Constructing places for the market: The case of Newcastle,NSW

Abstract

Cities with a heritage of heavy industry, such as Newcastle (NSW), face an insecure future as they undergo economic restructuring. The identities of cities are being refashioned by entrepreneurial urban governments, as part of a three‐pronged attempt to market their territories. A social construction approach reveals the problematic nature of these symbolic reconstructions, their partiality, the reduction of heritage to a commodity, and the eliding of socio‐economic disadvantage. The new post‐industrial identity for Newcastle disinherits working people, ignores the local indigenous peoples, and trivialises the role of women. The richly layered urban landscape and historically constructed narratives – the local heritage – have been cynically appropriated and transformed for the purposes of place marketing. The rhetoric of post‐industrialism conceals poverty and alienation, and the associated physical restructurings are displacing service‐dependent populations.     

From verifiable authenticity to verisimilar interventions: Xintiandi,Fuxing SOHO,and the alternatives to built heritage conservation in Shanghai

ABSTRACT

The introduction of contemporary architecture into historic urban environments creates an open heritage discussion that includes the underlying relationship between development and conservation. This discussion requires theoretical clarification, as heritage conservation is frequently mistaken for other architectural design approaches that, even though they may operate within the historic environment as their primary source, do not comply with the complex definition of heritage authenticity used today. This article aimed to contribute to this debate, offering a characterization of such architectural design strategies operating through principles of verisimilitude that target authentication for tourists and the creative classes in a global city like Shanghai. Comparative studies of Xintiandi (Ben Woods, 2001) and Fuxing SOHO (Von Gerkan, Marg und Partner, 2015) provided an insight into the concepts of historic re-creation and abstract inheritance, currently used as ways of interpreting the historic residential typology of the Shanghai lilong according to the economic and political aims of the entrepreneurial model of governance. This allowed a critical evaluation of the growing attention paid to heritage in Shanghai in the last 25 years, and whether the substitution of the principle of authenticity for authentication has solved the contradictions between urban conservation and development in contemporary China.     

Relationality and territoriality: rethinking policy circulation of industrial heritage reuse in Chongqing,China

ABSTRACT

Following the adoption of a socialist market economy in 1978, the Chinese city has accommodated radical changes in its urban industrial landscapes. In contrast with the large-scale reuse of industrial landscapes in the eastern Chinese cities, inland China has been witnessing the rapid disappearance of industrial heritage. The disparity of heritage conservation outcomes across urban China raises questions about why some leading cities conserve their heritage better or more readily than others, and why the same planning ideas, policies, and practice borrowed from elsewhere cannot be easily transferred or copied in the western cities. This paper applies the relational and territorial approach developed in the literature of urban policy transfer and mobilities to heritage studies. By conducting a case study in Chongqing, this paper examines how industrial heritage reuse has travelled as a global concept with its Chinese precedents to Chongqing, and why the idea has been diluted in the local context. The Chongqing case reveals that the heritage idea has travelled globally and nationally from eastern China and has mutated in respond to local circumstances. It is thus argued that the consequence of industrial heritage reuse can best be understood through a combined approach of relationality and territoriality.     

Heritage and national identity: Exploring the relationship in Romania

Abstract

Within heritage studies the relationship between national heritage and national identity is frequently taken as axiomatic. The construction of a national heritage is an important part of nation‐building, and historic buildings and monuments can be powerful symbols of a nation's aspirations and identity. Yet this relationship has received relatively little empirical investigation. This paper reports an exploratory study of the heritage/national identity relationship in Romania which focuses on just one Roman monument – Trajan's bridge. For many Romanians the monument is a powerful symbol of their identity representing Dacian and Roman origins, Latinity, and the continuity of Romanian settlement in Transylvania. The monument was also seen by some as an important symbol of Romania's attempt to construct a post‐Communist identity, and to forge closer links with western Europe. However, the meanings of the monument are not shared by all Romanians, and in particular are strongly contested by Romania's Hungarian minority.     

The nation and the city: urban festivals and cultural mobilisation

This article attempts to map the relations between nation‐building processes in 19th‐century Europe and city cultures with their urban sociability. Three patterns are surveyed: [1] the modern‐national assimilation of medieval and early‐modern city cultures (sample case: Orléans and the French cult of Joan of Arc); [2] the modular replication across cities of urban festivals as cultural mobilizers (sample case: the spread of Floral Games festivals in Southern France and Northern Spain); [3] the reticulation of city‐based practices into a nationwide and nation‐building network (sample cases: the role of choral societies in German cultural nationalism; and its transnational knock‐on effect in the Baltic Provinces). By choosing the city as our social focus and placing it (or rather, its ideal‐type ‘Urbania’) alongside Gellner's ideal‐types of ‘Megalomania’ and ‘Ruritania’, we can avoid the finalism of studying regionalist and nationalist movements in the analytical framework of the post‐Versailles state system, and we gain a better understanding of the granulated, localized social basis of such movements and the translocally homogenizing role of culture.     

Digging Holes in Popular Culture: Archaeology and Science Fiction Miles Russell (ed.) with a Prgace by Douglas Adams

Abstract

The heritage management policy in the UK is to delegate management and protection of scheduled ancient monuments to quasi-autonomous heritage agencies. These agencies are an improvement on what preceded them: the dry, conservative and underfunded Ministry of Works. However, by analysing the way in which Cadw: Welsh Historic Monuments manages the castles in North Wales one can see that the current system has many inherent failings. Underfunding, a lack of commitment to education and preservation and the artificial division of responsibility along modern pseudo-national boundaries are evidence that the current policy has run its course and now needs to be re-thought. Furthermore, there must be more effort made to present a more inclusive heritage by accepting that the heritage sites in Wales exist within a multicultural Britain and a world of shared human experience. Emerging as a model for future heritage management is Denbigh Castle in North Wales. The site was abandoned in 1998 after Cadw decreed that it did not generate enough income. Subsequently rescued by the local council, it is now thriving. Denbigh stands as an example of how a heritage site can be integrated with the local community that has lived in its shadow for hundreds of years.     

Governing Post Apartheid Spatiality: Implementing City Improvement Districts in Cape Town

Abstract: To achieve a world‐class city capable of attracting business in a competitive global market, the municipal government of Cape Town, South Africa, like many cities of the global North, has adopted a model of urban revitalization popularized by New York City: business or city improvement districts (BIDs or CIDs). By examining CIDs in city center Cape Town, the paper casts light on the socio‐spatial relationship facilitating the neoliberal post‐apartheid regime and its governance. Analyzing discursive and spatial practices of Cape Town Partnership, the managing body of downtown CIDs, from 2000 to 2006, the paper reveals its difficulties in stabilizing the socio‐spatial relations of a transnationalizing urban revitalization strategy and rejects the view of CIDS as simply a global roll‐out of neoliberal urban policies. It highlights how CIDs are challenged from both within and outside of their managing structures by contentious local issues, and in particular by vast social inequalities and citizens' historical struggle for inclusive citizenship and the right to the city. Whether and how CIDs' inherent limitations can be overcome to address socio‐spatial inequalities is an open question.     

The Politics of the Past: Constructing a National Identity through Heritage Conservation

Modern nation‐states use images of a chosen past to construct a national identity. In Vilnius, the remains of the Grand Duchy of Lithuania are used to construct an identity, and the aim of this exercise is to improve the economic performance of the city. Academics and professionals, alarmed of the loss of authentic values, and the living society, alarmed at the deteriorating container quality of the city, caused by this Politics of the Past, are coming forward to prevent this disinheritance. New agencies created to materialise the rejuvenation of historic urban space, together with unprecedented changes in values, and social disharmony have turned the Politics of the Past in Vilnius into an instructive heritage discourse, which is further diversified by the involvement of local experts who are now taking charge of heritage protection.     

Industrial Heritage: Valorising the Spatial–Temporal Dynamics of Another Hong Kong Story

This paper challenges current perspectives on Hong Kong heritage that are based predominantly on a dichotomous juxtaposition of traditional Chineseness vis‐à‐vis post‐colonial romanticism, and argues for a deeper appreciation of its industrial history and identity. Textured narratives are proposed that highlight the socio‐economic relationships that were/are essential components of the industrial (hi)story. Specifically, the paper identifies the time/space dimension as unique, and hence it should be valorised using context‐sensitive, carefully thought‐through and executed approaches. The paper presents an ‘other Hong Kong heritage story’ that foregrounds the compressed time–space nature of the city’s industrial history, the spatial organisation of manufacturing, and the dynamic spatial stretch that has been taken by the industrialisation process. Furthermore, a stretching of governance space for the identification, (re)presentation and conservation of heritage using a participatory approach is proposed. In the face of rapid deindustrialisation and pressure for urban renewal, prompt, well‐conceptualised and time/space‐sensitive efforts to valorise, preserve and manage this fast‐disappearing heritage in Hong Kong are vital.     

A cultural justice approach to popular music heritage in deindustrialising cities

ABSTRACT

Deindustrialisation contributes to significant transformations for local communities, including rising unemployment, poverty and urban decay. Following the ‘creative city’ phenomenon in cultural policy, deindustrialising cities across the globe have increasingly turned to arts, culture and heritage as strategies for economic diversification and urban renewal. This article considers the potential role that popular music heritage might play in revitalising cities grappling with industrial decline. Specifically, we outline how a ‘cultural justice approach’ can be used within critical heritage studies to assess the benefits and drawbacks of such heritage initiatives. Reflecting on examples from three deindustrialising cities – Wollongong, Australia; Detroit, USA; and Birmingham, UK – we analyse how popular music heritage can produce cultural justice outcomes in three key ways: practices of collection, preservation and archiving; curation, storytelling and heritage interpretation; and mobilising communities for collective action.     

Zoos as heritage tourism attractions: A neglected area of research?

Abstract

Zoos are a form of museum.¹ The main difference between zoos and other forms of museum is that zoos exhibit living objects. These objects are examples of natural heritage. Unlike other museums, the focus of much research in the past decade, zoos appear under‐researched. Zoos, however, are significant tourist attractions. There are over 10,000 zoos worldwide,² many in major world cities and some attract millions of visitors annually. Zoos date back at least three thousand years, but their role has been changing in the past twenty‐five years from menageries to conservation centres. Concern recently has focused on animal welfare when wildlife is in captivity, and this has led to a re‐examination of the purpose of zoos. This article examines the aims of zoos, their nature as heritage‐tourism attractions and the profile of zoo visitors. In an attempt to establish a new research agenda, the article also examines issues about the future of zoos, including questions concerning potential and real conflict between their educational, scientific and entertainment roles.     

Case del fascio and the Making of Modern Italy

Abstract

In recent decades, scholars of modern Italy have identified Fascism’s effort to establish a new society as a hallmark of the regime’s engagement with modernism. Fascist party headquarters (case del fascio), the primary institution through which the party aimed to alter the character, habits, and attitudes of its citizens in the making of Fascist Italy, are largely absent from this discourse, despite their extraordinary importance to the regime. Through an analysis and discussion of the regime’s building activity in the rapidly developing working-class neighborhoods on the edge of nineteenth-century Milan, the city most closely associated with modern ways of life in the interwar period (and still today), this paper provides an opportunity to explore the ways in which the amenities, design, and location of party-controlled outposts were intended to advance the party’s objectives and communicate Fascism’s central place in the making of a modern urban landscape in the regime’s final decades.     

Integrating Archaeological Heritage into Towns and Settlements

ABSTRACT

This article explores factors concerning the urban integration of archaeological heritage in towns and settlements. Archaeological heritage refers to visible, immovable archaeological remains (such as the remains of buildings or structures), sites, and areas (larger complexes). As part of the multidisciplinary process of archaeological heritage management, based on understanding the significance of a site and the goal of enhancing and preserving archaeological heritage in situ, urban integration and its determining factors have not been the subject of systematic research. The present study is derived from the application of deductive research based on theoretical assumptions validated by a qualitative survey. Research has identified 17 factors as the basis for the urban integration of archaeological heritage in towns and settlements. These factors represent a theoretical and practical contribution not only to urban planning but also to archaeological heritage management.     

Can a preservationist ideology halt the process of creative destruction? Evidence from Salt Spring Island,British Columbia

For more than 50 years, rural municipalities across the developed world have struggled to redefine themselves in the face of declining primary sector employment. In some places, this struggle has led to the creation of landscapes that provide heritage‐seekers with tangible commodities and intangible experiences reflecting a by‐gone past. Recent research suggests that these post‐productivist heritage‐scapes may evolve into leisure‐scapes of mass consumption, if profit or economic growth are the key motives underlying development ( Mitchell and Vanderwerf 2010 ). This article questions whether a dominant ideology of preservation can prevent this scenario. We studied Salt Spring Island, British Columbia: (i) to determine if the island displays the characteristics of a heritage‐scape, (ii) to discover if a preservationist ideology has contributed to its current state, and (iii) to ponder if this state can be maintained, in light of recent regional and provincial discourse. Our analysis reveals that the creation, and maintenance, of this heritage‐scape has been guided largely by public discourse underlain by a preservationist ideology. This prolonged state, however, may be drawing to an end. Recent provincial directives to double tourist revenues suggest that local (and regional) discourse soon may be overshadowed by the province's mandate to promote economic growth. The response of local stakeholders will ultimately dictate the Island's ability to maintain its present state as a post‐productivist heritage‐scape.     

CULTURE‐LED DEVELOPMENT AND CONFLICT OVER URBAN SPACE: REIMAG(IN)ING ST PETERSBURG,RUSSIA

Culture‐led projects have long been part of strategies to regenerate cities in advanced capitalist economies. In recent decades those projects also have become a focal point of urban development in post‐socialist cities. This study argues that an attempt to reimage(in)e the city of St Petersburg through its culture‐led flagship project, Mariinsky Theatre–2, has generated significant changes not only to its built fabric, but also to its social fabric. In the context of a post‐socialist city, this study examines how the urban space of the historical centre is being contested by its urban users, often on the basis of differences in perception, including the impacts of the culture‐led project on those perceptions. Civic awareness about social exclusion and inclusion in urban space is on the rise in this post‐socialist city.     

Radical Urban Horticulture for Food Autonomy: Beyond the Community Gardens Experience

For those who are interested in radical changes, it is important to analyze the forms of resistance that promote self‐managed practices, also at apparently very small scale. In Italy the experience of “community gardens” is usually named “orti urbani”. In the last 10 years, the occupation of abandoned urban spaces to set up orti urbani has increased within the squatting movement. The case of the city of Rome is interesting because there has been a widespread activity to organize self‐managed spaces to grow fruit and vegetable plants. These initiatives make up not only potential spaces of dense social networking, political action and discussion on environmental issues, but also supporting large food autonomous configurations such as Genuino Clandestino, that are challenging dominant food production. A proliferation of orti urbani located in Social Centers, squatted houses or other abandoned spaces represents a scalar strategy to re‐appropriate and commune urban space.     

Take the Right Decision Everybody

Abstract

The archaeological deposits in medieval towns are among the most important and distinctive heritage monuments in Norway. At the same time they are among the more challenging phenomena confronting heritage management authorities, municipal planners, and property owners/developers alike, especially in relation to building and infrastructure projects. The modern settlement has developed on top of medieval and younger deposits which means that not only are they an irreplaceable depository of historical information, but they also form a significant part of the modern town’s physical foundation.

Since 2002 the Directorate for Cultural Heritage in Norway (Riksantikvaren) has been funding systematic monitoring of archaeological deposits of the World Heritage Site Bryggen in Bergen. The monitoring programme consists of several approaches: archaeological assessment of the deposits state of preservation, biochemical investigation of preservation conditions within the deposits, hydrogeological mapping of the water table, water flow, and other given parameters.

Continuous systematic monitoring by using testable, replicable methods and measures, data, and results acquire increased quality and validity. These in turn provide the cultural heritage management with a toolbox for making correct decisions and thereby allow the government’s preservation targets to be attained. But, most important, it guarantees the preservation of the ‘underground archives’ and at the same time allows the urban centres to develop.

This paper presents the knowledge developed through monitoring the Bryggen site as a basis for an official Norwegian standard covering archaeological, biochemical, and hydrogeological deposit investigations.     

Crossed gazes over an old city: photography and the ‘Experientiation’ of a heritage place

Abstract

The paper analyses a group of photographs of the old city of Porto, a UNESCO World Heritage Site. The photograph is used as a medium to elicit the ways different social agents experience and relate to Old Porto as a heritage place. The photographs were collected as part of a wider research project on the way sense of place of Porto’s old city was differentially constructed by local inhabitants, tourists and the City Council. Illustrated postcards were also analysed. The findings demonstrate the usefulness of this particular form of image-based ethnographic research in understanding the forms in relation to a heritage lived-in place.     

The Texture of Heritage: A Reading of the 750th Anniversary of Stockholm1

This paper employs Henri Lefebvre's term ‘texture’ as a means of analysing a series of events that took place in June 2002 to mark the 750th anniversary of Sweden's capital city. The resulting case study demonstrates that heritage is the present‐day use of the past and that selection and interpretation shift according to contemporary demands. The latter prompts a continuing series of ‘particular actions’ (Lefebvre) that require explaining and elucidating to new audiences in fresh contexts. This provides heritage with its impetus whilst also accounting not only for its range and reach but also for its richness as a source of study.     

Protecting historic Hanoi in a context of heritage contestation

Abstract

Since the introduction of the doi moi (renovation) policies in 1986, economic liberalisation and modernisation have led to redevelopment pressures on the cultural heritage of Vietnam's cities. A lively debate has ensued, most notably in the capital. Hanoi, about what is worth keeping. The views of international and local developers are opposed to the ‘Vietnamese heritage only’ of the most narrowly nationalistic of politicians and planners. The complicated decision‐making environment is made more difficult by the presence of Western planning advisers who argue for the protection of the French and Russian layers in Hanoi's cultural landscape. This is part of a long history of heritage contestation and redefinition in Hanoi which largely reflects the succession of political regimes controlling the city. Consideration of key philosophical and practical issues is timely given the current intervention by the Australian Hanoi Planning and Development Control Project team which is helping shape the future of a variously‐defined ‘historic Hanoi’.