Postscript: on the Original Nave Of Ripon Cathedral

Abstract

The final two centuries of the Middle Ages are conventionally considered a period in which castles and castle-building were in decline. ‘The Decline of the Castle’ and ‘Decline’ are the titles of chapters dealing with this period in books written by Allen Brown. In each case the contrast with what went before is strongly emphasised: the previous chapters are named ‘The Perfected Castle’ and ‘Apogee’. In the same vein, these final centuries after c. 1300 have been described as ‘the period of decline in use but survival in fantasy’ in a recent authoritative account, significantly entitled The Decline of the Castle. Our view of this period is different. We consider that the castles of the later Middle Ages show a steady development, not a decline, and the main elements of that development can already be traced in buildings of the ‘Golden Age’.     

People,possessions and domestic space in the late medieval escheators’ records

ABSTRACT

The medieval English escheator was a royal official who seized the goods and chattels of felons, fugitives and outlaws for the crown’s benefit. This article uses escheators’ inquests and accounts to ask what information exists about the location of forfeited possessions at the point of their appraisal by the escheator, and what is revealed about the use of space in the houses and outbuildings of lower status people? We also ask more general questions about contemporary understanding of the relationship between domestic objects and space. We find that there was limited interest in describing possessions according to their position within buildings. Nonetheless, one may use the order of items as they are recorded in the escheators’ lists of forfeited goods to explore the issues raised in the article. The records reveal an emphasis on the difference between ‘household utensils’ and other movables, especially crops and livestock.     

Tom Stoppard’s Big Picture: The Chaos that is Our World

Abstract

Issues arising from discussions regarding the ‘two cultures’ of science and art are many and varied. Tom Stoppard’s very active utilization of science in many of his plays has resulted in his work — especially the quantum mechanics-informed Hapgood and the chaotics-informed Arcadia — being held up as paradigmatic of one science/art position or another. Often, critical approaches to these plays involve a checklist of scientific facts, implying that the goal of such art is to serve as a delivery device for scientific breakthroughs. While plays, novels, and movies of various sorts may have such goals in mind, Stoppard’s plays do not comfortably fill that agenda, critical arguments to the contrary notwithstanding. Neither do Stoppard’s plays show particular interest in engaging any debate about the superiority of one ‘culture’ over the other. In his two ‘science plays’ in particular, what Stoppard offers is an enrichment of both science and art through metaphorical intertwinings that suggest experience is best served when both camps collaborate. The bigger picture that results argues an overlap in epistemology, namely revealing the uncanny similarity in which artist and scientist approach the material that is our universe.     

An Essay on the Context and Formation of Wilhelm von Humboldt's Linguistic Thought

SUMMARY

This essay combines the study of Humboldt's sources with a critique of the treatment of this subject in most studies of Humboldt and his linguistic thought. One crucial issue is the date of his early ‘Über Denken und Sprechen’, which is our first evidence of his mature thinking about language. This text is conventionally dated 1795, thus ruling out that Humboldt might be indebted to the anthropo-linguistic philosophy that he explored in Paris a few years later. But a host of facts make the date untenable and the debt unquestionable, including incontrovertible evidence that ‘Über Denken und Sprechen’ relies on Condillac's argument for the anti-idealist principle that the distinction between subject and object is the absolute precondition for self-awareness and reflection, and thus, by the same token, for the concept of Weltansicht. ‘Über Denken und Sprechen’ also shows that Humboldt was inspired to choose Condillac's and Destutt de Tracy's argument over that of Fichte for what Berkeley disapprovingly called ‘outness’. This analysis exemplifies the critique that is advanced in this essay.     

Second Laws,Two Cultures,and the Emergence of an Ecosystem Aesthetics

Abstract

The appropriation of scientific concepts by the humanities and the visual arts exemplifies what many feel are both the pitfalls and possibilities of interdisciplinary engagement. The principle of entropy, which C. P. Snow claimed could serve as a litmus test of the ‘two cultures’ divide, provides an excellent starting point for exploring how artists have employed scientific concepts far beyond their original contexts. As a case study in interdisciplinarity, the use of entropy in the visual arts is also a lens to consider the evolution of an artistic proposal from the 1960s known as ‘system aesthetics’. As an early challenge to the clean demarcation of art and science, system aesthetics was a precedent for what might be described as the emergence of an ecosystem aesthetics within contemporary art and design today.     

What are patterns in the humanities?

ABSTRACT

This paper is concerned with patterns in past human behaviour, what they are, and how this relates to the detection of patterns in data by means of computation. Theorists have not given patterns the attention they deserve. Therefore it is far from clear what patterns are and to what purpose scholars may use them. This paper presents eight propositions on patterns which hold true for patterns found ‘by hand’ and patterns found ‘by computation’. One such is that a pattern is discernible in behaviour when we subject it to the intentional stance, as the philosopher Daniel Dennett argues. Here behaviour is part of an intentional system. This paper’s argument is that the patterns found ‘by computation’ too are part of an intentional system. To substantiate this claim this paper discusses two important examples of detecting computational patterns in the domain of the humanities.     

From Empires to Nation-State: Remaking the Roman Catholic Church in an Independent Poland

ABSTRACT

Roman Catholicism is most often imagined as an element of continuity in Poland’s turbulent history: even when a Polish state was absent from the map of Europe from the late eighteenth through early twentieth centuries, a recognizably ‘Polish’ church has been presumed to provide a robust institutional anchor for the Polish nation. This article, however, argues that the creation of a ‘Polish’ Roman Catholic church was a belated and protracted process, one that was only getting started in the years following the achievement of Polish independence in 1918. The church’s ‘Polonization’ was only partially a matter of emancipation from imperial-era restrictions. It often also involved the defence and attempted extrapolation of laws, practices and institutions that had developed under the auspices of the German, Austrian or Russian states and that the Catholic hierarchy viewed as healthy and desirable building blocks for a future Polish church. These imperial precedents continued to provide crucial points of reference in ongoing debates about what ‘Polish’ Catholicism was and what it should become.     

The margin to act: a framework of investigation for women's (and men's) medieval art-making

ABSTRACT

One of the challenges faced by medieval art historians is to recognise the diverse roles women played in matters of medieval art, while seeing also the impact of society on their artistic choices. By tracing how one work of art can open new critical insights into another, and how disparate objects and buildings – if thought through together – can illuminate our understanding of the Middle Ages overall, we can discern the multi-layered stages of the creative process. The term ‘makers of art’ is proposed as a shift away from the commonly used words – artist, patron, recipient – and the preconceived notions about the individuals who fulfilled those roles. The paper also lays out a framework – ‘the margin to act’ – for the investigation of the multi-levelled interactions of women with medieval art and, ultimately, the writing of history.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Re‐writing the ‘book of blots’: Critical reflections on histories of technological ‘failure’

Abstract

Although an interest in technological ‘failure’ has become prominent in recent history of technology, historians have not always clearly articulated the presuppositions of attributing ‘failure’ to technology. This paper undertakes a critical examination of two main historiographies of ‘failure’: ‘failure’ as categorization of ‘pathological’ technologies that clearly demarcates them from ‘successes’, and ‘failure’ as a mundane and inevitable prerequisite of subsequent ‘success’. To reconcile these divergent analyses, this paper argues that historians should not treat ‘failure’ as residing in the technology itself. It is rather a matter of imputation according to socially‐embedded criteria of what constitutes success and failure. Accordingly judgements of ‘failure’ are prone to interpretive flexibility in a manner that is not necessarily settled by any process of ‘closure.’ I will argue that any ‘failure’ of technologies should be located in the socio‐technical relations of usage, especially in the expectations, skills and resources of human users. The moral irony of attributing responsibility for ‘failure’ to technologies themselves rather than to humans users will thereby be highlighted.     

Vicarious habitation – reinterpreting the role of peripheral living in a Nordic context

ABSTRACT

This article argues that some of the contemporary attention given to sustaining habitation of regions and communities beyond capacity and prospects of economic growth can be understood by introducing the concept of ‘vicarious habitation’. By this term is understood ‘the notion of rural habitation performed by an active minority but on behalf of a much larger number, who (implicitly at least) not only understand, but, quite clearly, approve of what the minority is doing’. In many late modern societies, a substantial portion of the population seems willing to pay symbolically and politically to let a minority act on their behalf as caretakers of rural peripheries left behind by structural transformations. Signs of vicarious habitation occur that may vary in form and importance from country to country. Empirically, the argument is substantiated by Norwegian examples.     

Buddhist buildings in England: the construction of ‘under-represented’ faith heritage in a multicultural and post-Christian setting

Until recently the ‘heritage industry’ in England overlooked buildings of minority faith traditions. Little has been written about this ‘under-represented’ heritage. Drawing on data from the first national survey of Buddhist buildings in England, we examine the ways in which Buddhist heritage is beginning to be incorporated into the state-funded ‘heritage industry’ as well as how Buddhist communities in England construct heritage through these buildings. First, we draw upon spatial theory in the study of religion to examine three dimensions of minority faith buildings in England and what this tells us about the communities involved: ‘location’ (i.e. the geographical location of the buildings); ‘space’ (i.e. what the buildings are used for and their relationship to local, national and transnational scales); and ‘place’ (i.e. what types of buildings are selected by different communities and why). We then turn to theories of memory that have become popular within the study of religion as well as heritage studies. Religion understood as ‘a chain of memory’ plays an important role in heritage construction via faith buildings, and an analysis of faith buildings, their spatial dimensions and role in ‘memorywork’, helps us think through the dynamics of modern religious belief in a multicultural and post-Christian setting.     

Further Notes in Reference to the Discoveries at Ickleton and Chesterford

Abstract

Although it is generally well-known that a number of cathedrals and major abbeys in medieval England especially had detached bell towers, the towers themselves have never been considered as a group. Nor has a ‘complete’ listing been attempted. Their existence is difficult to explain because the majority of these buildings also had central towers and some had western towers. No doubt because so many of the detached towers have been destroyed, they are less well-known than the examples on the Continent, especially in Italy. Surprisingly, towers seem to have been rare in Romanesque and Gothic France and Germany. The Insular ones appear to have been less ‘standardized’ in their design and more variable in their location vis-à-vis the church building than those of Italy. The history of detached towers in England (and Scotland) is here traced from their earliest appearance, in wood in the 12th century and in stone c. 1200, to the end of the Middle Ages.     

European solidarity: a semantic history

Abstract

‘European solidarity’ is one of the most frequently used words in contemporary public discourse, but what does it mean? This article investigates the historical and semantic background of the term in English, French, German, Italian and Spanish since the French Revolution, when ‘solidarity’ became a political keyword for the first time in European history. With the founding of the Holy Alliance in 1815 the idea of ‘European solidarity’ as an instrument for achieving political order on the continent emerged. A historical longitudinal analysis via the Ngram Viewer reveals that the frequency of ‘solidarity’ follows or depends on certain crisis moments in history, such as revolutions, wars or economic troubles. ‘Solidarity’ belongs to the history of emotions and propaganda but is not a stable value system that consolidates political culture. It also seems to play a greater role in the national rather than in the European context. As a European political expression, ‘solidarity’ is not genuinely European but borrowed from the national political vocabulary. Moreover, the article outlines the semantic field of ‘European solidarity’ by showing linkages between ‘solidarity’ and other words.     

The Early Romanesque ‘Great West’ Towers of St Peter,Stambourne, Essex and St Nicholas,Leeds, Kent: ‘Clerical’ Towers for a Lay Lord?

Abstract

A small group of early Romanesque west towers in southern and eastern England are of unusually large size and are here termed ‘great west’ towers. The majority were commissioned by senior clergy, but there is evidence that those at Stambourne (Essex) and Leeds (Kent) were the work of Haimo II Dapifer, Sheriff of Kent. Haimo’s adoption of what is usually seen as a clerical form of monument is reflected by his position and associations in royal charters. The towers of St Peter, Stambourne and St Nicholas, Leeds have similarities with St Leonard’s Tower, West Malling (Kent) and the west gate of Lincoln castle respectively. Both illustrate the fluidity of forms that high-status buildings of the late 11th and early 12th centuries could take.     

From a Tahitian Point of View: Comment on Guillaume Alevêque, ‘Remnants of the “Wallis Maro ‘Ura” (Tahitian Feathered Girdle) History and Historiography’

ABSTRACT

This Comment offers a response to Guillaume Alevêque’s ‘Remnants of the “Wallis Maro ‘Ura”” (Tahitian Feathered Girdle): History and Historiography’, The Journal of Pacific History, 53:1 (2018). The response is from a specialist, Tahitian perspective. While Alevêque is applauded, the paper disputes many English terms applied to maro ‘ura, places maro ‘ura in a wide Polynesian context and insists on the enduring mystic and political power of maro ‘ura for the people of Tahiti. The Comment also discusses the materials used in the ‘remnants’ described by Alevêque.     

The Engraver,The Chandler and the Trades Unionist: Reflections on the Grassroots Reading of Scripture*

Abstract

Politics and religion often use the same kind of language to achieve their ‘missionary’ ends, hut such language is stripped of its meaning unless it is related to ultimate, rather than short-term, purpose. This is demonstrated by notions of election, the place of the prophet and the effects of the ‘powers’ in global society. The energy and creativity of responding to an ultimate vision is undermined in both political and relgious affairs by institutionalization. The fact that this takes place asks us to reconsider what it really means, in both religion and politics, to ‘reach out to people’ and what purpose such outreach serves.     

Why the World Matters: Hannah Arendt’s Philosophy of New Beginnings

Hannah Arendt’s philosophical project is an untiring attempt to argue that the world with all its failures and weaknesses does and should matter. Refusing to succumb to the destructive tendency within modernity, she cultivates creativity, action and responsibility. One way to appreciate the originality of Arendt’s philosophy of action and new beginnings is via her reading of two thinkers who were part of what she terms, “the great tradition.” If most commentary deals either with Heidegger’s influence on Arendt‘s thought or with her Augustinian origins, my aim is to trace Arendt’s lifelong conversation with both thinkers. It is in her doctoral dissertation on St. Augustine that she begins to distinguish herself from Heidegger’s understanding of the world, Dasein, and care. Without arguing that her work on Augustine is a hidden key to understanding her philosophy of new beginnings, an appreciation of Arendt‘s lifelong debate not only with Heidegger but also with Augustine enriches our understanding of why philosophy should pay more attention to the world, rather than try to escape from it .     

From ‘neo-vernacular’ to ‘semi-vernacular’: a case study of vernacular architecture representation and adaptation in rural Chinese village revitalization

ABSTRACT

Vernacular architecture can be regarded as heritage places. Recently, the need to protect vernacular heritage in China has been reflected through government policy changes, for example the ‘beautiful countryside’ program which aims to develop rural villages since 2005. However, a conflict between conserving the tangible fabric and the intangible heritage of the vernacular place can become pronounced, as villagers have desires for a modern lifestyle, and maintaining the physical building fabric. Vernacular villages require sustainable development alongside conservation of both tangible and intangible heritage significance. A key factor in keeping a village alive is continuing its utilization by a local community. This paper introduces the terms ‘neo-vernacular’ (buildings with a vernacular appearance with contemporary methods and materials) and ‘semi-vernacular’ (reusing or renovating vernacular buildings in combination with modern and traditional building techniques) to distinguish two approaches to vernacular villages conservation. We analyse the distinctions between the works of Amateur Architecture Studio (AAS) and Atelier Zhang Lei (AZL) to demonstrate the neo-vernacular and semi-vernacular approaches respectively through photo-comparison diagrams, and reviewing comments from local villagers, architectural students, and scholars. In the discussion, we propose that the semi-vernacular adaptation offers a new approach worth pursuing in China’s rapidly changing rural landscapes.     

The presentation of research in and under existing buildings

Abstract

Rarely do buildings remain unchanged over long periods. Damage due to the ravages of time, destruction by human violence or natural catastrophes force repairs. In pre-industrial centuries attempts were made to incorporate existing walls into repairs and additions. Since the finished building should give a uniform impression, however, traces of remodelling were rarely visible, usually hidden under a new ‘skin’. Researching and repairing such remodelled buildings often lead to the discovery of earlier remains. Should these new discoveries be kept visible in order to document and to demonstrate the historical process? Reconstruction of pre-existing buildings is less problematic if the later, existing structures are removed, but it is necessary to deal with the lack of simultaneity – one must add to the structures remaining, resulting in mostly hypothetical reconstructions. This problem is illustrated mainly by examples from Ratisbon and Prague. Excavations lead to similar questions – seldom are remains from a single period uncovered. There are usually traces of different successive stages. If the excavation area is open to the sky, the problem is how to conserve what has been uncovered and make it understandable. Excavations and the presentation of their results inside existing buildings pose different problems. Solutions include leaving openings in, or creating room below, the new floor in order to leave earlier remains accessible.