Examining the Olympics: heritage,identity and performance

A major aspect of Ireland's history is the continual problems of a sectarian nature, yet the issue of 'the troubles' gets scant consideration in the permanent exhibitions mounted in Northern Ireland's museums, and is only beginning to emerge in more temporary exhibitions and statements about museums. In addition, the belief that cultural heritage plays a significant part in conflict resolution in Northern Ireland has long been expressed in statements on education policy and local government programmes. However, the concept of using museums for exploring this history for a positive outcome has not, despite the scale of the political problem, been a high-profile issue in Northern Ireland's museums nor has it had a great deal of academic attention. This paper is a contribution to this gap. It assesses the role that Northern Ireland's museums play in the current political context. It evaluates the reasons why, since their foundation, museums in Northern Ireland have largely chosen to avoid controversial issues in their displays. It considers how attitudes are changing and how museum professionals are tentatively beginning to engage with political issues and enter into dialogue on subjects such as cultural and political identities in Northern Ireland.     

Authentic Kyrgyzstan: top down politics meet bottom up heritage

Abstract

Over the past twelve years I have collaborated with Kyrgyz citizens to promote a national conversation about heritage, based on grass roots interest and sentiment. Countering polarising political rhetoric about Kyrgyz nomadism as the only authentic national heritage identity, many citizens enthusiastically present the artefacts of ancient cities alongside the balbals (stele) of ancient nomads in their community museums, eagerly participate in discussions about a complex Kyrgyz past, and have collaborated with Uzbek speakers to create a national heritage society. In this paper I will describe several community museums and other grass roots education programmes that I have been involved with in Kyrgyzstan and consider their potential for countering ethnic conflict.     

Editorial: new moves in Britain

Melaka is represented in Malaysia's tourist and heritage industries as the place 'where it all began'. This article examines the meaning of this slogan in the context of the cultural policies of the Malaysian state in the 1970s and 1980s when constructions of the political and religious traditions of the pre-colonial feudal Melakan Sultanate were presented as emblematic of the modern nation. The images of the Sultanate, of colonial rule and of Malaysian nationalism in Melaka's museums are analysed.The emphasis on ethnic Malay heritage also indigenised that of other Melakan inhabitants, such as the Portuguese Eurasians or the Peranakan, and ignored that of the majority, later Chinese immigrants. Finally the article questions the future of these representations with the shift in Malaysian cultural representations in the 1990s to those of a modernising, multi-ethnic nation in which a feudal past plays a lesser role.     

Reflecting on heritage and power: dynamics,strategies and appropriations in the Catalan Pyrenees and the French Alps

In this article we will explore the way in which different agents appropriate and use heritage to compete in specific power scenarios. We approach heritage discourses and practices as defining specific political arenas within which power relations are reconfigured. The protection of spaces and places as well as the processes of patrimonialisation that take place inside specific localities give rise to the emergence of new ways of exercising power. We will examine two ethnographic cases from South European mountain areas: the Parc National des Écrins in the French Alps and a Romanesque church in the Catalan Pyrenees. An analysis of both the protected area and the constructed heritage will enable us to focus on heritage as being produced, identified and valued within specific logics and value systems. We examine the dynamics that heritage and heritage policies produce in each context as well as the interest they promote. Heritage both organises different fields of forces and is appropriated by politicians, experts, and economic actors. We will discuss the entanglements, forces and dynamics that are activated and played out as a result of heritage processes in the larger process of contemporary political transformations.     

近现代工业遗产博物馆的特点与内涵

近现代工业遗产博物馆是博物馆的一种特殊类型,目前正呈现快速增长的态势。其特点主要表现为以近现代工业遗址性博物馆为主体,以在工业遗址的原状陈列为主要展示手法,以反映近现代城市工业文明足迹为主题,体现专题性与区域性的产业发展史。近现代工业遗产博物馆具有独特的内涵,它是解读近现代工业城市发展历史的一部书,也是折射近现代工业城市社会生活的一面镜子。近现代工业遗产博物馆的建设对城市个性的塑造具有重要的意义(增加)。     

Benefits of visiting heritage museums: Chinese parents’ perspectives

Abstract

The family, as a leisure unit, is an important museum consumer group. The literature on family leisure in museums concentrates on the cognitive and the learning aspects in science museums and art galleries in western contexts. It provides limited explanation of the leisure outcomes acquired from visiting museums. This work addresses this lacuna by exploring the benefits perceived by Chinese parents who take their children to a cluster of museums along China’s Grand Canal, a world heritage site in Hangzhou. A review of museum and heritage research, combined with 17 on-site, in-depth interviews, generated information on a range of benefits which was used to design a questionnaire that was completed by 450 respondents. Five perceived benefits were identified using factor analysis. In order of significance, they are family bonding, community attachment, cultural awareness, restoration and personal growth. These perceived benefits have implications for museums and other public facilities catering to the family leisure market, as well as for governments, community organisations, the heritage sector and other stakeholders that are charged with managing cultural heritage.     

Modelling the heritage world: Economic,legal and political considerations

Abstract

The economic literature on heritage has primarily analysed the impact of building preservation on real‐estate values and community redevelopment. Recently, economists have expanded their study on heritage to include everything from historic buildings and antiques to museums and monuments. However, this research ignores the political and legal characteristics of heritage and is used primarily to justify government expenditures on heritage. The economic study of heritage should include a conceptual framework to explain the process through which certain artefacts acquire historic significance and value. This framework would provide guidance to establish which economic agents form part of the heritage world and what incentives guide them to join it. With this framework in place., we can evaluate how the tools used by these agents to obtain their own goals affect the provision of historic resources.     

Cultivating digital mediation: The implementation of publicly funded digital museum initiatives in Denmark

ABSTRACT

The aim of this article is to review and re?ect on the factors defining the expected benefits that have influenced the implementation of digital mediation initiatives in publicly funded museums over the course of the last 20 years. The expectations directed towards digital museum mediation are established by taking a closer look at Danish cultural policy implementation and socio-technological development. Examples from a review of cultural policy documents, funding applications and reports, supplemented by articles from a museum practice journal illustrate trends and developments in digital museum mediation. This article identifies a development of digital museum mediation in three phases, from providing access to digitized cultural heritage to more user-oriented communication strategies such as personalization and participation. The analysis shows that, in a cultural political context, the adoption of digital mediation in institutions is part of a higher strategy where technological development acts as a catalyst for innovation in the cultural sector.     

Studying museum material and collections

In modern post‐Renaissance western society, museums are the political and cultural institutions entrusted with holding the material evidence, real things, which constitute much modern knowledge. The paper considers some aspects of museums as institutions holding this material evidence – the institutional relationship to accepted knowledge and value, the implication in the social and economic system and the visible architectural display, – which make up the messages which museums communicate to their visitors through exhibitions and interpretive projects. Three related aspects of interpretation which belong with each museum object and specimen are examined, professional care, interpretive approaches and the nature of collections. Finally, these threads are drawn together to suggest a framework of research and investigation which underpins the approach to our understanding of this aspect of the heritage, and points the way to future work.     

Heritage,Tourism and Museums: the case of the North Atlantic islands of Skye,Scotland and Prince Edward Island,Canada

Heritage tourism, and the products and experiences related to it, represent a growing attraction in international tourism and the museum is a potential partner in the development of heritage activities for tourists. This paper explores the relationship between tourism and museums and analyses their roles in relation to heritage. It recognises that the shared characteristics of tourism and museums provide a basis for the two to work together in the development of heritage tourism. This exploration is illustrated by the comparison of case studies of legislated museum provision and their relation to tourism on two North Atlantic islands. In conclusion, the paper argues that while in some cases museums may be seen as somewhat reluctant partners in the process of heritage tourism they are in fact constrained by traditional roles and responsibilities and influenced by both differing jurisdictional contexts and views as to their functions.     

博物馆理论研究与博物馆发展方向——苏东海先生专访

21世纪以来,我国的博物馆事业进入新的发展高潮,博物馆理论与发展研究面临许多新的重大课题。博物馆学家苏东海先生认为:博物馆理论研究需要从博物馆发展实践着手,博物馆发展研究要重视发展战略和时代主题的研究;生态博物馆作为一种文化遗产保护理论与行动的新思维,呈现出与传统博物馆两极分化、对立统一的关系,其成功应建基于让文化的主人真正成为自己文化的主人;文化遗产的保护与发扬体现了当前国际博协的战略思想,是博物馆的时代主题;博物馆应充分认识并强化自身独特的知识、审美和道德特征及其价值,提升专业功能与社会职能,增强文化竞争力;博物馆理论工作者应直面博物馆领域的复杂形势,加强对国内外博物馆以及博物馆学基础理论的研究,探索适合中国博物馆发展的理论体系和发展道路,建设有中国特色的博物馆学。     

Strategic management for visitor-oriented museums

Abstract: Strategic management is a familiar concept in for-profit organisations but is relatively new to museums. This paper presents and discusses a model of strategic management for visitor-oriented museums that aims to be more comprehensive than current approaches. It shows how museums can overcome the tension between the strategic demand to develop visitor-oriented museum services and the duties and social mandate of museums as public institutions that are defined by cultural policy—enabling access to cultural heritage, promoting broad cultural participation and providing informal education. Visitor-oriented strategic museum management is concerned with attracting a variety of visitors as well as the development of museum services that are appropriate to diverse museum audiences. The model presented here emphasises the comprehensive strategic management concept. Audience research and evaluation are shown to be valuable analytic and revision tools for strategic management in visitor-oriented museums.     

Communism and cultural heritage: the quest for continuity

The purpose of this paper is to discuss the theoretical genealogy and main uses of heritage in actually existing communist countries. This is performed by carrying out a critical review of Èleazar Aleksandrovi? Baller’s Communism and Cultural Heritage, (1984, Progress, Moscow). The analysis of Baller’s work reveals that the logics of heritage in communist countries differed in various ways from capitalist countries, mainly because of the almost total state control over the heritage apparatus and the subordination of heritage policies to Marxist–Leninist ideology. Heritage was fundamental in dealing with the problem of change and continuity with the traditions, narratives and identities of previous society, and in the process of transforming citizens into ‘new men’ through the cultural revolution and the inculcation of ideology through museums and monuments.     

Remembering the 1960s: popular music and memory in Europe

Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I draw upon interviews with representatives of museums, websites and archives. The article reveals a recurring tension between transnational and local experiences of the 1960s. It is found that media and heritage institutions like museums and archives predominantly have a national and local orientation, although narratives with a European vantage point are now emerging on the internet.     

Looking With Both Eyes

Private metal detecting is frequently suggested as a favourable recipe for saving objects that would otherwise perish in agricultural fields in Norway. Metal detector communities portray themselves as heritage rescuers. For this they receive considerable praise from sympathetic archaeologists and museum staff. By contrast, finders who keep objects for themselves are portrayed as so-called nighthawks. However, accounts from informants who collect, trade or search for archaeological objects reflect more ambivalent attitudes than the idealized image of heritage rescuers and the hostile image of nighthawks indicate. In this article, the issue of private metal detecting is approached through recorded interviews, official correspondence in public archives and informal accounts in online forums.

Norwegian cultural heritage law forms a background to the analysis, while certain legal concepts are employed more actively. The relation between museums and detectorists is deconstructed and explored through the legal provisions on receiving and laundering the proceeds of criminal acts in Norway’s General Civil Penal Code. It is argued here that, while it might seem practical from the point-of-view of museums to assume that finds that are handed in according to law also have been legally procured, such acceptance might also be understood as unlawful legitimation.     

Magna Carta: repositioning the secular as ‘sacred’

Museums and heritage attractions worldwide are dependent on their volunteers, and this is particularly the case within the UK. However, the demographics of volunteers are changing and volunteers are more likely to be retired individuals than seeking work experience. Traditionally, volunteer management in the UK has adopted a top‐down approach. This paper, based on a sample of 222 volunteers within museums and heritage visitor attractions in the UK, argues that a significant proportion of volunteers are leisure seeking. Volunteers at ten museums and heritage attractions were questioned about their motivation, and predominantly leisure‐like motives were cited, including subject interest and social interaction. Indeed, volunteer's motives bear a strong similarity to those of visitors. Thus, older, leisure‐seeking volunteers would be more appropriately considered as an additional element of the museum's audience. A model showing the relationship between visiting, volunteering and paid staff is presented.     

Museums as Relational Entities: The Politics and Poetics of Heritage

Over the last 40 years museums have become important sites to understand the politics and poetics of heritage management, display, and knowledge production. The books under consideration here all help demonstrate how museums as relational entities—containing dynamic relations between persons and things, as well as generating them—are emergent processes. Each work helps demonstrate why museums in their many guises remain critical terrains for the negotiation of identity, history, and culture in the push for more collaborative accounts of our world and the circulation and display of things.     

Pioneer Living 1963 Style: Imaginations of Heritage in a Post‐war Canadian Suburb

This article connects the origins of a Canadian living history museum to the cultural and social developments of 1960s suburban Canada. Although there exists a strong literature on heritage and commemoration in Canada (and around the world), few scholars have looked explicitly at museums in that country. The literature on history museums elsewhere in the world is stronger. However, despite the strengths of this international literature, its focus has been on the use of museums in the present. An important aspect of the use of heritage, the historical contexts in which past museum visitors interpreted museum themes and displays, has not received much attention. This article argues that museum patrons of the 1960s, the decade in which many living history museums were founded, saw pioneer villages in the context of their own modernising lifestyles. However much Black Creek Pioneer Village might reflect anxiety about the direction of modernity, it also framed the past in ways that legitimated modern, suburban living.     

Representations of an Imagined Past: fairground heritage villages

This paper is concerned with groups of historic vernacular buildings, assembled and displayed as 'villages' at agricultural fairgrounds. These are grassroots versions of open-air museums and heritage sites developed by public institutions and private foundations. The fairground heritage village structures are usually collected by volunteers and moved to existing county or state fairgrounds, then used in similar ways as professionally managed sites. The location and situation offer certain advantages, but also present problems that stem from being authentic structures presented as a fictional village. Because narrative, scale and editing are factors in the conflict, adding an outward-directed layer of interpretation would visually reconnect the dislocated buildings with their original sites. This is intended to destabilise the past as a fixed, isolated place, and link the village display to landscape change in the region.