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1.
Arno van der Hoeven 《International Journal of Cultural Policy》2019,25(2):232-245
This study examines the changing roles of heritage professionals by focusing on the participatory practices of intangible urban heritage. Developments towards democratisation in the heritage sector led to a growing expectation that heritage professionals would work with local publics. This democratisation is manifested in (1) the use of digital media for grassroots heritage practices, (2) the broader scope of what is defined as heritage, and (3) a focus on communities in UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage. Heritage professionals are thus challenged to develop inclusive heritage practices, particularly in cities, which are characterised by a dynamic nature and cultural diversity. In this article, I analyse how urban heritage organisations and professionals have responded to these developments. Drawing on interviews and a qualitative content analysis of these organisations’ policy documents, I examine the ways in which heritage professionals reconsider their public role through what I define as networked practices of intangible heritage. This concept captures the networked structure in which heritage professionals increasingly work, and also demonstrates how heritage is given meaning through public practices that take place in both the physical and virtual realms of contemporary cities. 相似文献
2.
Mark Thatcher 《Nations & Nationalism》2018,24(1):64-87
Although cultural and political nationalism have often been treated as separate, recent studies argue that they are linked because the state produces policies such as promotion of cultural heritage to further nation building. The article examines the conditions that favour national political leaders adopting policies to protect historic buildings for aims of political nationalism. It compares France and Italy, focusing on the period after 1870. It finds that in both countries, national political leaders have introduced extensive protection of historic buildings when faced with major challenges such as war, regime change or pressures from localism or supporters of cultural nationalism as part of wider strategies to build and reinforce the nation state. But Italy extended protection earlier and more deeply than France, suggesting in a later nation state with strong inherited cultural nationalism but major political weaknesses and, national political leaders may introduce earlier, more far‐reaching and more layered legal protection than in states created earlier and with fewer weaknesses. 相似文献
3.
伴随文化遗产诞生与发展的历史过程,其周围的历史人文和自然景观环境构成文化遗产的背景环境,应该加以妥善的保护。紫禁城的背景环境经过长时期的积累,明清北京城的整体格局是它的骨架,传统城市设计与建筑和前人对北京地区自然环境的开发成果构成它的美学和景观特色,众多文物古迹是其中的重点元素。北京城市性质发生革命突变以后,在城市规划上的缺陷造成紫禁城背景环境的改变与破坏。北京历史文化名城保护规划的确定和故宫缓冲区的建立,将净化和恢复紫禁城背景环境。 相似文献
4.
Pinar Yelmi 《International Journal of Heritage Studies》2016,22(4):302-311
This paper aims to evaluate culture and traditions of everyday life from a sonic perspective and to suggest ways for protecting characteristic sounds and soundscapes. This multidisciplinary research, having roots in such fields as soundscape studies, intangible cultural heritage (ICH), museum studies and sensory studies, explores the larger contemporary cultural soundscape of Istanbul. This paper also draws on the project The Soundscape of Istanbul (https://soundscapeofistanbul.ku.edu.tr/), which is archiving the contemporary elements of the cultural soundscape of Istanbul that were determined by public contribution, and outlines examples from this collection. Sounds constitute an inevitable part of daily life and are therefore very important as ICH. Thus, they deserve to be protected to strengthen cultural memory. However, sonic culture is twice endangered due to the physical characteristics of sound itself and the dynamic structure of intangible culture. Therefore, urgent protection of contemporary cultural soundscapes in the context of ICH is crucial for transferring the present sonic environments to following generations in order to maintain cultural identity. 相似文献
5.
＂世界遗产＂（World Heritage）和＂非物质文化遗产＂（IntangibleCultural Heritage）是内涵和外延不同的两个专有名词和各有评价标准的两种遗产类型,共同点只在于,它们是由联合国教育、科学及文化组织（UNESCO）宣布、在国际层面上加以保护的文化或自然遗产。作为热门词汇,比较容易被望文生义地理解为是一种统一的世界级的遗产;所以在讨论学术问题时,宜谨慎使用＂世界遗产＂汉译词通称World Heritage和Intangible Cultural Heritage这两种遗产类型。 相似文献
6.
《International Journal of Cultural Policy》2012,18(3):295-307
It is generally understood that the arts and culture are supported mainly by government and its agencies in Europe and by private individuals in the USA. In Japan, business support for the arts at corporate level not aiming for commercial, immediate return has taken off since the early 1990s. Unlike public sector support for the arts in Japan, which tends to be centred around building cultural facilities while failing to provide sufficient financing to artists and arts organisations, businesses have been strategic and creative in policy formulation and programme planning in supporting the arts. The article will discuss some of the distinctive feature of Japanese companies, support of the arts and argue that businesses have helped shape a new form of cultural policy. 相似文献
7.
Herdis Hølleland Joar Skrede Sanne Bech Holmgaard 《Conservation and Management of Archaeological Sites》2017,19(3):210-237
During the last decade, we have witnessed an increased interest in Ecosystem Services (ES), including the so-called ‘cultural ecosystem services’ and its subcategory of ‘cultural heritage’. In this article, a review of academic literature of ES and cultural heritage is carried out. ES has primarily been developed by scholars from the ecological and economic disciplines, and in this article, we discuss how this impacts the way in which cultural heritage is used and conceptualised in ES literature. Based on the conceptual review, we initiate a discussion of what the implications for cultural heritage management could be if the heritage sector adopts the rationales in the ES framework. 相似文献
8.
Luca Zan Sara Bonini Baraldi Maria Lusiani Marcello M. Mariani 《International Journal of Cultural Policy》2013,19(1):76-92
This paper focuses on how Italian performing arts organizations were funded between 2003 and 2005. How does policy regulate the financing system for performing arts? What are the underlying logics that govern financing choices? In this paper the authors move beyond the simple examination of formal policies by analysing the funding data and organizational routines of the ministerial offices responsible for the allocation of grants. The authors implemented a multi‐method research methodology consisting of document analysis, in‐depth interviews, and quantitative analysis of funding data. The main findings can be summarized as follows. First, funds are continuously allocated to the same group of organizations. Second, although rigid, the system is imbued by a ‘rhetoric of the project’. Third, the system does not reward innovation. In conclusion, only by studying how the law is actually implemented can one capture the choices that underlie financing actions, and thus unravel unanticipated outcomes and inconsistencies between rhetoric and conduct. 相似文献
9.
Konstantinos Giakoumis 《International Journal of Cultural Policy》2020,26(4):490-509
ABSTRACT This paper looks at the effectiveness of the policy of non-discrimination towards minorities in the preservation of minority cultural heritage, constructing a case study within Albania. After defining the key terms used, this paper examines the legal framework of non-discrimination towards minorities in its historical development and looks into the state of preservation of minority cultural heritage on the ground throughout the 2010s combining extensive field-work with interviews with key representatives of ethnic minorities in Albania. The poor state of preservation of minority cultural heritage is mostly attributed to under-financing and the insufficient policy of non-discrimination. As I demonstrate, in the case of minorities with a kin-state in the region, most notably Greece, as well as the heritage claimed by neighbouring states, primarily Turkey, the policy of non-discrimination and the practice of under-financing paves the way for external involvement in the protection of cultural heritage, in pursuit of international political agendas. The paper concludes that more needs to be done for the protection of minority cultural heritage in Albania. 相似文献
10.
Stuart Hodkinson 《对极》2011,43(2):358-383
Abstract: This paper responds to recent debates in human geography about ideal‐type versus contingent neoliberalism, or what Gibson‐Graham conceptualises as “strong” vs “weak” theory, by offering some reflections from an in‐depth study of the private finance initiative (PFI) in England. It first introduces the history and purpose of the PFI as the Labour government's flagship public–private partnership (PPP) approach to public infrastructure modernisation. It then critically analyses its use in inner‐city regeneration through a case study of a PFI housing scheme in the northern English city of Leeds. The paper argues that, when seen through the lens of “strong theory”, a PFI appears to be a consciously designed “neoliberal straitjacket” intended to lock‐in gentrification‐based regeneration at the neighbourhood level, guarantee long‐term profits to (finance) capital, and create powerful privatising and marketising pressures across the local public sphere. However, it is equally possible to construct a preliminary “weak theory” of the PFI that unhides its inherent contradictions and shows how everyday activism by local community actors can successfully influence and contest how neoliberalism is rolled out on the ground. 相似文献
11.
Chih-hung Wang 《International Journal of Heritage Studies》2013,19(7):676-691
Heritage preservation is a field of social action filled with controversies, whose outcomes are not only determined by the power relation among social actors, but are also a product of structural tendencies. This article attempts to explain why the Bopiliao movement in Taipei changed from protesting land acquisition to making demands for preservation, and points out the emergence of a new regime of cultural governance as the structural condition that led to the partial success of the preservation movement. The author then argues that the concept of the regime of cultural governance can provide a middle-range theory for heritage production. 相似文献
12.
Michael Herzfeld 《International Journal of Heritage Studies》2013,19(6):531-544
Nation-states’ investment in heritage supports Benedict Anderson’s thesis that nationalism offers collective immortality in the face of individual mortality. By the same token, however, corruption – a metaphor based on the impermanence of the flesh – corrodes the official face of heritage, offering more covert and carnal understandings of urban life and of its architectural beauties while also affording opportunities for kinds of profiteering that damage the very fabric that heritage policies seek to celebrate. Both these aspects of social reality represent the ‘cultural intimacy’ that governments seek to deny or suppress but on which their citizens’ loyalty often depends. It thus becomes imperative for scholars of heritage to recognise that heritage and corruption represent two closely interrelated dimensions of the management of the past in the present, and that theories of heritage therefore cannot afford to ignore the concomitant implications of local ideas about corruption and the practices on which they rest. 相似文献
13.
中国国家线性文化遗产网络构建 总被引：7，自引：0，他引：7
全球化与快速城市化背景下,中华大地上的文化遗产受到了前所未有的威胁与破坏,特别是在国家历史上对维护国家政治稳定、经济发展、社会进步与文化交流发挥过重要作用的线性文化遗产亟待引起重视并得到系统保护。本文着重探讨了国家线性文化遗产网络的构建途径。通过将文献研究与专家问卷德尔斐法相结合,判别出了由19个线性文化遗产约250,000km线性要素所构成的国家线性文化遗产网络。以期在国土尺度上建立一个集生态与文化保护、休闲游憩、审美启智与教育等多功能为一体的线性文化遗产网络,在中华大地上形成一个彰显民族身份、延续历史文脉、保障人地关系和谐的文化\"安全格局\"。 相似文献
14.
Cecilie Sachs Olsen 《International Journal of Cultural Policy》2013,19(4):481-500
Arts festivals have been on the ascendant since the 1980s. However, while these are proliferating, it remains unclear as to whether they are also flourishing. The present narrow construction of festivals for marketing and economic purposes tends to disregard the festivals’ social and cultural potential, i.e. in terms of functioning as urban laboratories where new and alternative urban and cultural strategies can be tested and developed. In order to address these imbalanced conceptualizations of arts festivals within urban policy frameworks, the article is based on a comparative case study of festivals that try to function as urban laboratories. By examining how these festivals are integrated in or marginalized by the urban regime, and how this influences their operational conditions, the research elucidates the need to create new and more holistic policy frameworks to chart an equitable path for the future development of arts festivals. 相似文献
15.
Mirek Dymitrow 《International Journal of Heritage Studies》2013,19(7):613-631
This paper discusses how the concept of cultural heritage is currently used in relation to the so-called degraded towns (i.e. deprived of their urban status) in Poland. It shows the role of heritagisation in the process of restitution of urban status, and addresses the effects of the ongoing revitalisation of degraded towns in order to restore their lost urban glory. I argue that the Polish understanding of urbanity is ambiguous, muddling formality with cultural connotations. I address how such convolution both rewrites history and affects modernity by the imposition of values and foreclosures. I also discuss how alterations to the built environment made in the name of cultural heritage (revitalisation) are often conducted with disregard to identity, authenticity and historical hybridity, and how the introduction of ‘history’ into a modern arena affects the local society. I conclude that considering degraded towns as a special form of cultural heritage is a new construction, where coupling of the disconnected dimensions of the Polish understanding of urbanity becomes even more apparent. I stress that this field is neither sufficiently differentiated nor problematised, and that cultural heritage relating to degraded towns is often taken for granted. 相似文献
16.
Andy C. Pratt 《Geografiska annaler. Series B, Human geography》2008,90(2):107-117
The aim of this article is to critically examine the notion that the creative class may or may not play as a causal mechanism of urban regeneration. I begin with a review of Florida's argument focusing on the conceptual and theoretical underpinnings. The second section develops a critique of the relationship between the creative class and growth. This is followed by an attempt to clarify the relationship between the concepts of creativity, culture and the creative industries. Finally, I suggest that policy-makers may achieve more successful regeneration outcomes if they attend to the cultural industries as an object that links production and consumption, manufacturing and service. Such a notion is more useful in interpreting and understanding the significant role of cultural production in contemporary cities, and what relation it has to growth. 相似文献
17.
南岛语族是一个造船技术高超、航海知识丰富的海洋民族,船既是他们驰骋太平洋的重要交通工具,也是他们岩画中经常出现的一个重要文化元素。在南岛语族分布区中,多种风格的"船"形岩画,不仅反映了这个民族丰富的海洋文化内涵;同时,也显示了岩画创造者在几个世纪之前的民族迁徙与文化扩散。 相似文献
18.
文化遗产是人类创造的文明结晶,物质文化遗产包含着精神内涵,非物质文化遗产必然依托于物质载体。文化遗产兼具物质性和非物质性两种因素:物质文化遗产与非物质文化遗产相互依存、互相作用。认清两种文化遗产之间的区别和联系,对于文化遗产的保护具有理论指导作用。 相似文献
19.
城市文化与我国城市文化建设的思考 总被引：16，自引：1，他引：16
城市不仅是人类社会的物质集聚中心,也是人类社会的文化活动中心。本文在全面理解城市文化的基础上,系统地阐述了城市文化与城市发展的关系,并联系当前我国城市文化建设所存在的一些不足,提出了几点切合实际的建议,以期有利于我国城市文化的进一步发展建设。 相似文献
20.
Tracy Ying Zhang 《International Journal of Cultural Policy》2016,22(2):123-146
This paper examines how acrobatics was imbued with multiple meanings through the practices of nation-state building and international diplomacy. More specifically, the author discusses why the Chinese government chose acrobatics to facilitate the Sino-US rapprochement and the implications of this cultural diplomacy for the governments as well as the acrobats. Drawing on oral history interviews and archival data, this study demonstrates how the relationship between acrobatics and the ideas of ‘Chinese revolution’ was established, strengthened, disrupted, and finally re-modified to facilitate China’s relations with the West. This historical investigation advances the literature on performing arts and politics by exposing the political logics in the North-South exchange. As important, the analysis of acrobats’ engagement with Cold War politics evades state-centric narratives and contributes to an understanding of international diplomacy from a bottom-up perspective. 相似文献