Italy says no: the 2016 constitutional referendum and its consequences

On 4 December 2016, Italians went to the polls to say yes or no in a popular referendum called by Prime Minister Matteo Renzi on his package of constitutional reforms. Turnout was very high: 65.5 per cent. The No vote scored an impressive victory: 59.1 per cent rejected those reforms; 40.9 per cent supported them. This article puts those reforms in the context of previous attempts to modify several articles of the Italian constitution. The authors analyze and criticize the substance of those reforms and explain their possible impact on the functioning of the Italian political system. The Yes and No alignments were somewhat diversified, while the Yes vote got a lot of support from an often curious combination of domestic and foreign bedfellows interested in the political stability of Renzi’s government more than in any specific reform. Renzi’s defeat led to his resignation. A new government was immediately formed. It is unclear when and whether other, different constitutional reforms will be formulated. The Italian political and institutional transition continues while once again attention is focused on the electoral law and on how to restructure the parties and the party system.     

Post-electoral politics in Italy: institutional problems and political perspectives

A dysfunctional electoral law and an obsolete bicameral Parliament contributed to the surprising results of the 24–25 February 2013 Italian elections, which have solved none of Italy's institutional and political problems. This article briefly analyses the distribution of votes, stressing especially that the success of the Five Stars Movement derives from the dissatisfaction and the protest of a significant sector of the electorate. Beppe Grillo, like Silvio Berlusconi, is a political entrepreneur, who through patience, hard work and commitment has constructed an organization with a wide geographical following. The presence in Parliament of the Five Stars Movement made the election of the President of the Republic very difficult. President Napolitano was obliged to accept an unprecedented second term and then led the Democratic Party, the People of Freedom and Civic Choice to form an unusual government, almost a sort of Grand Coalition. The government is here briefly assessed. The article ends underlining two critical aspects of the situation. Neither the Italian parties nor the party system have succeeded in reaching a satisfactory level of consolidation and stability. This means that the President of the Republic has been obliged to make good the shortcomings of the political parties. Even malgré soi, the President's behaviour has given rise to a situation in which his own position raises the urgent need for institutional reforms along the lines of the semi-presidential mould of the French Fifth Republic to bring to a close Italy's overlong political transition.     

Avant-garde modernism and Italian Fascism: cultural politics in the era of Mussolini

The article explores the efforts of Marinetti's futurists, Sarfatti's Novecento movement, and the Tuscan circle that propounded strapaese to shape a cultural basis for Italian Fascism. The first two movements sought to become an official art for Fascism, while the third sought to produce a culture that would remain true to Fascism's origins in 1919, but all were in different ways 'modernist' movements and they are therefore contextualized both in terms of the challenge presented by Fascism and those faced by their modernist counterparts elsewhere in Europe. It is argued that the three movements enjoyed some success in the 1920s but were effectively shut down by the rise of the intransigent Right in the 1930s. Yet it is also argued that they needed the regime because they were too weak by themselves to assert the principle of artistic autonomy in the face of an internationally ascendant commodity culture. L'articolo esplora i tentativi dei futuristi facenti capo a Marinetti, del movimento Novecento di Sarfatti, così come del circolo toscano detto di Strapaese, nel costruire e definire le basi culturali del fascismo italiano. I primi due movimenti cercarono di costituire un'arte ufficiale del fascismo, mentre la terza si protese a far nascere una cultura che rimanesse legata alle origini del movimento fascista del 1919; ma tutti erano, in maniera diversa, movimenti 'modernisti' e sono qui tra l'altro posti sia nel contesto del cambiamento, nel clima politico e culturale, rappresentato dal fascismo che in quello degli altri movimenti modernisti europei. Viene messo in evidenza che i tre movimenti ottennero un discreto successo negli anni venti, ma furono censurati da una destra intransigente che emergeva negli anni trenta. Tuttavia, è possibile affermare che tutti e tre i movimenti avevano bisogno del Regime perché troppo deboli ed incapaci di consolidare un principio di autonomia artistica nei confronti di una emergente cultura consumista nel contesto internazionale.     

Muted violence: Italian war crimes in occupied Greece

This article considers the myth of Italians as ‘good people’ that has dominated post-war historiography as well as the public and institutional discourse, and analyses the connection between the judiciary paradigm and the historical narrative of the Second World War. It presents an account of Italian war crimes in occupied Greece and suggests a possible interpretation regarding the military violence towards the civilian population. War crimes are considered within the context of the general orientation of the fascist policy of occupation and the structures of conflict that emerged in the occupied territories. In particular, it discusses the turning point in Italian repressive action, from the logic of reprisal to a policy of massacre.     

A new era and new themes in Italian politics: The case of Padania

Abstract

By calling for the independence of Padania from the rest of Italy, the Lega Nord has recently drawn a great deal of attention to itself. In support of this campaign the Lega has actively introduced mythical and Utopian models onto the Italian political scene, combining a degree of cultural innovation with a certain political adventurism. This article focuses on these elements, beginning with the events of the autumn of 1996 when the Lega organized a ‘grande festa’ along the banks and in the towns of the River Po aimed at marking the birth of the new nation of Padania. The principal events of the festival were dominated by the many performances of the League's founder and leader, Umberto Bossi, whose speeches were full of pseudo‐religious or pseudo‐prophetic elements. Though the festival ended in Venice with a unilateral declaration of independence by the Lega and its followers in the north, it did not lead to any immediate political consequences. Nevertheless, the situation in Padania is marked by a complex mixture of identities. The Lega has not just introduced new methods of political opposition, it has also brought many subjects (local cultures, regionalism, the right to self‐determination) into the Italian political debate. Furthermore, it has used the language of the sacred and of ‘origins’ to create new characters, new calendars and new sacred sites.     

Protagonists and politics in the Italian women's movement: a reflection on the work of Annarita Buttafuoco

This article retraces Annarita Buttafuoco's work as a historian of the women's political movement in Italy through a brief survey of her essays and books. These covered more than two centuries of history, ranging from the echoes of the French Revolution in Italy and the constitution of the Jacobin Republics to the struggles for female suffrage and emancipation in the liberal era down to the period after the Second World War and the founding of the Italian Republic. Emphasizing the originality of both the sources and the methodological approaches she used, the article offers a critical appreciation of Annarita Buttafuoco's research and her role in organizing and shaping collective research projects. It is focused on three specific issues: the history of women as conscious historical subjects, the history of women's political movements not only in their social and political contexts but also in relation to institutional networks and the practices of citizenship.     

The theatre of social change: nobility,opera industry and the politics of culture in Bologna between papal privileges and liberal principles

In Bologna, after Rome the second biggest city of the Papal States, the Teatro Comunale played a major role in the city's cultural self-representation from the eighteenth century. After the Unification of Italy local politicians and the rising middle class used the theatre - together with the famous university, the Liceo musicale and the Pinacoteca - to present Bologna as one of the young nation-state's cultural capitals. A study of Bologna's opera house as a social institution highlights social, cultural and political processes and conflicts which marked the transition from the papal regime to the liberal nation-state. Bologna's nobility, which owned the theatre's prestigious private boxes, opposed the idea of democratically elected politicians and professional experts determining the fate of their theatre, the theatre which for centuries had provided the preferred backdrop for staging their social status.     

Spatial processes and politics of renewable energy transition: Land,zones and frictions in South Africa

This paper seeks to make a contribution to on-going debates about how to conceptualise the spatial processes of renewable energy transition. It makes a case for understanding renewable energy transitions as simultaneously spatial and political processes, constitutive of new territories and configuring development pathways. Drawing on a case study of South Africa's Renewable Energy Independent Power Procurement Programme (REI4P), the paper explores the ways in which energy transitions are intrinsically bound up with both the materiality and the historical and contemporary politics of land. It then examines the relationship between energy transitions and territory to conceptualise the ways in which transitions take on an experimental shape in the form of 'zones'. The paper argues that these zones are new territories deploying forms of spatial and political-administrative exceptionality, which allow political and economic actors to exercise authority and commercial power. Two types of zone emerging from South Africa's energy transition exemplify these processes: legally-defined zones for the development of solar and wind energy and zones of socioeconomic development required by REI4P. The paper explores the spatial and political consequences of these strategies and suggests that these may not necessarily translate into conflict and confrontation, but instead produce uneasy co-existences of different political, social and spatial projects and interests, with potential to create new polities.