‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

Oscar Wilde,Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play

This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption.     

‘Affirmative Signalling’: Dickens’s Railway Journalism and Victorian Risk Society

This essay explores Charles Dickens’s railway journalism of the 1850s and 1860s and its differences from his more well-known fictional accounts of the British railway network. While fictional works such as Dombey and Son and ‘The Signalman’ emphasize the catastrophic aspects of railway accidents, Dickens’s journalism in Household Words and All the Year Round examines the modern systematicity of the railway network, which by its nature as system, necessitated accidents on the lines. The essay incorporates theoretical readings of risk by Ulrich Beck and Paul Virilio into its critical assessment of Dickens’s railway journalism. Fundamentally, it aims to demonstrate that Dickens’s railway journalism illuminates the complexity of Victorian narratives of technological and bureaucratic industrial and transport systems by prioritizing the global dimensions of systematic accidents over the period’s tendencies to focus merely on local accidental events.     

Machiavelli's scientific method: a common understanding of his novelty in the sixteenth century

This paper argues that Machiavelli's method, his inductive and comparative use of history and experience for political analysis, and his fashioning of historical-political analysis as ‘science’, played an important and still unrecognised role in his reception in the sixteenth century. It makes the case that Machiavelli's inductive reasoning and stress on historia and experientia offered a model for scientific method that open-minded sixteenth-century scholars, eager to understand, organise and augment human knowledge (scientia), could fit to their own epistemology. By focusing on the question of method—a crucial issue for sixteenth-century contemporaries—the paper offers more than a key to the understanding of Machiavelli's positive reception. It also helps in apprehending the crucial importance of Lucretius to Machiavelli's scholarship; the role of the late Renaissance fascination with historia in his reception; and the breadth of appropriation of his method exactly in the decades when anti-Machiavellianism became official politics all over Europe. These claims are sustained through the cases of Machiavelli's early translators and promulgators; the French legal humanists and historiographers; the Swiss, Italian and French scholars engaging with medicine, Paracelsism and astronomy; the authors of political maxims from all over Europe; and finally Francis Bacon.     

‘The Stupidest Tea-Party in All My Life’: Lewis Carroll and Victorian Psychiatric Practice

An analysis of the numerous connections of Lewis Carroll to the Victorian psychiatric profession reveals their influence on the portrayal of insanity in Carroll’s fiction. Through examining his relationship with his uncle Robert Wilfred Skeffington Lutwidge, a Commissioner in Lunacy, and collating Carroll’s personal recollections from diaries and letters with correspondences of the Lunacy Commission, this article offers a comprehensive picture of Carroll’s intellectual engagement with Victorian psychiatry. Combining these insights with his literary writings illuminates the psychiatric origins of the ‘Mad Tea-Party’ and characters such as the Hatter in Alice’s Adventures in Wonderland in the organization and methods of mid-Victorian pauper lunatic asylums and their treatment of impoverished workers. Likewise, the illustrations of Carroll’s works stood in dialogue with popular imagery of insanity as well as ideas of physiognomy and their diagnostic application in asylum photography by Hugh Welch Diamond. This piece will argue that the framework of Victorian psychiatry provided Carroll with imagery he utilizes to satirize aspects of Victorian moral values. It thus aims to highlight the benefits of re-framing the works of Lewis Carroll beyond the genre children’s literature, and considering them as part of the wider Victorian discourse of the sciences of the mind.     

A Once and Future Greatness: Raymond Aron,Charles de Gaulle andthe Politics of Grandeur

Charles de Gaulle devoted his life to cultivating French grandeur, a politics that attempted to carve out an equal and independent role for France among the great powers of the world. One who frequently criticized de Gaulle's ideas of grandeur was the eminent social theorist, Raymond Aron. Although Aron was generally supportive of de Gaulle and supported him ‘every time there was a crisis’, he never hesitated to criticize de Gaulle, sometimes quite sharply. Aron's lifelong friendship with de Gaulle was thus marked by alternating bouts of mutual irritation and respect: Aron worried that de Gaulle's theatrics were sometimes detrimental to French national interests while de Gaulle fretted that Aron's commitment to French greatness was less enthusiastic than it should havebeen.

The purpose of this paper is to evaluate Aron's reaction to de Gaulle's politics of grandeur. Despite his reputation for ‘lucidity’, Aron was often ambivalent about de Gaulle's ambitions for France. We argue that Aron's ambivalence stemmed from his political creed, or from his commitment to a political philosophy that - as de Gaulle sensed - allowed for few settled convictions. This paper reviews Aron's assessment of two issues at the heart of de Gaulle's politics of grandeur, namely, the effort to promote a sense of national unity and the effort to create a nuclear force. In both areas, we witness a remarkably ambivalent Aron, one who struggled to soften the harsher edges of the excesses of what he considered to be the excesses of grandeur and find his way to a more moderate and coherent position.     

Displacing Barthes: Self,Other and the Anxiety of Theory

This article explores the relationship between the other and the writing self in three of Barthes's works and shows how the anxious and changeable state of the ‘je’ unsettles conceptions of ‘theory’ and its analytical object. Barthes attempts to conceptualise cultural otherness in Mythologies, L'Empire des signes and Incidents, and, on one level, his fantasies of encounter serve to displace or unground the writing ‘self’. On another level, however, the theorist's persona in these works turns out to be disorientated and unnerved by these displacements, and he couples his jubilant self-dissolution with a longing for a sense of origin or ground. Barthes as a result remains undecided about his positioning within his own discourse, and his works demonstrate the necessary interpenetration of theories of alterity with the contradictory subjective and affective desires of the writing self. The aim of the piece is ultimately to argue that, for its very flaws and inconsistencies, Barthes's writing about otherness may help us to understand the challenges and deficiencies of postcolonial conceptions of cultural difference.     

Thomas Arnold,Christian Manliness and the Problem of Boyhood

Thomas Arnold is a well-known character in Victorian Studies. His life and work are usually discussed in relation to his role as Headmaster of Rugby School and the development of the English public school system. His importance in the history of Victorian manliness has, by contrast, been somewhat obscured. When scholars do comment on his highly influential idea of Christian manliness, they tend to assume it was an overtly gendered ideal, opposed to a well-developed notion of effeminacy. A closer study of Arnold's thought and writings, as well as the reflections of his contemporaries and pupils, reveals rather that his understanding of manliness was structured primarily around an opposition between moral maturity on the one hand and immoral boyishness on the other. As this article argues, one of Arnold's chief concerns at Rugby was to ‘anticipate’ or ‘hasten’ the onset of moral manhood in his pupils. Moreover, his discussion of manliness in his role as Headmaster was closely connected to his work as a historian – another neglected aspect of Arnold's career. Inspired, above all, by the Italian philosopher Giovanni Battista Vico, Arnold's historical writing is punctuated by the Vichian concept that nations, like individuals, pass through distinct stages of maturity, from infancy, through childhood, manhood, age and decrepitude. A close reading of Arnold's school sermons and other works on the peculiar dangers of boyhood suggests clearly that his historical writing inspired the notions of moral manliness and vicious boyhood that underpinned much of his educational thought.     

Communities of discourse: Ideology and social structure in the reformation,the enlightenment,and European socialism

In contrast to the conventional view of Ludwig Feuerbach as a left-wing Young Hegelian, this article argues that his primary contribution to philosophy is to be found in his later ethics, the basis of which may be discerned in his earlier writings. Over and above recent work on Feuerbach's aesthetics, his relation to Herder, and the relationship between aesthetics and ‘theological politics’ in his thought, Feuerbach's philosophy can re-evaluated, in relation to Epicurus and the French libertin tradition, as articulating an ethics of hedonism. In The Essence of Christianity (1841), the Nachlass fragment ‘Elementary Aesthetics’ (1843), and his Principles of the Philosophy of the Future (1843) Feuerbach moves towards the vitalist materialist position that culminates in his (proto-Nietzschean) insight in ‘Against the Dualism of Body and Soul, Flesh and Spirit’ (1846) into the world as an ‘aesthetic phenomenon’, thus laying the foundations for his recognition of the centrality of sensuous pleasure to the ethical life.     

The Newer New Life: A.S. Byatt,E. Nesbit and Socialist Subculture

This article considers the political implications of Victorian language-study for Thomas Carlyle's The French Revolution (1837) (reprinted and edited by K.J. Fielding and David Sorensen (Oxford: Oxford World's Classics, 1989)). I investigate how Carlyle responded to the scientific study of language with what he termed a ‘bodied word’, a reading of language based in the word-become-flesh or the doctrine of the Incarnation. I show how this bodied word reflects wider changes in modern conceptions of the polity in the wake of the French Revolution, in the shift from a hereditary body politic towards what critics have termed a ‘social body’ or a more broadly inclusive model that incorporates the working classes. I then offer a reading of The French Revolution to show how Carlyle's French history was crucial to the linguistic and conceptual production of this liberal notion of the social body, even as he worked both to acknowledge and contain its political agency.     

Jeremy Bentham,the French Revolution and political radicalism

An unresolved debate in Bentham scholarship concerns the question of the timing and circumstances which led to Bentham's ‘conversion’ to democracy, and thus to political radicalism. In the early stages of the French Revolution, Bentham composed material which appeared to justify equality of suffrage on utilitarian grounds, but there are differing interpretations concerning the extent and depth of Bentham's commitment to democracy at this time. The appearance of Rights, Representation, and Reform: Nonsense upon Stilts and other essays on the French Revolution, a new volume in The Collected Works of Jeremy Bentham, containing definitive texts of Bentham's writings at this crucial period, offers an opportunity to reassess this debate. First, Bentham's most radical proposals for political reform came not in the so-called ‘Essay on Representation’ composed in late 1788 and early 1789, as has traditionally been assumed, but in his ‘Projet of a Constitutional Code for France’ composed in the autumn of 1789, where he advocated universal adult (male and female) suffrage, subject to a literacy test. Second, it may be doubted if the very question as to whether Bentham was or was not a sincere convert to democracy is particularly helpful. Rather, it may be better to see Bentham as a ‘projector’ during this period of his life. Third, the nature of Bentham's radicalism was very different at this period from what it would become in the 1810s and 1820s, for instance in relation to his commitment to the traditional structures of the British Constitution. Having said that, his attitude to the British Constitution remained complex and ambivalent. At his most radical phase, in the autumn of 1789, he advocated wide-ranging measures of electoral reform while at the same time harbouring aspirations to be returned to Parliament for one of the Marquis of Lansdowne's pocket boroughs. To conclude, it was, arguably, the internal dynamic of Bentham's critical utilitarianism, rather than the events of the French Revolution, which was ultimately responsible for pushing him into a novel form of radical politics.     

Inventing the Victorian age: the Greville Diary and its Early Critics

The Journals of Charles Greville, clerk to the Privy Council from 1821 to 1859 are among the most well-known, well-respected and widely cited sources for the political and social history of their times. What is less well-known is the controversy they aroused among Greville's Victorian readers when first published (less than a decade after Greville's death) in 1874. The purpose of investigation here is to chart the course and extent of reader reaction as it unfolded during 1874–75, to explore ways of accounting for its intensity and, finally, to attempt evaluation of its impact as a cultural experience conducive to the emergence among readers of a conscious recognition of themselves as ‘Victorians’. When read in the context of the preoccupations of its first readers, Greville's Journals prove to be anything but a dead historical source. Instead, reader reaction is found to be driven by a series of contemporary concerns. They include the question of the degree of respect owing to hereditary authority; the definition of standards of honourable behaviour in protection of the private dealings of people of public reputation; and the very degree of reliability to be attributed to diary-based ‘memoirs’, given their contestable genre. Even so, participants in the controversies which broke out on all these fronts found themselves admitting common ground in acknowledging across their differences that the ‘Victorian’ age in which they lived was a decisive cultural and political break from the past world the Journals recorded.     

Now You See It: Now You Don't! Issues of Secularity and Secularisation in Publicly Funded Elementary Schools in the Australian Colonies during the Middle Third of the Nineteenth Century

This article opens and ends with reference to two interlinked studies: Charles Taylor's 2007 A Secular Age, and his 2011 Dilemmas and Connections: Selected Essays. These are often magnificent but sometimes flawed works. This article aims to explore the implications and ramifications of Taylor's failure to discuss, in either study, nineteenth‐century provision for secular instruction by government elementary schools in Ireland, Great Britain, and the Australian colonies. What these did or did not mean should have been grist to Taylor's mill, especially since, in these places (and other English‐speaking countries, such as the United States, Canada, and New Zealand) “secular instruction” provisions soon attracted energetic imputations of infidelity and atheism, as well as support. “Secular Instruction” Acts in two Australian colonies (Victoria in 1872, South Australia in 1851 and 1875) are here considered in detail, for these, especially the Victorian, were interpreted by some then and more recently as emphatically secular (in the sense of “Godless”). My argument is that this emphatic secularity, for emphatic it often was, mostly should not be read as “Godless” but as an often Protestant‐inflected statutory expression — of the kind usefully defined — by reference to an ideal type — as “Civic Protestantism.”     

Catholic resistance theory: William Barclay versus Jean Boucher

ABSTRACT

This article examines William Barclay's response to Jean Boucher's De Justa Abdicatione Henrici Tertii (1589) in view of the complexities of Catholic political thought in this post-Tridentine period. It argues that Barclay's famous category of ‘monarchomach’ is problematic for its avoidance of the issue of confessional difference, and that on questions of the relationship between the respublica and the ecclesia Barclay struggled to find an adequate response to Boucher in his De Regno et Regali Potestate (1600). His De Potestate Papae (1609) is treated as the intellectual extension of his battle with Boucher, and more broadly his confrontation with the position of the Catholic League and Jesuits on indirect papal power. By considering Barclay's works in the context of French Gallicanism and the Catholic League in the French Wars of Religion, this discussion aims to reposition Barclay in relation to other Catholic political theorists and thereby re-evaluate the category of Catholic resistance theory.     

Who Owns the Victorians?

In contrast to Peter K. Andersson, Steinbach argues that there is a great deal of scholarly work on working-class Victorians and that the works of Norbert Elias and Michel Foucault are not particularly influential. She argues, first, that ‘middle class’ and ‘respectability’ are terms more useful to Victorian Studies than Andersson’s ‘bourgeoisie’ and ‘civilized’; second, that interdisciplinarity is too difficult to achieve and maintain, both on the individual and the institutional levels. She concludes by proposing that Victorian Studies instead commit to a multidisciplinary model.     

The Elephant In and Out of the Room: Remigio dei Girolami’s Responses to Charles de Valois

In November 1301, Charles de Valois, brother of French King Philip IV, entered Florence at the request of Pope Boniface VIII and his Florentine allies. While Charles’ mission was ostensibly peacemaking between Florence’s Black and White factions, in reality his visit led to violence and exile of leading Whites, including Dante. Much of what we know about these events was written in retrospect, from the chronicles of Compagni and Villani to Dante’s Commedia. The Florentine Dominican Remigio dei Girolami, however, preached two sermons that week that provide a more immediate impression. One was given at the official communal welcome ceremony for Charles. The other, one of his sermons De pace, was probably given at a semi-secret peace procession mentioned by Compagni. Rhetorical analysis of these two sermons shows that Remigio tailored his message to his audience. When Charles was present, Remigio diplomatically avoided the subject of factional division, instead advising Charles on his upcoming mission to Sicily (perhaps subtly encouraging him to get on with it and leave Florentine politics alone). In Charles’ absence, however, Remigio obliquely criticized Charles and stressed to his fellow-citizens that, as the sermon’s thema stated, peace was in their power.     

John Stuart Mill and voluntary slavery contracts

Mill's unwillingness to support the enforcement of voluntary slavery agreements is problematically related to his strong anti‐paternalism. Working on the assumption that it is too simple to charge him with inconsistency, this paper examines several interpretations of his remarks, and explores some of the deeper motivations that may have influenced his position. Several features of his argument are emphasized: the fact that his opposition is to slavery contracts and not self‐enslavement as such; the weight he allows to ‘the necessities of life’ in determining what freedom‐limiting contracts to enforce; the way in which enforceable slavery agreements would undermine the presumption in favour of liberty; the problematic character of carte blanche consent, and the possibility this raises that enforcement could make the law a party to criminable harm. Although Mill's argument is too cryptic to be persuasive, it is too suggestive to be given the off‐handed treatment often meted out by his commentators.     

‘Discipline and Interference’: Ruskin's Political Economy,Natural Law,and the Moral Disorder of Victorian England

When Ruskin turned from art and architectural studies towards political economy in the late 1850s works such as Unto This Last, Munera Pulveris and Time and Tide met with negative critical reactions. In these works he attempted to restore to the language of Victorian political economy the moral content which, he argued, had been lost since the time of Adam Smith, under a cloak of misleading scientific terminology associated with utilitarian ‘orthodox political economy’. In doing so, he resorted to pre-Enlightenment sources of political and economic practice. His study of classical, Biblical, medieval and selected renaissance texts led him to gradually embrace older natural law arguments which contrasted sharply with the assumptions of post-Enlightenment positivist forms of natural law and science. These older and more organic natural law based understandings informed the principles by which he established his ideas on economics as well as his late social experiment, the Guild of St George. The charter and oath of the Guild illustrates how Ruskin's early upbringing in the Protestant Evangelical tradition was replaced by a more comprehensive natural law tradition of ethics.     

On the Centrality of Dionysus in Nietzsche’s Philosophy

Despite the widespread influence of Nietzsche’s iconoclastic works on twentieth-century intellectual and literary culture, there has been a surprising lack of academic focus on the parallels between his philosophical trajectory and the anthropological literature on the mysterious god Dionysus. The striking correlations between ancient Dionysian worship with Nietzsche’s oeuvre revalorise the celebration of ecstasy. In Twilight of the Idols, he states that the Dionysian is “beyond pity and terror, to realize in oneself the eternal joy of becoming.” By elucidating some of the mysteries surrounding this enigmatic god, this article aims to re-establish the central importance of Dionysus in Nietzsche’s work, and to suggest that if we are to understand Nietzsche at all, we must first undertake an anthropological reading of Dionysus.