WHAT'S WRONG WITH ECONOMIC HISTORY?

In this polemical book, Francesco Boldizzoni argues that economic history is so moribund as to require resurrection. He maintains that economic history has been converted into a subfield of economics and has embraced the antihistorical and a priori intellectual style of mainstream economics departments: it has, in effect, ceased to be a form of history. Boldizzoni hopes to force a recognition of contemporary economic history's bankruptcy and to show the way toward a revitalization. He criticizes both economic history as retrospective econometrics, as in the work of Robert Fogel, and economic history as a branch of the new institutional economics, as in the work of Douglas North. Boldizzoni suggests that economic history should return to the sort of research and models that prevailed earlier in its own history—models based on induction from observed economic life rather than on deduction from the theories of contemporary microeconomics. He particularly singles out the work of Witold Kula, Moses Finley, and the Annales historians for emulation, but also praises the perspectives of economic sociology and economic anthropology. Boldizzoni's call for a return to a more inductive form of economic history is welcome, and his discussions of his heroes should remind us that economic history was once a vibrant and creative part of the history profession. But the book's advice is more useful for historians working on premodern than on modern economic life. The claim that self‐governing markets and interest‐maximizing individual actors are pure figments of economists' imaginations seems far less certain for recent than for premodern times. And his insistence that each society has its own distinct form of economic life that must be discovered inductively leaves unconceptualized the world‐spanning forces of capitalist development that increasingly shape societies everywhere. Boldizzoni's critique and his positive suggestions are certainly valuable, but he by no means supplies a sufficient recipe for economic history's resurrection as a vibrant field.     

Martin Amis,neo-Orientalism,and hubris

This article puts forward a reading of Martin Amis’s 2008 book The Second Plane with an emphasis on its cultural politics. It reconsiders Amis’s book from a distance of almost a decade in light of recent global developments, including the rise of ISIS in the Middle East, the resurgence of acute Islamophobia in Europe and the US, and Tony Blair’s public acknowledgement of the shortcomings of the 2003 invasion of Iraq. With these factors in mind, the essay argues that it is possible to detect in Amis’s book early warning signs of how the West’s relationship with both Islamism and Islam would develop in the period following its publication. Drawing on William Connolly’s work on tragedy and Edward Said’s work on Orientalism, the essay argues that The Second Plane ought to be read as advancing a hubristic ‘neo-Orientalist’ cultural and political agenda which today threatens to lock much of the world into an ongoing cycle of recrimination and revenge. Against this, a case is made for an appreciation of the complex circumstances which give rise to suicide terrorism and for a sense of history largely absent from Amis’s writing on the subject.     

The Land of Allium: an exploration into the magic of place

Magical. A common adjective used to describe places. But does the magic of place spring from genius loci? Or could it be that we are the magicians, casting spells to transform places into what we desire (or what we fear)? Our sense of place is not a mirror on reality. We come to know places by inscribing our fantasies atop them, by writing onto the landscape our own imagined geographies. C.S. Lewis provides an intriguing glimpse into sense of place through the Pevensie children and their experience in The Lion, the Witch, and the Wardrobe: a mere wardrobe becomes a complex fantasy world in which the children play and interact. As adults, and as societies, we take real geographies and treat them as Lewis's wardrobe, creating Narnias in the depths of our most mundane landscapes. In this paper I explore the magic of place through an autobiographical photo essay set in a nature preserve in eastern Kansas. The stories I tell highlight in a literary and artistic way the phenomenological aspects of sense of place and the potential political import of the geographical imagination.     

Stewart,Kant, and the Reworking of Common Sense

Summary

Dugald Stewart was the first metaphysician of any significance in Britain who attempted to take account of Kantian philosophy, although his analysis appears generally dismissive. Traditionally this has been imputed to Stewart's poor understanding of Kant and to his efforts to defend the orthodoxy of common sense. This paper argues that, notwithstanding Stewart's reading, Kant's philosophy helped him in a reconsideration and reassessment of common sense philosophy. In his mature works—the Philosophical Essays (1810), the second volume of the Elements of the Philosophy of the Human Mind (1814), and the second part of his historical ‘Dissertation? (1815–1821)—Stewart's analysis of Kantian philosophy is far from being uniform. In the first two works, he takes a cautious approach to transcendentalism, showing some interest in the challenge it might represent for common sense; in the last, he turns to rash criticism. This change may appear confusing and inconsistent unless considered in the light of a precise ‘nationalistic’ strategy. In fact, once Stewart had taken from Kantian philosophy what he deemed useful for his own aims, he eventually dismissed it in order to show that his reworked version of common sense was the most original and most consistent outcome of the whole Anglo-Scottish philosophical tradition.     

5. INDIA,ITIHASA, AND INTER‐HISTORIOGRAPHICAL DISCOURSE

An effective and enriching discourse on comparative historiography invests itself in understanding the distinctness and identity that have created various civilizations. Very often, infected by bias, ideology, and cultural one‐upmanship, we encounter a presumptuous‐ness that is redolent of impatience with the cultural other and of an ingrained refusal to acknowledge what one's own history and culture fail to provide. This “failure” need not be the inspiration to subsume the other within one's own understanding of the world and history and, thereby, neuter the possibilities of knowledge‐sharing and cultural interface. It is a realization of the “lack” that provokes and generates encounters among civilizations. It should goad us to move away from what we have universalized and, hence, normalized into an axis of dialogue and mutuality. What Indians would claim as itihasa need not be rudely frowned upon because it does not chime perfectly with what the West or the chinese know as history. accepting the truth that our ways of understanding the past, the sense of the past, and historical sense‐generation vary with different cultures and civilizations will enable us to consider itihasa from a perspective different from the Hegelian modes of doing history and hence preclude its subsumption under the totalitarian rubric of world history. How have Indians “done” their history differently? What distinctiveness have they been able to weave into their discourses and understanding of the past? Does the fact of their proceeding differently from how the West or the Chinese conceptualize history delegitimize and render inferior the subcontinental consciousness of “encounters with past” and its ways of being “moved by the past”? This article expatiates on the distinctiveness of itihasa and argues in favor of relocating its epistemological and ideological persuasions within a comparative historiographical discourse.     

GENEALOGY,PROBLEMATIZATION, AND NORMATIVITY IN MICHEL FOUCAULT

Colin Koopman's excellent Genealogy as Critique argues that Michel Foucault's genealogies—and, in fact, his archaeologies—should be read as historical accounts of the emergence of particular “problematizations.” The idea of a problematization, which Foucault introduces late in his career, has two sides. First, there is the idea that the situation whose emergence a genealogy traces is problematic in the sense of being fraught or dangerous. Second, by tracing the genealogy, Foucault problematizes the situation itself, showing how it calls for attention. Koopman argues that Foucault's genealogies are not themselves normative, but they instead outline situations or practices in a way that allows for normative investigation and political intervention. What is required, then, are normative approaches that complement Foucault's genealogies. Koopman argues that Foucault's own late discussions of self‐transformation are inadequate to fully accomplish the task; they need to be complemented by recourse to Deweyan reconstruction or Habermasian normative reflection. However, and in turn, such reflection cannot be had on an absolutist ground but rather must be seen as historically contingent, universalizing rather than universalist in Koopman's vocabulary. I argue that there are several reasons to think that the strong separation between genealogy and normative posited by Koopman may be too strict. Foucault's rhetoric, his choice of certain problematizations, and Koopman's own commitments to problematizations as requiring attention all seem to point toward a more intimate, although admittedly implicit, relation between genealogy and normative positions in Foucault's work.     

EXPERIENTIALITY AND “NARRATIVE REFERENCE,” WITH THANKS TO THUCYDIDES1

Lately, the concept of experience, which postmodernist theoreticians declared dead, has seen a renaissance. The immediacy of experience seems to offer the possibility of reaching beyond linguistic discourses. In their attempt to overcome the “linguistic turn,” scholars such as Ankersmit, Gumbrecht, and Runia pit experience against narrative. This paper takes up the recent interest in experience, but argues against the opposition to narrative into which experience tends to be cast. The relation between experience and narrative is more complex than is widely assumed. Besides representing and giving shape to experience, narratives are received in the form of a (reception) experience. Through their temporal structure, narratives are crucial to letting us re‐experience the past as well as to representing the experiences of historical agents. This potential of narrative is nicely illustrated by Thucydides' History of the Peloponnesian War in which “side‐shadowing” devices restore history's experientiality. Through “side‐shadowing,” narrative can challenge the tendency toward teleologies inherent in merely retrospective histories and can re‐create the openness intrinsic to the past when it still was a present. However, the “side‐shadowing” devices used by Thucydides are fictional. To conceptualize the price and gain of “side‐shadowing” in historiography, the paper advances the concept of a “narrative reference” (a concept analogous to Ricoeur's “metaphorical reference”). Introspection, speeches, and other “side‐shadowing” devices sacrifice truth in a positivist sense, but permit a second‐level reference, namely to history's experientiality. In a final step, the paper turns toward modern historians—most of whom are reluctant to use the means of fiction—to briefly survey their attempts at restoring the openness of the past.     

Ecological Regression and the Analysis of Voter Behavior

Abstract

The project now underway to produce a new, multi-volume print and online edition of Brian Mitchell's British Historical Statistics is an opportunity to examine the history of the celebrated work. An account of its conception, reception, and evolution provides a window through which to examine a central aspect of economic history's disciplinary history and methodenstreit; certain fundamentals relating to the demand for, and supply of, historical statistics; and to introduce the British Historical Statistics Project, which is now underway but still in its infancy, during which it is closely examining its antecedents in order to learn the correct lessons from that history.     

The romance of the Inland Isle: Tocqueville's Democracy in America and the landscape of Providence

Nearly two centuries after its publication, Alexis de Tocqueville's Democracy in America (1990a) remains among the most influential accounts of American political culture. This essay argues that the rhetorical foundation of the Democracy's enduring cultural power is its “imaginative geography” (Said 2000), about which I make two, interrelated claims. The first has to do with the Democracy's identification of the American land with divine Providence. I claim that the providential landscape is the chief means by which Tocqueville contains and organizes the account of the tension between achieved liberty and natural freedom that drives the Democracy. My second focus is on the romantic character of the providential landscape. Cosgrove (2005, p. 302) reflects upon the “tenacity of the island condition on the Western imagination” as frame and vessel of “imagination, desire, hopes and fears.” I argue that the Democracy's “Inland Isle,” as I call it, is a metaphorical island in this sense, and that its theoretical capacity and exhortative power derive from Tocqueville's use of an idiom expressive of a distinctively French tradition of landscape theorizing in which garden metaphor was used to construct meanings of equality and freedom, and voice and identity, in an emerging national, bourgeois order.     

THINKING THROUGH DURATION

This narrative offers an alternative Jewish Israeli ‘duration’ of the abduction described by Dalsheim. It agrees that the weight of past experience shapes both present perception and future imagination, reproducing the sense of ‘intractable’ conflict but argues that subjective and collective experience is mediated by what C. Wright Mills called the ‘cultural apparatus’. Taking the case of Israeli Jews who work in solidarity with Palestinian activists, some of whom were raised in extremely right‐wing Zionist backgrounds, it shows how subjectivity is shaped by the ‘received interpretations’ of others. More significantly, it shows how this acculturated sense of self can be transcended by the human faculties described by Hannah Arendt as thinking and judging. Drawing upon his own experiences with these activists in the summer of 2014, the author argues as a sign of hope, that thinking and judging enable a divestment of received interpretations of the cultural apparatus, which define and reproduce the conflict as intractable. Sadly, this duration also describes a period when thinking outside the collective became taboo and Jewish compassion for the deaths of Palestinian women and children was vilified and violently opposed by fellow Jewish countrymen and women. With Israel's cultural apparatus unable to accommodate compassion, there may indeed always be a Gaza War.     

Vanished Circumstance: Titanic,heritage, and film

James Cameron's 1997 Hollywood blockbuster Titanic broke box-office records. This article argues that one explanation of this success was that Titanic is a heritage film which held a powerful attraction to audiences steeped in a contemporary heritage culture. Sections of the public are attracted to heritage and crave its illusory evocation of a retrievable and meaningful past. Titanic embodies this and several other heritage traits: the idea of the 'time capsule'; a cult of authenticity; presentism; a time-tunnel syndrome; and the film's picturesque and sublime aesthetic, all of which combine in an explicit articulation of a heritage ethos.     

A problem in pseudo-philo and its possible solution

The enigma in Psedo-Philo Chapter 19: Istic mel, apex magnus, momenti plenitudo, et ciati guttum, is often emended by the commentators. We take it as it stands. As the surrounding texts reflects, Deut 34 and Pseudo-Philo always shows a deep understanding of the biblical text, we find that the often quoted utterings in Deut: ''a land flowing with milk and honey'' and: ''the place which the Lord your God will choose'' make sense for the first two parts of the enigma. The third part points to the coming great achievements: The death of Moses and the immigration to the Holy Land. Only the fourth part is pointing to the end of time.     

Khaki Girls,VADs, and Tommy's Sisters: Gender and Class in First World War Britain

Abstract

Since the end of the cold war, and with particular urgency since the invasions of Afghanistan and Iraq, historians and pundits have searched for parallel cases that make sense of the United States' military and economic predominance in the current international order. Many have chosen the British empire in the nineteenth and early twentieth centuries as the most telling. As Dane Kennedy argues in an article recently published in The International History Review: ‘The United States' immediate predecessor was the British empire, and it should be the first case to which we turn for meaningful historical comparisons.’¹ For Kennedy, the United States, despite coming into existence by breaking away from the British empire, retained many of its institutions and doctrinal traditions. Having marshalled them to new purposes while expanding across the continent, the United States turned its attention abroad. Kennedy shows that, despite the different worlds of the nineteenth and twentieth centuries, both Britain and the United States built their global power in comparable fashion through the techniques of indirect rule, military strategies geared towards protecting imperial and commercial networks, and ideological claims to universally applicable civilizing missions.     

HISTORIA MAGISTRA VITAE,INTERRUPTING: THUCYDIDES AND THE AGONISTIC TEMPORALITY OF ANTIQUITY AND MODERNITY

In this essay I discuss Koselleck's thesis on the dissolution of historia magistra vitae in modernity with a view to exploring how the modern historiographical engagement with Thucydides entails qualifications of this argument. Focusing on Barthold Georg Niebuhr's contextualization of Thucydides in a new temporality of “ancient and modern history,” I examine how modernity is caught between conflicting notions of its own prehistory, and that this conflict suggests that the forward‐leaping qualities of Neuzeit were co‐articulated with other temporal notions, and particularly an idea of historical exemplarity associated with historia magistra vitae. This plurality of times highlights an agonistic temporality linking antiquity and modernity: a model of conflicting times inscribed in a dialogue through which modern historiography interrupted the “useful” history of antiquity, while simultaneously being itself interrupted by it. By following this dialogue, I seek to test two interrelated hypotheses: a) that modernity produced a multitemporal scheme in which the ideas of differential time and the future were intertwined with a notion of historia magistra vitae as meaningful and sense‐bearing time; and b) that contradictions in this scheme arising from the modern confrontation with Thucydides's poetics challenges the opposition between historia magistra vitae and modern historical sense and configures a temporality that is self‐agonistic in the sense that it confronts historical actors before and beyond the terms through which they may be able to give it meaning. Formulated as a poetics of the possible, this notion is approached as a corrective alternative to the modern consideration of the future as distanced from the space of experience, but nonetheless as grounded in actuality and therefore largely mastered by human knowledge and action.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

The Roots of Terrorist Motivation: Shame,Rage, and Violence in The Brothers Karamazov

Abstract

Dostoevsky's most famous novel dealing with terrorism is his work The Demons. In this first-ever novel about terrorism, he carefully analyzed the various factors that contributed to the rise of modern terrorism. This article argues that Dostoevsky's subsequent novel, The Brothers Karamazov, is equally important in understanding the motivations of individual terrorists. The author argues that The Brothers Karamazov is fundamentally a novel about the rage and violence that are the byproducts of shame and humiliation. If modern counterterrorism policymakers, analysts, and operatives are serious about understanding the fundamental motivations of modern terrorists, it may benefit them to read (or reread) The Brothers Karazamov in this light.     

Workers,Unions and the State: Migrant Workers in China's Labour‐intensive Foreign Enterprises

Migrant workers present a new challenge both to China's increasingly diversified industrial relations and to its state–society relationship, especially vis‐à‐vis China's developmental state. Through an examination of the situation of migrant workers in the country's labour‐intensive foreign investment enterprises, this article argues that it is difficult to establish tripartite industrial relations in China and that pluralistic labour organizations will not easily develop into civil society type labour entities. China's developmental state is in an ambiguous process in redefining its role. Its ability to micro‐manage society is weakening substantially. However, its developmental character at the macro‐level largely remains strong, allowing it to continue to restrict progress towards civil society. The future will ultimately depend on a collective determination by key players — the workers, unions and the state — to find a compromise.