Kaleidoscopism: The Circulation of a Mid-Century Metaphor and Motif

Abstract

This essay traces the mid-century revival of interest in a particular nineteenth-century optical technology – David Brewster’s kaleidoscope – following P. B. Shelley’s coining of the term ‘kalleidoscopism’ to describe the broad popular appeal and enthusiastic uptake of the device in the late 1810s. Through an examination of mid-nineteenth-century fiction, journalism, and scientific writing, this essay explores what it meant to be ‘kaleidoscopic’ in this period and demonstrates how the mechanical structure and physical manipulation of the device informed this meaning. Controlled by the hand of the user, its display offered regulated surprise: a visual environment that did not overwhelm but rather enthralled viewers through its creation of abstracted, symmetrical forms and harmonious colour palettes led by individual taste. Contemporary reference to the kaleidoscope’s display and operation reveals it was increasingly aligned with notions of a stable, controlled, and unified visual environment in which mobility was valued but digression was mechanically impossible; it signalled the mastery of sensory data and the creation of meaning from fractured forms. My discussion uncovers new contexts for its popularity c. 1840–1865 in Victorian fiction, journalism, physiological science, and the fine arts, and discusses two under-studied examples of the kaleidoscopic in the visual art of the Pre-Raphaelites. The essay concludes by exploring Brewster’s speculative application of the kaleidoscope as an early form of cinematic media, contending that this simple optical device provokes a reconsideration of the categorization of Victorian pre-cinematic technologies.     

现代化和现代性——韩国现代化的另一种观点

本文以韩国为例,说明:一、现代化是一个以起源于西方的向外发散的国际上的文化传播过程和面对这种冲击每一个社会必然采取应变过程的双向运动;二、西方现代化浪潮冲击所导致的最终结果,是非西方现代化社会的现代性,而现代性是传统因素、殖民遗产和现代因素本土化的一种混合体;三、由于现代性是理性与非理性的混合,因此在非西方的现代化国家,在政治和文化领域,实现知识的进一步理性化是一项重要任务。     

自我的觉醒:彼特拉克与现代性

自布克哈特在《意大利文艺复兴时期的文化》中首次提出彼特拉克是"第一个现代人"后,引发学术界关于彼特拉克是"现代人"抑或中世纪人的激烈争论。身处中世纪与文艺复兴新旧交替以及"现代人"与旧有传统矛盾的历史时期,作为文艺复兴之父的彼特拉克首当其冲地经历了这场巨变。在经历青年、中年和老年的三场觉醒后,彼特拉克意识到自己需要摆脱过去与未来之纠缠,在新旧的断裂带中寻找突破时间限制的夹缝,让自己的作品在时间的洪流中保持永恒的鲜活。     

后现代、现代性重建与中国的现代性问题

后现代主义对现代性的批判为人们提供了一个理解现代的有益视角,它有利于揭示现代性充满矛盾和悖论的一面,促使人们加强对现代性的反思并发掘其尚未释放的理性潜能,从而实现现代性的重建。就中国的后现代主义者而言,他们对现代性的批判过多地集中于剖析其“西化”本质,忽视了现代性的某些普遍内涵,使中国的现代性问题局限于中西对立的二元视野。客观地评价中国的现代性,就应当突破上述理论框架,认识到现代性中所包含的普遍性与特殊性之间的张力,同时借鉴后现代主义的建设性作用,努力实现现代性的解放功能。     

Small-Town Sustainability: Prospects in the Second Modernity

Small towns account for a significant fraction of the total population in many regions, but there has been a relative lack of research into small towns, with researchers' attention being drawn more to the effects of globalization and technological change on large cities and city regions. Yet, as the effects of globalization have become increasingly imprinted on small towns, transnational grassroots movements have emerged to address the needs, challenges and opportunities of small-town communities. Many of these movements involve partnerships and networks linking the local and international levels. They are often framed in terms of sustainability of their community, with an emphasis on liveability and quality of life. This article places the emergence of cross-border collaborations between small towns in the broader context of shifts from the “first” to the “second modernity”. Through in-depth case studies of movements such as Italy's Slow Food and Slow City movement, Sweden's eco-cities, economic gardening in the US and the creative cities project in Albania, we highlight four sensibilities that have emerged: local, organic and slow food; environmentalism; entrepreneurship and creativity.     

Modernity and life politics: conceptualizing the biodiversity crisis

The article examines the implicit boundary narratives of both modernization theory and of its counter-discourses (neo-Malthusianism) and successors (globalism and reflexive modernization). Among the successors, special attention is given to the paradigm of reflexive modernization and its empirical corollary, the hypothesis of an emerging global agenda of “life politics”. After offering a matrix of basic theoretical responses to modernization theory, the paper locates the biodiversity crisis within current controversies about how to overcome the flaws of traditional modernization theory. It is suggested to trace the development of this policy area back to the early twentieth century and to reread it in the light of different societal and theoretical approaches toward modernization. In conclusion, it is argued that in order to enhance our analytical capabilities, the concept of life politics needs some critical injection from literatures more sensitive to notions such as spatiality, locatedness and the lived contexts of social groups.     

Textiles and the Making of Sacred Space

This paper develops a perspective on fabric and its use in religious settings, working from a comparative survey of critical literature arising, primarily, from anthropological writings on cloth and clothing in conjunction with insights gained from ethnographic research among Eastern Orthodox Christians. While the character of Orthodox Christianity and the broad nature of comparative religion shape how the argument is presented, the primary focus of the paper is not on the religious contexts, but rather the particular items of fabric in use, and, more generally, the exact qualities of fabric that allow for its use in such diverse contexts. Rather than taking an argument of historical specificity, the paper is grounded in a material culture approach to fabric, suggesting that a cross-cultural appraisal of fabric that spans different historical periods allows critical insight into the modes of operation within human experience. The central argument of the paper is that, because of the material qualities inherent in fabric, it can be used in such a manner as to make present the sacred.