some journals, museums, and individual scholars have blanket policies covering even those remains whose descendants favour display. This article examines one context affected by these policies: the central Mexican town of Xaltocan. Here, Indigenous residents advocate for archaeological study and exhibition of ancient human remains, yet they have been criticised and censored by North American audiences. We consider two factors behind their desire to display the dead as part of efforts to reclaim Indigenous identities: long-standing Mesoamerican relationships with the dead and the materiality and symbolic capital of bones. We argue that an academic reluctance to display any human remains is problematic – even if it is a well-intentioned acknowledgement of respect for their sensitive nature – because it imposes the wishes of one Indigenous group on another, and may thereby lead to the unwitting perpetuation of colonial practice. We suggest that decolonizing archaeology may sometimes necessitate allowing the exhibition of skeletal remains; ethnographic research in individual communities is needed to ensure respect for descendant perspectives. 相似文献
2.
目前,在教育部学科分类体系和国家标准学科分类标准中,文博考古学科类属关系不统一。文物学始终没有获得科学界正式承认,给高校学科建设造成一定影响;考古学新升为一级学科,意味着"考古学与博物馆学"研究生专业名称面临调整,由此将出现"文化遗产与博物馆学"的二级学科;而将本科专业名称"博物馆学"改为"文物与博物馆学",又将使其与"文化遗产"学科分类不相同步。因此,文博考古学科类属关系需要统一,相关的专业名称与学科名称也应该一致。 相似文献
3.
Sara Bonini Baraldi Daniel David Shoup Luca Zan 《International Journal of Cultural Policy》2019,25(4):423-444
From 2004 to 2012, 37 well-preserved Byzantine shipwrecks were discovered during construction of two underground train stations at Yenikap?, Istanbul. Despite its complexity, archaeology is rarely studied through organisational and management lens. This paper investigates the Yenikap? rescue excavations using two innovative analytical frameworks for archaeology – the Heritage Chain and Structure Conduct Performance analysis – which highlight the crucial but too often overlooked role of practices (or emerging strategies) in public policy, helping identifying strengths and weaknesses of the project. In this sense, two elements of the system seem fundamental: its extreme centralisation and its ongoing process of decentralisation. The research, based on a phenomenon-driven approach to management of archaeological and cultural heritage projects, highlights how Turkey’s uncertain legal environment for rescue archaeology led to emergent, ad hoc management and funding solutions that mixed state and private involvement in novel ways through a multi-level outsourcing. 相似文献
4.
Tiago Miguel Fraga 《International Journal of Nautical Archaeology》2013,42(2):257-269
The Projecto de Carta Arqueológica Subaquática do Concelho de Lagos (PCASCL) aimed to locate, identify and protect existing underwater cultural heritage within the district's coastal area. This project was based on a five‐phase methodology which included archival research, assessment, survey and conservation. PCASCL resulted in the discovery of five shipwrecks and several artefacts which were added to the Portuguese archaeological record. This also led to the development of a secondary project which focused on one of the five shipwrecks as well as proposals for an underwater archaeological park in Lagos. 相似文献
5.
AbstractPlaces connected to the Holocaust, and the physical evidence that lies within them, survive as reminders of the crimes perpetrated by the Nazis. Both the treatment of these sites and attitudes towards them have varied considerably in the years since the Second World War. In recent years, a number of archaeological investigations have been instigated by curators at Holocaust sites in a direct attempt to enhance visitor experiences and education programmes. Archaeologists have initiated investigations at other forgotten and dilapidated sites in an attempt to raise awareness of these places. This paper will discuss two case study sites where archaeological investigations have been undertaken and where attempts have been made to inform conservation, heritage management, and education strategies. It will highlight the various challenges that may arise in the course of developing dissemination tools and discuss strategies that have been adopted to account for them. Specifically it will focus on how archaeologists can present novel means by which to locate, record, and re-present the physical evidence of the Holocaust and how they can tell the stories of difficult heritage sites even when traditional forms of memorialization/muzealization is not wanted or practical. 相似文献
6.
Chapurukha M. Kusimba 《African Archaeological Review》1996,13(3):165-170
Museums curate, document, conserve, and protect the earth's diverse natural and cultural heritage for purposes of educating humankind. Through research, exhibitions, and other activities that stress our common demominators and achievements, museums help us to forge and affirm local, ethnic, national, and international identities, unity, and pride. To accomplish such diverse goals, museums require dynamic, dedicated, ethical, and fairly well-educated staff. Museums must also be well-funded and should have local, national, and international support systems. This paper discusses the challenges faced by museum professionals in Africa, especially archaeologists, as they attempt to unearth, and in some cases reinterpret, Africa's cultural history. 相似文献
7.
Paul Burtenshaw Bill Finlayson Oroub El-Abed Carol Palmer 《Conservation and Management of Archaeological Sites》2013,15(2):69-91
ABSTRACTThe Deep Past as a Social Asset in the Levant (DEEPSAL) project, conducted in 2015–16 by the Council for British Research in the Levant, examined two communities in southern Jordan, Beidha and Basta, who live near significant Neolithic archaeological sites. The project collected information on the communities’ current socioeconomic conditions, their relationship with local cultural heritage and how that cultural heritage currently benefits or hinders them. The information was used to inform nascent strategies to utilize the sites sustainably as development assets and suggest alternative strategies as necessary. The results showed that a tourism-based strategy is suitable for Beidha but there was a need to focus on basic business skills. For Basta a tourism-based strategy is currently unsuitable, and efforts should rather focus on supporting educational activities. The results of the project are presented here within the context of archaeology’s increasing interest to use archaeological resource to benefit local communities, and outlines lessons for that effort. 相似文献
8.
JOSHUA A. BELL 《Reviews in Anthropology》2013,42(1):70-92
Over the last 40 years museums have become important sites to understand the politics and poetics of heritage management, display, and knowledge production. The books under consideration here all help demonstrate how museums as relational entities—containing dynamic relations between persons and things, as well as generating them—are emergent processes. Each work helps demonstrate why museums in their many guises remain critical terrains for the negotiation of identity, history, and culture in the push for more collaborative accounts of our world and the circulation and display of things. 相似文献
9.
《Public Archaeology》2013,12(4):221-241
AbstractFlorida waters are home to the remains of such diverse watercraft as galleons, freighters, sailing yachts, steamboats, and prehistoric canoes. Managing these resources, especially regarding questions of access versus preservation, can be a daunting task. Florida’s Underwater Archaeological Preserves programme is an experiment in public participation to further both the awareness and the preservation of submerged heritage through site conservation and interpretation, incorporating various stakeholders during each step in the process. The logic in Florida’s Preserves programme is that an involved public given free access to a shipwreck site can be an ingredient for, instead of a hindrance to, preservation. Although one of several programmes worldwide, the concept that sets Florida’s Underwater Archaeological Preserves programme apart is its use of public involvement to promote education that fosters attitudes of conservation and preservation. If the public feels a share as stakeholders in the preservation of their maritime heritage, then submerged cultural resources will be more effectively protected. 相似文献
10.
K. Anne Pyburn 《International Journal of Heritage Studies》2018,24(7):709-722
AbstractOver the past twelve years I have collaborated with Kyrgyz citizens to promote a national conversation about heritage, based on grass roots interest and sentiment. Countering polarising political rhetoric about Kyrgyz nomadism as the only authentic national heritage identity, many citizens enthusiastically present the artefacts of ancient cities alongside the balbals (stele) of ancient nomads in their community museums, eagerly participate in discussions about a complex Kyrgyz past, and have collaborated with Uzbek speakers to create a national heritage society. In this paper I will describe several community museums and other grass roots education programmes that I have been involved with in Kyrgyzstan and consider their potential for countering ethnic conflict. 相似文献
11.
Jenny Kidd 《International Journal of Heritage Studies》2017,23(6):493-505
The sale by Northampton Borough Council (UK) of the Egyptian Sekhemka statue at auction house Christie’s became a key focus of international debate about contemporary museum ethics in 2015–2016. A decision to deaccession and dispose of a museum object would not traditionally be the subject of intense media scrutiny, but the case of Sekhemka was widely reported in local, national and international press. This article takes as its start point the question ‘What did media reporting of the sale of Sekhemka reveal about contemporary museum ethics, and the terms of their debate?’ It reports findings from a content and discourse analysis of 229 news stories dating from late 2012 when the sale was first proposed, to May 2016 when it was reported that in all probability the Sekhemka statue had finally left the country. The ambiguous and intriguing sale of Sekhemka might not be the last as global economic and geopolitical circumstances continue to impact our valuations and uses of cultural heritage. This paper demonstrates that we would do well to keep media reporting of such events under close scrutiny in the interests of a considered and informed contemporary museum ethics. 相似文献
12.
《Industrial archaeology review》2013,35(2):111-127
AbstractDuring the Industrial Revolution period, rows of small houses built for industrial and other workers became a common landscape feature in Britain. Most were through houses, but, in many parts of the country, sizeable numbers were built as back-to-backs. By the early Victorian period, such houses had become associated with high-density and extremely squalid loving conditions in industrial towns and were strongly condemned by contemporaries. Of particularly concern were the health hazards that were seen to arise from a lack of through ventilation. Less well recognised and discussed by historians, however are the-back-to back houses that were associated with rurally-based industry. Focusing on textile Lancashire, this article addresses the theme, demonstrating not only the importance they could have as a component of rural settlement during and beyond the Industrial Revolution era, but also that they came to offer much improved standards of accommodation. 相似文献
13.
Caroline Pudney 《Public Archaeology》2017,16(2):74-89
This article reports on a second case study in the relationship between archaeology and social benefit through working with young offenders in Wales. Whereas a previous article (Pudney, 2018), focused on the MORTARIA project — an archaeological education project engaging adult offenders in South Wales — this study explores the distinctive methods and challenges faced by the subsequent Heritage Graffiti Project (HGP). This project encountered similar, but also different, experiences to MORTARIA, involving different skills and technologies, as well as specific artistic engagement with place. The article considers the effectiveness of the HGP before reflecting on the two projects’ shared implications for future, translational public archaeology projects that wish to work with offenders. 相似文献
14.
William B. Lees 《Public Archaeology》2013,12(2):92-114
Created by the Florida Legislature in 2004, the Florida Public Archaeology Network (FPAN) has grown into a positive force for preservation, public engagement, and community collaboration in archaeology. This article discusses the genesis of FPAN and how the organization has changed in scope, evolved in mission, and addressed challenges, ideally providing ideas and direction for similar programmes in other locations. 相似文献
15.
《Public Archaeology》2013,12(3):195-210
AbstractThis paper reconsiders some aspects of displays at archaeological open-air museums and heritage sites by looking in some detail at how wild animals are presented in zoological gardens. Topics discussed include the historic and current functions of collecting ancient artefacts, the various appeals of different artefacts and displays, trends in attracting visitors, the significance of systematics and typology, narratives reflected in the overall exhibition design, and the role of displaying artefacts in a specific ‘culral’ context. I argue that we should learn from zoos by placing a stronger emphasis on sensory experiences and visitor satisfaction in order to convey the ‘magic’ of the past. 相似文献
16.
本文分析了近90年来160多种中国考古文物类期刊的创办与发展情况,提出中国考古文物类期刊的发展与中国考古学学科的发展一样,经历了初创与早期发展、全面发展、复苏时期、成熟发展等四个阶段。现在的中国考古文物类期刊的格局,是1979年以来形成的。目前主要刊物的栏目形式有所变化．但研究论文与田野资料并重的办刊方针总体上没有变化。近10年来一些刊物新增加了文化遗产保护、科技考古、公众考古的内容,这应是中国考古学在21世纪发展的三项新的内容。 相似文献
17.
Scott R. Hutson Galvin Can Herrera Gabriel Adrian Chi 《International Journal of Heritage Studies》2013,19(4):376-392
This article discusses two aspects of heritage – entanglement and transformation – that became clear during a recent cultural heritage project in Yucatan, Mexico. Regarding entanglement, heritage becomes relevant only when coupled with other concerns, ranging from politics to livelihood to personal biographies. An unpredictable array of entanglements came into being during the project and these entanglements elevated the impact and visibility of local heritage to an unanticipated degree. Transformation refers to the claim that heritage is not frozen in the past. Instead, it is in motion and subject to change. The transformations of heritage discussed in this paper are examined from the perspective of a mobilities paradigm and understood, in part, as resulting from the experience of performing heritage for outsiders for the first time. In so far as the heritage project precipitated changes in identity, this paper explores what is meant by Maya identity and argues that it is a fluid construct that can be both anchored in the past and negotiated in the present. This perspective makes sense of an event in which contemporary people anchored their identity in a spectacular 1000-year-old ruin, but falls short of explaining the uneven recognition of smaller ruins. 相似文献
18.
Following international trends, Turkey has recently introduced decentralisation reforms to its highly centralised public administration system. These reforms have also applied to the cultural heritage sector, where innovative laws since 2004 have allowed local administrations and private actors to play new entrepreneurial roles. The Gaziantep Metropolitan Municipality has been a pioneer in this process, promoting policies that promote cultural tourism as an engine of economic growth. Under its leadership, hundreds of historic buildings have been restored, nine new museums and heritage sites opened, and museum visitors increased tenfold. These positive results make Gaziantep an interesting case of successful decentralisation in heritage management. Despite these successes, however, the disconnection between rhetoric and results, and the fragmentation and ambiguity of responsibilities emerging from the decentralisation process raises serious questions about its sustainability and replicability. 相似文献
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20.
Sarah Baker Lauren Istvandity Raphaël Nowak 《International Journal of Heritage Studies》2016,22(1):70-81
A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This article seeks to counter this trend by exploring the challenges of incorporating recorded sound into popular music exhibits as understood by curators and exhibit designers. Utilising interviews conducted within 14 authorised and DIY museums devoted to popular music, the researchers demonstrate a distinct contrast between current academic critiques of music use in these museums and the attitudes of the people who create them. The result is a varied discussion surrounding sound in the museal space, including issues of sound bleed, technology and the creation of balance between artefacts and sound. This account draws attention to curators’ intentions of telling the story of popular music history by engaging with both the visual and aural memories of museum patrons, and suggests a new understanding of the purpose underpinning popular music museums in modern contexts. 相似文献