La Parité en débat au-delà de Versailles

Referring mainly to texts published after the passage of the constitutional bill on gender parity in politics, this article asks theoretical questions about how French intellectuals understand the issue of 'women and politics'. It raises questions about 'differentialism' and 'discrimination', two notions that keep recurring in critiques of parity. By continuously emphasising the differentialism of parity advocates, 'republican feminists' may end up reinforcing and popularising this notion. Furthermore, parity critics' constant references to 'discrimination' may (intentionally or not) encourage the view that women are just another 'minority'. Do these two mutally reinforcing developments point to a 'socialisation of politics'? Is such a trend unavoidable when thinking about the links between 'women' and 'politics'?     

From superabilità to transabilità: towards an Italian disability studies

This article discusses recent academic and theoretical approaches to disability in Italy, situating them in relation to Anglo-American disability studies as well as within the Italian academic context, and sketches out the contours of an emergent Italian disability studies. The discussion centres on three terms that have emerged recently in Italy: superabilità (implying both ‘ability to overcome’ and ‘exceptional ability’); diversabilità (being ‘differently abled’); and transabilità (the desire for, or identification with, a disabled body by a non-disabled subject). The article considers the role of narrative in each of these categories, as well as the way that each deals with the question of limits. While discourses in each category construct or confirm a strong disabled identity, the article argues that transabilità might also be understood as the transcendence of identity on the basis of ability. This alternative understanding puts pressure on the question of identity itself and challenges the very need for narrative (re)construction.     

Revising history: Elvira Giallanella’s Umanità and the editing of gender

A mix of fantasy, history, spirituality, and political engagement, Elvira Giallanella’s film, Umanità (1920), is a sort of Carrollian ‘through the looking glass’ in which reality resembles itself but upside-down. In the immediate aftermath of WWI, Giallanella’s film – a revision of Vittorio Emanuele Bravetta’s 1916 children’s story from 1916. children’s story – both reflects and critiques gender roles that had been temporarily fissured by the war itself. A feminist position transpires in the juxtaposition of the pre-war male-authored text with the postwar female-directed film, further revised by men. An invaluable historical source, Umanità not only offers insight into a woman’s and a feminist’s perspective on the Great War and its aftermath but also sheds light on the moral, political, and philosophical atmosphere of destabilization at the time. Coming full circle, Umanità suffered from the very same revisions by the re-established postwar patriarchy, and by the end of the 1920s, cinema itself had been reclaimed as male territory, leaving the film lost amongst the debris. Umanità’s resurfacing in 2007 allows us to reflect on the process of history-making in itself: what is omitted, what is included, and more importantly whose voices will be validated enough to be heard along the way. This instance – one amongst several – can serve as an example of how history is indeed a continuous process made up of (re)visions, and never a singular, univocal one.     

Italianità and internationalism: Production,design and mediation at Alessi, 1976-96

This article considers the Italian household product design company Alessi as quintessentially Italian and international. The interplay of mass-production and craft techniques at Alessi, an extended design process and the presentation of the family in company publicity exemplify the ambiguities identified within Italian design. The extent to which Alessi typifies Italian post-war design is questioned with reference to the company's international design team and the marketing of its products to foreign consumers as manifestations of italianità. The findings are based on primary research in Milan and the Alessi factory, including a series of interviews with designers, retailers, curators and media workers, combined with secondary material centred upon design history.     

Tradition républicaine et république nouvelle à Florence Francesco Guicciardini et lalibertà fiorentina

The wars of Italy (beginning in 1494) and the following upheavals in Florence (where the Grand Council Republic was set up after the fall of the Medici) led Francesco Guicciardini (1483–1540) to think about the «natural» obviousness of the concept oflibertà fiorentina. His method was «not to let oneself deceive by words to such an extent that things are no longer considered». It made him abandon the question of good government for the one of the effects it produces, and induced him to give, «under the sweetness of the word liberty», prominence to the political stakes. From then on, there was no longer a natural obviousness for the aspiration forlibertà, but the necessary analysis of the political and historical circumstances, of the «condition of the times».     

Conference report: 'L'età dei totalitarismi. Silone e la cultura letteraria e politica degli anni venti-trenta'

Giovannino Guareschi, author of the immensely popular Don Camillo stories and editor of the weekly newspaper Candido, spent 14 months in a Parma prison from 1954 to 1955 for having libelled the former Prime Minister Alcide De Gasperi. To this day, he is the only Italian journalist since the founding of the Republic ever to have served actual, behind-bars jail time for libel. This study examines several aspects of Guareschi's life in prison – the ways he coped with boredom and loneliness, the attempts he made to understand his fellow inmates and how he defiantly tried to buoy his spirits. In particular, it focuses on both his correspondence with his wife Ennia, a collection of 44 letters, and his personal musings kept in two prison diaries – all documents that have never been published. The analysis rectifies common misinterpretations as to why Guareschi purposely refused to appeal his guilty verdict and chose to go to jail, considers how Guareschi presented himself in his writings and contemplates Guareschi's place in the history of Italian prison writing.     

‘I draw a line here and open a new chapter’: The Bagrow-Almagià Correspondence 1947–1955

ABSTRACT

The Imago Mundi archives, held in the Map Library of the British Library in London, contain the correspondence between Leo Bagrow, the founding editor of Imago Mundi, and the Italian geographer and historian of cartography Roberto Almagià. Their correspondence, which continued throughout the late 1940s and early 1950s, brought out the worst in their very different characters, at times to an almost comical extent. The exchanges reveal Bagrow’s somewhat brusque editorial methods but also show his vision for Imago Mundi and demonstrate his total dedication to the history of cartography. The letters also provide a revealing commentary on the immense difficulties of international communication and research in the immediate post-war years, and the persistence of the cultural nationalism that dominated the history of cartography as an academic pursuit in this period.