The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.     

Russia and the Islamic World

This article offers a historical retrospective of the interactions between Russia and the Islamic world in all their diversity, beginning from the first trade contacts of Medieval Rus with the Arabs and Persians of the Abbasid era, as well as with the Turkic-speaking residents of Volga Bulgaria. The author concludes that except for the initial sporadic period, the connections between Russian and Muslim worlds have been stable and close throughout all the following periods. Moreover, with time, these two civilizational communities turned into communicating vessels because of the growing number of Muslims within the Russian State and in Russian society. Special attention is paid to Russian-Turkish relations across several centuries. A complete comprehension of the relations between Russia and the Islamic world through an example of the historical retrospective of Russian interactions with the Ottoman Empire and the Republic of Turkey helps to provide a full appreciation of the importance of joint efforts to secure a bridge connecting East and West and the oriental civilizations with Russia.     

伊斯兰世界犹太人与阿拉伯人的交往

历史上的犹太人与阿拉伯人在种族上是近亲,在地理上是近邻,有着血脉相通的联系。远古时代,他们来往密切,并有着相互联姻的历史记载。第一圣殿被毁以后,流落在阿拉伯半岛的犹太人带来了犹太文化,并对伊斯兰思想的形成产生了很大的影响。公元7世纪之后,随着伊斯兰教对半岛上的反伊斯兰势力采取强硬政策,阿拉伯人与犹太人之间的关系逐渐疏远,并出现了宗教冲突。但当伊斯兰政权稳固之后,双方又出现了和睦相处的局面。特别是阿拔斯王朝时期,许多犹太人取得了很高的政治、军事地位,为王朝的发展做出了贡献。正是在阿拉伯人的宽容与监护下,西班牙等地的犹太社团才发挥了自身的创造力,形成了灿烂的文化。     

Advances in Polychrome Ceramics in the Islamic World of the 12th Century AD

As part of a multidisciplinary programme of research on Islamic glazed pottery, the development of polychrome decoration during the 12th century AD has been investigated by examining polished sections through glazed pottery in an analytical scanning electron microscope. The two main decorative techniques used were underglaze and overglaze painting. The results suggest that true underglaze decoration, involving the application of pigment without any associated slip, was first developed in Syria, from where it spread to Iran, on to China and ultimately across wide areas of the world. In contrast, the overglaze technique used on mina'i ware was both very short‐lived and confined to Iran. The analytical results suggest that the probable explanation for this was the technical problems associated with maturing the overglaze paint and the consequent risk of unsatisfactory products.     

Monks,dinars and date palms: hagiographical production and the expansion of monastic institutions in the early Islamic Persian Gulf

Recent archaeological studies have documented an expansion of monastic institutions in the Persian Gulf after the Islamic conquest, between the middle of the seventh and the end of the eighth centuries. Although the literary sources have often been invoked to support an earlier dating for the diffusion of coenobitic monasticism in the region, our principal source for the phenomenon — the History of Mar Yonan, hitherto misdated to the fourth century — confirms recent archaeologically informed interpretations. The narrative, moreover, provides an insight into the social and economic structures of monasticism in the seventh‐ and eighth‐century Persian Gulf as well as the ideological conflicts that attended the emergence of those structures.     

The Village in Contemporary Persian Poetry

This paper explores the ever-shifting symbiosis between the village motif, social justice and populist politics in Iran over the past three decades. The village has remained a recurring motif in Persian literature, employed by a variety of writers and state institutions for a range of means. As a symbol, it has been a conduit into which any ideology can be poured; the village allegory can be manipulated to both condemn and support the official policies of the state. A comparison of Iran’s pre- and post-revolutionary literature sheds light on the ways the state literati perpetuated an idealized picture of the village as an authentic, sacred space, increasingly associated with religious nationalism during the 1980s. The paper examines the key socio-political influences on the evolution of the pastoral motif, the work of state-sponsored official poets, and the impact of the village on the cultural doctrine of the Islamic Republic.