Beyond ‘the Phenomenological Walk’: Perspectives on the Experience of Images

Scandinavian rock art has been of major interest for archaeological studies of a phenomenological character. By reflecting on the experience of rock art it has been argued that images choreograph movement and that this embodied interaction reflects both social order and world views. This perspective has been applied in studies of both open-air rock art and images in the confined spaces of caves. When critically evaluating these efforts, it seems clear that these phenomenological studies reduce rock art to a mere representation of the experience of place. Phenomenology also fails to challenge the assumption that the meaning of images is created primarily by the intentions of its creator. It is therefore suggested that, in order to discuss the experience of images as meaningful, we need to develop the phenomenological theory of embodiment into a material phenomenology. This material turn enables us to problematize the relationship between intentionality and the meaning of images, which could lead to a perspective where rock art affects both the experience of place and of landscape and the creation of new images. Consequently, an archaeology of images should treat rock art as an expression which creates and maintains practices and relations with places and landscapes.     

中国艺术考古学的奠基

艺术考古学作为一门在考古学与艺术学的边缘地带产生的交叉学科,其形成和确立顺应了考古学与艺术学学科发展的必然趋势;同样,考古学与艺术学理论的发展也为艺术考古学的建立奠定了理论和实践上的坚实基础。     

Archaeology,assistance, and aggression along the Euphrates: reflections from Raqqa

ABSTRACT

This paper traces the cultural missions and salvage archaeology programs along the Euphrates River around Raqqa from the 1950s onwards. We suggest that the varied investments from international expeditions, conservation programs, and technical assistance in Syria have an important, untold history that is relevant to recent developments and conflicts in northern Syria. We explore the intersecting practices of archaeology and assistance, illuminated by archives drawn from international agencies such as UNESCO, as well as companies, consultants, bureaucrats, and archaeologists. Our focus is upon foreign intervention around imperiled heritage, considering not only internal politics but also UNESCO’s 1960s shift from fully funded campaigns to global appeals reliant on foreign governments, corporations, and universities. The outsourcing of salvage allowed specific patrons – national and international – to privilege particular pasts; and it is these histories and legacies that further require us to reassess the place of Raqqa in the current civil war.     

Looking through the mirrors: materiality and intimacy at Domenico Grillo’s mansion in Baroque Madrid

Abstract

In 1662, the Spanish crown granted Genoese banker Domenico Grillo an incredibly generous monopoly contract aiming at reactivating the slave trade to the Spanish colonies in the New World. Yet despite the fundamental role Grillo’s slaving business played in the transformation of the geopolitics of the Atlantic, his fleeting incursion into the field of human traffic has so far received limited historiographical attention. This paradox may result from the little information that, beyond the records of his commercial transactions, colonial archives appear to have retained about the complex personality of this Ligurian financier. Seeking to bypass this frustrating documentary gap, this work draws on alternative historical, genealogical and archaeological approaches in order to explore the social and cultural meaning of the various materialities once populating Domenico Grillo’s intimate lived spaces in Baroque Madrid.     

Water and the Urban Fabric: a study of towns and waterscapes in the Roman period in Britain

This paper highlights the ways in which components of waterscapes—rivers, lakes, pools, wetlands and waterfronts—formed elements of the urban fabric in the Roman period. Urban archaeology has focused mainly on features relating to land, while nautical archaeology, studying rivers, ports and harbours, trade and seafaring, reminds us of the importance of watery contexts. By examining waterscapes in the urban setting we can start to break down some of the traditional dichotomies in archaeology between land and water. Water could form an integral part of the lived environment and acquire cultural meanings that can be studied archaeologically. © 2012 The Author     

The Political,Social and Scientific Contexts of Archaeological Investigations of Mass Graves in Spain

The recovery of historic memory of the Spanish Civil War is a multilayered initiative to escape both the romanticism of the Franco era, in which only the glory of the victors was celebrated while their past atrocities were ignored, and the cautiousness of the post-Franco democracy, for which forced amnesia of the Civil War was considered a sacrifice for the greater good. In the past five years the efforts to recover historic memory have gained empirical footing by employing archaeological methods to locate, enumerate and identify the victims of extrajudicial executions. The ultimate goals of such work include the production of a more accurate historical statement of past events, the repatriation of missing persons to their families, and the documentation of physical evidence that may allow families to seek civil restitutions. While the scientific methodology is fairly straightforward, the process is nonetheless inherently political in that various government bodies can and do impede recovery efforts. This paper contextualizes the current political and social climate of human rights investigations in Spain by illustrating some of the recent recovery efforts in Catalonia and Andalucia.     

‘The greatest loss was a loss of our history’: natural disasters,marginalised identities and sites of memory

This paper examines intersections between space, materiality, memory and identity in relation to lesbian and gay experiences of recent disasters in Australia. Drawing on interviews with lesbians and gay men in two disaster sites, the paper argues that disaster impacts may include the loss of sites of memory that inform and underpin the formation and maintenance of marginalised identities. We explore the ways in which social marginality is experienced by sexual minorities during disasters as a result of threats to sites of lesbian and gay memory. The paper contributes to scholarship in geographies of memory by investigating the impacts of disasters on how memory is spatially located and experienced.     

‘I am Tower of Hamlets’: enchanted encounters and the limit to art’s connectivity

‘I am Tower of Hamlets, as I am in Tower of Hamlets, just like a lot of other people are’ (2011–2012) was an artwork by Argentinian artist Amalia Pica, and involved a pink-granite sculpture touring around different homes in the London Borough of Tower Hamlets for one year. This paper offers a geographical investigation into the type of encounters and relations created by this artwork. Rather than assume the progressive role of such art encounters, the paper casts a critical eye on to the actual forms of association that they foster and the normative social logics they may perpetuate. In doing so, it suggests that while enchanted, ‘meaningful’ encounters did occur between participants and the sculpture, these occurred within a pre-existing art community, something which compounded problematic class boundaries. Thus, the paper utilises this artwork to identify how encounters can be meaningful whilst maintaining embedded social and cultural divisions. It concludes with a discussion on the relationship between art and the geographies of encounter.     

Caring for the dead? An alternative perspective on Sámi reburial

This article is an effort to critically discuss Sámi repatriation and reburial practice based on the analysis of five repatriation cases. Since the seminal repatriation (and burial) of the skulls of Somby and Hætta in Gávvuonna/Kåfjord in 1997, and the more recent reburial of 94 skeletons in Njauddâm/Neiden in 2011, a precedent seems established in Norway that allows the unconditional reburial of all Sámi human remains from collections and excavations. This inevitably poses a serious challenge to research on Sámi human remains and the Sámi past. It is argued that what is important is not research, but that Sámi are allowed to decide for themselves how they wish to care for the dead. Rather than argue according to the adversarial pro-research or pro-reburial viewpoints, this article will take a closer look at how the dead, and their associated material remains, are cared for during Sámi reburial. As will be argued, the care for the material side tends to be neglected and therefore raises an ethical question regarding this practice.     

The Classic-period pictographs at Juliq’ Cave,Alta Verapaz,Guatemala: an interdisciplinary approach to cave art as organizing principle

The Cave of Juliq’ in Alta Verapaz, Guatemala contains an impressive corpus of ancient Maya rock art. Unlike other examples of rock art in this area, the Juliq’ pictographs are simply rendered, generally consisting of lines, handprints, and other basic shapes. We thus focus on context rather than on iconographic content in order to access the meaning of these ancient pictographs. We argue that they were used to record human presence in and movement through the alien cave environment in specific ways, demarcating procession routes, points of transition, moments of physical prowess, and places charged with sacred power. These circuits within Juliq’ reflect attempts to order the Underworld landscape and link it to the surface world through ritual movement akin to aboveground ritual processions.     

Remembering Things Seen: Experimental Approaches to the Process of Information Transmittal

The persistent problem of determining the factors that lead to continuity or variation when information is transmitted in different kinds of cultural situations is addressed here experimentally in a series of reproduction tasks. Art students were given varying degrees of exposure to different kinds of images and objects from different cultures and were asked to make reproductions. The results indicate that the most important factors leading to accurate reproductions are length of exposure, meaningful associations, and especially cultural knowledge. These factors can be used to develop more realistic archaeological models that posit the kinds of information transmitted in different kinds of contact situations.     

金沙遗址出土金蛙之寓意探析

根据文献记载和考古资料的探析,金沙遗址盎箔蛙形怖是古代蜀人的崇奉象征,是举行“祭蛙求雨”祭祀仪式后的珍贵遗存,     

Office Cultures and Corporate Memory: Some Archaeological Perspectives

It is only when one moves home or office that one really thinks about what gets left behind, what is discarded, and what we decide to keep. How we deal with this in our personal lives is interesting enough, where senses of loss and discard are potentially heightened given the intimate heritage which many familiar objects and items possess. But what happens when the transition is corporate, when an organisation moves? Here, briefly, is an archaeological perspective on the move English Heritage made in 2006, from its long-time HQ in Savile Row (London, UK) to new accommodation in Holborn and elsewhere.     

Neolithic rock art in context: Landscape history and the transition to agriculture in Mediterranean Spain

Rock art is one of the most salient features of Neolithic societies in eastern Spain and an explicit form of landscape history. This paper summarizes current debates of Mediterranean rock art chronology and interpretation and explores the contextual differences in two areas of Neolithic settlement with rock art: the Canyoles Valley (Valencia) and the Alcoi Basin (Alicante). Large-scale survey of the Canyoles Valley resulted in a clearer understanding of agricultural land use during the Neolithic that contrasts with evidence from the Alcoi Basin. By analyzing Neolithic rock art in its archaeological context, we discuss the significance and limitations of rock art analysis for understanding and characterizing landscape histories and the transition to agriculture in the region.     

Revolutionary archaeology in Cuba

The Revolution of 1959 brought forth changes in the mission, theoretical orientation, and organization of archaeology in Cuba and created a role for, and constraints on, the profession that are unique in the Western Hemisphere. This paper draws upon examples from substantive field and laboratory research to examine the methods and theoretical perspectives of Cuban archaeology since the Revolution, focusing on the period from 1962 until the collapse of the Soviet Union. Archaeological practice during the Revolutionary period in Cuba has reflected the aims of the Revolutionary government, the influence of Soviet archaeology, the legacy of pre-Revolutionary approaches in North American archaeology, and the Cuban sense ofpatria.     

Remembering Gotham: Urban Legends, Public History, and Representations of Poverty, Crime, and Race in New York City

The past is never truly past, nor are historians/archaeologists privileged stewards of a city's memory. The moment ground was broken at Five Points, researchers encountered a public avidly interested in the history of New York's legendary nineteenth-century slum. From the 1840s this Manhattan neighborhood provided journalists with grist for lurid tabloid tales, creating a grim literary legacy that lingers in popular historical memory into the twenty-first century and also continues to shape public perceptions of poverty and antipoverty policies. New York's press remains steeped in memories of a crime-infested Five Points. Even as researchers uncovered nineteenth-century accounts of gangs, prostitution, and sweat-shop labor at the Five Points, our own newspapers arrived with blaring headlines drawing on nineteenth-century stereotypes of poverty, race, and place. The struggle to create alternative accounts of life in Five Points based on archaeological evidence clashed with these tenacious narratives and the class interests informing them.