Heritage and scent: research and exhibition of Istanbul’s changing smellscapes

This paper examines heritage, and particularly intangible heritage, by concentrating on the experience of smell to explore a heritage site in Istanbul, Turkey: the Spice Market. Due to a restoration project, the site became the focus of the 2012 international workshop ‘Urban Cultural Heritage and Creative Practice,’ which aimed at documenting the existing and threatened scents of the marketplace. In 2016 a gallery exhibition, ‘Scent and the City,’ was created as part of an effort to raise awareness about how scent constitutes an important component of the heritage of place. After providing a brief overview of the marketplace’s transformations since its construction in the seventeenth century, this paper covers various methods of scent research, including scent walks, mapping, oral history interviews, and artistic performances, and illustrates how the smellscapes of this historic, and now touristic, quarter of Istanbul are changing. By bringing a sensory approach to this important heritage site in Istanbul we demonstrate how an embodied approach, which forefronts scent as intangible heritage and a primary modality, can serve as a catalyst for individuals and communities to access their memories, emotions, and values and increase awareness of the role scent plays in defining locality.     

A centralized decentralization: outsourcing in the Turkish cultural heritage sector

Recently Turkey has experimented with reforming its highly centralized cultural heritage sector by outsourcing commercial activities at museums and archeological sites. We examine three outsourcing contracts executed in 2009–2010 and their implications for understanding New Public Management in Turkey’s cultural sector. The initial project at the Istanbul Archaeological Museum was soon superseded by a ‘monopoly’ model that outsourced gift shop and ticket collection services at over 50 museums and sites to single companies. All three projects have significantly increased visitor numbers and revenues for the revolving fund that controls commercial operations within the Ministry of Culture and Tourism. Yet unlike countries such as Italy, where outsourcing has led to decentralization, increased private sector involvement in Turkey has increased the control of the central government. This ‘centralized decentralization’ is a distinctly Turkish approach that allows for modernization without disturbing a highly centralized administrative tradition.     

From an Inconsequential Legacy to National Heritage: Revisiting the Conservation Approaches Towards the Ottoman Buildings in British Colonial Cyprus

Cyprus came under British control in 1878. At this time the Western-based orientalist mind-set, which saw ‘Ottoman’ as a synonym for stagnation was at its zenith, and this view was strategically disseminated as the European empires expanded. This also coincided with the evolution of the ethnic-nationalism that facilitated the formation of national heritage constructs. By analysing the case of Cyprus, a place which is entangled with British colonial governance as well as revolutionary Turkey, this paper aims to widen the discussion on the conservation trajectory of the Ottoman built heritage in post-Ottoman environments. Approaches to the restoration, interpretation, and management of Cyprus’s Ottoman buildings between 1878 and 1960 are dissected, assessed and categorized through British-era archival collections. The history of conservation practices is contextualised in changing political and professional perspectives, which reveal the role of Eurocentric paradigms of orientalism and nationalism in managing the perception and treatment processes of Ottoman-built heritage.     

A feminist-phenomenology of women’s activism against hydropower plants in Turkey’s Eastern Black Sea region

Taking a feminist-phenomenological perspective of the body, this article provides an empirically grounded analysis of the embodied subjectivity of women in the movement against hydropower plants (HPPs) in the culturally and spatially specific context of the Eastern Black Sea region of Turkey. Informed by a feminist engagement with Merleau-Ponty’s concepts of ‘the body-subject’, ‘the flesh’ and Einfühlung, the article places subjectivity within a relational ontology of sentience and intelligence in which corporeal experiences, senses and affects condition cognitive and agential processes. Bodily senses and affects are thus treated as media of subjectivity. The relationship between water and identity, established through memory, heritage and history, is also produced and/or conserved by the embodied relation between women’s bodies and bodies of water, within the connective ‘flesh’ of the physical world. The case of the Eastern Black Sea demonstrates how political subjectivity of women in the movement against HPPs is conditioned by an intimate embodied relationship with river waters that is sustained by a series of sensory-affective experiences. Their statements emphasize, over and over again, an interconnectedness with the rivers, which makes the cause of anti-HPP struggle vital and urgent for them. This feeling of urgency is a source of women’s radicalism in opposing HPPs. The article maintains the female subject as embodied and transversal, and stresses the centrality of corporeal experience, sense and affect in formation of political subjectivity. By developing a body-centred feminist-phenomenological approach to political subjectivity, it introduces a novel way of analysing women’s activisms within and beyond environmental movements.     

Turkey and the European Union: A Review of Turkey’s Readmission Agreement

Our aim in this article is to analyze Turkey’s Readmission Agreement with the EU in light of Turkey’s membership goal. More specifically, our aim is to propose the most rational political decision for concluding this process. Our study addresses three questions: (1) the impact of the Readmission Agreement on Turkey’s accession negotiations; (2) the outcomes of the implementation of the Readmission Agreement for Turkey; and (3) Turkey’s aim of becoming a full member of the EU by concluding the Agreement. By assessing the three potential scenarios of the Readmission Agreement process—minimum, optimum, and maximum benefit—we conclude that, whereas the first scenario does not coincide with our analysis, the other two, especially the third scenario, do coincide with it. Because the optimum benefit scenario does not disrupt the Readmission Agreement process it appears to be the most rational, balanced and beneficial agreement for both Turkey and the EU.     

Postcolonial cultural governance: a study of heritage management in post-1997 Hong Kong

This paper seeks to unpack the politics of heritage preservation in post-1997 Hong Kong. Referring to international frameworks on heritage preservation, it seeks to position Hong Kong’s cultural resource management on par with international discourses for the advancement of heritage governance. Debates surrounding heritage are indeed a part of the wider picture of Hong Kong’s cultural and identity politics and the Hong Kong-China relationship. By examining various contested cases of heritage conservation, and by linking those debates back to the government’s responses within the context of cultural governance, we suggest that heritage management has become a hot stove for cultural politics in post-colonial Hong Kong with deep repercussions in the political, social and economic spheres. The paper examines the rising social debates concerning the removal and conservation of built heritage, and the various government attempts to address these debates. It argues that the current heritage governance mechanism has failed to meet social needs and provide an articulated heritage policy. We propose that a coherent organisational structure is required to better accommodate diverse and contradictory views and discourses surrounding heritage and cultural governance and to tackle the various cultural challenges in postcolonial Hong Kong.     

The Territorial Approach to Cultural Economy: New Opportunities for the Development of Small Towns

In recent years, there has been a notable development of research on the role of culture in regional and local development models and on the relevance of the so-called cultural economy. Despite the existence of several nuances, it is possible to identify two basic research approaches to the issue. The first is focused on analysing the industry of culture, showing the processes of concentration of cultural activities in some places and the links with other sectors of the local economy. The other approach, more oriented towards the territory, emphasizes the role that a system of cultural assets can play in the dynamics of economic and social development of a specific area. In contrast to the first, which concerns larger cities, the territorial approach privileges medium- and small-sized towns and rural areas. In adopting this perspective, we present the case study of Volterra, a small Italian town whose cultural heritage has been considered in recent years as the main local development driver. By means of a direct survey and interviews with opinion leaders, we have attempted to assess the perceptions and reactions of residents and visitors and to identify the connections between the local heritage, cultural activities and strategies of urban development.     

Heritage and corruption: the two faces of the nation-state

Nation-states’ investment in heritage supports Benedict Anderson’s thesis that nationalism offers collective immortality in the face of individual mortality. By the same token, however, corruption – a metaphor based on the impermanence of the flesh – corrodes the official face of heritage, offering more covert and carnal understandings of urban life and of its architectural beauties while also affording opportunities for kinds of profiteering that damage the very fabric that heritage policies seek to celebrate. Both these aspects of social reality represent the ‘cultural intimacy’ that governments seek to deny or suppress but on which their citizens’ loyalty often depends. It thus becomes imperative for scholars of heritage to recognise that heritage and corruption represent two closely interrelated dimensions of the management of the past in the present, and that theories of heritage therefore cannot afford to ignore the concomitant implications of local ideas about corruption and the practices on which they rest.     

‘Popular demands do not fit in ballot boxes’: graffiti as intangible heritage at the Iglesia de San Francisco,Santiago?

Contemporary practices and conflicts of cultural heritage preservation reflect shifting conceptions of what heritage is and what it should conserve. As such, the traditional notion of graffiti upon national monuments is currently being called into question, and within the context of this debate, this study argues that the emerging framework of intangible heritage is a useful model for reconsidering graffiti at heritage sites. Arguments for such graffiti as intangible heritage are particularly strong when it can be shown to function as a societal mirror that reflects political climates and protest activities. Such graffiti poses tensions between traditional theories and practices of heritage preservation, in which these markings are seen to interrupt conservation, and emerging inclusive models such that view these works as relevant layers of a site’s history. Within this context, we explore the case of the political graffiti on the north wall of a historical monument, the Iglesia de San Francisco in Santiago, Chile, through the lens of the emerging field of intangible heritage.     

Commitment,Objectivity and Accountability to Communities: Priorities for 21st-Century Archaeology

Abstract

It is no longer possible to ignore the unprecedented levels of destruction resulting from development projects imposed by multinational corporations and governments. In this context, it is important to address the role archaeology and related professions, such as heritage management, play from the perspective both of the threat to physical heritage and our relationship with affected communities. This paper explores ways in which professionals can learn to work in a mutually accountable way with communities opposing destructive development, and together seek alternatives to development which threatens lives, livelihoods, culture, and environment. Case studies from the Boyne Valley and Tara in Ireland, Il?su dam in Turkey and the Oaxaca valley in Mexico, illustrate some of the issues. The implications of the growing privatization of professions, particularly for communities in the Third World whose poverty undermines their power to refuse even the most globally devastating developments, making it imperative that professionals look again at what we aim to accomplish and how much we are actually accomplishing it. As professionals we cannot afford to be ignorant of what communities want, need and are entitled to in order to develop and flourish. Archaeology and people's cultural roots are not separable from these questions.     

Endangered musical heritage as a wicked problem

The issue of the widespread decline and loss of musical heritage has recently found increasing prominence in ethnomusicological discourse, and many applied projects from grassroots to international levels strive to support genres perceived to be under threat. Much recent literature on the subject features rhetoric that draws on metaphors from ecology, including, for example, the ideas of music ‘ecosystems’, ‘endangerment’ and ‘sustainability’. Offering an alternative (though not contradictory) perspective, I here characterise the widespread loss of musical heritage as a ‘wicked problem’– one with complex interdependencies, uncertainties and conflicting stakeholder perspectives, which defies resolution more than some of the ecological metaphors arguably imply. By drawing on theoretical notions of ‘wickedness’ from social policy planning and other areas, I aim to bring interdisciplinary insights to the discussion of strategies to mitigate the global threat to music as intangible cultural heritage. Offering three ‘stories’ about the problem of music genres ‘at risk’ and critiquing each of these stories against the theory of wicked problems, I explore the implications of this conceptualisation for heritage scholars, music researchers, policy-makers and other cultural stakeholders, in terms of moving us closer to realising effective, resilient and innovative approaches to the problem at hand.     

Civil War heritage as American diplomacy, 1957–1965

This paper explores the role of Civil War heritage in U.S. public diplomacy during the Cold War era. Especially during the celebration of the Civil War’s centennial, between 1961 and 1965, the Americans endeavoured to harness the conflict’s heritage to promote U.S. interests in Europe. How they intended to do this is demonstrated primarily through an examination of Colonel Sidney Morgan’s mission to Europe to find how the commemoration of the Civil War could be used for public diplomacy. Additionally, by exploring how Civil War heritage was spread and used in the British public sphere, the paper examines and underlines the key role saved to unofficial cultural agents, such as Civil War re-enactment clubs and private people, in heritage diplomacy. The focus on unofficial agents and networks enable this study to show how heritage diplomacy works at the un-institutionalised level and to explore the interaction between the official and unofficial level in heritage diplomacy. The historical perspective and methodology cast new light on the use of history, historical memory and heritage for diplomatic ends and introduces both historians and heritage scholars with new avenues to explore, such as the role of memory and historical consciousness in shaping international relations.     

International Heritage Tourism in Rwanda: Paving Over the Past at the Musanze Caves

Through a case study of the Musanze Caves, this paper describes the impact of Rwanda’s heritage tourism industry on archaeological resources. The paper outlines Rwanda’s tourism industry and describes how it privileges ‘natural heritage’ above ‘cultural heritage’, a situation which is negatively impacting upon archaeological sites such as the Musanze Caves. To create the Musanze Caves tourism experience there has been significant non-archaeological excavation and construction in the caves, which has damaged regionally significant archaeological remains that date from 1000 CE to the present. Furthermore, the Musanze Caves tourism experience does not incorporate extant archaeological information into the presented narrative, which is instead based on ‘natural heritage’ and adventure tourism. This situation is damaging rare resources that might help construct new historical narratives to replace untenable colonial and pre-genocide ones, and is generally unhelpful in communicating the knowledge that we do have about the region’s history.     

Critical heritage studies and the legacies of the late-twentieth century heritage canon

ABSTRACT

In recent years an interest in ‘critical heritage studies’ (CHS) has grown significantly – its differentiation from ‘heritage studies’ rests on its emphasis of cultural heritage as a political, cultural, and social phenomenon. But how original or radical are the concepts and aims of CHS, and why has it apparently become useful or meaningful to talk about critical heritage studies as opposed to simply ‘heritage studies’? Focusing on the canon of the 1980s and 1990s heritage scholarship – and in particular the work of the ‘father of heritage studies’, David Lowenthal – this article offers a historiographical analysis of traditional understandings and approaches to heritage, and the various explanations behind the post-WWII rise of heritage in western culture. By placing this analysing within the wider frames of post-war historical studies and the growth of scholarly interest in memory, the article seeks to highlight the limitations and bias of the much of the traditional heritage canon, and in turn frame the rationale for the critical turn in heritage studies.     

Wedgwood’s Glazes: A Poetic Sequence Derived from Glaze Chemistry with Contextual Essay

Abstract

The Wedgwoodian heritage of Stoke-on-Trent’s pottery industry is examined from the perspective of an ‘outsider’ and through the double-lens of glaze chemistry and poetics. These glazes, in their acrobatic language and hieroglyphic formulae, formulate a new perception of Stoke. New expressions and perspectives are described that emerge free of a mythologized past and interrupt the narrative of this creative heritage. The poems are as much about demythologized approaches to heritage as they are about identification with a foreign place; a re-psychogeography.     

Scaling heritage. The construction of scales in the submission process of alpinism to UNESCO’s intangible cultural heritage list

ABSTRACT

For the last two decades, the polysemous notion of ‘scale’ has drawn an increasing amount of attention among scholars studying heritage policies and practices, often with regard to UNESCO conventions. Significantly, in many of these works, terms such as ‘global’, ‘national’ and ‘local’ are connected to categories of ‘scale’ or ‘level’ that are taken for granted by the scholars who use them to guide their analysis. This paper, in contrast, promotes a different, constructivist understanding of the notion of scale. From our perspective, there is an added value to be found in focusing—without using any preconceived or external conception of scale—on the ways in which stakeholders conceive of and use scale throughout the processes of heritage making. Using the case of alpinism and the creation of its file for submission to the Intangible Cultural Heritage list, we show that the interest of this approach lies in its comprehensive ability to highlight how people define, elaborate and use scale in order to qualify their practices or to achieve specific goals.     

Heritage destruction in context: the case of the Roman mosaics from Zeugma,Turkey

Needs for protecting cultural manifestations marked as ‘heritage’ are often claimed when they are at the risk of destruction or when they are being destructed. Considering destruction as opposed to protection, groups concerned with heritage, such as the state agencies, archaeologists, and the locals, tend to emphasise the value of heritage. Focusing on the case of the Roman mosaics discovered in Zeugma, southeast Turkey, this paper explores the ways in which the destruction of heritage is perceived and understood, and what aspect of destruction is emphasised to claim its significance for heritage. Analysing in what way destruction of the Zeugma mosaics is problematised, this paper also considers the political aspects of presenting the destruction of heritage, in particular, in campaigns for heritage preservation. Through this, the paper examines how stories of destruction work to produce and enhance the distinction between protection and destruction, and suggests how the fragmentary or ruined state of heritage objects can be alluring.     

‘The Pathos of Conservation’: Raphael Samuel and the politics of heritage

When Raphael Samuel’s Theatres of Memory: Past and Present in Contemporary Culture was published in 1994, it was critically received. Yet, the book has not had the impact of other key works such as Lowenthal’s The Past is a Foreign Country (1985) or Hewison’s The Heritage Industry (1987). A number of factors have contributed to this, such as Theatres essentially being an unfinished project, and ‘heritage’ in the book having multiple personas – the net result being that Samuel’s arguments can at times be hard to pin down. Yet with interest in his approach to heritage now growing, this article seeks to unravel Samuel’s core ideas and arguments pertaining to heritage, and to give an historical background to their evolution. With the central tenets of Samuel’s argument essentially being a case for the democratisation of heritage; the validity of what we might today call ‘unofficial’ narratives and discourses; and to challenge the dominant view that heritage was ultimately history’s poor cousin, I argue that Samuel’s ideas have much to offer contemporary research agendas in heritage.     

Caught between nationalism and internationalism: replicating histories of Antarctica in Hobart

In December 2013, a replica of ‘Mawson’s Hut’ (a historic structure in Antarctica) joined a growing list of polar tourist attractions in the Australian city of Hobart, Tasmania. Initially promoted as the city’s ‘latest tourist hotspot,’ the ‘replica museum’ quickly took its place in Hobart’s newly redeveloped waterfront, reinforcing the city’s identity as an ‘Antarctic Gateway’. The hut forms part of a heritage cluster, an urban assemblage that weaves together the local and national, the past and present, the familiar and remote. In this article, we examine the replica hut in relation to the complex temporal and spatial relations that give it meaning, and to which it gives meaning. Our focus is the hut as a point of convergence between memory, material culture and the histories – and possible futures – of nationalism and internationalism. We argue that the replica hut, as a key site of Hobart’s Antarctic heritage tourism industry, reproduces and prioritises domestic readings of exploration and colonisation over a reading of Antarctic engagement as a transnational endeavour. However, like other ‘gateway city’ heritage sites, it has the potential for aligning with a larger trend in international heritage conservation and heritage diplomacy, that of prioritising narratives of the past that weave together transnational connections and associations.