Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.     

旅游吸引物符号的双层表意结构与体验真实性研究

把罗兰·巴特关于语言符号的双层表意结构运用到旅游研究中来,可以发现旅游吸引物符号实际上也包含一个双层表意结构。不同形式的能指和所指搭配形成了旅游吸引物符号系统。符号的双层表意结构揭示了旅游体验过程中旅游者对不同类型旅游吸引物符号的能指(旅游客体)和所指(旅游者心理或行为模式)的不同真实性期待。本文在对不同类型旅游吸引物符号的结构特征进行分析的基础上,尝试性地构建了旅游体验真实性的概念体系:"客观主义"的真实性、"文化附会"的真实性、"主题文本"的真实性、"行为模式"的真实性、"享乐主义"的真实性以及"主客一体"的真实性。     

Commemorative events at destination memorials – a dark (heritage) tourism context

In the past, sites and events related to war and atrocities were viewed in the wider context of heritage tourism. The term ‘dark’ was added with the aim of recognising heritage sites closely related to death and suffering. Given that commemorative events as part of dark heritage are not prevalent in heritage and tourism literature, there is a need to understand the behaviour of visitors involved in visiting these sites or attending this type of event, which presents a special challenge. Public commemorations, especially those that mark particularly disturbing occurrences, such as ‘The Great School Hour’ – an event which is presented in the artistic form of a ‘school class’ – are unique form of tourist activity that has not been thoroughly investigated previously. Thus, the aim of the study is to explore the influence of the main motivators on revisit intention and willingness to recommend for those who attended the commemorative event ‘The Great School Hour’ in Kragujevac, Serbia, with a particular focus on younger people. The results suggest that learning, emotional response and uniqueness have a significant positive effect on revisit intention, while emotional response and uniqueness have a significant positive effect on willingness to recommend.     

The impossibility of resurrecting the past: Reconstructions on archaeological excavation sites

Abstract

Since the beginnings of archaeological research, scientists have attempted to explain the past to a larger public. In the nineteenth century the quality of reconstruction drawings by architects was high but, after excavations were finished, the sites were left as they were, without conservation, while the movable finds were exhibited in the great museums of the European capitals. Today's mass tourism, however, demands attractions at the original ancient sites. The tourist industry, which brings by far the largest pool of visitors to the sites, sets the standards, but its interests centre on quick and simple ‘consumption’ of impressive ruins. Different methods have been employed in creating tourist attractions – from reconstructing ancient buildings to having museum staff in costume demonstrate elements of daily life in history. But it is the ruins on excavation sites, even in their damaged state, that are the irreplaceable, authentic records of the past. Archaeological preservation, therefore, has to mean uncompromising conservation of the damaged original remains. They should not be sacrificed for the sake of questionable ‘progress’ or popularization.     

Experiencing Dracula's homeland

ABSTRACT

Transylvania has not only a geographical location as a province of Romania but also a mental meaning as Dracula's land. Dracula has become an important brand name for Romania, attracting many tourists in recent years – especially after the fall of communism. The main dimensions of Dracula's castle (i.e. Bran Castle) experiences shared online by tourists were identified to ascertain the primary reasons for satisfaction and dissatisfaction with visits and to test whether narratives and satisfaction vary according to the occasion (i.e. Halloween). Quantitative (i.e. computer-based) and qualitative (i.e. narrative) content analyses were conducted on the Web reviews written by visitors. The results reveal that the experiences are multidimensional, and they include the following themes: ‘castle’, ‘visit’, ‘Dracula’, ‘inside’, ‘tourist’, ‘outside’, ‘trip’, ‘souvenirs’, ‘stairs’ and ‘Dracula's castle’. The main reasons for dissatisfaction are overcrowding, which is connected with the outside theme, and the disappointment of tourists regarding the old furniture, which is associated with the inside theme. The results also reveal that visitors are the most satisfied with their experience around the time of Halloween. The narratives shared online emphasise tourists’ need to associate their imaginings with this region and castle, giving their experiences greater meaning through this destination's image as Transylvania.     

Archaeology as Built for the Tourists: The Anasazi Cliff Dwellings of Manitou Springs,Colorado

Anasazi-era archaeology sites have been extremely popular tourist attractions since the 1890s, but one site—the cliff dwellings in Manitou Springs, Colorado—stands apart because it is a fake. The site was constructed at the turn of the twentieth century as a more accessible tourist alternative to Four Corners-area Anasazi ruins. The story of its construction and how it continues to cater to its visitors offers insight into the ways in which archaeology sites function as tourist destination. The Manitou Cliff Dwellings forces scholars to consider questions of authenticity, authority, and how people engage the past.     

‘I Felt Connected to a Past World’: A Survey of Visitors to Colonial Archaeological Sites Conserved In Situ in Australia and New Zealand

Abstract

While there is extensive international literature on the technology and techniques of archaeological conservation and preservation in situ, there has been only limited discussion of the meanings of the places created and the responses they evoke in visitors. Experience in Australia and New Zealand over the past decade suggests that the conservation of colonial archaeological remains is today seen as a far more desirable option, whereas previously many would have suggested that this kind of conservation was only appropriate in ‘old world’ places like Greece and Italy; and that the archaeology of the colonial period was not old enough to be of value. This paper discusses a recent survey of visitors to colonial archaeological sites which reveals some of the ways in which these archaeological remains are experienced, valued, and understood, and gives some clues as to why conservation in situ is an expanding genre of heritage in this region. The visitors surveyed value colonial archaeological sites conserved in situ for the link they provide to place, locality, and memory; for the feeling of connection with the past they evoke; and for the experience they provide of intimacy with material relics from the past. This emphasis on the affective qualities of archaeological remains raises some issues in the post-colonial context, as it tends to reinforce received narratives of identity and history, and relies on the ‘European’ antiquarian appreciation of ruins — making the urban environment more like Europe by creating evidence of similar historical layering.     

Performance and visitors’ perception of authenticity in eco-cultural tourism

ABSTRACT

With the increasing commodification of cultural heritage induced by tourism development, the perception of a ‘real’ travel experience often depends on what is defined as authentic, original and local. Visitors are becoming increasingly concerned about the authenticity of eco-cultural tourism practices when they visit culturally and environmentally remote regions. The purpose of this study is to examine the role performance plays in visitors' perception of authenticity of eco-cultural tourism experiences. Various theoretical foundations and aspects of visitors' perceptions of authenticity in cultural heritage tourism are considered. A grounded theory approach based on in-depth semi-structured interviews with several categories of visitors including 25 clients from two eco-tours in South and Central Kazakhstan and 29 Free Independent Travellers (FITs) was adopted to identify visitors' perception of authenticity of various aspects of their tourism experiences and the attributes of the visitors' performative aspects of their travels. Results reveal that the performative aspects contributing to the perceived authenticity of the visitors' eco-cultural experiences are spontaneous, existential and reciprocal relationships with their hosts in intimate tourism encounters. The findings contribute to literature regarding authenticity and cultural heritage tourism by exploring new directions in which to apply the concept of authenticity in eco-cultural tourism experiences and by theorising the link between performance-based touristic space and the perception of authenticity. This space becomes a basis for interaction and social exchange within the host–guest relationship.     

Heritage and gastronomy: The pursuits of the ‘new tourist’

Abstract

The main thrust of this text is to acknowledge the relationship between gastronomy and heritage as a key motivator for travel. Gastronomy, as a central part of culture, and its influence on other aspects of culture has received scant recognition from the academic world generated by tourism. Gastronomy, heritage and tourism are old friends; the relationship between them is mutually parasitic. Gastronomy's role as a cultural force in developing and sustaining heritage tourism is addressed, as is its increasing role as a catalyst in enhancing the quality of the tourist experience. Today's consumers’ search for an individual lifestyle is changing tourism and the ‘new tourist’ is using the holiday for acquiring insight into other cultures. Recent research and current market trends are examined to reveal the increasing significance of gastronomy to holiday choice. It is argued that gastronomy brings culture and cultures together. Place and setting enhance the food experience and arguably vice‐versa. Heritage and gastronomy combined make for an excellent marriage of tourist resources. The text argues that this combination is both used and viewed by the tourist. As such the tourist becomes engaged in cultural heritage to a deeper level.     

Transformative landscapes: liminality and visitors’ emotional experiences at German memorial sites

Abstract

The atrocities of Nazi Germany included the radical transformation of natural landscapes. At Ravensbrück (Brandenburg), a lakeside setting became the site of the largest women’s concentration camp in Germany, processing approximately 159,000 inmates until 1945. Similarly, at Flossenbürg (Bavaria), a picturesque valley in the Oberpfälzer Wald housed a large concentration camp with approximately 100,000 inmates over seven years and a granite quarry to support Hitler’s extensive construction programme. After the war, part of Ravensbrück became a Soviet Army base, while large sections of Flossenbürg were removed to make way for a new housing and industrial development. Along with other former camps (particularly Auschwitz-Birkenau), parts of these landscapes were developed into memorial sites that aim to provide a liminal experience for visitors – a ‘rite of passage’. In attempting to regain a sense of place that evokes the trauma of the past, the landscapes of the memorial sites of Ravensbrück and Flossenbürg were recently altered to resemble their appearance in 1945. For visitors, however, the aesthetic experience of these landscapes lies in stark contrast to the narrative they encounter at both sites; they are surprised to see signs of life, objecting to modernisation at Ravensbrück or the existence of a supermarket next to the memorial site in Flossenbürg. This paper examines the transformative processes of these landscapes and explores how their liminality is constructed, experienced and challenged. Through empirical visitor research conducted at both sites, it provides a critical evaluation of the narrative given to visitors and suggests how these important sites can offer a more engaging ‘rite of passage’.     

On the Side of Light: Performing Morality at Rwanda’s Genocide Memorials

Abstract

In Rwanda, numerous memorials have arisen to remember the 1994 genocide and its victims. This paper considers the effect of the national genocide memorials on Western tourist visitors, in the context of research on ‘dark tourism’ and Western attitudes toward death and the dead. It draws on the idea that, in a Western context, viewing the remains of violent death can be a kind of ‘soft murder’, and on the concept that the act of witnessing violence creates a community of witnesses implicated in that violence. Western visitors to Rwandan genocide memorials therefore form a community, and their responses are guided by a set of community rules regarding behaviour and experiences during and after the visit. These rules, this paper argues, are rooted in pressures to assert oneself as a properly moral individual through performing morality in a morally ambiguous setting.     

真实性视角下乡村旅游经济可持续开发研究

作为推进新农村建设的重要经济力量,乡村旅游经济如何在快速发展过程中实现可持续竞争力的维持与提升已经成为地方政府经济管理过程中关注的焦点。本文基于对旅游真实性文献的回顾与分析,认为保持与宏扬真实性是旅游体验的根源与旅游开发的要义,据此,从多元层面,着重探讨了真实性在乡村可持续旅游经济开发中的作用机理,从真实性出发,有针对性地提出了促进乡村旅游经济发展的若干管理策略。     

Making an Edgier Interpretation of the Gold Rushes: Contrasting Perspectives from Australia and New Zealand

This article examines the interaction between changing interpretations of history and visitor interpretation provided at heritage tourist sites. Generally, the literature distinguishes between history (which is seen as objective and fixed) and heritage interpretation (which is characterised as biased, selective and serving parochial interests). It is argued that history is actually far more dynamic and subjective and that this requires an ongoing revision of interpretation for visitors as historical interpretations change. To illustrate these processes, Goodman's concept of a new ‘edgier history of Gold’ is applied to interpretation at Sovereign Hill and the Mount Alexander Diggings in Australia and the Central Otago Heritage Trail in New Zealand.     

国外旅游者饮食消费研究述评

旅游者饮食消费作为一种基本的旅游活动之一,是国外旅游研究中重点关注的领域,并形成相当丰富的研究成果。文章在对国外有关旅游者饮食消费的文献进行梳理整理的基础上,从旅游者饮食消费与旅游目的地、旅游者饮食消费的影响因素、旅游者饮食体验三个方面对国外的研究进行回顾,并在旅游者饮食消费体验的分析与回顾的基础上提出旅游者的自我矛盾的理论模型;文章最后从三个方面对国内的未来研究提出展望,第一,强调旅游研究中的非视觉景观与体验;第二,关注全球化背景下旅游目的地饮食的生产与消费;第三,探讨旅游者饮食消费背后的社会文化含义。     

Authenticity and heritage conservation: seeking common complexities beyond the ‘Eastern’ and ‘Western’ dichotomy

ABSTRACT

This article challenges the claimed gulf between ‘Eastern’ and ‘Western’ concepts and approaches to heritage conservation through an analysis of the common complexities surrounding authenticity. The past few decades have witnessed an important critique of ‘Eurocentric’ notions of heritage conservation, drawing on ‘non-Western’, particularly Asian, contexts. Authenticity has been a core principle and defining element in this development. Endorsed by a series of charters and documents, a relativistic approach emphasising the cultural specificity of authenticity has been introduced alongside the European-originated materialist approach in international policy and conservation philosophy. However, the promotion of Asian difference has also contributed to an increasingly entrenched and unproductive dichotomy between ‘Eastern’ and ‘Western’ approaches to heritage. This article reveals common complexities surrounding authenticity in two countries crosscutting this dualism – China and Scotland. Drawing on a number of ethnographic projects, our analysis identifies themes that characterise the experience of authenticity across different cultural contexts. It contributes to a more nuanced understanding of the evolving relationships between heritage conservation and contemporary societies with important implications for global heritage discourses and collaborative ventures crosscutting ‘Eastern’ and ‘Western’ contexts.     

Concrete and non-concrete: exploring the contemporary authenticity of historic replicas through an ethnographic study of the St John’s Cross replica,Iona

ABSTRACT

What do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.     

Visitors’ place-based evaluations of unacceptable tourism impacts in Oulanka National Park,Finland

Visitors’ assessments of the negative impact of tourism, on physical and social environment, vary based on the location where the evaluation occurs. Research that focuses on identifying visitors’ norms within outdoor recreation settings has not been able to link the geographical location with the corresponding evaluation of unacceptable levels of impact. This study combines a traditional on-site visitor survey with a Public Participation Geographic Information Systems survey to produce spatially explicit information on visitors’ acceptance of tourism impacts. Using a web-based participatory survey, visitors were asked to indicate specific locations where they felt the effects of tourism disturbed the quality of their experience in Oulanka National Park. These evaluations were analyzed at multiple scales – destination, specific zones, and sites – to promote more efficient park management. Based on visitor evaluations, we found a collection of hotspots in the park where tourism has already caused unacceptable impacts. Visitors noted that crowding and erosion disturbed their experiences, especially along highly visited trail sections, while littering was considered problematic near wilderness huts. However, participant satisfaction at these sites was not lower than elsewhere in the park. This indicates that the association between negative impacts of tourism and visitor satisfaction is not straightforward, but complex. This study encourages the collection of spatially accurate data on visitors’ assessments of the effects of tourism because it has the potential to more efficiently direct park management policies. In addition, spatial techniques provide a new means to monitor the impacts of tourism, acknowledging that visitors’ perceptions of acceptability of tourism impacts also vary within tourism destinations, such as parks.     

An irreconcilable first-place: the precarious life of tourism and heritage in a southern European historic centre

Abstract

This article discusses the ambiguous relationship between heritage tourism and everyday life in the historic centre of Naples. This area, long characterised by a lower-class residential population and intermittently considered off-limits to tourists, has over the last two decades become the focus of a burgeoning heritage tourism industry. The article adopts the idea of precariousness – understood contra conventional formulations as a condition that elicits both anxiety and emancipatory release – in order to make sense of the allure and repulsion that the historic centre exerts in tourist encounters with the city. Through three examples – a bus sightseeing tour, online responses to a New York Times article about Naples and local people’s perceptions of a pedestrianised piazza as a tourist contact zone – the article illustrates how the historic centre as a tourist destination is constituted by a mix of foreboding and excitement; where affective experience tends to trump the monumental gaze. Thinking in terms of precariousness not only underlines the contradictory role that this area plays in the local production of cultural heritage but also poses a challenge to those accounts that see in the advent of a visitor economy the inevitable ‘museumification’ and gentrification of historic centres.     

The tourist landscape paradox

This paper is about tourist practices of landscape. Landscape has long been a key reference point in the construction of tourist imaginaries and, to this day, plays an important role in tourists' experience of travelling and their encounters with Otherness. Yet the ambivalent ways in which tourists conceptualize landscape is inherently paradoxical; indeed, it is by travelling that tourists try to overcome the tension produced by such a paradox. Putting into practice two alternative conceptions of landscape at once—a ‘Vidalian’ landscape-as-essence and a ‘Cosgrovian’ landscape as ‘way of seeing’—the tourist inevitably falls into an intriguing epistemological trap. Tourists' embodiment of the landscape experience becomes an attempt to evade that trap. In this paper, I note how this is exemplified in the ways in which tourist rhetoric frames the idea of Morocco and, in particular, the Jamaa el Fna square in Marrakech, the most ‘landscaped’ (and photographed) tourist site in the Maghreb. To help unpack this paradox, I take a brief look at what tourists actually do in the Jamaa el Fna, in order to reproduce, in place, their landscape-driven idea of Moroccan cultural space. The spatial practices of most tourists in that iconic place reveal, indeed, that the landscape paradox that drives tourist readings of the Jamaa el Fna cannot be avoided, but only endlessly performed, for this paradox is constitutive of the very formation of the Modern travelling European subject.