Digital heritage in a Melanesian context: authenticity,integrity and ancestrality from the other side of the digital divide

This article examines how digital heritage, in the form of 3D digital objects, fits into particular discourses around identity, ancestrality and cultural transmission in Melanesia. Through an ethnographic analysis of digital heritage use amongst the Nalik community in New Ireland (Papua New Guinea), it demonstrates how digital heritage is understood not in terms of deceit and a loss of authenticity, but instead, towards an understanding of authenticity in terms of completeness and integrity. A notion of completeness and integrity, I argue, has the effect of creating an authentic experience of the past for Nalik communities by bringing back museum objects (‘old’ objects) that have been dispersed amongst museums and heritage institutions worldwide. In tracing out the operations and effects of how a Melanesian community engages with 3D digital objects, this article offers unique ethnographic insights into digital heritage in ways that challenge widely-held assumptions about the heightened value placed on the original object over its digital counterpart.     

Negotiation of Social Values in the World Heritage Listing Process: A Case Study on the Beijing-Hangzhou Grand Canal,China

This paper examines the World Heritage listing process for the Beijing-Hangzhou Grand Canal to understand the sociopolitical meanings of heritage in contemporary China. Over the past four decades, the efforts of the Chinese government have been clearly geared towards improving governance over heritage sites by designating them as state properties, which requires the selection and evaluation of cultural heritage sites on the specific political meaning based on historical, aesthetic, or scientific value. In the process of World Heritage listing of Chinese heritage sties, the model of ‘state properties’ had to be compatible with UNESCO’s understanding of ‘heritage’, as well as economic benefits of heritage. Drawing on the data collected from the process of World Heritage listing of the Beijing-Hangzhou Grand Canal, this paper explores the integration of the social meanings of heritage into the ‘authorized’ values criteria, facilitating multiple uses of ‘heritage’ through collaboration among UNESCO, Chinese heritage officials, and local communities. It argues that practices of heritage that consider social meanings will integrate local communities’ understandings into political meanings of heritage on basis of central government’s interests. This paper shows how the social meanings of heritage create a dialectical relationship to enable a ‘living’ cultural process in the preservation of ‘state properties’. In addition, the social meanings of heritage allow all potential stakeholder groups to negotiate with the heritage bureaucracy, as well as strengthening the role of local interests in heritage policy.     

Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China)

The rapid expansion of cultural tourism has led to increased numbers of visitors to rock art sites throughout the world. The rise of rock art tourism has affected not only the preservation of rock art sites, but also the social values attributed to the sites by communities in the immediate vicinity. Social values refer to the social and cultural meanings that a place of heritage holds for a particular community. This article aims to discuss the influence of tourism on the social values that uphold local communities’ emotional attachment to rock art heritage, using the Huashan rock art area in China as a case study. Zuojiang Huashan Rock Art Cultural Landscape is the first rock art heritage in China proposed to be inscribed on the UNESCO World Heritage List and officially obtained World Heritage Status in July 2016. This article argues that many of the changes generated by the endeavour towards tourism promotion by the authorities in their pursuit of World Heritage designation have contributed to the reinforcement of the social values under discussion. However, negative feelings among the communities in response to the undesired consequences of the designation campaign might have resulted in the attenuation of such values. The ultimate goal of the research is to prompt further reflection on existing rock art heritage management mechanisms both in China and worldwide.     

Intersectionality and the Construction of Cultural Heritage Management

From an intersectional perspective, this article will identify, critically analyse and deepen the understanding of how the social categories gender, class, ethnicity and nationality are inscribed and interlinked in the official narratives performed by the public actors in the field of cultural heritage management. This article will analyse the contemporary discourse of the official institutional cultural heritage management actors, with special emphasis on Protection Orders made by the Directorate for Cultural Heritage in Norway. It is important to analyse this kind of material because it can bring new knowledge and raise the level of awareness of the construction of identities that are present at a structural national level of representation. This has the potential to increase the understanding of how the societal feeling of being Norwegian is created, which in a strange way seems to have striking similarities to the representations of national identities in other Western countries.     

‘My Country is like my Mother…’: respect,care, interaction and closeness as principles for undertaking cultural heritage assessments

Investigation of social values is essential to understanding relationships between people and place, particularly in Indigenous cultural heritage management. The value of long-term ethnographic studies is well recognised, however, such approaches are generally not possible in many heritage studies due to time or other constraints. Qualitative research methods have considerable potential in this space, yet few have systematically applied them to understanding Indigenous peoples’ relationships with place. This paper reports on a qualitative study with Alngith people from north-eastern Australia. It begins by exploring the embodied, experiential nature of Alngith peoples’ conception of Country and their emphasis on four interrelated themes: Respect, Care, Interaction and Closeness when describing relationships to Country. We suggest that Alngith people-to-place relationships are underwritten by these ideals and are central to local expectations for respectful, inclusive heritage practices. The results also reveal new perspectives and pathways for Aboriginal communities, and heritage managers dissatisfied with the constraints of ‘traditional’ cultural heritage assessment frameworks that emphasise archaeological methods and values. The paper further demonstrates how qualitative research methodologies can assist heritage managers to move beyond the limitations of surveys and quantitative studies and develop a deeper understanding of Indigenous values, concepts and aspirations (social values).     

Book Reviews

Heritage is important for the social and cultural health of communities, whilst local stewardship of cultural heritage has the capacity to empower and recover cultural identity. This paper describes a recent project in Lakhnu – a small rural village in Uttar Pradesh, India – to restore a nineteenth century villa formerly used as the village school as an educational facility. In this discussion, we draw attention to the right of groups to manage their culture. The loss of cultural heritage is linked to a loss of identity. We argue that heritage projects have the capacity to empower communities to sustain their heritage and identity and provide useful places for social and material advancement through the concept of a shared ‘symbolic estate’. At Lakhnu, we plan to evoke grass-root conservation where local communities become the rightful stakeholders and decision-makers who are encouraged and facilitated in the realisation of their right to cultural heritage and to stimulate growth and build capacity for the community.     

The Knowledge-Centred Approach to the Somali Cultural Emergency and Heritage Development Assistance in Somaliland

Somalia has suffered a civil war since early 1991. Systematic looting, destruction and illicit excavation of sites continue without the international community (including academics, government organisations, heritage workers and humanitarian aid organisations) acknowledging this problem, let alone addressing it. The pre-war approaches to Somali cultural heritage lacked awareness-raising initiatives and basic dialogue with local communities, and hence remained uninformed about local views and methodologies regarding heritage. This has resulted in a lack of interest in building a local foundation and infrastructure for heritage management and archaeological research in the country. Today, it is clear that no measures were taken to protect cultural heritage during two decades of armed conflict in Somalia. Recently, archaeological material has become the target of ideologically motivated destruction. However, in post-conflict Somaliland, a self-declared, de facto country where there is peace and stability, possibilities for protection and management of cultural heritage exist. In order to carry out such work, an understanding of local practices is necessary. Hence, this paper presents unique research into local heritage management strategies and unveils indigenous heritage management methods, which the author refers to as the knowledge-centred approach. This approach emphasises knowledge and skill rather than objects, helping cultures such as the Somali, with strong oral transmission of knowledge, preserve their cultural heritage even in times of armed conflict. Also, this paper presents a critical assessment of the Somali cultural emergency as a whole and suggests ways of assisting different stakeholders in the protection of Somali heritage in the conflict and post-conflict eras.     

Cultural sustainability as a strategy for the survival of museums and libraries

Cultural sustainability has become a growing priority within sustainable development agendas, and is now often depicted as a fourth pillar, equal to social, economic, and environmental concerns. Museums and libraries play a unique role within cultural sustainability by preserving their communities’ heritage. However, sustainability policy and research within these sectors still tends to focus on the social, economic, and environmental pillars. This article provides a critique of sustainability policy and research for museums and libraries. It argues that more explicit coverage of cultural sustainability is required to not only improve the contributions of museums and libraries to cultural sustainability, but also to provide an increased understanding and appreciation of the value of these institutions necessary for their continued survival.     

Predicaments in the Management of Religious Heritage Buildings and Sites in Nigeria

Perhaps the most challenging heritage management issue since the beginning of the modern conservation movement relates to religious buildings and sites. This paper investigates approaches to the management of religious heritage buildings and sites in Osogbo, a multireligious Nigerian city, through the perspectives of various stakeholders. These stakeholders include the State, and its role in formal legislation and enforcement, the religious authorities as heritage owners and decision-makers, local communities’ understanding of heritage, and expert opinions about the properties. Drawing on physical observations, ethnographic assessment methods and secondary literature, the paper demonstrates how decisions taken by political leaders to construct a secularised national heritage have shaped the community’s cultural heritage perceptions, alienated from religious connotations. This selective use of the past gave heritage owners a free hand in decision-making about conservation, without taking into consideration historic and architectural/artistic values. It has also rendered expert judgment marginal.     

文化遗产和旅游的可持续发展

旅游业给遗产保护与遗产地管理带来了机遇与挑战。旅游业对维护文化和自然遗产价值,对社会、当地群众及非物质文化遗产均有影响,也给当地遗产设施发展与保护带来机遇。联合国教科文组织始终致力于文化与自然遗产的保护与弘扬工作,开创有前瞻性的旅游业,承认文化多样性原则,强调旅游业在促进遗产保护等方面的有效作用。其创意城市网络主推的"善行旅游",严格遵循原真性与完整性的原则,通过对世界文化遗产、纪念碑、历史建筑、国家公园、博物馆等各类景区定期评估,提升公众关于新旅游产品及旅客稀少遗址的意识,提升参观者体验感受等多种行动,改善人群福利,保护自然和文化遗产,促进经济和社会发展,从而有利于文化遗产保护与旅游业可持续发展。     

Vernacular uses and cultural identity of heritage: trade of antique fragments in the Chinese porcelain capital

This paper documents local uses of artefacts in the vernacular style of Jingdezhen, China as a means for reclaiming local heritage. This is done by examining the use of ancient ceramic fragments by artisans, scholars, shopkeepers and vendors in building location-based cultural identity. Based on ethnographic materials collected from 2012 to 2015, it argues that the vernacular uses of heritage artefacts facilitate the construction of identities for local communities. This is held in contrast to the homogenised identity normally presented by government narratives. Moreover, the paper discusses how the use of vernacular traditions or heritage artefacts function to interweave intricate webs of cultural identities that can be understood in a professional, social or political context.     

Cultural effects of authenticity: contested heritage practices in China

In this study, I analyse how the Chinese Government imposes the concept of authenticity on local heritage practices in the process of heritage nomination, conservation and management. Rather than discussing authenticity as an objective criterion, I approach authentication as a social process in the heritage discourse that impacts on local cultural practice. Through illustrating two cases in China, I propose three cultural effects of authentication on local heritage practices, namely spatial separation, emotional banishment and value shifting. Moreover, the heritage practices in China have created space for dynamic negotiations between local and global value systems. When the concept of authenticity is imposed on local heritage practices by heritage agencies, local communities are not passive recipients; rather, they consume, contest and negotiate the concept of authenticity in various ways.     

Relics of Empire Underground: The Making of Dark Heritage in Contemporary Japan

This paper examines civil activities to protect and conserve the underground war-related sites in contemporary Japan. Conservation movements rooted in local communities and centred on the Japanese Network to Protect War-Related Sites are making efforts to transform the dark heritage of war-related sites into cultural property in an attempt to integrate diverse wartime experiences. In delving into the heritage-making practices, I introduce local movements in Okinawa and Okayama. Okinawa hosts the first underground war-related site to become a cultural property, the Haebaru Army Hospital Bunkers, while Okayama struggles to create another one by making the Kamejima Mountain Underground Plant a dark heritage site. I argue that these conservation movements are challenging the homogenising national war memory by attaching ethnically diversified vernacular memories to the underground sites. In doing so, these underground war-related sites have become public spaces where new forms of social engagement are negotiated and contested.     

Competing discourses of built heritage: lay values in Irish conservation planning

Built heritage conservation has traditionally been shaped by professionals through an ‘authorised heritage discourse’, emphasising expert knowledge and skills, universal value, a hierarchy of significance, and protecting the authenticity of tangible assets. However, while the purpose of built heritage conservation is widely recognised to be broad, encompassing cultural, social and economic benefits, it takes place in the presence, and on behalf, of a wider public whose values and priorities may differ starkly from those of heritage power-players. Drawing on the perspectives of a range of built heritage actors in three small towns in Ireland, this paper contributes to these debates, exploring the competing values and priorities embedded within lay discourses of heritage. Based on critical discourse analysis of interviews with local actors, the paper identifies that collected memory and local place distinctiveness, contributing to a sense of local identity, are of central importance in how non-experts construct their understanding of built heritage. In the Irish context, this is particularly important in understanding social and cultural statutory categories of heritage interest. The paper concludes on the implications for policy and practice and, in particular, the need to more effectively take account of non-expert values and priorities in heritage and conservation decision-making.     

Community,Connection and Conservation: Intangible Cultural Values in Natural Heritage—the Case of Shirakami‐sanchi World Heritage Area

Intangible cultural heritage, according to a UNESCO definition, is ‘the practices, representations, expressions as well as the knowledge and skills that communities, groups and in some cases individuals recognise as part of their cultural heritage’. Using a case study of Shirakami‐sanchi World Heritage Area, this paper illustrates how the local community's conservation commitment was formed through their long‐term everyday interactions with nature. Such connectivity is vital to maintaining the authentic integrity of a place that does not exclude humans. An examination of the formation of the community's conservation commitment for Shirakami reveals that it is the community's spiritual connection and place‐based identity that have supported conservation, leading to the World Heritage nomination, and it is argued that the recognition of such intangible cultural heritage is vital in conservation. The challenge, then, is how to communicate such spiritual heritage today. Forms of community involvement are discussed in an attempt to answer this question.     

Heritage and ethnic identity: preserving Chinese cemeteries in the United States

This paper critically examines the role of ethnic community in the process of heritage management and preservation. Drawing on two heritage projects dedicated to historic Chinese American cemeteries – the nineteenth-century Chinese Memorial Shrine in Los Angeles, California and Concordia Chinese Cemetery located in El Paso, Texas – this study examines how heritage serves as a central referent in constructing a collective identity that gives continuity and political unity to an ethnic community. Heritage preservation, as a practice connecting the past and present, provides us with insight not only into the historic meanings attached to heritage, but also the contemporary values and ideologies of communities with regard to their efforts in interpreting the past. This paper highlights the relationship between identity politics and heritage, suggesting that heritage becomes a vital means of identity formation which helps articulate cultural traditions in the face of a dominant national culture that essentialises ethnic pasts.     

Editorial

Abstract

In April 1996, a single gunman killed 35 people at Port Arthur, Tasmania. A majority of these murders occurred inside the Broad Arrow Cafe, a structure related to commercial and tourist operations at this historic site. This paper considers the politics of heritage management for a place of recent human tragedy. How do Australians cope with this tragic site as survivors, as witnesses, as heritage managers, as local residents, as sympathetic nationals? Current debates on the future of the Broad Arrow Cafe provide some significant insight into the heritage of mourning: should such buildings be retained as monuments, should they be ceremonially removed to encourage a healing process, or should they be left to decay naturally? Through these debates, questions about the local, national and international nature of cultural heritage management have emerged. Whose interests are served by preserving sites of human suffering? What are the roles of artefacts, architecture and cultural landscapes in the memorialization of tragedy? Finally, there is discussion of some innovative suggestions from local and federal heritage authorities for preserving some physical testimony of the tragedy, while honouring the national and personal mourning process.     

Consuming the Past: Public Perceptions towards the Discipline of Archaeology in Zimbabwe

This paper discusses the public perceptions of archaeology and the information that archaeologists produce in Zimbabwe. There have been accusations that archaeologists in various parts of the world research for themselves. The products of archaeological research are often presented in academic jargon only accessible to those in the profession. Archaeological research in developing countries has been criticized for having limited involvement, if any, with the local communities in which it is conducted, and fails to address development issues that are important and much more relevant to the concerned societies. The paper discusses the extent to which these accusations are justified in Zimbabwe, focusing on the perceptions that local communities have on archaeology, archaeologists, archaeological remains, archaeological research, and institutions dealing with archaeological cultural heritage in that country. It also discusses why it seems difficult to put into practice some of the suggestions that have been made in the past on how to engage with the public. The paper argues that, although there have been efforts to change the situation, southern African archaeology in general and specifically its practice in Zimbabwe remains largely a preserve of the initiated. It concludes by recommending that writing on archaeological issues be accessible and that research issues should have social relevance. Awareness of local communities in research, outreach activities to schools, and the benefits of archaeological resources for local communities, are crucial means by which the value of the discipline can be appreciated by the public.     

Remembering the 1960s: popular music and memory in Europe

Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I draw upon interviews with representatives of museums, websites and archives. The article reveals a recurring tension between transnational and local experiences of the 1960s. It is found that media and heritage institutions like museums and archives predominantly have a national and local orientation, although narratives with a European vantage point are now emerging on the internet.