Post-colonial heritage conservation in Africa: perspectives from drystone wall restorations at Khami World Heritage site,Zimbabwe

Abstract

Before colonialism, heritage sites such as Khami were considered resting places for ancestors, valued more for the spirit of place than their monumentality. In this context, local custodians hardly intervened with the fabric of the site. With the introduction of modern conservation principles, which persist to this day, vegetation control and wall restorations became part of routine conservation measures. This paper discusses drystone wall restorations carried out at Khami between 2000 and 2015 focusing on the disjuncture between indigenous and local concepts of heritage, concerned with access and preserving the spirit of ancestors, and ‘western’ principles of restoration. It argues that while ignoring the structural disintegration of Khami would have resulted in possible delisting from the World Heritage List, the ‘neglect’ which Khami experienced was in tandem with its local social context; being a resting place for ancestors. While the reconstructions interfered with an acceptable physical context of local beliefs, restorations maintained the integrity of the site as a tourist destination with positive local economic benefits. Although compromises are by their nature unsatisfactory, modern heritage conservation in Africa must adapt and improvise to achieve a mix of local and international practices to reflect changed and changing realities.     

Social images through visual images: the use of drawings and photographs in the Western representation of the aborigines of Tierra del Fuego (southern South America)

Abstract

This paper analyses the creation of social images (culturally biased representations) about Fuegian aborigines through the production of visual images (drawings and photographs) by European voyagers, missionaries and ethnographers. The images are evaluated as records that offer rich and complex information about both the recorder and the recorded subjects through a consideration of the context in which they were published and the prevailing socio-historical situation. The creation and manipulation of visual records by Western agents has dual elements, in which the representation of the social ‘other’ (the Fuegians) bears a clear relation to the representation of the social ‘self’ (the Europeans). However, the Fuegians themselves were not necessarily passive subjects, but could act as active agents, negotiating who was photographed and in what situations. Over time, the prevailing representation of Fuegians changes from an initial idealization of their status as aboriginals, to a population of potential religious converts, and finally to their portrayal as ‘unpolluted’ aborigines in ethnographic photography. The paper concludes by considering how Fuegian societies and the impact of Western people have been re-considered through a re-contextualization of these same images within a recent museum display in Argentina.     

Photography as Geographical Fieldwork

Photography has a long history in geographical fieldwork. This paper reports on a student project that recovers this history and uses photography and commentary to represent the city of Barcelona. The place of the project within the broader (second-year undergraduate) fieldcourse and curriculum is described. The paper concludes with considerations of the way that photography lends itself to raise issues of representation evident in contemporary human geography. Since it is accessible to students, and offers practical examples, photography is a good way to approach and introduce more complex questions of method, epistemology and representation.     

Discussion papers

Using Africa for the regional context, this article presents an instructional strategy for improving students' awareness of African world-views and the news media's coverage of the continent. After studying about African world-views and the media's representation of Africa, students use a research/writing project to evaluate the media's inclusion of world-views in the coverage of selected African events. The research/writing project helps students to become more inclusive in their awareness of cultures and to develop writing skills and electronic network research skills.     

Nabataean Dushārā (Dusares) — an overlooked cuirassed god

Abstract

This paper sheds new light on the images of the Nabataean god Dushārā on the coins of Roman Bostra under Commodus, Caracalla and Philip the Arab. It analyses and interprets for the first time iconographic details such as the god's cuirass, his Alexander-like hairstyle and the assimilation of his facial features to the emperor of the day on the coin obverses. This study argues that Dushārā's image is a late ad-hoc creation for a local Bostran context that did not travel far beyond the city. Alongside the anthropomorphic representation, Dushārā continued to be depicted and worshipped in the form of a betyl at Bostra, Petra and throughout the Roman province of Arabia.     

William Rutherford Sanders (1828–1881) and his neurologically fertile years (1865–1868)

ABSTRACT

William Rutherford Sanders (1828–1881) was an Edinburgh physician who occupied the Chair of Pathology at the University of Edinburgh from 1869 to 1881. All of his published output between 1865 and 1868 was concerned with neurology. In arguing that a patient did not have paralysis agitans, Sanders (1865) employed the term “Parkinson’s disease” for the first time in the English-language literature to distinguish between the disorder that Parkinson (1817) termed “paralysis agitans” and other types of shaking palsies. He contributed a major chapter on the same topic to Russell Reynolds’s A System of Medicine (1868). Sanders also investigated the innervation of the palate and facial muscles (1865), and in 1866 recorded the autopsy findings in two cases of aphasia. Here, for the first time in the English-language literature, he described findings that supported Broca’s location of the representation of speech to a particular area of the left cerebral hemisphere.     

Producing African-descent: afro-peruvian music,intangible heritage,authenticity and bureaucracy in a Latin American music compilation

ABSTRACT

Policy and actions for the safeguarding of Intangible Cultural Heritage (ICH) are laced with politics of representation and meaning-making of expressive culture within and outside communities. This article explores how ICH experts, practitioners, activists, and other actors negotiate and re-construct ideas of racial identity and authenticity in one such initiative. Sponsored by CRESPIAL in 2012, the album Cantos y Música Afrodescendientes de América Latina is a compilation of music of Afro-descendant communities in Latin America. Conceived as a project for safeguarding the musical ICH of these communities, it involved participation from thirteen Latin American governments. This paper, centered on the Peruvian participation in this project, studies the bureaucratic intricacies of this project, exploring how ideas on racial identity and authenticity overlap with political agendas and administrative requirements in order to produce a unified representation of ‘Afro-Latin American’ music. My analysis highlights 1) the local knowledge systems that inform the ideas of racial identity and authenticity advanced by the project’s actors; 2) their adopted strategies within Peru’s bureaucratic network of heritage management; and 3) the positionality, capacity and agency of each actor for achieving their particular goals in this collaborative project.     

From universal homogeneity to essential heterogeneity: On the visual construction of “the Lappish race”

During the second half of the nineteenth century, a radical change took place in the representation of the Saami. Whereas physical variation earlier was insignificant to cultural representation, from then on it became the very essence of their otherness. In this paper I relate the change in the representation of the Saami to the emergence of a modern discourse in which the concept of ‘race’ became central to the organization of knowledge and social practices as well as to the understanding of cultural difference. Moreover, I try to demonstrate how the “success” of the racial discourse was conditioned by new visual technologies.     

Diversity and diplomacy

ABSTRACT

Diplomats are the face of their country abroad. One way that a country can represent and benefit from its diversity is through the diversity of its diplomatic representatives. Australia’s Department of Foreign Affairs and Trade (DFAT) has made a sustained effort to increase the diversity of its workforce and has improved the representation of some groups: for example, the increased number of women in senior positions in recent decades. A case study of DFAT’s Indigenous Recruitment and Career Development Strategy (2007–2015) identifies the following key factors needed for such efforts to succeed: sustained effort, high-level support, availability of peer support and a willingness to adapt programs over time. While there are challenges in implementing a diversity strategy, such as resource constraints and the broader organisational culture, the Indigenous Recruitment and Career Development Strategy provides a positive model of how to increase diversity among a country’s diplomats.     

A terrible beauty is bought: 1916, commemoration and commodification

Abstract

Mindful of Benedict Anderson’s emphasis on Imagined Communities on the power of print culture – and print-capitalism – to shape and share national ideas and identities, this article offers a comparative analysis of the commemorations of 1798 and 1916 by looking at commemorative ephemera: kitschy memorabilia, themed merchandise, newspaper cuttings and advertisements, handbills and inventively branded commodities, as important cultural texts which purveyed ideological values and meanings at the time of their production. It suggests that the consumer sphere allows us to shed light on the commemorative discourses these ephemeral objects produce, retelling and retailing the risings in question. Texts often regarded as throwaway or lowbrow vied for their share in the ideological marketplace to form part of the heritage of 1798 and 1916, the centenary of the one feeding into the ferment of the other. The reception and representation of the pivotal figures of Wolfe Tone and James Connolly is discussed through the prism of Thomas Richards’ conception of commodity culture, and attention is paid to counter-commemorative strands as well as positive rhetorics of remembrance.     

Race to the top: using experiments to understand gender bias towards female politicians

ABSTRACT

Gender balance in political representation is an important goal of governments. In this paper, we ask: Do voters judge female politicians less favourably than male politicians, when given an otherwise identical set of information about their backgrounds? We employ an innovative online experiment (N?=?1933) to measure Australians’ attitudes towards female politicians and examine a series of hypotheses. We find voters see female candidates as more capable and are more likely to vote for them, but they are less likely to expect them to win. Female candidates are seen as more capable in their military and healthcare roles, but gender is perceived to be a major barrier to a female candidate’s success. Women and those aligning with the Labor/Green parties are more supportive of a female candidate, but we find limited evidence that those aligning with the Liberal/Nationals are openly hostile to a female candidate.     

Women’s representation and participation in UNESCO heritage discourse

ABSTRACT

Gender equality represents one of the most challenging objectives in contemporary society and has become a priority for UNESCO (Medium-Term Strategy 2008–2013 and 2014–2021), as it is considered ‘an essential part of the equation for more inclusive and sustainable development’. However, in various World Heritage sites, women are still being marginalised from decisional processes concerning the identification and interpretation of the past and they are often underrepresented in the main narratives. Using the case study of the World Heritage Vineyard Landscape of Langhe-Roero and Monferrato (Italy), I explore how international and national documents frame gender equality in order to uncover underground power dynamics that risk undermining cultural representation and participation. Through the analysis of the interviews done with a group of local female wine producers, I compare heritage discourses with the perception women have of their contribution in the identity and heritage-building process. If dominant heritage discourses are characterised by a rather male-driven set of values, could lack of women’s representation influence the activation of their participation? Are women willing to participate in the management of a heritage which has not been recognised through their values and meanings? What kind of participation would they desire?     

Representing Science that Isn’t: Harvest as Science Fiction Theatre

Abstract

Engaging with the difficulty of plausibly staging scientific developments that have not yet been realized (or even those which might never occur), Manjula Padmanabhan’s 1997 play Harvest relies upon science fictional developments in two technologies, communications and medicine. Rather than merely working around them, Padmanabhan’s play makes use of the challenges inherent in staging a fictional future, calling both representation and power into question. In so doing the play exemplifies the increasing openness of science drama to science fictional ideas.     

Fear of the city 1882-1967: Edward Hopper and the discourse of anti-urbanism

This paper traces the extent to which some of the major cityscape representations of the American 'Realist' painter, Edward Hopper, have contributed to the production and articulation of the discourse of anti-urbanism in American culture. Following an introductory background to this discourse, the paper discusses the development of Realism in American art, and how the urban representations that emerged were a response to the rapidly changing, early twentieth-century American city. A brief biographical account of Edward Hopper is presented to explore the intertextual influences behind his anti-urban sentiments, and how these translated into the unique form of Realism for which Hopper is renowned. This sets the stage for a reading of four key Hopper works that are suggestive of the anti-urban discourse: Night Shadows, Nighthawks, Approaching a City and Sunday . The powers of representation and the artist's popularity have fed into the discourse of anti-urbanism - a discourse that has a material effect on urban life in America.     

Gold,its Alloys and their Uses in Dentistry

Abstract

The historical and contemporary role of gold as a restorative material in dentistry is reviewed. The fabrication of fixed restorations by precision casting is described. The various applications and the resulting medical and technical requirements are discussed. Different gold alloy types are presented and described with reference to their composition, mechanical and physical properties, corrosion resistance and biocompatibility. Techniques new to dentistry such as powder metallurgy, electroforming and the use of pure gold direct filling are also discussed.     

Commensurable language and incommensurable claims among the Greek linguistic minority of Southern Italy

Abstract

More than ever, minorities reflexively engage with global frameworks in their endeavour to promote distinctiveness. Scaling local diversity through specific frameworks has resulted in familiar commensurable languages of international claim recognition. By presenting the case of the Grecanici – a Greek linguistic minority of Southern Italy – this paper critically assesses the creative mingling of global structures and local particularities which effects commensurable languages of representation. These languages in their global dimension reveal a certain degree of commensurate social commentary between global agents and local actors. This commentary is veryoften structured around master tropes such as awareness, victimization and consumption. Despite their global applicability, languages of representation do not necessarily imply commensurability at the local level. Often it is only after careful mediation by skilled rhetors that commensurability on a local level becomes possible.     

Prousa/Bursa,a city within the city: chorography,conversion and choreography

Abstract

Narratives on the birth of the Ottoman city of Bursa, the first capital of the Ottomans, known to the Byzantines as Prousa, highlight its early Ottoman identity. Although Bursa represents one of the richest legacies of early Ottoman architecture, the city's urban fabric has suffered from several fires and earthquakes that resulted in heavy restorations and remodellings. The first aim of this paper is to discuss the textual and visual evidence for the built environment in the early fourteenth century and, second, to offer commentary on the Ottoman attitude toward Byzantine architecture in an effort to unearth the Byzantine substrata of Ottoman Bursa. In the service of the latter goal, this article debunks the Ottoman-centric views. With the aid of drawings of Bursa's upper city that predate the 1855 earthquake we may begin to visualize a city far less uniform in character, in which the Byzantine legacy both endured and informed the construction and urban design practices of the ascendant Ottomans.     

Performing Science (Not Ethics) in Analogue’s 2401 Objects

Abstract

The postdramatic theatre is explored as an alternative ethics of re-presentation in 2401 Objects by Analogue in relation to its stance on medicine and the neurosciences and to theatrical representation. The dual characters Henry Molaison/Patient HM are deconstructed as objects and the presentation of memory is deconstructed as an embodied but intangible artifact of performance. How Analogue ‘frame’ HM’s doctors and their own performance through the metaphor of the cryomicrotome and the Project HM of the Brain Observatory as a performance in its own right is examined.     

Young children’s use of an augmented reality sandbox to enhance spatial thinking

ABSTRACT

Augmented reality (AR) technology is being introduced in educational settings for its ability to overlay virtual information onto physical environments. The AR Sandbox is a conventional sandbox with depth coloured representations projected onto the sand’s surface. This research investigates how 4- and 5-year-old Australian children use an AR Sandbox to enhance their spatial thinking through play. Participants were four children, their two educators and the first author as a participant-observer researcher. Data were collected over an 8-week period during 2015 and included observation, child conferencing, photography, educators’ perspectives, and the researcher’s perspectives. Vignettes are presented to demonstrate how children’s spatial thinking was enhanced through exploration and representation in the AR Sandbox. Children’s active and dynamic manipulation of the space of the AR Sandbox, along with a range of socio-cultural contexts and tools, assisted in enhancing their spatial abilities.