美国迫使台湾当局从华南边境和沿海岛屿撤兵问题研究

肯尼迪政府时期的美国对华政策已经开始孕育着一些变革。其政府内部先后讨论过一些调整方案,但在国际国内各种复杂因素的制约下没有取得重大突破,其中台湾当局不断施加的干扰和阻碍是一个重要原因。在此时期,美国曾迫使台湾当局从缅泰老“金三角”地区撤军,并试图透迫蒋介石从金门、马祖等沿海岛屿撤防,双方施压与抗压、牵制与反牵制的互动关系十分明显。尽管美国政策设计者们已经认识到美国对华政策必须服务于美国和整个“自由世界”的广泛利益而非台北政权一家的利益,但实际上还是难以摆脱台湾当局的牵制。另外,更重要的阻力来自于美国国内政治的掣肘,而其政策调整的幅度局限于“两个中国”之类的方案,也是根本行不通的。     

The Rise and Fall of Non-Aligned Mediation, 1961–6

From its inception, the Non-Aligned Movement (NAM) considered itself to be a moderating force in the cold war and in the post-colonial world. In September 1961, in the wake of the Belgrade Conference and at the height of the Berlin crisis, it dispatched emergency missions to Washington and Moscow, with Sukarno and Keita journeying to Washington and Nehru and Nkrumah flying to Moscow. Yet, by the decade's end, the movement had moved away from that mission. Paying particular attention to key turning points of the mid-1960s such as the 1964 Congo crisis and the Americanisation of the Vietnam War, this paper interprets the abandonment of cold war mediation as a product of the Vietnam War, rising anti-colonial sentiment, and organised non-alignment's corresponding shift toward a more militant stance on the world stage. This shift helped to foster a newly antagonistic relationship between the United States and the NAM.     

Fabio Luca Cavazza,the New Frontier and the opening to the left in Italy

This article focuses on the key role played by Fabio Luca Cavazza, founder of the publishing house Il Mulino, in the development of cultural relations between the US and Italy in the early Cold War by drawing on Cavazza’s personal papers, an as yet unexplored archival source. The Department of State and the Eisenhower administration opposed a government that included the Socialists. However, thanks to the special relationship he had with the ‘New Frontier’s men’, in particular Arthur Schlesinger Jr., Cavazza was able to revive the issue, showing how it was in line with Kennedy’s New Frontier policy.     

Let Them Eat Macarons? Dissonant heritage of Marie Antoinette at Petit Trianon

ABSTRACT

Through an analysis of the Petit Trianon, the historic house museum at the Château de Versailles associated with Marie Antoinette, the present article invites reflection over the topic of dissonant heritage (Tunbridge and Ashworth 1996 Tunbridge, J. E., and G. J. Ashworth. 1996. Dissonant Heritage: The Management of the past as a Resource in Conflict. Chichester: John Wiley & Sons. [Google Scholar]) in connection with heritage commodification. The aim of this study is to heighten awareness of the difficulties which historic house legacies face in postmodern society through heritage analyses placed in the context of museology, art history and popular culture. This is achieved by building upon curatorial approaches and their reception by visitors, within an assessment of the 2008 restoration ethos of the Estate of Marie-Antoinette, and in parallel with a process of heritage commodification indirectly related to a twenty-first century Hollywood biopic of the last Queen of France - Sofia Coppola’s Marie Antoinette (2006). Competition surges between official and popular discourses of heritage (Groote and Haartsen 2008 Alderman, D. H. 2008. “Place, Naming and the Interpretation of Cultural Landscapes.” 195–213; Groote, P. and T. Haartsen “The Communication of Heritage: Creating Place Identities.” 181–194; Harvey, D. C. “The History of Heritage.” 19–36; McLean, F. “Museums and the Representation of Identity.” 283–297; Smith, L. “Heritage, Gender and Identity.” 159–178. In The Ashgate Research Companion to Heritage & Identity, edited by B. Graham and P. J. Howard. Aldershot: Ashgate. [Google Scholar]), all dealing, however, with the power of the same clichés engraved onto the French ‘collective memory’ (Halbwachs [1950]1980 Halbwachs, M. (1950) 1980. The Collective Memory. New York: Harper & Row. [Google Scholar]). This article highlights issues that arise when curatorial interpretation and visitor perceptions find themselves under the auspices of postmodern visual culture, thereby setting traps for heritage authenticity (Ashworth and Howard 1999 Ashworth, G. J., and P. J. Howard. 1999. European Heritage Planning and Management. Exeter: Intellect. [Google Scholar]).     

遗产认同:概念、内涵与研究路径

本文从遗产产生、发展及其遗产本质属性特征的视角提出了遗产认同的概念,并从“遗产身份”和“遗产认同”两个角度解释了遗产认同的内涵,即前者强调遗产的客观属性,后者强调主体对遗产的认知。在此基础上,根据遗产与认同的四种交叉关系,作者提出了遗产认同相应的研究路径,即从时间视角的遗产化过程分析每个阶段的遗产认同;以尺度的视角从表征层面的空间身份和文化身份特征理解遗产认同;从非表征层面的遗产实践分析相关者如何通过具体行动表征和重构自己的身份认同。遗产认同概念的提出与研究不仅可能丰富新文化地理学的景观研究理论,也为遗产旅游地治理提供理论借鉴,未来还需对遗产认同与遗产保护利用关系做进一步探讨。     

促进“认同”是当代博物馆的重要任务

"认同"是个人对自我社会身份的认知,与特定社会群体的关系及归属感,是当代社会发展重要的心理保障。文化遗产与特定群体的发展历程和发展需求紧密联系,在认同中起到催化和强化的作用。促进认同将对博物馆的收藏、研究、陈列、教育及观众服务等各项工作提出新的任务、带来新的活力。博物馆必须运用其收藏的文化遗产,揭示遗产蕴涵的多层面信息,帮助人们了解自己的发展历程,认清自身特点,强化自我认同。加强公众的民族认同、文化认同、社会认同和国家认同,是当代中国博物馆不容推卸的社会责任。     

From revolutionary heroism to cultural heritage: museums,memory and representation in Laos

ABSTRACT. Museum exhibitions in Laos represent two main strands of Lao national identity discourse. First, they glorify the ‘liberation struggle’ of the so‐called ‘Lao multiethnic people’ under the leadership of the Lao People's Revolutionary Party, and therefore serve as important ideological tools for the current regime's self‐legitimisation. Second, they display the history and cultural heritage of the Lao nation, providing the postcolonial state with a narrative of historical continuity and civilisation that is focused mostly on the dominant ethnic Lao culture. This article explores the contradictions within official images of the Lao nation‐state and how these opposing strands of national identity compete or interact. Museums as key arenas of ideological tensions constitute illuminating fields of research on discourses of national identity in Laos.     

美国对1962年中印边界冲突的反应

美国对1962年中印边界冲突反应与它的南亚政策息息相关。从印巴分治直到中美和解前夕,美国的南亚政策始终有服务于全球冷战的两个目标：力促印巴和解以防止共产主义集团乘机介入;以一切可能的手段使印度放弃中立政策并加入到西方集团。中印边界冲突在美国政府的南亚政策渐入困境时发生,给了美国决策者以莫大的期望,他们企图以其所谓的天赐良机达至以上主要针对中国的冷战目标。然而,中国正确政策及出神入化的实践大大强化了美国在南亚地区既有的结构性困境,使肯尼迪政府利用中印冲突的图谋以失败而告终。