共查询到20条相似文献,搜索用时 15 毫秒
1.
Shu-Mei Huang 《International Journal of Heritage Studies》2017,23(2):111-124
Research into prison tourism and prison heritage has not taken enough time to understand how historical change has left impacts in urban contexts, which sometimes continues even after the prisons are decommissioned. This paper discusses the punitive state in the context of the historical penal landscape of Taipei through an exploration of how an historical prison was designed, built, partially demolished, preserved and redeveloped under three political regimes. It draws attention to the neglected relationships between punishment, colonial modernity and heritage. Drawing on the literature of dissonant heritage and dark tourism it argues that the way in which the government erased the heritage and evicted squatters without regard for colonial histories and large-scale, post-war migration is yet another way of writing imprisonment into the landscape and ‘othering’ the punished. Furthermore, in tracing the place memories, both within and outside of the high prison walls, it demonstrates the possibilities offered by ethics of heritage, with which we may counter the culture of punishment in the remaking of cities. 相似文献
2.
Denise Maior-Barron 《International Journal of Heritage Studies》2013,19(2):198-218
ABSTRACTThrough an analysis of the Petit Trianon, the historic house museum at the Château de Versailles associated with Marie Antoinette, the present article invites reflection over the topic of dissonant heritage (Tunbridge and Ashworth 1996) in connection with heritage commodification. The aim of this study is to heighten awareness of the difficulties which historic house legacies face in postmodern society through heritage analyses placed in the context of museology, art history and popular culture. This is achieved by building upon curatorial approaches and their reception by visitors, within an assessment of the 2008 restoration ethos of the Estate of Marie-Antoinette, and in parallel with a process of heritage commodification indirectly related to a twenty-first century Hollywood biopic of the last Queen of France - Sofia Coppola’s Marie Antoinette (2006). Competition surges between official and popular discourses of heritage (Groote and Haartsen 2008), all dealing, however, with the power of the same clichés engraved onto the French ‘collective memory’ (Halbwachs [1950]1980). This article highlights issues that arise when curatorial interpretation and visitor perceptions find themselves under the auspices of postmodern visual culture, thereby setting traps for heritage authenticity (Ashworth and Howard 1999). 相似文献
3.
Dealey Plaza in central Dallas serves both as a ‘cradle’ and a ‘grave’; at this historic site Dallas was born and an American president died. The assassination of President Kennedy on 22 November 1963 changed Dealey Plaza, the site where the first citizen of Dallas settled in 1841, from a symbol of civic pride into a place of guilt and shame. After the events of 1963, the Dallas community voiced a wish to forget and hence, the exact location where Kennedy was murdered was initially remembered by neither monument nor plaque. At the same time, America grieved and from all over the country US citizens started to visit the assassination site. Dealey Plaza became a place of pilgrimage, which caused a change in the monumental landscape and eventually transformed civic guilt into civic pride. This article offers an analysis of the responses to this Texan trauma in terms of commemorative heritage and describes Dallas’ shift from ‘amnesia’ to ‘identification’, two contrary responses to traumatic, or mourning, heritage. 相似文献
4.
Caitlin DeSilvey 《Social & Cultural Geography》2013,14(5):491-510
Geographers have begun to investigate the link between creative production and cultural memory-work, exploring how art interventions frame and facilitate engagements with the past in place. This paper builds on this emerging area of enquiry to examine the transformation of an industrial river landscape in Western Montana, and the production of a sound artwork which attempted to respond to the landscape's unmaking with an interactive installation at a local museum. An interest in how cultural remembrance is practised and performed in relation to processes of material disarticulation guides the analysis. In conclusion, the paper proposes that a form of kinetic memory characterises engagement with ephemeral sites and the cultural productions they catalyse. The researcher's involvement in the installation process opens up an adjacent discussion about geographical research conducted on, and through, contemporary art practice. 相似文献
5.
AbstractThis article focuses on the management of heritage and cultural tourism related to the complex identity of minority groups, where different components tend to produce different visions and practices. It highlights the impacts of globalized transnational networks and influences on political, cultural and religious identities and affiliations over long distances. In fact, diverse views, approaches, perceptions and representations may lead to disagreement and conflicts even within apparently compact ethnic or religious communities. The issues related to dissonant heritage management strategies and the related authorized heritage discourse, in terms of unbalanced power relations and diverging narratives, are considered. The theme of Jewish heritage tourism (J.H.T) is analysed, with a focus on the case of Syracuse, Italy. This historically cosmopolitan and multicultural city specializes in cultural tourism and tends to develop niche products, including J.H.T, in order to strengthen and diversify its international cultural destination status. Different components of the Jewish world, as well as non-Jewish stakeholders, practice different approaches to heritage tourism. Actors, discourses and reasons behind Jewish culture management and promotion will be highlighted and the reactions, perceptions and suggestions by the various stakeholders and groups involved will be portrayed, with the aim of contributing to the discussion about the complexity of niche heritage tourism processes in a multi-ethnic site. 相似文献
6.
本研究重点阐述了文物保护行业标准《馆藏文物保存环境控制甲醛吸附材料》研究和编制中,如何研究确定甲醛气体检测方法、技术要求和指标依据,以及针对编制中主要难点和问题进行深入探讨。从标准编制的意义、术语的选择、规范性、制定依据与科学性等方面进行研究和思考,同时提出了标准中需要进一步研究和完善的问题。 相似文献
7.
Martine Julia van Ittersum 《History of European Ideas》2016,42(4):459-501
This article examines Anglo–Dutch rivalry in the Banda Islands in the period from 1609 to 1621, with a particular focus on the process of claiming initiated by the Dutch East India Company (VOC) and English East India Company (EIC). Historians have paid little attention to the precise legal justifications employed by these organisations, and how they affected the outcome of events. For both companies, treaties with Asian rulers and peoples were essential in staking out claims to trade and territory. Because so many different parties were involved, individual documents had to serve multiple purposes, both on the ground in the East Indies and at the negotiating tables back in Europe. Whenever a VOC or EIC official presented a treaty to a Bandanese leader, he had to recognise local power structures in the Spice Islands, but also needed to consider his European competitors in the area, his superiors in Batavia or Bantam, and the company directors back in Amsterdam or London. Consequently, the safest and most reliable course of action was to make as many arguments as possible, piling them on top of one another. The result was an inherently messy process of claiming, yet one that was also clearly intelligible to most parties involved, including Asian rulers and peoples. A constantly changing legal suite extended to freedom of trade and navigation, contracts and alliances with native peoples, just war, conquest, actual possession, and the (perceived) surrender of native sovereignty to European authorities. 相似文献
8.
20世纪六七十年代,西方国家掀起工业遗产的保护运动,兴建了各类工业遗产博物馆,并在保护实践中探索出有效的保护方法。上海世博会园区建设中,上海世博局对工业遗产保护确定了三级分类原则并进行了有效保护,确立了改造再利用的方案以及世博会后将部分展馆转为博物馆的规划,这将对上海的博物馆事业发展起到巨大的推动作用。 相似文献
9.
Jonathan Hyslop 《African Historical Review》2013,45(1):25-39
AbstractColonial masters considered it their right to take human remains collected from colonies or plundered as a result of war. The skulls of Chief Mkwawa and the sub-chief Songea were looted in the same manner from Tanganyika (now Tanzania) to Germany. While Chief Mkwawa’s skull was returned in 1954, the demands for sub-chief Songea’s skull are ongoing, with the Tanzanian community contesting ownership of human remains in European museums. The absence of bones in graves, particularly those of chiefs, have a major impact on the colonised people as graves are associated with communities’ spirituality and wellbeing. This article shows that without a final resting place for the victims of colonialism, mourning is difficult, traumatic and endless. Individuals, communities and nations bestow social, cultural and political significance on human remains, even those curated in museums. The significance of each group is attached to the affective memorialisation of personal bereavement. What happens, then, when the memorialised graves were created at a time when mourning was impossible and the authority to bury or not to bury was in hands of the colonisers? How do the colonial plunder of human body parts and the demands for their return unfold in the contemporary history of Tanzania? These are some of the questions 相似文献
10.
本文分析了近90年来160多种中国考古文物类期刊的创办与发展情况,提出中国考古文物类期刊的发展与中国考古学学科的发展一样,经历了初创与早期发展、全面发展、复苏时期、成熟发展等四个阶段。现在的中国考古文物类期刊的格局,是1979年以来形成的。目前主要刊物的栏目形式有所变化.但研究论文与田野资料并重的办刊方针总体上没有变化。近10年来一些刊物新增加了文化遗产保护、科技考古、公众考古的内容,这应是中国考古学在21世纪发展的三项新的内容。 相似文献
11.
工业遗产的形态多种多样,根据其不同的保护等级、城市发展及环境生态保护的需要,工业遗产的保护模式也有多种,不同模式都有其针对性强、效益明显的保护对象,但也各有利弊。以博物馆模式为例,其对工业遗产的保护与利用都比较到位,也易于建设,但因经济盈利空间有限,往往会造成政府财政的压力。此类问题影响着工业遗产保护的质量与效益,应该引起我们对工业遗产保护与再利用模式的深入思考。 相似文献
12.
Eisuke Tanaka 《International Journal of Heritage Studies》2015,21(4):336-353
Needs for protecting cultural manifestations marked as ‘heritage’ are often claimed when they are at the risk of destruction or when they are being destructed. Considering destruction as opposed to protection, groups concerned with heritage, such as the state agencies, archaeologists, and the locals, tend to emphasise the value of heritage. Focusing on the case of the Roman mosaics discovered in Zeugma, southeast Turkey, this paper explores the ways in which the destruction of heritage is perceived and understood, and what aspect of destruction is emphasised to claim its significance for heritage. Analysing in what way destruction of the Zeugma mosaics is problematised, this paper also considers the political aspects of presenting the destruction of heritage, in particular, in campaigns for heritage preservation. Through this, the paper examines how stories of destruction work to produce and enhance the distinction between protection and destruction, and suggests how the fragmentary or ruined state of heritage objects can be alluring. 相似文献
13.
Maja Mikula 《International Journal of Heritage Studies》2013,19(8):757-772
Eclectically curated and largely ignored by the mainstream museum sector, vernacular museums sit at the interstices between the nostalgic and the future-oriented, the private and the public, the personal and the communal. Eluding the danger of becoming trivialised or commercialised, they serve as powerful conduits of memory, which strengthen communal bonds in the face of the ‘flattening’ effects of globalisation. The museum this paper deals with, a vernacular museum in Vanjärvi in southern Finland, differs from the dominant type of the house museum, which celebrates masculinity and social elites. Rather, it aligns itself with the small amateur museums of everyday life called by Angela Jannelli Wild Museums (2012), by analogy with Lévi-Strauss’ concept of ‘pensée sauvage’. The paper argues that, despite the present-day flurry of technologies of remembering and lavishly funded memory institutions, there is no doubt that the seemingly ‘ephemeral’ institutions such as the vernacular museum, dependent so much on performance, oral storytelling, living bodies and intimate interaction, nevertheless play an important role in maintaining and invigorating memory communities. 相似文献
14.
Brendan Murtagh Philip Boland Peter Shirlow 《International Journal of Heritage Studies》2017,23(6):506-520
The fascination with death and disaster has encouraged the development of distinctive tourism markets, the rediscovery of sites and places of past conflict and all accompanied with uneasy narratives about what they mean and how they should be consumed. The increasingly stratified tourist economy and the interplay between demand and supply has also stimulated a complex set of ontological, socio-political and indifferent responses as places and interests compete to project often selective or stylised claims for recognition. This paper reviews the experiences of tourists visiting Derry/Londonderry, the UK’s first City of Culture and how they make sense of the competing interpretations of the past in museums, rituals and artefacts. The 17thC walled city, the city of violence and the post-conflict renaissance city are spatially and socially reproduced but rarely connect with each other to help make sense of the past for the present and critically, for the future. The paper concludes that the discursive content promised by the City of Culture was a missed opportunity to debate these places and events and critically, the problematized and reified narratives they each project. 相似文献
15.
民俗类博物馆与非物质文化遗产展示 总被引:1,自引:0,他引:1
本文结合河南省安阳市民间艺术博物馆近年来的工作实践,就当下非遗保护展示在综合类博物馆中展示位置日益靠前的普遍现象,论述民俗类博物馆在非遗保护、研究、收藏、尤其是展示中应该发挥的重要作用. 相似文献
16.
"认同"是个人对自我社会身份的认知,与特定社会群体的关系及归属感,是当代社会发展重要的心理保障。文化遗产与特定群体的发展历程和发展需求紧密联系,在认同中起到催化和强化的作用。促进认同将对博物馆的收藏、研究、陈列、教育及观众服务等各项工作提出新的任务、带来新的活力。博物馆必须运用其收藏的文化遗产,揭示遗产蕴涵的多层面信息,帮助人们了解自己的发展历程,认清自身特点,强化自我认同。加强公众的民族认同、文化认同、社会认同和国家认同,是当代中国博物馆不容推卸的社会责任。 相似文献
17.
This article engages with the Association for Critical Heritage Studies Manifesto which argues that heritage studies is in need of a complete renovation. We do so by looking back to two earlier moments. The first when museum studies also called for a renovation, drawing on those experiences as potentially instructive for the immediate future of heritage studies. The second a debate within cultural studies on the value of engagement with the world outside of academia to achieve the discipline’s political aims. Thus, while agreeing with the questions posed by the Manifesto, we argue that rather than casting the terms of the debate in a way that positions the professional field as needing renovation from without, we might do better by fostering a more ‘organic’ sense of intellectual work, one that values engagement and collaboration rather than critique for its own sake. Our conclusion points to the importance of the teaching of heritage studies as a potential site for such a practice as well as more collaborative models of research practice. 相似文献
18.
The Netherlands’ most important tradition, the celebration of the feast of Saint Nicholas, (Sinterklaas) has become subject to nation-wide contestation. As Dutch society has become more multicultural, partly due to the immigration from the former Dutch colonies in the West-Indies, new sensitivities have arisen about this institutionalised heritage practice. At the core of the controversy is the figure of Black Pete (Zwarte Piet), Saint Nicholas’ black-faced companion. Some communities within Dutch society perceive this figure as highly menacing and insulting. To the majority of the population, however, Zwarte Piet is an essential part of its heritage and identity. The ensuing controversy can be understood as a matter of heritage narratives conflicting. These narratives do not just give meaning to the tradition, but are also instrumentalized by actors in the debate to achieve their goals. They are used to justify or reject the appearance of Zwarte Piet, and to critically debate Dutch identity. In this article we reconstruct the Zwarte Piet narratives, and explain why these are so incommensurable. Naturally, we also pay attention to what is at stake for the activists on all sides. 相似文献
19.
近现代工业遗产博物馆是博物馆的一种特殊类型,目前正呈现快速增长的态势。其特点主要表现为以近现代工业遗址性博物馆为主体,以在工业遗址的原状陈列为主要展示手法,以反映近现代城市工业文明足迹为主题,体现专题性与区域性的产业发展史。近现代工业遗产博物馆具有独特的内涵,它是解读近现代工业城市发展历史的一部书,也是折射近现代工业城市社会生活的一面镜子。近现代工业遗产博物馆的建设对城市个性的塑造具有重要的意义(增加)。 相似文献
20.
Asseel Al-Ragam 《International Journal of Heritage Studies》2013,19(6):663-674
Museums are often sites for the fabrication of hegemonic discourse. They represent the political nature of heritage construction and the instruments used to support these narratives. This paper traces the appropriation of museums as symbols of national projects and argues that not all museums achieve this political end. The Kuwait National Museum designed by Michel Écochard will be examined as a case study for this argument. Écochard’s project demonstrates the many challenges that develop between nationalist politics, heritage production and competing centres of power. 相似文献