Structural boundaries that effect the representation of gender and disability in works of fiction from the United States and United Kingdom

Abstract

Discussions of intellectual disability are found in medical journals, published biographies, and disability research. However, outside the realm of medicine or personal reminiscence intellectual disability struggles for spaces of social, historical, cultural and imaginative representation. This article addresses these struggles for space and specifically focuses on the imagined space of narrative fiction. Being imagined spaces they should easily be able to accommodate people with disability, and yet, very few characters with intellectual disability are represented or more importantly have agency in narrative fiction. Drawing on work from feminist geographies and literary geographies this article addresses the limiting narrative structures that have been used against fictional characters who have a disability and ways authors may move beyond these limitations. Reconciling feminist geographies and literary geographies allows new critical spatial knowledge around disability to emerge. It is not enough to write characters with disabilities into narrative fiction if the structures surrounding them remain limiting and prejudiced. This article discusses the three main limiting structures in narrative fiction: character representation, narrative voice and genre. Looking at narrative fiction through feminist and literary geographies reveals how these limiting structures function as power hierarchies, and importantly, shows how these imposed structures can be subverted and changed.     

The Last September: Irish modernism,narrative deferral,historicist determinism

This article questions the idea that Irish literary modernism is defined by Irish postcoloniality. The continued influence of historicist approaches in literary studies have inspired an understanding of Irish modernism as determined by material base. An oversight of such approaches, however, is that much of the respective fiction which constitutes Irish modernism resists representing the cultural circumstances from which it emerges. Particular to this predicament is Elizabeth Bowen’s The Last September given that it is the novel which is often read as representing Ireland’s transition from colonial to postcolonial status. Through an analysis of its fractured, and thus typically modernist, narrative strategy, this article argues that colonial history is an absent presence which lacks constitutive meaning in this fiction, and thus suggests that Irish literary modernism does not neatly correspond to or reflect the story of Irish monumental history.     

Act and idea in the Nazi Genocide

The opening reference to masturbation in Jonathan Swift’s Gulliver’s Travels (1726) provides evidence of not only an embedded cultural commentary on the masturbatory tendencies of modernity but also specific contempt for the novel as a masturbatory literary form. The same point is made elsewhere in Swift’s poetry and his parody of the erotic scene of female masturbation that continued to be a staple of amatory fiction. Yet the same body of writing reveals Swift’s recognition that he too was guilty of producing literary fuel for masturbation, as were the Ancients themselves whose works continued to invite a sexualized response from readers. As such, Swift reveals an ironic point of agreement with female authors of amatory fiction such as Delarivier Manley and Eliza Haywood, who represent instances of the poetry of the Ancients being put precisely to this use, providing tacit excuse for their own erotically charged writing. In his later notorious diagnosis of Swift as a chronic masturbator literary physician Thomas Beddoes is arguably responding at least in part to Swift’s own sense of entrapment within masturbatory modernity.     

浅谈苏轼诗序

苏轼是宋诗大家,苏轼诗序同样也具有丰富的文学及文化价值。本文主要从三个方面对苏轼诗序进行探讨:其一是诗序中的互见手法和诗序之美,二是诗序中写人记事所带有的史笔和小说笔法,三是苏轼诗序的思想内涵。     

The Pottery Informatics Query Database: A New Method for Mathematic and Quantitative Analyses of Large Regional Ceramic Datasets

There is an increasing demand within the humanities and social sciences to use computers to analyze material culture and discover patterns of historical and anthropological significance. Using southern Levantine Iron Age (ca. 1200–500 BCE) ceramics as a test case, the Pottery Informatics Query Database (PIQD) provides a novel solution for constructing regional ceramic typologies. Beyond digitally archiving 2D/3D-scanned ceramics, the PIQD encodes ceramic profiles as mathematical representations. This method of digital preservation enables rapid queries to be conducted in a mathematically grounded approach. In this sense, the queries are similar to online Basic Local Alignment Search Tool searches developed in the field of genetics by rapidly associating large quantities of digital vessel profiles to each other based on similar morphological traits. The PIQD is an open-source online tool that enables scholars and students to test humanities-related hypotheses against ceramic data in ways that conventional publications or other databases cannot provide. Regional spatial patterning of the ceramic data is delivered over a Google Earth-based user interface. In this paper, we present the PIQD as an objective method for developing a comprehensive ceramic typology of an entire region of archaeological study and provide an arena to conduct novel scientific research. We then demonstrate through a case study its analytical capabilities to handle large datasets of 3D scans and digitized 2D ceramic profiles and generate cultural inferences with the ceramic assemblages of the Iron Age II “Edomite” region located in modern southern Jordan. PIQD adds an important methodological tool to the post-excavation cyber-archaeology tool box.     

Beyond the One-World Frame of Fiction: The Breakdown of Reality in Hushang Golshiri's Stories

The debate over political commitment in Iran was never limited to adjudicating content: it was frequently a debate over form as well. In the realm of fiction, this debate fixated on realism, the nature of mimesis, and the autonomy of art and the literary text. Within a few short years after forming the iconoclastic journal Jong-e Esfahan in 1965 with a group of likeminded colleagues, the writer Hushang Golshiri had become the preeminent modernist fiction writer in Iran. His critical essays represented a passionate defense of aesthetic autonomy at a time when realism and, particularly, socialist and “engaged” literature were powerful shibboleths in the Tehran literary scene. This paper begins with a look at Golshiri's critical interventions in this debate and then moves on to show how the short stories he produced in the Jong era were an even more integral part of his response to the mimesis question. By reading his stories with a methodology drawn from “possible worlds” theories of narratology, Todorov's fantastic, and Golshiri's own theories, we see how these works break down the “one-world” frame of reality that realism takes for granted, and require the reader to grapple with multiple, often contradictory, possible realities in its stead.     

Marie Corelli and the Value of Literary Self-Consciouness: The Sorrows of Satan,Popular Fiction,and the Fin-de-Siècle Canon

Marie Corelli's The Sorrows of Satan (1895) presents a paradoxical test case for the practice of academic literary criticism. The best-selling work of fiction of the nineteenth century, the book was demeaned by Victorian critics and has been long ignored by criticism since. In spite of Corelli's recent mini-revival, the formally self-conscious properties of this work deserve further examination: the text insistently foregrounds the act of literary criticism and demands that the reader's attention is focussed on not only the content of the narrative but also the nature of the procedure of reading. Such a strategy allows Corelli's romance to participate safely in the kinds of literary transgressions enacted in the work of her since-canonized contemporaries such as Thomas Hardy and Oscar Wilde. The narrative mode warns against the production of the wrong kinds of readings of the narrative, inoculating its consumer against the corruption suffered by many of Sorrows's characters – and by the readers of the kinds of contemporary fiction Corelli seeks to warn against. As a consequence, The Sorrows of Satan, while exiled from the canon, shows itself to be surprisingly representative of the image of fin-de-siècle literary culture constructed by its afterlife. Like so many 1890s fictions, it is a work of art about the work of art, and dramatizes such by now familiar late-Victorian tropes as: decadence, moral relativism, debates over literary taste, realism, post-Ibsen drama, the sexual double standard, the marriage market, the New Woman, motherhood, hysteria and female pathologies, degeneration anxiety, mesmerism. The Sorrows of Satan's status as forgotten best-seller, a ‘great bad book’, asks difficult questions about the relationship between literary criticism and literary pleasure.     

‘The Stupidest Tea-Party in All My Life’: Lewis Carroll and Victorian Psychiatric Practice

An analysis of the numerous connections of Lewis Carroll to the Victorian psychiatric profession reveals their influence on the portrayal of insanity in Carroll’s fiction. Through examining his relationship with his uncle Robert Wilfred Skeffington Lutwidge, a Commissioner in Lunacy, and collating Carroll’s personal recollections from diaries and letters with correspondences of the Lunacy Commission, this article offers a comprehensive picture of Carroll’s intellectual engagement with Victorian psychiatry. Combining these insights with his literary writings illuminates the psychiatric origins of the ‘Mad Tea-Party’ and characters such as the Hatter in Alice’s Adventures in Wonderland in the organization and methods of mid-Victorian pauper lunatic asylums and their treatment of impoverished workers. Likewise, the illustrations of Carroll’s works stood in dialogue with popular imagery of insanity as well as ideas of physiognomy and their diagnostic application in asylum photography by Hugh Welch Diamond. This piece will argue that the framework of Victorian psychiatry provided Carroll with imagery he utilizes to satirize aspects of Victorian moral values. It thus aims to highlight the benefits of re-framing the works of Lewis Carroll beyond the genre children’s literature, and considering them as part of the wider Victorian discourse of the sciences of the mind.     

Computer Use in Pottery Studies at Aphrodisias

Abstract

This article is intended primarily for archaeologists who may know little about computers, but suspect that the computer might be useful to them in their research. The emphasis is on the application of the computer to ceramics at the site of Aphrodisias, Turkey, where this system of field recording has evolved. The excavations at Aphrodisias have unearthed a relatively continuous stratigraphic sample of pottery from the Chalcolithic through to the Roman and Byzantine periods. This rich and varied corpus of material culture is now being analyzed with the aid of the computer. This article familiarizes the reader with the problems, methodology, and computer mechanics used to retrieve these data and shows how such a system can be used when a direct tie-up with a computer is impossible.     

Medieval Italian pilgrims to Santiago de Compostela: New literary evidence

This paper offers literary evidence of the interest in the cult of St James on the part of late medieval Italian pilgrims. While extant written itineraries are few, occasional literary references demonstrate this interest without furnishing precise details of the route to Santiago de Compostela. Compostela holds a special place in chivalric literature: the legendary wars against Muslims in Spain and the status of the warrior Roland as a popular saint derive much of their impetus from the piety centred on Santiago. One episode of the widely-circulated chivalric romance Guerrino il Meschino by the Florentine Andrea da Barberino displays its genre's concern with the Spanish shrine and details and route from Rome to Compostela. Andrea, known for his verisimilar style, incorporates a virtuoso display of contemporary geographical knowledge which gives his fiction the texture of a chronicle. The author's inclusion of towns not found in the chivalric literary corpus argue for his reliance on maps or the testimonies of returned pilgrims. Places named tally with those in actual pilgrim accounts. The passage in Guerrino furnishes evidence of Italian pilgrimages to Santiago in the early fifteenth century, a period for which no historical accounts remain.     

Towards a Socialised Archaeology of Ceramics in Great Lakes Africa

This paper presents results of recent research in Kenya and Uganda on ceramics from the first and early to mid second millennia ad. Whereas previous research has tended to emphasise the role of ceramics as chronological tools, or as an index of past ethno-linguistic identity, this paper will emphasise the role of ceramics as functioning tools. Combining archive and published data with new results from fieldwork, the evidence presented here demonstrates continuity of settlement in the Victoria Nyanza region between first millennium Urewe users and second millennium Transitional Urewe and Entebbe ceramics, and the emergence of specialist lacustrine communities. The changing nature of ceramics over this time span is compared with evidence from historical linguistics to suggest a shift in social authority from the family home to the wider community in the second millennium, and the growing influence of economic wealth or individual leadership.     

Reading with the Occultists: Arthur Machen,A. E. Waite,and the Ecstasies of Popular Fiction

My article recovers a forgotten moment in the history of popular fiction criticism – the late Victorian advent of what I term occultic literary criticism – to challenge the persistent anxiety thesis that continues to dominate fin-de-siècle studies. In the late 1890s, the close friends, writers, bibliophiles, and, for varying amounts of time, practising occultists Arthur Machen and A. E. Waite used their literary criticism to champion the ecstatic occult potential of mass-circulated popular fiction, insisting that the penny dreadful, the newspaper story, and the popular picaresque as exemplified in Charles Dickens’s The Pickwick Papers (1836–37) represented coded versions of ancient mystery tradition rituals. The cheap popular texts could offer to readers, writers, and collectors the kind of joyous direct encounter with the unseen world that sacred texts no longer could. The pair’s conviction that ecstatic occult initiation was just as, if not more, attainable through popular exoteric texts as through their restricted esoteric counterparts offers an important corrective to contemporary understandings of both the late-Victorian reception of popular fiction and of the reach and constituency of the occult revival.     

Sponge Spicules in Pottery: New Data from Mali

Abstract

Until recently, the presence of sponge spicules in ancient ceramics has only been reported from South America. Current technological studies of Neolithic pottery from Sudan and Iron Age pottery from Mali provide evidence that sponge spicules are also a distinctive inclusion of some African ceramics. In this study, new data concerning the presence and quantitative variability of sponge spicules in West African Iron Age pottery from sites along the Niger River are discussed. Additionally, we discuss the potential archaeological insights offered by the study of sponge inclusions in pottery, and we consider methods for assessing whether or not these spicules were intentionally added as temper to vessels.     

Author and Reader Perceptions of the Literary Map

There is a continuing need in cartographic communication for reserarch directed toward better understanding of the perceptual properties of maps, particularly as they interrelate between map author and map reader (percipient). This research explores that area by examining the perceptions of authors of maps utilized in science fiction and fantasy, and readers who encounter these maps in the literature.

The first phase of the research demonstrates that authors generally have a positive attitude toward the literary map and view them as critical to the formulation of a story and important to proper understanding of the narrative. By contrast, readers tested in the second part of the study view literary maps as superfluous and in general have a negative attitude toward them.

The literary maps employed in this research fail to communicate effectively with the reader. Poor cartographic communication and the negative attitude of readers toward the literary map is explained in terms of functional illiteracy.     

From Bukhara to Dushanbe: Outlining the Evolution of Soviet Tajik Fiction

This article offers an overview of Soviet Tajik Fiction under Stalinism (1920s–1950s) and during de-Stalinization (1950s–1970s) by contemplating the move from Bukhara to Dushanbe as a setting for Tajik stories and novels. In particular, it details the two main literary genres of the period, namely historical and psychological fiction. It argues that when tracing the main stages of evolution of Soviet Tajik fiction from the point of view of the setting one should mainly consider the works by Sadriddin Ayni, Jalol Ikromi and Fazliddin Muhammadiev.     

Third-Millenniurn and Later Pottery From Abu Dhabi Airport

Surface pottery collected from a site on Abu Dhabi airport indicated sporadic occupation from the Hafit period, c. 3100–2700 BC, with maximum settlement in the second half of the third millennium BC. The ceramics, which could be related both to the coastal Umm an-Nar culture and to the sequence established at Hili 8 in Period II, included wares of probably Mesopotamian and Eastern Arabian origin. The site was unused throughout most of the second millennium BC and the Iron Age but pottery of first century BC-second century AD date suggested that it may have served as a point of entry or transit at that time, the first to be recognised in the coastal area of Abu Dhabi.     

Nkope: The Early Ironworking Pottery Tradition of Southern Coastal Tanzania

This paper discusses Early Ironworking (EIW) pottery traditions of the southern coast of Tanzania. The beginning of the trend toward settled village communities in large parts of southeastern Africa was assumed to result from the southward movements of Bantu speakers who are presumed to have introduced the earliest evidence of domestication and sedentary behaviour, as well as iron- and pottery-making skills. The corollary of this was that the earliest settled villages of the coast were considered to have been of the Kwale tradition, which is a coastal variant of EIW ceramics that dates from the third and fourth centuries ad on the northern and central coasts of eastern Africa. Recent studies on the southern coast of Tanzania have revealed an EIW pottery tradition with a strong resemblance to the Nkope tradition of the southwestern interior, corresponding to the woodland belt on the southern edge of the equatorial forest zone. The temporal pattern of this tradition does not suggest any direction of movement but rather an axis of interactions between the coast and interior, at least since the last millennium bc.     

Rattling on Exactly as They Talk: Romantic Conversations

ABSTRACT

The essay begins by identifying the conversation as a hitherto neglected Romantic genre, and by distinguishing the conversation from the dialogue. It goes on to characterise the conversation as a generic hybrid, ambiguously placed between writing and speech, between the studied and the impromptu, between the ephemeral and the permanent, and between fact and fiction. It points out how closely the conversation is connected with the rise in the second decade of the nineteenth century of the literary magazine, and with the publication in the same period of Byron’s Don Juan, and discusses why this should have been so. It argues that the conversation is a paradoxical literary genre in that it is best defined by its refusal of all conventional generic constraints.     

统计分析在商代陶鬲研究中的应用

统计分析的方法应用于考古学是以定量化的研究代替定性分析的过程。本文将因子分析的方法应用于郑州洛阳地区出土陶器器形的研究中,以描述陶鬲形制的变化,并检验此变化和商文化演进间的关系。