Machiavélisme et Staats-Raison au XVIIIe siècle d’après L’Universal-Lexikon de Zedler

This article examines the manner in which the Grosses vollständiges Universal-Lexikon published by Johann Heinrich Zedler from 1732 to 1750 and considered as the most important german language encyclopedia of its time, welcomes and restructures the classical doctrine of the reason of State. Contrary to the interpretation in which the concept of the State developed by the Lexikon would fit into a pure jusnaturalistic logic, it shows the permanence, parallel to wolffian natural law, of a prudential tradition of political thought. The Lexikon, a contemporary of the Anti-Machiavel of Frederic II, thus appears to be the faithful mirror of the heterogeneous tendencies which then illustrate the field of the problems in the reason of State.     

La vertu des images. Analogie, proportion et métaphore dans la genèse des sciences sociales au XVIIIe siècle

Moral newtonianism, in fashion by the middle of the XVIII^th century, is not only a metaphor. Based on the oneness of nature, it assumes a law of society equivalent to the law of distance innewtonian physics, perhaps offering the possibility of measurement. This method of inductive analogy (A/B=C/D) underlies Jean-Jacques Rousseau'sSocial contract: Rousseau uses classical metaphors of clockwork, modeling his notion of government on a watch and including mathematical proportions used by clockmakers to design the parts. Similarly, in hisTheory of moral sentiments, Adam Smith uses the old metaphor of the eye of the mind, modeling his social system on the recent notions of perspective: two persons, when they meet, will regulate their passions — of any type except interest — according to an imaginary distance between them, which varies according to the nature of the passion and its level. It is essential to restore these translations and the subsequent debates in order to understand the implications for sociology throughout the XIX^th century.     

Vers une histoire de la mémoire sportive en France ? Cadres théoriques et éléments d’analyse

The main objectives of this article are to highlight memory as a phenomenon in the field of sport, to determine its content and to understand the dynamics that governed it during the twentieth century. Memory and its socio-historical study are two growing dimensions of the postmodern era, while sport, structured by industrial societies, has shaped modes of representation, notably since the second half of the century. Through the link between sport and society, the spatial and temporal considerations as well as the reconfiguration of social frameworks, we will therefore reveal the existence and emergence of memory as a vital element of the contemporary sporting sphere. From this analysis, we will also put forward a first assessment of existing uses of sporting memory: between historical legitimacy and patrimonialisation.     

‘Les routes entrecroisées’: trajectoires et engagements des antiquisants français au XXe siècle

A key trend in post-1995 French cinema has been the return of the social. Analysing this trend, this article seeks to evaluate its politic impact. Using Herve´ Le Roux's Reprise (1997) and Agne ¤ s Varda's Les Glaneurs et la glaneuse (2000) as key meta-texts, it suggests that the current wave of politically engaged cinema needs to be approached in new ways that recognise how films trace the impact of a politically unmediated, 'raw' real on groups or individuals. It further suggests that the withdrawal of political mediation gives the films an essential ambiguity and a melodramatic quality that, rather than mere cliche´, may be a privileged way to engage with the violence of the real. Film is now not so much in the van but dans le bain of a diverse socio-political stirring.