No Permission to Cross: Cypriot women's dialogue across the divide

Much scholarly attention has been given to the study of the gendered aspect of ethno-national conflicts trying to understand the experiences of men and women in a conflict situation and to what extent these shape different types of intervention for peacemaking and peace-building. Are women's experiences of conflict different from men's? Do women have a different voice than the mainstream dominant discourses produced by patriarchal systems? Do women in conflict societies respond to militarism and the violation of human rights differently from men? Are women's needs for identity and peace different depending on which ethnic–religious group they belong to? Are their needs different from those of men? This article will try to answer the above questions focusing on a feminist understanding of conflict in Cyprus. The main contention put forward in the article is that gender is an important factor to take into account when conflict societies are engaging in peace processes. To this end, data are analysed from different inter-ethnic women's workshops in which the author was either a participant–observer, or a facilitator. This analysis of the data demonstrates that Greek and Turkish Cypriot women's voices and experiences are diverse and multiple. Both men and women are socialised in the same nationalist paradigms, a fact that can explain how in the initial phases of the dialogue processes both groups of women tended to reproduce official discourses. Their own experiences and differentiated voices began to emerge only after a gendered understanding of the conflict was introduced and trust and conflict resolution skills were instituted in the dialogue process. Drawing attention to the gradual shift of perspectives in the context of inter-ethnic workshops, the article concludes by arguing that women's dialogue can challenge the omnipotence of the state and may open up a new space whereby a diversity of perspectives and mutual trust can emerge.

Flying Away to the Other Side

Our birthplace is split in two and we

Are caught on barbed wire-hybrids

Turk and Greek alike     

Strange encounters: a dialogue on cultural geography across the political divide

Disagreement is a fundamental aspect of scholarly inquiry, yet it is exceedingly rare for scholars on opposite sides of the political spectrum to engage in a sustained dialogue across the political divide. This article seeks to contribute to precisely such a dialogue with specific reference to the field of cultural geography. The discussion featured herein consists of an encounter between “critical” and “conservative” approaches to cultural geography in the form of a back-and-forth exchange of arguments and counter-arguments by the interlocutors. The dialogue covers a wide range of issues, including the cultural politics of essentialism, white supremacy, racial segregation, patriarchy, traditional morality, secularism, justice, authority, friendship, difference-as-strangeness, and the very question of disagreement itself. The broader aim of this dialogical intervention is not to find some sort of common ground that will resolve all differences but rather to explore what those differences are with the hope of opening up a space for more constructive dialogue on cultural geography across the political divide.     

Commercial conflict resolution across the religious divide in the thirteenth-century Mediterranean

Commercial conflict resolution in the medieval Mediterranean has been treated by a number of scholars in recent years, notably through the use of documents from the Cairo Geniza and the archives of the Italian port of Genoa. Recent research on this subject, and more specifically on contract enforcement, has focused on contract reinforcement within the Mediterranean Jewish community, largely because of the sources available. Parallels drawn with medieval Italian mechanisms of conflict resolution emphasize differences between public- vs. private-order responses, that is, the reliance on personalized groups in the Islamic world rather than on public institutions typical of the Italian port-cities. These studies do not, however, examine how commercial conflicts were resolved across religious and political lines, despite the growing role of Italian merchants in the trade networks of Islamic North Africa, a role that inevitably led to trade disputes and occasional uncollected payments. Through close textual analysis of 14 Latin and Arabic letters exchanged between Islamic Almohad Tunis and Christian Italian Pisa, this article explores how Almohad commercial agents and governmental authorities sought to maintain positive trade relations across the religious divide while protecting the interests of their own clients and citizens when disputes arose over commercial payments and debt collection. Rather than relying on commercial conflict resolution methods specific to one culture or the other, these documents reveal a middle ground of borrowed vocabulary and procedures. Through these letters, Almohad merchants and officials attempted to negotiate through the bonds of personal trust and reputation established with their Italian counterparts. However, they also appealed to Italian sensibilities with hybridized methods recognizable by the legal and public institutions of both cultures.     

Composing Einstein: exploring the kinship of art and science

Abstract

The work Albert Einstein published in 1905 led to a revolution in physics and the way nature is explained. At the same time, his physics touches on profound existential questions which are also dwelt upon in the arts. This article addresses the relatedness of music and physics, art and science. The point of departure is my composition The Einstein Resoundings, and how writing it refined my sensitivity to the deeper layers of creative effort. I discuss points of contact between the spheres of music and physics: the phenomenon of quantum leaps, continuous and discontinuous structures in tone and atom, and the role of continuity and discontinuity in the act of creation. My reflection on the kinship of art and science is based on the notion of complementarities. This allows a double perspective on art and science as different in regard to activity and language, but similar in regard to their mutually complementing characters.     

A very public affair: art meets science

ABSTRACT

What happens in interdisciplinary practices between the arts and sciences? What determines their successes and failures, and how they should be conducted? Here I propose that we can deepen our understanding of them by looking at the role of one specific and, to my mind, vital aspect of many (most?) successful art/science collaborations, namely their presence in public. More specifically, I suggest that museums, having played a crucial historical role in shaping some specialized disciplinary thought, are now well-placed to encourage an opposite tendency towards trans-disciplinary activity. I elaborate this argument by focusing on three characteristics of museums that have made them ideal places to locate art-science collaborations: the role of exhibitions as units of investigation; the ascendency of artist/curators as unusual enquirers; and the enduring value of middle-sized things in these risky initiatives.     

The potential of destruction in art and science

ABSTRACT

Artist and researcher Neal White argues for the potential role of radical engagements in science by drawing on the work of pioneers of conceptual art: John Latham (1921–2006), Gustav Metzger (1926–2017) in the UK, and György Kepes (1906–2001) and Robert Smithson (1938–1973) in the US. Starting with destruction as a positive force in artistic practice, White examines the ideas developed by these artists as a conceptual framework for thinking through time, chemical process and event structures within the context of the Cold War. In further examining the social context and contemporary landscape of cultural forms servicing science in terms of the communication of ideas, or underpinning further a knowledge economy, he argues for artists to engage science on their own terms, through a renewal of radical practices. This would in turn create new and critically framed work of benefit to culture and society more generally.     

Trans youth,science and art: creating (trans) gendered space

This article is based on empirical research which was undertaken as part of the Sci:dentity project funded by the Wellcome Trust. Sci:dentity was a year-long participatory arts project which ran between March 2006 and March 2007. The project offered 18 young transgendered and transsexual people, aged between 14 and 22, an opportunity to come together to explore the science of sex and gender through art. This article focuses on four creative workshops which ran over two months, being the ‘creative engagement’ phase of the project. It offers an analysis of the transgendered space created which was constituted through the logics of recognition, creativity and pedagogy. Following this, the article explores the ways in which these transgendered and transsexual young people navigate gendered practices, and the gendered spaces these practices constitute, in their everyday lives shaped by gendered and sexual normativities. It goes on to consider the significance of trans virtual and physical cultural spaces for the development of trans young peoples' ontological security and their navigations and negotiations of a gendered social world.     

Domestic abuse and the public/private divide in the British military

Divisions between the social spheres of public and private are always fluid, mutually constitutive, and politically and socially formulated. Within the British military, such divisions are further framed through the needs of operational effectiveness. In the pursuit of operational effectiveness the public/private divide functions at times as porous, in large part through the military's provision of services such as housing, welfare and policing to personnel and their families and through the notion of a close-knit military community, and at others as firm, bolstering operational effectiveness through recourse to militarised ideas of the private sphere as the fixed space of hearth, home and femininity which is to be protected by military force. This article employs narratives of domestic abuse as a window through which to analyse enactments of the public/private divide in the British military. The analysis draws upon interview participants' experiences of abuse and of help-seeking to illustrate the complex and fluid ways in which the prioritisation of operational effectiveness frames and delimits the public and the private within the contemporary British military in relation to domestic abuse. The impacts of this upon victim-survivors' help-seeking experiences are discussed.     

Beyond the divide: evaluation in co-evolutionary spatial planning

Spatial developments are becoming increasingly a-linear and dynamic with a wide range of possible actors. The awareness of uncertainty is growing and, therefore, projects need to integrate a high level of flexibility. But simultaneously, there is a growing demand for more informed and well-argued decisions. Predictions from the ‘best estimated model’ are no longer credible nor accepted, being too fragile and uncertain. How can we keep long-lasting, multi-actor projects in permanent transition on track? This expresses an important demand for more integrated evaluation in spatial planning. In this respect, this paper analyses existing theoretical evaluation strategies and how these strategies deal with spatial developments. They are still usually structured along static, generic and circular approaches; in fact, many neglect the dynamic, plural and a-linear realities. Therefore, this paper develops a post-structural evaluation approach for various planning issues and different playing fields of actors, followed by an illustration of the various settings for this approach in a Flemish case. Finally, we discuss how spatial planning and future plans might be evaluated with a dissipative role for evaluation.     

论大足石刻艺术与科技的完美结合

大足石刻超凡的艺术性始终与崇高的科学性紧紧地融会在一起,表现出强烈的民族色彩。大足石刻艺术的科学技术性主要体现在五个方面:一、地形选择;二、峡谷排水;三、龛窟结构;四、力学的运用;五、光学的应用。     

Transcending the academic/public divide in the transmission of theory: Raglan,diffusionism, and mid-century anthropology

Anthropology is plural, not singular, and only a section of its history is decided within universities. A critical re-examination of the work of Lord Raglan demonstrates that retaining an overly academic conception of anthropology impoverishes our understanding of its pasts and its futures. The last of the gentleman-scholars in British anthropology, Raglan was a prominent polemicist of the mid-century, who persistently kept anthropological approaches to contemporary concerns within the public eye. Though a postwar President of the Royal Anthropological Institute and praised by scholars in neighbouring disciplines, Raglan’s diffusionism was sharply criticized by standard-bearers of structural-functionalism. Adopting a broader perspective, Raglan can be viewed as both a sharp-eyed scholar and a successful public intellectual; re-assessment of his work and its effects leads to a re-consideration of the historiography of mid-century UK anthropology: particular theories, though denigrated by mainstream anthropologists, may continue to flourish in other disciplines or extra-academic arenas.     

The Saharan divide in the Nile Valley: the evidence from Qasr Ibrim

Recent research at Qasr Ibrim in Egyptian Nubia shows that, during the last 3000 years, this hill-top site commanding a long stretch of the Nile in the First Cataract region was usually controlled by polities centered further to the south — Napatan, Meroitic and Christian. Even when controlled by northerners — Greek, Roman or Turkish — is was still a frontier post. It is suggested that this evidence, showing that the frontier between the states dominating the Lower and Middle Nile was located as far north as the First Cataract, helps explain the lack of Mediterranean influence in the Upper Nile basin and, beyond, in sub-Saharan Africa. The Nubian Corridor was, in fact, blocked so far north that it is best described as a cul de sac.

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Résumé Les recherches menées à Qasr Ibrim dans la Nubie égyptienne ces dernières années montrent que ce site, qui domine du sommet d'une colline une partie assez grande du Nil dans la région de la première cataracte, a été controlé pendant les trois derniers millénaires par une série de royaumes dont les centres se situaient plus au sud — royaumes de Napata et Meröe, royaume chrétien. Qasr Ibrim restait un poste frontière même quand il passait sous contrôle des peuples du nord — grecques, romains ou turques. Ces données, qui montrent que la frontière entre les royaumes qui dominaient le bas Nil et ceux qui dominaient le moyen Nil se trouvaient très au nord jusqu'à la première cataracte, peuvent nous aider à comprendre l'absence d'influences méditerranéennes dans le bassin de l'haut Nil et au délà, dans l'Afrique au sud du Sahara. A vrai dire, le coloir nubien était barré autant au nord qu'il mérite d'être considéré plutôt comme une impasse.