Creating Memory and Negotiating Power in the Olmec Heartland

The creation of political landscapes requires the production of places made significant through acts of social remembering. The Gulf lowlands of Mexico exhibit some of the best known acts of social remembering in Mesoamerican prehistory. In this article, we engage political and practice-based frameworks for understanding the process of collective remembering in an examination of how the Olmecs and their successors inscribed their landscape with buildings, monuments, and rock art in ways that invoked the past while reframing it within the needs of their present. In particular, we explore the Olmecs’ memorialization of individuals and events in sculptures and offerings and their creation of narratives through the juxtaposition of sculptures and architecture. We then examine the creation and erasure of collective memory at the regional center of Tres Zapotes as expressed in the biographies of six monuments. We end with a comparison of “metropolitan” and hinterland carvings recorded in regional survey around Tres Zapotes. These examples situate social memory as an evolving entity molded and stretched by competing interests in an ongoing process of conflict and negotiation.     

The Archaeology of Commoner Social Memories and Legitimizing Histories

In recent years, archaeologists have productively exploited historical documents and monuments as evidence for social memory and the selective writing, rewriting, and silencing of history for instrumental purposes. However, for a variety of theoretical and methodological reasons, less consideration has been given to such powerful uses of the past in the past by commoners in domestic contexts. In this article, we present a case study that demonstrates how the household remains of commoners can be used as rich, direct sources of evidence for the conscious manipulation and deployment of social memory. Our case study focuses on multiple lines of evidence from burials interred under a household patio at the pre-Aztec and Aztec site of Xaltocan between C.E. 1290 and 1520. Archaeological burial data, osteological analyses, a fine-grained chronology created with Bayesian statistical modeling of radiocarbon dates, and ancient DNA analyses are combined to reconstruct the household genealogical history inscribed by residents. This history—perhaps motivated by power and claims to land—entailed selective remembering and forgetting and the rewriting of the past of life on this house mound and was enabled by material mnemonics in the form of buried bones. Interestingly, this inscribed, instrumental genealogical history may have been structured by some of the same principles and representational canons that shaped pre-Hispanic pictorial genealogies used as evidence in colonial legal disputes.     

The monumental and the miniature: imagining ‘modernity’ in Astana

This article examines the elite nation-building project in post-independence Kazakhstan through an analysis of monumental architecture and miniature models in Astana. It considers the role of the country's new capital as a modernist project, in which elite geopolitical imaginaries are multiply inscribed in the cityscape. Drawing on interdisciplinary literatures on modernity and authoritarian regime legitimation, the article considers modernity as a discursive trope employed in legitimating the Nazarbayev government, and one that has various material manifestations in the urban landscape of Astana. The research is based on fieldwork in Kazakhstan in Summer 2009, and examines architecture, monuments, and the 2009 Astana Day celebrations. Through a focus on the monumental and the miniature, it highlights their similar roles in transforming symbols of Kazakhstani independence and identity into objects of reverie outside the field of political contestation.     

The Reuse of Prehistoric Standing Stones in Western Britain? A Critical Consideration of an Aspect of Early Medieval Monument Reuse

The superficial similarity in form of prehistoric standing stones and early medieval western British inscribed stones has sometimes led to the suggestion that the medieval stones were reusing the earlier monuments. In this paper this suggestion is critically assessed. It shows that the medieval stones are different in size from the prehistoric stones, and placed in different contexts. This lack of reuse of prehistoric standing stones is considered in the context of other examples of monument reuse known from western Britain.     

The restoration of classical monuments in modern Greece: historic precedents,modern trends,peculiarities

Abstract

The history of restoration of monuments in Greece is divisible into three periods: the first extends from the creation of the Greek State in the 1830s until the 2nd World War, the second corresponds to the post-war years until the military dictatorship in 1967, and the third covers the period from the restoration of democracy in 1974 to today. The article presents the main characteristics of the three periods, their prevailing ideological trends and psychological attitudes, and restoration practice in terms of the procedures, methods, materials, and techniques that have been developed. Particular attention is dedicated to the definition of the term 'anastelosis' (known internationally under the erroneous spelling 'anastylosis') and to the scientific presuppositions that underlie this specific intervention. Finally, the article reviews the peculiarities of an anastelosis intervention when applied to the particular architectural and structural type of monuments of the Greek classical period.     

Mapping the risk of damage from tree roots for the conservation of archaeological sites: the case of the Domus Aurea,Rome

Abstract

Damage caused by tree root growth to archaeological monuments buried underground, over the course of centuries, has been frequently reported in the city of Rome. The Domus Aurea, Nero's Imperial residence, now lies under the Horti Traianei (Trajan's Park) on the Oppian hill. These gardens, planted at the beginning of the last century, are located only 3–4m above the surviving archaeological structures. In some cases roots have damaged the underlying vaults, sometimes creating serious structural problems. Results of the study show that a variety of species with strong root systems growing for many metres laterally, and to depths of several metres, are present. Identification of the plants responsible for the damage has been achieved through a study of the anatomy of their wood. A real and potential assessment of the risk posed by tree roots to the archaeological structures has been attempted. The data collected will contribute to evaluating the risk to monuments under similar conditions and will also help to avoid errors made in managing the plant cover of archaeological sites     

New archaeological and epigraphical material from Qana (South Arabia)

Excavations at Qana, the ancient port of the Hadramawt on the Indian Ocean, have been carried out systematically by a Soviet-Yemeni Expedition since 1985. Several houses, a storeroom, and probably a religious building have been excavated in the "Lower City". A rich collection of archaeological material has been obtained, including several hundred bronze coins; painted and inscribed fragments of texts in Greek datable to the fourth century AD; African and Mediterranean pottery. For the first time it is possible to reconstruct the history of a large South Arabian port belonging to the kingdom of Hadramawt. Furthermore, it has been demonstrated that Qana existed until the beginning of the Islamic era.     

Re-placing imperial landscapes: colonial monuments and the transition to independence in Kenya

Public monuments in colonial Nairobi were visual links to the British empire, and served as a means of asserting imperial power. During this period, colonial memories and identities were inscribed into Nairobi’s landscape by the dominant group, the elite of the European population. However, at the moment of Kenya’s achievement of independence from colonial rule, such identities and assertions of power were challenged as statues were removed from the city. This paper examines the forces behind the decolonisation of Nairobi’s monumental landscape and how this landscape visualised the changing political and cultural contexts of the city. Comparisons are made with the removal of statues from Sudan, India and the Democratic Republic of Congo in order to situate the Kenyan experience. Through a comparative examination of the decolonisation of Nairobi’s monumental landscape, this paper illustrates how the removal of public monuments from the city was exploited by both the coloniser and the colonised.     

Sociopolitical network interactions: A case study of the Classic Maya

The organization of Classic Maya society emerged from diverse and overlapping social interactions which shaped a dynamic political landscape. Vying for power, elites legitimized their status by claiming ancestry from various supernaturals and engaged in conspicuous displays of competition, warfare, and ritual practice which were often recorded on stone monuments. By examining the inscribed relationships between Maya centers, we chart organizational changes in sociopolitical networks throughout the Classic period. Methods derived from social network analysis are used to examine temporal changes in the distribution and centralization of political power through different network interactions. We examine the intersection of antagonistic, diplomatic, subordinate, and kinship relationships and discuss how these overlapping networks contributed to dynamic changes in the Classic period. This case study demonstrates how current network analysis techniques can contribute to archaeological studies of the scalar dynamics and organizational changes of past social and political systems.     

Remembering and Forgetting: The Relationship Between Memory and the Abandonment of Graves in Nineteenth- and Twentieth-Century Greek Cemeteries

This paper examines the concept of commemoration as an expression of social memory and its relationship to time and space as manifested through the mortuary evidence from Modern Greek cemeteries. Of particular interest is the act of commemoration itself: who remembers whom and the length of time that this type of memory endures. Based on evidence collected from a number of different cemeteries in northern Kythera and the eastern Corinthia, I argue that memory at the nuclear family level determines the length of time a grave is remembered as a physical location. Once this memory ceases to exist, the grave gradually enters a process of neglect, which ultimately leads to its abandonment. Some abandoned graves are recycled for use by other families who, in the absence of any recollection or memory of the grave, remove and destroy the old monuments (if they exist) and the remains of the previous occupants. Particular burial spaces are, thus, reclaimed by new groups.     

AN EPR AND ISOTOPIC STUDY OF THE MARBLES OF THE TRAJAN's ARCH AT ANCONA: AN EXAMPLE OF ALLEGED HYMETTIAN PROVENANCE*

The provenance of 20 marble samples drawn from the Trajan's arch at Ancona, which is supposed to be made of Greek, Hymettian marble, has been established on the basis of the independent use of EPR and isotopic data. The results of the two methods are in good agreement and unequivocally indicate a Proconnesian provenance. Sixteen samples are assigned to this site, whereas two are classified as untypical Proconnesian samples and the remaining two are assigned an unlikely Parian provenance. No indication exists for a possible Hymettian origin of the marbles. A multi‐method approach, which employs all of the experimental variables simultaneously, demonstrates that the 18 samples identified as Proconnesian belong to several different quarrying areas within the site. This result is taken as an indication that the Proconnesian quarries were run following a highly organized, semi‐industrial production model. The origin of the Hymettian/Proconnesian misunderstanding and the possible misclassification of other Roman monuments in Italy are briefly commented on.     

On the blue and green pigments of post-Byzantine Greek icons

In the framework of a large-scale investigation of post-1453 ce icons, the blue and green pigments on more than 50 works were investigated. Studied works date from the mid-15th to the mid-19th centuries and originate from various modern-day Greek regions. Results indicate the use of both natural and artificial pigments; among the latter, the very poorly documented in Greek icons artificial Cu-based blue is included. A shift as regards the use of specific pigments is reported and local trends are compared with the contemporary Western European ones. Relevant terms found in the renowned Hermeneia craftsman's handbook are also discussed in an attempt to restore pertinent misconceptions.     

A Wax Effigy Pierced by Three Bones: The Pharaonic Origins of a Late-Antique Cursing Ritual?

Papyrus fragments from a late-antique Greek magical handbook preserve a unique recipe that directs us to make a wax “voodoo doll” and pierce it with three bones – “the left one, the right one and the one from the back” – “of an eisphatēs”, a previously unknown Greek word that has been emended to mean “sacrificial victim” (sphaktēs) or “dove” (phattēs). Emendation is not warranted, however, because the word is probably a local and previously unknown Egyptian term for the Nile catfish, which has three distinctive nail-like spines – the right and left pectoral and the dorsal – that match those of the eisphatēs. The bone of this fish is, moreover, used in a native Egyptian cursing ritual of Pharaonic date also involving a wax “voodoo doll”, that is inscribed with the bone, rather than pierced by it.     

Inscribing nature: Archaeological metaphors and the formation of new sciences

Abstract

Ghanaian authorities restored Cape Coast Castle and Elmina Castle as memorials to the transatlantic slave trade in order to draw African Americans to Ghana. While this was a positive development for a travel industry that rarely caters to diaspora African needs, the Ghanaian initiative has evoked strong criticisms from concerned African Americans who feel that the restoration has erased the monuments' associated images of slavery and has removed the desired experiential effect. I focus on the complex interplay of these concerns, African Americans' previous attempts to preserve some of these monuments and the history of structural changes to the monuments. These complex issues require several layers of analysis. I situate my discussion within the debate of whether there is any such thing as original monuments and whether there is a necessary correlation between monuments per se and the experience of historical reality. For African Americans, such a strong relationship can be established. The preservation of these monuments, of global significance, calls for an international dialogue based on respect, tolerance and sensitivity.     

Seamen on Land? A Preliminary Analysis of Medieval Ship Graffiti on Cyprus

This article reports on the results of a research project entitled ‘KARAVOI. The Ship Graffiti on the Medieval Monuments of Cyprus: Mapping, Documentation and Digitisation’, during which 233 ship graffiti were recorded in 44 different monuments on the island, dating from the 15th to the 20th centuries. Innovative recording techniques have been used to mitigate the effects of the subjective or partial recording of graffiti lines on tracing paper. Apart from the study of ship graffiti as iconographic sources, particular emphasis has been given to their geographical and social context through a comprehensive analysis of the graffiti types and their spatial distribution in the monuments as well as the monuments location on the island.     

THE SILVER PHIALE MESOMPHALOS FROM THE KUBAN (NORTHERN CAUCASUS)

Summary. For almost a hundred years the find of the silver phiale mesomphalos in a burial-mound in the Kuban has attracted the attention of scholars, but has never been the subject of a special study. The phiale was made and inscribed in the last quarter of the fifth century BC. The cup belonged to the temple of Apollo in Phasis, in Colchis, and it was seized in the first century BC and taken to the Northern Caucasus after the temple had been plundered. It was probably made by a local craftsman in Phasis and its decoration reflects both Greek traditions connected with the cult of Apollo and also local, Colchian ones.     

Andreas Kalvos and the Eighteenth-Century Ethos

Abstract

In the space of a few years the small isle of Zante, one of the Ionian group, produced three important poets: Hugo Foscolo, Dionysios Solomos, and the subject of this present study, Andreas Kalvos. Kalvos was born in 1792, fourteen years after Foscolo and six years before Solomos. His father's family may originally have come from Crete. His mother's family was one of the aristocratic families of Zante—the family name had been inscribed ever since the Venetian occupation of the island in the Gold Book of the island nobility. The marriage of the poet's parents does not seem to have been a success, for not many years after the birth of his younger brother in 1794, the father, taking the two children with him, left Zante for Leghorn, where his brother was consul for the Ionian Islands, and where there was a considerable Greek colony. In 1805 Andreas' mother obtained a divorce fron her husband on the grounds of desertion, and shortly afterwards she married for the second time. She died in 1815, never having seen her children again after their departure from Zante.     

Thirty years of anastelosis works on the Athenian Acropolis, 1975–2005

Abstract

The year 2005 saw the completion of thirty years of work on the new anastelosis of the monuments of the Athenian Acropolis. The works began solely as a means of rescuing the Acropolis monuments from the urgent problems they faced in the 1970s, especially fracturing and disintegration resulting from the rusting of the iron reinforcing elements that had been embedded in the monuments during earlier restorations. In the course of these works, however, various situations emerged, most of them previously unforeseen, which led to more extensive restoration interventions on the monuments. The purpose of these has been to correct the errors made during the earlier interventions, to improve the general state of preservation of the monuments and to display the inherent values and quality of the monuments in all their richness. To a certain degree, these interventions alter the conventional image of the Acropolis in a way that is significant but not dramatic. The works already completed, the current interventions on the monuments and the future programme are explained, along with the distinctive qualities of the interventions and the situations that emerged during their execution. Finally, the changing image of the Acropolis landscape is discussed.