Notices of Books

Abstract

The three greatest German buildings of the first half of the eleventh century were of an ambition not to be found elsewhere in contemporary Europe and were modelled directly on Roman Imperial prototypes. They demonstrate a new grandeur of spirit that is typical of German architecture of the time, but in their precise forms, remarkably enough, they remained unique in that country. Archbishop Heribert's huge rotunda at Deutz was partly inspired by the Pantheon, and since Heribert had been Otto III's chief politician and Italian Chancellor for the previous six years the building was an important monument of Otto III's political policy of ‘Renovatio Imperii Romanorum’. The re-creation of Roman Imperial grandeur that these and other German buildings represent is essentially Romanesque and to call them anything else is not to do them justice. The idea of an Ottonian style of architecture has not been helpful.     

Learning from popular culture: Interpretation,visitors and critique

Abstract

The publication of Frank McCourt's autobiographical novel, Angela's Ashes in 1996 has sharply focused attention upon a sense of place and heritage identity of the Irish town of Limerick. It has both bolstered a local civic self‐conscious identity and spawned ‘McCourt tourism’. On the other hand it has provoked local controversy by revealing the existence of a number of hitherto largely concealed heritage dissonances.

The historical vision of the interwar period that it vividly portrays is a working‐class experience of poverty, poor housing, and absence of facilities compounded by an indifference of the local contemporary political and clerical establishment. There is a geography of McCourt's Limerick, much of which is still extant, composed of row housing, docks, gas works, public houses, Victorian churches and the like that is a different Limerick to the medieval conserved monuments of English Town or the stately residences of the Georgian Newtown (as portrayed in the earlier novels of Kate O'Brien). Such an image contrasts not only with the tourism image projected externally but more significantly with much of the received interpretation of the post‐independence Irish State that was until recently an almost unchallenged dominant ideology.

The catalytic impact of a single novel upon a town's self‐identity raises more general issues about the role of the novel in the shaping, revision and essential instability of heritage messages through time, as well as the management of disagreeable or contradictory elements in a local past through a polysemic and essentially multilayered heritage.     

From revolutionary heroism to cultural heritage: museums,memory and representation in Laos

ABSTRACT. Museum exhibitions in Laos represent two main strands of Lao national identity discourse. First, they glorify the ‘liberation struggle’ of the so‐called ‘Lao multiethnic people’ under the leadership of the Lao People's Revolutionary Party, and therefore serve as important ideological tools for the current regime's self‐legitimisation. Second, they display the history and cultural heritage of the Lao nation, providing the postcolonial state with a narrative of historical continuity and civilisation that is focused mostly on the dominant ethnic Lao culture. This article explores the contradictions within official images of the Lao nation‐state and how these opposing strands of national identity compete or interact. Museums as key arenas of ideological tensions constitute illuminating fields of research on discourses of national identity in Laos.     

Building détente in Europe? East–West trade and the beginnings of Romania's nuclear programme, 1964–70

This article examines the connection between détente in Europe and East–West nuclear technology transfers through the lens of Romania's co-operation policy in the field of atomic energy in the 1960s. It argues that until 1967 the bourgeoning relations between Western Europe and Romania did not stem from a desire to overcome the artificial division of Europe, but rather from the pursuit of unilateral economic benefits. This situation worked to the advantage of the Romanians, who acquired an important nuclear research reactor from the British by playing West European countries against one another. Afterwards, in order to boost their competitiveness, the West Europeans started pooling their nuclear industries together, although traditional rivalries such as the Anglo-French competition endured. Despite these efforts to achieve closer integration, the West Europeans failed to sell a nuclear power plant to Romania because of internal problems within their nuclear–industrial complexes, and because of Soviet meddling in the internal affairs of its satellites. This research adds to our understanding of Romania's détente policy during the 1960s, while also shedding light on the development of East–West relations in the field of atomic energy.     

The Fabulous Tales of the Common People,Part 2: Encountering Hadrian's Wall

Abstract

In 2003, the Hadrian's Wall National Trail was opened, providing a 135 km (84 mile) public footpath along the length of the Roman frontier from Wallsend to Bowness-on-Solway. Each year, thousands of visitors walk the Trail from end-to-end and many more make day trips to visit specific locations within the wider World Heritage Site. In the second of two related papers (see Witcher, 2010), consideration turns from professional and popular visual representations of Hadrian's Wall to the ways in which visitors physically experience the monument and its landscape. The paper explores how embodied and sensory encounters produce and reproduce understandings which are charged with cultural and political meaning. Specifically, the elision of visitors and Roman soldiers through a process of embodied empathy/sympathy is outlined. It is argued that the way in which Western society assumes familiarity with an ancestral Roman Empire actively reduces the interrogative potential of encounters with the monument and limits visitors' ability to reflect on the significance of the Wall. The paper goes on to consider alternative modes of visual and physical engagement, drawing inspiration from virtual communities including geocachers who have used Information Technology such as Global Positioning Systems and Web 2.0 functionality to develop innovative modes of representation and encounter.     

Trafficking in Liquor,Trafficking in Heritage: Beer Branding as Heritage in Post‐apartheid South Africa

A burgeoning literature on post‐apartheid heritage configuration has largely overlooked the use of branding in the creation of heritage discourses in South Africa and the significance of liquor for national identity. This article brings these two concerns together through an examination of two heritage‐scapes—the SAB World of Beer and the SAB Newlands Brewery Heritage Centre—constructed by South African Breweries (SAB) in 1995. It suggests that the commercial construction of heritage as branding provided a vehicle for a powerful corporate capitalist narrative in the post‐apartheid rhetorical contestation over a desired path for the future. It also suggests that dissonance within and between these corporate visitors’ centres mirrored a wider uncertainty over the meaning of national identity in early post‐apartheid South Africa.     

Shadows on the landscape: an inquiry into the value of some Australian places

In 1922, Australian places connected with a solar eclipse were of world‐historical significance as they were associated with empirical confirmation of Einstein's general theory of relativity. They also formed a major part of Australian national consciousness, although they have since reverted to lost geographies. An exploration of Australian reception of eclipse science leads to questions of official heritage construction and stereotypical national identity. An argument is presented for the importance of intangible heritage at national, communal, and individual levels. At the complex intersection between memory and identity, place value is investigated within wider social‐political formations with emphasis on participation across perceived boundaries of social class, gender, and ethnicity, including the valuable role of Aboriginal peoples.     

Achilles or Adonis: Controversies Surrounding the Male Body as National Symbol in Georgian England

This paper analyses the controversy that arose when a monumental bronze nude statue of Achilles was unveiled at Hyde Park Corner (London) in 1822 as a monument to the Duke of Wellington and his army. The neoclassical statue (made by Richard Westmacott) perfectly embodied the ‘modern male stereotype’. According to historian George Mosse, this masculine image was a powerful and stable symbol of nineteenth‐ and twentieth‐century bourgeois societies. Intended by the commanders and artist as just such a symbol, the statue in practice was unable to express these high ideals. Ever since its unveiling, the statue has elicited laughter and ridicule. The uneasiness created by male public nudity is an aspect that Mosse missed in his history of masculine imaginary, in which he focused on certain moments of ‘spectacular’ masculinity in modern Western history. Ultimately, the failure of Westmacott's Achilles can best be understood from the well‐known feminist framework on the gendered ‘economy of the gaze’, a framework that is all too often absent in the historiography on masculinities.     

From ‘Problem City’ to ‘Promise City’: Gentrification and the Revitalisation of Newcastle

The city of Newcastle is a complex and changing landscape. Once regarded as Australia's ‘problem city’, Newcastle's identity is being significantly transformed. This identity transformation draws significantly upon the emergence of more cosmopolitan landscapes within inner Newcastle associated with the gentrification of these areas. The discourse of gentrification is inherently post‐industrial, providing a cleaner and more positive identity as Newcastle seeks to erase the stigma of its’ industrial heritage. However, as landscapes are the amalgam of multiple identities, Newcastle's industrial heritage periodically re‐emerges to problematise the city's newly adopted cosmopolitan identity.     

Globalisation and the decline of national identity? An exploration across sixty‐three countries

The relationship between globalisation and national identity is puzzling. While some observers have found that globalisation reduces people's identification with their nation, others have reached the opposite conclusion. This article explores this conundrum by examining the relationship between globalisation and people's feelings towards national identity. Using data from the International Social Survey Program National Identity II ( 2003 ) and the World Values Survey ( 2005 ), it analyses these relations across sixty‐three countries. Employing a multilevel approach, it investigates how a country's level of globalisation is related to its public perceptions towards different dimensions of national identity. The results suggest that a country's level of globalisation is not related to national identification or nationalism but it is related negatively to patriotism, the willingness to fight for the country and ethnic conceptions of membership in the nation. An examination of alternative explanations indicates that globalisation has a distinct impact on national identity.     

Nation‐building in contemporary Germany: the strange conversion of Hitler's ‘word made of stone’

This article examines the contending redefinitions of national identity in contemporary Germany's memorial culture, focusing particularly on the ensemble of monuments and parade fields known as the former Nazi Party rally grounds in Nuremberg. In a detailed case study, I analyse the recent conversion of one of the physical remnants of National Socialism – Albert Speer's transformer station – into a fast‐food restaurant and interpret this conversion as a novel contribution to the discourse on German nationhood. I argue that the provocative commercial reutilisation of the former Nazi monument gives expression to a renewed self‐confidence that Germany has gained from displaying a willingness to face up to its past as perpetrator nation. While the intervention thus deviates from the self‐indicting spirit that had been characteristic for Germany's memorial culture after World War II, an ironic note is conspicuous in this act of commemorative politics that indicates a way of dealing with the fascist legacy that is, surprisingly in some respects, superior to more conventional memory strategies.     

Researching the Medieval Past between Catalonia and Romania. Josep Puig i Cadafalch,Nicolae Iorga,and the Transnational Writing of National History (1921‐1935)

This paper analyses knowledge transfers between Catalonia and Romania in the interwar period, in order to cast new light on the nature of national history writing in early‐twentieth‐century Europe. To do so, it discusses the historiographical works of the Catalans Josep Puig i Cadafalch (1867–1956) and, to a lesser extent, Antoni Rubió i Lluch (1856–1937) and of the Romanians Nicolae Iorga (1871–1940) and Constantin Marinescu (1891–1970). It pays particular attention to Iorga's and Marinescu's contributions on the history of medieval Catalonia in the Eastern Mediterranean and to Puig's studies on Moldavian painted churches. In doing so, the paper challenges the view that the historiography of foreign scholars regarding one's own national history was often disregarded as incompetent. At the same time, the paper also responds to the debate on the creation and validation of cultural knowledge across borderlands, outside of cultural cores. It builds on recent work on the creativity of cultural peripheries and argues that, while France continued to operate as a reference in the exchanges between Catalans and Romanians, their historiographical exchanges responded to local research and political agendas.     

Figuring space,marking time: Contested identities in Canada

Abstract

Conflicting concepts of identity have long exercised the Canadian imagination. The central focus of this paper is the role of institutionalised memory in promoting centralist patriotic sentiments. The association between the development of a consciousness and knowledge of the nation is illustrated by the founding of the Canadian Club, the Champlain Society and the Canadian Geographical Society. Attention is also directed to Canada's Historic Sites and Monuments Board, founded in 1919. Throughout its 75‐year history, the HSMB has commemorated events, places and people of historical significance for Canada in some 1600 sites. As may be expected, there have been shifts in emphasis in the national meta‐narratives over time, as is also demonstrated by the recent Charles Richard Bronfman Foundation's ‘Heritage Moments’. Taken together, these initiatives demonstrate a dynamic agenda of reconstituting national memory, national self‐knowledge, and national identity.     

The contested interpretation of heritage landscapes in northern Ireland

Abstract

Because the nature of society is both negotiated and contested, cultural artefacts, including heritage landscapes, will be invested with differing and conflicting meanings by various social groups. This is but one aspect of what might be termed the dissonance of heritage. The present discussion is framed within the context of the argument that relics of the past are a resource to be selectively exploited in accordance with contemporary political and cultural demands. The paper uses the example of Ulster's Folk and Transport Museum to examine these issues. It concludes that while consumers do appreciate the cultural complexity of the Museum's role as one medium of communication of identity in a contested society, the institution's effectiveness in this regard is undermined by the middle‐class bias of those consumers.     

English Evangelicals,Protestant National Identity,and Anglican Prayer Book Revision, 1927–1928

This paper examines English Anglican and Free Church evangelical reactions to the Church of England's Prayer Book revision proposals in 1927–1928, arguing that their responses reveal the resilience of Protestant national identity and anti‐Catholicism within English evangelicalism during this period. The concept of a Protestant nation, reformed heritage and Protestant constitution remained integral to the English evangelical identity. The robust “no‐popery” response of evangelicals in 1927–1928 points to the durability of the Protestant national narrative in English culture and society beyond the nineteenth century and suggests that the liberal Anglican vision of a broadly Christian national identity had a significant ideological rival in the interwar period.     

Insurgency,heritage and the working class: the case of the Theatre of Union Nº6 of the Coal Miners of Lota,Chile

This paper examines the construction and preservation history of the Theatre of Union Nº6 of the Coal Miners in Lota, Chile, a city whose identity has been redefined due to changes in the capitalist economy, becoming known as an ‘ex-coal mining community’. Drawing on insurgent planning theory and through a political, economic and social analysis of the history of this national monument, the paper explores how grassroots heritage movements, grounded on their historical memory of social struggle, question authorised voices in the field, influencing the production and definition of their urban heritage. The strategies used by these groups are discussed in the context of the emergence of social movements at the beginning of the twentieth century, the influence of the Modern Movement in Chile as a symbol of social justice, and the communities’ current preservation efforts. Through interviews, participant observations, archival research and analysis of the physical built environment, I argue that moving across ‘invited’ and ‘invented’ spaces of participation, Lotinos are capable of disrupting hegemonic conceptions of heritage, using it for their own social, cultural and economic purposes and creating opportunities for a more inclusive and democratic cultural process.     

3D Digital Documentation,Assessment, and Damage Quantifi cation of the Al-Deir Monument in the Ancient City of Petra,Jordan

Abstract

The rock-cut monuments in the ancient city of Petra in Jordan form an outstanding tangible heritage site. Unfortunately, this important part of the world's cultural heritage is gradually being diminished due to weathering and erosion problems. In this research, an approach combining in situ surveying and laboratory analysis is applied in order to provide sufficient and comprehensive data regarding the documentation and evaluation of the status of the Al-Deir monument in Petra. The purpose was not only to quantify the damage, but also to make a first step towards creating a 3D monitoring programme of the deterioration rate. The approach presents a correlation study between the environmental condition and the surface weathering damage, using 2D mapping of the weathering form and accurate 3D realistic modelling from laser scanning and digital photogrammetry. The 2D mapping provides detailed weathering damage information for the entire stone surface of the monument, whereas the 3D modelling provides information on the spatial distribution and texture of the damage. Additionally, the 3D digital model can provide reference data as an exact guide to the restoration needed. In order to support the visual presentation of 3D surface details, a hybrid approach combining data from laser scanning and digital imagery was developed.

Studies of stone texture and spatial distribution of soluble salts were carried out at the monument in order to explain the mechanism of the weathering problem. Relative humidity, temperature, and wind are the main factors in the salt damage process. In order to study the effect of these conditions in the salt crystallization process a series of fieldwork investigations and laboratory work were undertaken. The results show that visible zoning of weathering damage is correlated to different salt concentrations.     

The entanglement of the heritage paradigm: values,meanings and uses

This paper explores the ways in which heritage as a practice and concept has been used and diverse meanings and values ascribed to heritage by different claimants, using the medieval site of Ani in eastern Turkey as a case study. On one hand, the site marks a point of conflict between Turks and Armenians, with the heritage and the past of the site playing an important role for identity making and construction of national narratives, as well as developing what might be seen as the authorised heritage discourses for both sides. On other hand, the local community around the site has developed a different relationship to the site Ani because of their daily relationship with its landscape and built environment. This has revealed meaning and values embodied in the site that are beyond the national and political level. This paper considers to what extent the built environment in particular, can play a role in identity making and add to the political tension. It also examines how the value and meaning of a heritage site can be distinct for local communities from national political meanings and uses, and, as a consequence, can be used to resist authorised heritage discourses.     

al‐Khafaji reinterpreted: New insights on Umm an‐Nar monuments and settlement from Bat,Oman

Al‐Khafaji is a central and well‐known point on the early third millennium BC map of the UNESCO World Heritage Site of Bat, in the Sultanate of Oman. For years, Kasr al‐Khafaji (“Tower 1146”) has been understood as an Umm an‐Nar (ca. 2800–2000 BCE) monument standing amid a contemporary village. However, recent excavations by the Bat Archaeological Project (BAP) reveal that the entirety of the known site—monument(s) and settlement—is situated on an anthropogenic clay mound that elevated it meters above the surrounding landscape. This paper presents the results of BAP's recent excavations, emphasising the social spaces created by architecture of various functions and scales. It also considers the implications that this new interpretation of al‐Khafaji may have for how the relationship between Umm an‐Nar towers and settlement should be understood. The paper closes with a discussion of Umm an‐Nar tower function and social meaning, concluding that the Khafaji monument(s) likely served a symbolic and possibly performative role in Umm an‐Nar society that was perceived as separate from Umm an‐Nar settlement.