Fashioning the Domestic Novel: Rewriting Narrative Patterns in Margaret Oliphant’s Phoebe,Junior and Dress

This article argues that in her 1876 novel Phoebe, Junior, Margaret Oliphant used fashion and dress as a means to rework and modernize the narrative patterns of the domestic novel. In a volume entitled Dress, written for Macmillan’s ‘Art at Home’ series in 1878, Oliphant developed a mode of dress that privileged the adaptation of prevailing forms and fashions to the needs of the individual body. Oliphant saw such an individualist approach to dress as a modern understanding of fashion that favoured change and the adaptation of prevailing styles over the imitation of dominant social and aesthetic forms. This article links Oliphant’s understanding of fashion in her Dress volume with the revisionary narrative process that she exemplified in her writing of Phoebe, Junior. Returning to her series of novels charting the Chronicles of Carlingford after a number of years, Oliphant marked in sartorial terms the social and aesthetic changes that had occurred since the publication of her penultimate Chronicle, Miss Marjoribanks, in 1866. Revising in Phoebe, Junior her earlier novel, the trope of female creativity that linked the pen with the needle, and the conventional narrative patterns of the domestic novel, Oliphant posits a model of artistry based around the image of scissors and a process of cutting in order to create.     

美国新现实主义与后现代小说中的道德意识

本文以“道德”这一角度入手,对美国近年来出现的“新现实主义小说”中的道德意识进行深入挖掘,结合新现实主义小说家的具体作品进行分析,并和与之毗邻的后现代派小说进行比较,得出新现实主义小说中蕴藏着一股强大的道德重建意识的结论。有利于我们更好地把握当代美国文学发展趋势,使读者对文学与道德之间的关系进行更深一步的思考。     

RESTORING CONTINUITY: NOTES ON HISTORY AND FICTION

In 1935, as Europe witnessed the rise of fascism, Paul Valéry tried to identify the origins of the crisis in a lecture titled “Le bilan de l'intelligence.” Things were better, he claimed, when people were able to understand their present moment as the result of past events—that is, when “continuity reigned in the minds.” In this article, I discuss why that sense of continuity with the past is, in fact, indispensable for individuals and societies alike; using instances from great works of fiction, ranging from Don Quixote to the novels of Toni Morrison and Abdulrazak Gurnah, I suggest that fiction—the literary imagination of the historical past—might be uniquely adept at restoring continuity when it is broken.     

The Origin,Development and Decline of Back-to-Back Houses in Leeds, 1787–1937

This paper traces the development of back-to-back house building in Leeds. It first outlines the origin of the house type, before examining the urban layout, building form and social aspects of back-to-back courts in the first half of the 19th century, and the role of speculative developers, building societies and sanitary reformers. The focus then turns to the bills, acts and by-laws of the later 19th and early 20th century, and the determination of the people of Leeds to retain their preferred house type. Together, these brought improvements to the design and facilities, culminating in a house type that was far superior to that which was condemned by the back-to-back critics, and arguably had overcome all of the criticisms by the time construction of back-to-backs was prohibited in 1909.     

Beyond the Fringe: Transfer-Printed Ceramics and the Internationalization of Celtic Myth

During the Romantic period of the nineteenth century, a wholesale invention of cultural myth and tradition took place in what we now think of as the industrialized West. One of the more interesting aspects of this invention of tradition was the development of the mythic Celtic past in Western Europe, particularly Scotland and Wales. This reinvention of the past is reflected in aspects of material culture, including contemporary transfer-print patterns, many of which contain scenes based on the themes of the mythic past. This paper surveys some of the more common Scottish- and Welsh-related patterns and attempts to place them in their appropriate cultural and historical context as well as demonstrating how they reflect certain cultural trends of the period. Some of the broader issues and implications surrounding these patterns, especially regarding their use as a vehicle for disseminating an ideological perspective internationally, are also examined.     

Social Archaeologies of “Utopian” Settlements in Ireland

In the late eighteenth and early nineteenth century a number of “Ideal” or “Utopian” type settlements were established across Ireland. These tended to be religious groupings or “model” communities associated with industry. In the southwest a number of short-lived cooperative communities were established along Owenite principles which continue to play an integral part in the radical histories of the country. This paper examines the archaeologies of these sites and analyses the role of individual in their formation and collapse and addresses the social archaeology of their construct and layout. It is suggested that contemporary hierarchical norms were actually reproduced in these communities and this segregation is reflected in the physical morphology of the settlements.     

Toward the Historical Archaeology of Levuka, a South Pacific Port of Call

In the latter half of the nineteenth century, the Fijian port of Levuka alternately passed through incarnations as a beachcomber community, boisterous port of call, commercial entrepôt, and colonial capital. Initial investigations in this town in 2000 provide a data set through which archaeology's potential for a meaningful dialogue on Levuka's past can be explored. These data reflect upon an increasingly segregated European community structure, through which social transformations in alcohol use, landscape alterations, and material culture consumption patterns are examined.     

Earning their keep: child workers at the Birmingham Asylum for the Infant Poor, 1797–1852

This article examines the attitudes of the Guardians of the Poor in Birmingham towards childhood and child labour from the end of the eighteenth century to the mid-nineteenth century. Utilising minutes of meetings for the Birmingham Asylum for the Infant Poor, it finds that children were removed from the workhouse to separate accommodation with workshops sited on the premises so that children as young as five years old could become economic contributors to their own welfare. It argues that over the course of five decades, pauper children made significant contributions to Birmingham finances.     

Interview with Adrián Curiel Rivera

Adrián Curiel Rivera is a Mexican novelist, short-story writer and academic. In addition to his novels Vikingos (2012), A bocajarro (2008) and Bogavante (2000), and the collections of stories Día franco (2016) and Madrid al través (2003), he has published two substantial volumes of critical essays, Los piratas del Caribe en la novelística hispanoamericana del siglo XIX (2010) and Novela española y boom hispanoamericano (2006). In 2013 he published Blanco Trópico, an excoriating and often hilarious fictional account of life in the Mexican Academy in the wake of sweeping neoliberal reforms in the university sector, the nature and consequences of which will be all too familiar to many European and US academics. The book caused something of a storm in his native Mexico. In the following interview, which took place in the summer of 2016, he discusses the genesis of and reactions to the novel, but also touches on a broad range of social and literary issues which the book raises: globalization, publishing, the Mexican literary canon and its sacred cows, as well as the place of the campus novel and science fiction in the current Latin American literary landscape.     

The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.     

Defending ‘the Principle of Representation’: Andrew Bisset,The English Civil War,and The History of the Struggle for Parliamentary Government in England

Abstract

Victorian attitudes to the past were varied and in some cases irreconcilable. Newer standards of expertise and objectivity coexisted with older approaches, and the idea that history should be used for present purposes remained intact. Throughout the Victorian age there were circumstances in which history was a polemical tool, designed to give one set of interpretations or values or policies an advantage over its rivals. This article explores the work of a relatively neglected figure in Victorian historiography – the reform-minded historian and lawyer Andrew Bisset (1803–1891) – whose primary goal was to illustrate and advance what he called ‘the principle of representation’. He discussed people and events of the past to this end, offending reviewers along the way because of his obvious political agenda, but also developing a rigorous source-based style, usefully evaluating for his readers the work of Macaulay, Carlyle, and others, and helping to shape Victorian opinion about, in particular, the political and religious crises of seventeenth-century Britain. Like others, Bisset believed that the disputes of that period had relevance to the public controversies of his own day. This article is designed to contribute to ongoing debates about the Victorians’ relationship with the past.     

Speculative Realism and Public Theology: Explorations

Abstract

The paper argues that ideas emanating from the speculative realists can inform a new approach to public theology, one that is broadly consistent with Christian realism and opposed to that of radical orthodoxy. Linking the two disciplines through an exploration of the ethical consequences of speculative realism, it takes in particular the work of Latour, his concept of the "gathering," his distinction between matters of fact and matters of concern, and his questioning of the fact-value distinction, and through a lived example shows how the language of human and non-human offers a critique of reductionist approaches to the political.     

St Anselm and the English investiture controversy reconsidered

The Investiture Controversy in England has generally been viewed as a two-sided contest between king and pope. But in reality the struggle was between three parties — king, pope, and primate. St Anselm, devoted to his duties as God's steward of his office and its privileges, worked against both King Henry I and Pope Paschal II to bring into reality his idea of the proper status of the primate of all Britain. Anselm had a vision of a political model which he conceived as God's ‘right order’ in England, and all his efforts were directed toward fulfilling this vision.The Investiture Contest may be divided into two parts. The first phase began when Anselm was thwarted by Henry I's duplicity in the archbishop's attempt to force the king to accept the decrees of Rome at the height of a political crisis. Anselm may have seen these decrees as beneficial to the Canterbury primacy. From 1101 to 1103, Anselm wavered between supporting either party completely, meanwhile securing from Paschal all the most important privileges for the primacy of Canterbury. Each time Paschal refused to grant a dispensation for Henry, as Anselm requested, he granted Anselm a privilege for the primacy. Thus Anselm's vision of the primate as almost a patriarch of another world, nearly independent of the pope, was fulfilled by 1103.At this point, Anselm abandoned his vacillation between king and pope, and worked seemingly on behalf of Paschal, but in reality on behalf of the Canterbury primacy. During this second phase, Anselm's political adroitness becomes clear by a correlation, never before made, between the church-state controversy and Henry's campaign to conquer Normandy. By careful maneuvering and skilful propaganda, Anselm forced Henry to choose between submitting to the investiture decree or failing in his attempt to conquer Normandy. At the settlement, a compromise was worked out, Henry conceding on investitures, and Paschal conceding on homage. But investiture was only secondary to Anselm. He ended the dispute not when Henry submitted on investitures, but only when he had gained from Henry concessions which made the primate almost a co-ruler with the king, as his political vision demanded. Only after a public reconcilliation with his archbishop did Henry feel free to complete the Norman campaign.Thus the Investiture Controversy was a three-way struggle. Both king and pope compromised, each giving up some of their goals. But Anselm emerged from the contest having won nearly all his political objectives.     

‘A universal,uniform humanity’: the German newspaper Der Kosmopolit and entangled nation-building in nineteenth-century Australia

The focus in this article, through a reading of the German-Australian newspaper Der Kosmopolit, is on the legacies of entangled imperial identities in the period of the nineteenth-century German Enlightenment. Attention is drawn to members of the liberal nationalist generation of 1848 who emigrated to the Australian colonies and became involved in intellectual activities there. The idea of entanglement is applied to the philosophical orientation of the German-language newspaper that this group formed, Der Kosmopolit, which was published between 1856 and 1957. Against simplistic notions that would view cosmopolitanism as the opposite of nationalism, it is argued that individuals like Gustav Droege and Carl Muecke deployed an entangled ‘cosmo-nationalism’ in ways that both advanced German nationalism and facilitated their own engagement with and investment in Australian colonial society.