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1.
《Political Geography》2000,19(4):445-471
The resurgence of regionalist political parties has had a considerable, though variable, impact on contemporary European politics in recent decades and there are numerous examples of such parties across Europe. In Italy, there are several regionalist parties, however, it is the emergence in the last 15 years or so, of the Northern League (Lega Nord) (LN) political party, in the North of Italy, which has given a new impetus to debates about the significance of regionalism in Italy as well as across Europe. This paper discusses the different approaches to defining regionalism as well as the common features and driving forces of contemporary political regionalist projects. It then focuses upon the political discourses of the LN in order to discuss the ways in which the party resembles other regionalist projects, while having certain key, distinct and rather unique differences. This is because the LN's political project is not based in an area that has historic claims to nationhood. Instead, the LN has attempted to invent an ethnicity for the North of Italy (or ‘Padania’) in order to justify its political claims for the protection of the economic interests of the region. ‘Padania’ (which is the Latin term which refers to the basin of the River Po), has never ‘existed’ as an administrative or political unit but the LN has attempted to construct (and invent) a geography and a history in order to justify its territorial and political claims.  相似文献   

2.
ABSTRACT. While the dominant discourse of the Lega Nord, the party that proposes the independence of ‘Padania’, i.e. northern Italy, emphasises the region's economic success, contributions in the party literature on the Padanian landscape focus on the Alps. The Alps symbolise both the rootedness of the nation in tradition and ethnic identity and the intrinsic link between these traditions and modernity. They embody self‐government of mountain communities and local traditions of political autonomy, but also appear as a protective bulwark against invasions of the Padanian lowlands. The focus on the Alps, an economically peripheral territory, is symptomatic of the reluctance to represent the environmental degradation caused by development in the lowlands. Contributions on the Alps, however, also reveal the tension between modernisation and the preservation of culture and territory and the need for new development models. Discussions on the Alps thus reveal the contradictions in the party's construction of a national identity based on modernity rooted in tradition.  相似文献   

3.
Under the leadership of Matteo Salvini, the Lega Nord has shifted away from its previous political identity as a voice for Italy’s north and has placed hostility towards the policies and institutions of the European Union (EU) at the heart of its rhetoric. Nowadays, the enemy is Rome no longer: it is Brussels, European institutions, and the threat to the national sovereignty posed by the EU. Borrowing from the Italian political philosopher Nicola Matteucci, we would describe Salvini’s Lega as a ‘populist insurgency’. That is to say, it is a populist party that marries the traditional populist evocation of the virtues of the people against the corrupt elites, with a pervasive glibness of analysis.  相似文献   

4.
Abstract

This article argues that voters of the Italian Lega Nord have been radicalized in recent years, shifting from an intermediate ‘centrist’ position to the extreme right. Data from both national and European mass surveys (e.g. Italian National Election Studies and European Electoral Studies) provide additional support for this shift from left to right and the accompanying changes in criteria (i.e. immigration, democracy, civil rights, European integration, and politics), indicating that Lega Nord voters have evolved into a body that fits the new extreme-right concept well.  相似文献   

5.
This article analyzes the history of the Lega democratica, a group of Catholic intellectuals active between 1975 and 1987, and its impact on Catholic debates in Italy’s Second Republic. Despite its small membership, the group’s heritage influenced Italy’s post-1994 center-left and shaped its leadership. Such relevance is explained by describing the Lega democratica’s legacy on four issues. First, on Catholic pluralism: the group was central to a decade-long failed attempt to reconcile different souls of the Italian Catholic laity, which anticipated the end of the Christian Democratic party. Second, after Aldo Moro’s murder the Lega democratica theorized the impossibility of a ‘historic compromise’ between Communists and Christian Democrats: such a development framed their post-1994 attitude. Third, the group’s history reveals a growing generational split on how to achieve political reform (mediation vs. rupture). Finally, the emerging idea of a ‘primacy of civil society’ in the political sphere partly defined the Ulivo coalition’s ideology.  相似文献   

6.
A paradox exists in relation to contemporary European Christian democracy. Its ideological influence has increased as Christian democratic parties have declined. This is particularly evident in Italy since the demise of the Democrazia Cristiana (DC). By investigating the ideological development of Italian parties and some key policy reforms that they introduced after the fall of the DC, this article explains this ‘Christian democratization of politics’, a process by which Catholic ideals and symbols acquire a decisive impact on the Italian party system. Three types of Christian democratization are individuated and analyzed: the gradual replacement of liberal values with Catholic political ideas in the positions taken by liberal-oriented parties; the novel synthesis between social Catholicism and social democracy by moderate left-wing coalitions; and the Lega Nord’s use of Catholic values to stress populist positions and identity issues.  相似文献   

7.
There is a peculiar relationship between religion and the political system in twenty-first-century Italy. In particular, the collapse of the Democrazia Cristiana party has favored the rise of new political entrepreneurs eager to exploit religion as a legitimacy factor, while the Catholic Church has attempted to influence politics without the mediation of any specific political party. New debates involving religious values have therefore developed. This article analyzes the positions taken and the frames proposed by Italy’s Catholic political actors in relation to two particularly telling issues, that of same-sex marriage and that of the Muslim dress codes. Its most striking finding is the presence in the Italian political system of two distinct forms of Catholicism in politics. One, promoted by the Catholic Church and followed by most centrist Catholics, is quite tolerant in terms of social and religious pluralism and supportive of human rights and social justice, but it emphasizes the ‘traditional’ heterosexual family as the cornerstone of society. The other, ‘civilizational’ form, promoted by the Lega Nord and some other center-right representatives and intellectuals, is based on an idea of Italian citizenship articulated in religious, cultural, and ethnic terms, and thus excluding those who are not members of this community. Here Christian identity is not defined by the Church’s teachings, but rather represents a marker of Western civilization in opposition to Muslim civilization.  相似文献   

8.
Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.  相似文献   

9.
This article argues that Estonian song festivals were a powerful ritual of political mobilisation. Throughout their history, however, they had to be accommodated to narratives of ruling regimes. Taking Patrick Hutton's concept of such events as a ‘moment of memory’ with which images of the past are being reconstructed in a selective way, song festivals are on each occasion made to suit present needs. During the history of Estonian nationhood, these needs have been guided first and foremost by forms of political authority: during years of independence, the festivals were to serve different purposes than under imperial or Soviet Russian rule. Thus, the concept of ‘singing oneself into a nation’, popular in Estonian history textbooks, is only partly true. Although the performance of the festival changes only slightly through the years, its political significance changes enormously.  相似文献   

10.
《Anthropology today》2018,34(5):i-ii
Front and back cover caption, volume 34 issue 5 Front cover TRUMP'S ‘ZERO TOLERANCE’ CHILDREN From early April to late June 2018, nearly 2,600 immigrant children – mostly refugees fleeing violence and poverty in Central America – were forcibly taken from their parents at the United States’ southern border following implementation of the Trump administration's ‘zero tolerance’ policy. Prior to being sent to detention facilities located throughout the country, children were held in Border Patrol ‘processing centres’ like this one located in a converted warehouse in McAllen, Texas. The US Department of Homeland Security released photos of the facility, some of which revealed small children huddled on mats, wrapped in Mylar blankets. Following a public outcry and growing protests, President Trump issued an executive order declaring an end to family separations on 20 June. Several days later, a federal court mandated that the government reunite immigrant families affected by the ‘zero tolerance’ policy. Even so, in mid‐August, more than 550 children who had been detained following the implementation of the policy remained in federal custody. Thousands more ‘unaccompanied minors’ – typically teenagers who were caught crossing the border without adults – remain in indefinite detention. The Trump administration's ‘zero tolerance’ policy raises broader questions about how refugees are treated – not only in the US, but in Europe, China, Australia and other parts of the world. At a time when many countries are experiencing resurgent forms of racism and the rise of authoritarian right‐wing politicians, how should anthropologists respond? Back Cover GANESHA in THAILAND For increasing numbers of Thais, the ritual worship of the elephant‐headed god Ganesha is providing new ways for attaining prosperity. Although Ganesha devotion is hardly new to practitioners of Theravada Buddhism, in the past five years, the Northern Thai city of Chiang Mai has experienced a boom in the establishment and patronage of dedicated Ganesha institutions. With the new institutions come Ganesha‐related ritual events, merit‐making and the collective effervescence of festival revelry. At this 2017 Ganesha Chaturthi opening day parade at the Ganesha Museum in Chiang Mai province, devotees tow a giant float through the crowds. Here, sacred Ganesha dons distinctly Indian‐style attire as he lounges in a howdah atop an elephant. Other participants in the parade include teachers and students from three local elementary schools, and women from 11 local village housewives' associations. On the back of recent economic downturns, political and existential crises notwithstanding, what makes this Hindu god become the centre of a new Thai prosperity cult? Ganesha has long been worshipped as the god of new beginnings and the remover of obstacles. He is also associated with the creative arts. But today, Thais are increasingly turning to him for their physical and financial health problems, and new media and spirit mediums contribute to exciting new forms of enchantment. In this issue, Ayuttacorn & Ferguson explore how two Ganesha institutions in Chiang Mai facilitate these processes, and create new kinds of sacred, symbolic packages for spiritual assistance.  相似文献   

11.
Abstract

The recent dramatic changes in the Italian political scene have been related to the expanding role of the judiciary. The judicialization of politics is a process at work in many other democracies, but in Italy the judicial revolution has been supported by an institutional setting of increasing independence and by the strong powers entrusted to public prosecutors. However, until 1992 judicial power was somewhat balanced by the strength of the political class. But the political crisis that came to a head in 1992 has opened a political vacuum that the judiciary has been able to fill.

The 1996 elections have brought to power a new and stronger political alliance, the Ulivo. A new political stability could lead to a containment of judicial power but it is unlikely that the Italian judiciary will be brought back to its traditional passive role. Judicialization has to be considered a permanent trait of the Italian political system.  相似文献   

12.
Abstract

This article examines the way in which American rock and roll was translated into Italian culture. It argues that Italian versions of rock and roll were not just ‘watered down’ or ‘domesticated’ versions of the original. Rather, Italian rock emerged from a context that was different in musical, ethnic, political, linguistic and religious terms. By focussing on Adriano Celentano (the most prominent ‘Italian Elvis’ of the 1950s), it is shown that Italian rock singers evolved from mere imitation to cultural forms that were more related to the Italian environment. Musically, this meant a relationship with the domestic melodic tradition, jazz and American rock and roll rather than the blues. The rebellious attitude of early singers was a function of the hostility demonstrated towards them by political and religious authorities. Once this attitude was replaced by one of co-optation, opposition was replaced by modernizing integration. A figure like Celentano managed to be simultaneously defiant and conservative, pagan and religious, conformist and non-conformist. The resulting contradictions were concealed beneath a personal magnetism partly based on an established ‘cool’ style that appealed to the new categories thrown up by social and economic changes. Celentano's fame was confined to Italy not because he merely imitated American rock but because he developed an original synthesis that was specifically adapted to Italian tastes.  相似文献   

13.
Abstract. The article examines the re‐articulation of national identity in Macedonia since its independence in 1992. Both ethnic Macedonian and ethnic Albanian political identities have been engaged in a complex process of redefinition. Two ethnic groups had previously been strongly influenced by the Marxist paradigm and its Yugoslav official interpretation. During the 1990s, the elements of the old paradigm were combined with elements of the new – liberal democratic – concepts of nationhood. While some of the concepts developed within the old Yugoslav framework are still in use, the new liberal‐democratic political paradigm finds it difficult to include them into an official discourse on nationhood. At the same time, introduction of the concepts inherent to the liberal‐democratic paradigm has disturbed the fragile balance achieved through the old Yugoslav narrative. In new circumstances, the ethnic Macedonians transformed themselves from the ‘constitutive nation’ to ‘majority’. However, the ethnic Albanians found it more difficult to accept the status of ‘minority’, which was once (in Yugoslav Marxist narrative) considered to be politically incorrect. Thus, they insist on being recognised as a ‘nation’, equal to ethnic Macedonians. In its essence, the conflict in Macedonia is – to a large extent – a conflict between two different concepts of what is Macedonia and who are Macedonians. The questions posed are: is the minority (ethnic Albanians) part of the nation? Could two nations exist peacefully within one state? The article maps out differences between two different discourses on the identity of the new Macedonian state.  相似文献   

14.
Abstract

Since the 1960s the Resistance has held pride of place in public ceremonial, political debate and to a point also in historcial writing in Italy. The emphasis on its popular and national character transformed the Resistance into the struggle of the whole country to rid Italy of the German invaders and the small number of Italian fascists who remained their allies, but in ways that took no account of the complexity of people's reactions and the different ways in which Italians experienced the years immediately after the fall of fascism. In the last decade, however, numerous accounts have been published that contradict the images of the Resistance that for 30 years have constituted the ‘official’ memory of the Italian Republic. As a result, the Resistance offers a classic example of the ‘public use of history’, in which historical interpretation has served primarily to justify party political, instutitional and idelogical ends. It is now clear, however, that the supposed unity against fascism was more the result of agreement that there were limits beyond which political differences could not be pressed rather than of a deeper political unity that might have provided the basis for the political and institutional reform of the Italian Republic. The contrasting memories and interpretations of that period that have recently re-emerged for the same reason make it more difficult to project a new Italian democracy for the future.  相似文献   

15.
Abstract

Piero Gobetti, who died at an early age in 1926 after a severe beating by Fascist squadristi, is one of the most remarkable figures in twentieth‐century Italian culture. A writer and thinker with deep political commitment, Gobetti launched the reviews and journals during the political crisis in Italy between 1918 and 1925 which provided a meeting point for the otherwise dispersed forces of the Italian Left. The republication of his essay ‘The Liberal Revolution. An Essay of the Political Struggle in Italy’ ‐ the fifth edition since it first appeared in 1924 — has reopened the debate on Gobetti and provides an opportunity to consider Gobetti's ideas outside the context of the often politically motivated interpretations that have been placed on them.  相似文献   

16.
Abstract

Italian historians have not yet seriously confronted the emigration of 27 million Italians as an interpretative theme. Part II of this two‐part article studies Italian migrants’ experiences in France, South America, Switzerland and Germany, comparing ‘Latin’ and ‘Germanic’ receiving areas to the English‐speaking world discussed in Part I. A focus on these other sections of the Italian diaspora challenges some fundamental interpretations of historians of Italy about emigration: Italian migrations to these areas were neither limited to the late nineteenth century, sparked by the economic crises of those yean, nor a product of the ‘problem of the Mezzogiomo’. Italian historians have special opportunities to study return migration to Italy, and to interpret Italy's own evolution into a multicultural receiving country, by comparing it to the models of multi‐ethnic nations where Italian migrants once settled around the world.  相似文献   

17.
Abstract

Patrick McCarthy underlined the role of political language in the crisis of the Italian Republic. It was both a reflection of the crisis and an active agent of political change. A study of Berlusconi's political language reveals the importance of his new, simplified style of political communication in the creation of his party Forza Italia and of his own personal charisma. He has been able to adapt his rhetoric to changing political circumstances and to different publics. Romano Prodi was successful in 1996 in constructing his image as the ‘anti-Berlusconi’, and Walter Veltroni also broke with the old style of hermetic political discourse acknowledging the inspiration both of Robert Kennedy and Tony Blair, but the language of the centre-left in recent years has generally failed to convey a clear message and has perpetuated obscurity in order to conceal its internal divisions. A comparison with the political language of Margaret Thatcher and Tony Blair reveals interesting similarities and differences. Thatcher, like Berlusconi, appealed to the need for national revival in the face of the threat from the left, but her language, unlike his, was rooted in the tradition of Protestant individualism and invigorated rather than challenging the existing party system. Blair managed to make skilful use of a new rhetoric of emotion and to incorporate elements of Thatcher's appeal in his ‘new Labour’ synthesis. In conclusion: McCarthy was deeply preoccupied with the possibility of an alternative and more honest style of political communication.  相似文献   

18.
The Monument to Victory in Bolzano, raised to remember Italian soldiers who fell in the First World War and to celebrate the victory over the Austro-Hungarian army, was contested from the moment of its installation in 1928. The German-speaking inhabitants of Bolzano were offended by its expression of Italian patriotism and the monument continued to symbolise the antagonism between the Italian- and the German-speaking population in the period following the end of Second World War. The monument’s explicit fascist propaganda attracted strong polemical reactions and some political groups even asked for it to be demolished. A recently-opened permanent exhibition in the crypt of the monument explores the twentieth-century dictatorships of Italy and their impact on Bolzano. Its historicisation offers a new interpretation of the monument – not one based on a schism between the populations of Bolzano, but rather one proposing reconciliation. This historicisation happens through the contextualisation of the monument, an efficient tool for the ‘desacrilisation’ of politically charged buildings; by exposing the detested ideology that they represent, they are stripped of their original ‘sacred’ character. This process also shows that it is possible for controversial, politically significant structures to become legitimate parts of a country’s modern heritage.  相似文献   

19.
ABSTRACT

In this article we provide a general interpretation of the results of the 2019 elections of the European Parliament in Italy. The Italian case contains several elements that are, at the same time, ambivalent and interesting, especially if observed in a larger, European-wide comparative perspective. Besides a general interpretation of the vote for the European Parliament, the article discuss also the consequences of the elections results for the transformations of the Italian party system and the patterns of government formation in a context characterized by an increasing process of political integration in a multilevel political system. Finally, we discuss the trend of Euroscepticism in the Italian public opinion and the role played by radical or ‘sovranist’ parties in promoting a feeling of distrust or detachment towards the European Union.  相似文献   

20.
Abstract

The fall of Mussolini on 25 July 1943, and the concomitant collapse of the Fascist regime, have long been recognized as a pivotal moment in the Second World War and, indeed, contemporary Italian history. To date, however, these events have been viewed almost exclusively ‘from above’, in terms of elite politics, international diplomacy, and military strategy. Drawing on the analytical frameworks of Alltagsgeschichte (‘everyday history’), the present contribution examines the experiences, reactions and behaviors of ordinary Italians during the fall of Fascism. In particular, it explores incidents of retributive and symbolic violence, political denunciation, and popular demonstration, in order to understand how individuals and communities expressed emotions and memories, negotiated relationships, and sought to redress grievances and antipathies developed over more than twenty years of ‘totalitarian’ dictatorship.  相似文献   

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