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The paper examines patterns of marriage in a small industrial city—Huddersfield—between 1850 and 1880, when the residential structure of the city was becoming more modern in its spatial organization. The need to interpret distance-decay patterns of interaction in their social context is stressed. The apparently unchanging relationship between physical distance and frequency of interaction is related to the balance between changing patterns of individual mobility, class consciousness and scales of residential segregation. The more extensive interaction fields of the rich are attributed to their greater mobility, but also their lower population density. The close-knit patterns of the poor reflect their higher population density and more particularly the segregation of the Irish community. Finally, the differences between normative (within-class) and non-normative (between-class) marriage distances are considered. It is suggested that physical distance operated independently of social distance, although this conclusion requires further testing at different scales of analysis, and using information on forms of interaction other than marriage.  相似文献   

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In the Victorian press, the railway carriage was painted as a site of particular danger for women travelling alone. As a hybrid public and private space, the carriage placed strangers together in an intimate, quasi-domestic setting for which there were few established norms of behaviour. When male and female solo travellers found themselves confined together, it set the scene both for sexual assault and for false charges of assault, which the newspapers played upon; solo female travellers were depicted as either potential victims or potential Potiphar's wives. These representations were prominent in two moral panics that attempted to regulate women's movement. In this article, I examine accounts of sexual assault from the Lancet, The Times, the English Leader, and the People's Advocate from the 1860s and 1870s and consider newspaper reports as a source of erotic stimulation in a late-century pornographic novel, Raped on the Railway. I argue that the newspapers' fascination with sexual violence on trains, while connected to the weakened division between public and private spaces and an association of railway engines with virility, was primarily a response to fears about women's increasing freedom.  相似文献   

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The CBC radio show Afghanada, a “grunt’s-eye” view of the Canadian Forces’ deployment in Afghanistan (2006–2011), is one of the few fictionalized engagements with the conduct and consequences of the war. Despite its significance, Afghanada has only received limited critical attention and was usually interpreted as a symptom of the “militarization” of Canadian culture. This article argues that Afghanada is more adequately conceptualized as a cultural site where the most important issues brought up by war were negotiated and new boundaries of legitimacy and acceptability drawn. Afghanada tackles the question of combat versus peacekeeping as the primary task of the Canadian military, cooperation with the United States, and national unity. While the show extends the boundaries of societal acceptability by portraying combat as necessary, it also negotiates new limits within which combat is legitimate and enables multiple interpretations regarding the desirability and costs of the evolution of Canada’s military.  相似文献   

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Gender is a key lens for interpreting meanings and practices of drinking. In response to the overwhelming amount of social and medical alcohol studies that focus on what extent people conform to norms of healthy drinking, this article extends critical feminist geographical engagement with assemblage thinking to explore how the technologies of biopower covertly materialised as bodily habits may be preserved and challenged. We suggest an embodied engagement with alcohol to help think through the gendered practices and spatial imaginaries of rural drinking life. Our account draws on interviews with women of different cohort generations with Anglo-Celtic ancestry living in a country town in Victoria, Australia. Three vignettes based around emergent themes of maternal, domicile and socialising bodies help shed light on the contradictory ways gender is lived through the dynamics of alcohol consumption which help constitute everyday life in a country town.  相似文献   

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ABSTRACT This paper discusses the way in which Asabano children of Papua New Guinea (PNG) learn. The question of how Asabano children learn is interesting because parents believe children to be incapable of heeding instruction, and so they consciously do not attempt to teach children and may even intervene to stop activities that they see as educational. Thus, with little or no instruction, children come to possess a rich corpus of skills and knowledge. To explain how this is possible, I draw upon the concepts of guided participation and play, illustrating that the routine arrangements of children's lives are critical to their education and enculturation. This traditional Asabano system of education contrasts starkly with the formal schooling system in the village, which I argue should better address the local socio‐cultural context  相似文献   

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