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1.
Pablo Alonso González 《International Journal of Heritage Studies》2013,19(3):264-279
This paper explores the function and role of museums in revolutionary Cuba between 1959 and 1990. Drawing on a variety of hitherto unexplored archives and interviews with bureaucrats of the Cuban heritage field, the paper argues that there is a close relation between museum production, the prevailing narration of nation, internal power struggles within the regime and the changing relation with the USSR. Museums were considered primary tools for historical production and politico-ideological socialisation. These were two fundamental issues for communist regimes, concerned with fixing cultural identity and affirming historical continuity. The paper focuses on the case of the Museum of the Revolution to argue that Cuban museums changed in conjunction with the increasing crypto-colonial relations of subordination to the USSR. In the first, humanist and Universalist phase, museums served to expand culture and spread a nationalist-revolutionary narrative of nation. The second period after 1975 witnessed the institutionalisation and Sovietisation of Cuban museums. This involved their transformation into a device to instil a nationwide homogeneous class-based Marxist–Leninist narrative adapted to Cuba from the Soviet model. This ideological closure of museum production contributed to the ideological and identity-building objectives of the regime. 相似文献
2.
Guy Podoler 《亚洲研究评论》2017,41(3):424-440
The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity. 相似文献
3.
David C. Harvey 《International Journal of Heritage Studies》2013,19(6):577-593
While recent years have seen increasing interest in the geographies of heritage, very few scholars have interrogated the difference that scale makes. Indeed, in a world in which the nation state appears to be on the wane, the process of articulating heritage on whatever scale – whether of individuals and communities, towns and cities, regions, nations, continents or globally – becomes ever more important. Partly reflecting this crisis of the national container, researchers have sought opportunities both through processes of ‘downscaling’, towards community, family and even personal forms of heritage, as well as ‘upscaling’, towards a universal understanding of heritage. While such work has had critical impact within prescribed scalar boundaries, we need to build a theoretical understanding of what an emergent relationship between heritage and scale does within the context of dynamic power relations. This paper examines how heritage is produced and practised, consumed and experienced, managed and deployed at a variety of scales, exploring how notions of scale, territory and boundedness have a profound effect on the heritage process. Drawing on the work of Doreen Massey and others, the paper considers how the heritage–scale relationship can be articulated as a process of openness, pluralism and relationality. 相似文献
4.
本文基于旅游真实性学说并借鉴数学集合思想构建文化遗产旅游客体真实性与主体真实性的集合式关系。文章首先基于研究载体将传统真实性学说纳入三种类别,在此基础上抽离出\"主体真实性\"和\"客体真实性\"并构建两者的集合式关系。为论证理论假设内容本文对故宫游客进行了问卷调查。结论如下:运用集合式关系揭示主、客体真实性的内在联系具有合理性;集合式关系存在逐级演进的五种类型并进一步分为主要关系和次要关系;游客真实体验度处于较高层次并与集合式关系相契合;最后基于集合式关系提出文化遗产新的开发思路。 相似文献
5.
台湾地区博物馆发展文化创意产业的理念与实践 总被引：3，自引：0，他引：3
文化创意为近年来发达国家地区竞相发展的经济力,我国台湾在地方政府的鼓励扶持下,利用文化创造活力强、文物资源丰富等优势,积极发展文化创意产业,成果突出,其中台北"故宫博物院"具有台湾地区博物馆发展文创产业指标的地位。台北"故宫博物院"通过精心设计展览内涵、向社会开放文物数字资源、培养民众美学素养等方式,吸引并固定了一大批观众;同时还积极开拓商机,征求厂商合作开发文物衍生商品,并结合典藏文物特色设计餐饮空间,文化创意产业获得了可观的产值和显著的社会效应。 相似文献
6.
本研究重点阐述了文物保护行业标准《馆藏文物保存环境控制甲醛吸附材料》研究和编制中,如何研究确定甲醛气体检测方法、技术要求和指标依据,以及针对编制中主要难点和问题进行深入探讨。从标准编制的意义、术语的选择、规范性、制定依据与科学性等方面进行研究和思考,同时提出了标准中需要进一步研究和完善的问题。 相似文献
7.
20世纪六七十年代,西方国家掀起工业遗产的保护运动,兴建了各类工业遗产博物馆,并在保护实践中探索出有效的保护方法。上海世博会园区建设中,上海世博局对工业遗产保护确定了三级分类原则并进行了有效保护,确立了改造再利用的方案以及世博会后将部分展馆转为博物馆的规划,这将对上海的博物馆事业发展起到巨大的推动作用。 相似文献
8.
Jonathan Hyslop 《African Historical Review》2013,45(1):25-39
AbstractColonial masters considered it their right to take human remains collected from colonies or plundered as a result of war. The skulls of Chief Mkwawa and the sub-chief Songea were looted in the same manner from Tanganyika (now Tanzania) to Germany. While Chief Mkwawa’s skull was returned in 1954, the demands for sub-chief Songea’s skull are ongoing, with the Tanzanian community contesting ownership of human remains in European museums. The absence of bones in graves, particularly those of chiefs, have a major impact on the colonised people as graves are associated with communities’ spirituality and wellbeing. This article shows that without a final resting place for the victims of colonialism, mourning is difficult, traumatic and endless. Individuals, communities and nations bestow social, cultural and political significance on human remains, even those curated in museums. The significance of each group is attached to the affective memorialisation of personal bereavement. What happens, then, when the memorialised graves were created at a time when mourning was impossible and the authority to bury or not to bury was in hands of the colonisers? How do the colonial plunder of human body parts and the demands for their return unfold in the contemporary history of Tanzania? These are some of the questions 相似文献
9.
本文分析了近90年来160多种中国考古文物类期刊的创办与发展情况,提出中国考古文物类期刊的发展与中国考古学学科的发展一样,经历了初创与早期发展、全面发展、复苏时期、成熟发展等四个阶段。现在的中国考古文物类期刊的格局,是1979年以来形成的。目前主要刊物的栏目形式有所变化．但研究论文与田野资料并重的办刊方针总体上没有变化。近10年来一些刊物新增加了文化遗产保护、科技考古、公众考古的内容,这应是中国考古学在21世纪发展的三项新的内容。 相似文献
10.
工业遗产的形态多种多样,根据其不同的保护等级、城市发展及环境生态保护的需要,工业遗产的保护模式也有多种,不同模式都有其针对性强、效益明显的保护对象,但也各有利弊。以博物馆模式为例,其对工业遗产的保护与利用都比较到位,也易于建设,但因经济盈利空间有限,往往会造成政府财政的压力。此类问题影响着工业遗产保护的质量与效益,应该引起我们对工业遗产保护与再利用模式的深入思考。 相似文献
11.
Eisuke Tanaka 《International Journal of Heritage Studies》2015,21(4):336-353
Needs for protecting cultural manifestations marked as ‘heritage’ are often claimed when they are at the risk of destruction or when they are being destructed. Considering destruction as opposed to protection, groups concerned with heritage, such as the state agencies, archaeologists, and the locals, tend to emphasise the value of heritage. Focusing on the case of the Roman mosaics discovered in Zeugma, southeast Turkey, this paper explores the ways in which the destruction of heritage is perceived and understood, and what aspect of destruction is emphasised to claim its significance for heritage. Analysing in what way destruction of the Zeugma mosaics is problematised, this paper also considers the political aspects of presenting the destruction of heritage, in particular, in campaigns for heritage preservation. Through this, the paper examines how stories of destruction work to produce and enhance the distinction between protection and destruction, and suggests how the fragmentary or ruined state of heritage objects can be alluring. 相似文献
12.
本文是作者四年间就故宫信息电子化有关专题的四次讲话,它从一个特殊的侧面展现出故宫博物院在这一文博新兴领域的建设总体思路和推进发展轨迹。其一论述了信息电子化在故宫全局工作和改革进程中的战略意义以及网站建设的原则;其二回顾了故宫信息电子化的总体思路和起步策略,小结了信息电子化基础建设的阶段性成果;其三总结了故宫信息电子化总体思路中大视角、高起点的三个与众不同的特点,指明了“数字故宫”的前景;其四以文物流通管理系统为例,再次论证了信息电子化对有效保护、合理利用、严格管理和队伍素质提高的重要意义,指出这项工作在故宫已进入了不可逆转的历史新阶段。 相似文献
13.
Maja Mikula 《International Journal of Heritage Studies》2013,19(8):757-772
Eclectically curated and largely ignored by the mainstream museum sector, vernacular museums sit at the interstices between the nostalgic and the future-oriented, the private and the public, the personal and the communal. Eluding the danger of becoming trivialised or commercialised, they serve as powerful conduits of memory, which strengthen communal bonds in the face of the ‘flattening’ effects of globalisation. The museum this paper deals with, a vernacular museum in Vanjärvi in southern Finland, differs from the dominant type of the house museum, which celebrates masculinity and social elites. Rather, it aligns itself with the small amateur museums of everyday life called by Angela Jannelli Wild Museums (2012), by analogy with Lévi-Strauss’ concept of ‘pensée sauvage’. The paper argues that, despite the present-day flurry of technologies of remembering and lavishly funded memory institutions, there is no doubt that the seemingly ‘ephemeral’ institutions such as the vernacular museum, dependent so much on performance, oral storytelling, living bodies and intimate interaction, nevertheless play an important role in maintaining and invigorating memory communities. 相似文献
14.
Brendan Murtagh Philip Boland Peter Shirlow 《International Journal of Heritage Studies》2017,23(6):506-520
The fascination with death and disaster has encouraged the development of distinctive tourism markets, the rediscovery of sites and places of past conflict and all accompanied with uneasy narratives about what they mean and how they should be consumed. The increasingly stratified tourist economy and the interplay between demand and supply has also stimulated a complex set of ontological, socio-political and indifferent responses as places and interests compete to project often selective or stylised claims for recognition. This paper reviews the experiences of tourists visiting Derry/Londonderry, the UK’s first City of Culture and how they make sense of the competing interpretations of the past in museums, rituals and artefacts. The 17thC walled city, the city of violence and the post-conflict renaissance city are spatially and socially reproduced but rarely connect with each other to help make sense of the past for the present and critically, for the future. The paper concludes that the discursive content promised by the City of Culture was a missed opportunity to debate these places and events and critically, the problematized and reified narratives they each project. 相似文献
15.
民俗类博物馆与非物质文化遗产展示 总被引：1，自引：0，他引：1
本文结合河南省安阳市民间艺术博物馆近年来的工作实践,就当下非遗保护展示在综合类博物馆中展示位置日益靠前的普遍现象,论述民俗类博物馆在非遗保护、研究、收藏、尤其是展示中应该发挥的重要作用. 相似文献
16.
建设博物馆数字化的科普平台,加强了对馆藏文物的保护能力,促进了博物馆的历史文化教育和传播功能,具有重大的现实意义和深远的历史意义。本工作将介绍其构建方法:采用全景拍摄、三维扫描等数字化信息采集技术,对博物馆建筑的内外景、重点馆藏文物进行信息采集,构建虚拟的历史遗迹遗存、网上博物馆,将实体博物馆以数字化方式完整呈现,通过互联网/移动互联网提供身临其境的虚拟参观服务;采用二维码、电子标签、混合定位等技术,为现场观众提供自助音视频文化科普导览服务;策划制作面向广大青少年的反映中国历史文化遗产的4D影视科普作品及建设面向普通观众开放的博物馆4D动感影厅工程播放系统,以此构建博物馆数字化科普平台。 相似文献
17.
"认同"是个人对自我社会身份的认知,与特定社会群体的关系及归属感,是当代社会发展重要的心理保障。文化遗产与特定群体的发展历程和发展需求紧密联系,在认同中起到催化和强化的作用。促进认同将对博物馆的收藏、研究、陈列、教育及观众服务等各项工作提出新的任务、带来新的活力。博物馆必须运用其收藏的文化遗产,揭示遗产蕴涵的多层面信息,帮助人们了解自己的发展历程,认清自身特点,强化自我认同。加强公众的民族认同、文化认同、社会认同和国家认同,是当代中国博物馆不容推卸的社会责任。 相似文献
18.
高原地区寒冷干燥,昼夜温差大,日照强,为了研究高原博物馆环境参数的变化情况,对拉萨市某博物馆库房经书柜内外进行为期10个月的温湿度、CO2浓度、VOC浓度、光照强度和紫外线强度监测,分析了环境参数的变化规律、特征和影响因素。结果表明：柜内温湿度随柜外温湿度季节性变化而变化,柜内温湿度日变化小,温湿度平均日较差分别为0.73℃和0.83%,柜外为1.6℃和4.25%,经书柜可以有效保护古籍文物不受柜外环境温湿度日波动的干扰;柜内外温湿度日较差与季节无显著的相关关系,该博物馆建筑围护结构隔热性能较好;温度日较差与CO2浓度日较差呈显著的正相关关系,即库房内工作人员越多,温度日较差越大;柜内VOC容易富集,浓度更高,建议放置活性炭等吸附材料;光照和紫外线强度极低,当前经书柜整体有利于保存。 相似文献
19.
This article engages with the Association for Critical Heritage Studies Manifesto which argues that heritage studies is in need of a complete renovation. We do so by looking back to two earlier moments. The first when museum studies also called for a renovation, drawing on those experiences as potentially instructive for the immediate future of heritage studies. The second a debate within cultural studies on the value of engagement with the world outside of academia to achieve the discipline’s political aims. Thus, while agreeing with the questions posed by the Manifesto, we argue that rather than casting the terms of the debate in a way that positions the professional field as needing renovation from without, we might do better by fostering a more ‘organic’ sense of intellectual work, one that values engagement and collaboration rather than critique for its own sake. Our conclusion points to the importance of the teaching of heritage studies as a potential site for such a practice as well as more collaborative models of research practice. 相似文献
20.
近现代工业遗产博物馆是博物馆的一种特殊类型,目前正呈现快速增长的态势。其特点主要表现为以近现代工业遗址性博物馆为主体,以在工业遗址的原状陈列为主要展示手法,以反映近现代城市工业文明足迹为主题,体现专题性与区域性的产业发展史。近现代工业遗产博物馆具有独特的内涵,它是解读近现代工业城市发展历史的一部书,也是折射近现代工业城市社会生活的一面镜子。近现代工业遗产博物馆的建设对城市个性的塑造具有重要的意义(增加)。 相似文献