Liberal Evolutionism and the Satirical Ape

This article considers intersections between the doctrines of mid-Victorian liberalism and biological evolution using 1860s caricatures and satires from Punch. In the years following the 1859 publication of John Stuart Mill’s On Liberty and Charles Darwin’s On the Origin of Species, caricatures featuring satirical apes illustrated mutually supportive cultural attitudes about politics and science. Ideas of character united the discourses of mid-Victorian evolutionism with liberalism, and the confluence of these ideas, or what I term liberal evolutionism, dramatized this overlap for Victorian culture. My project shows that the apes depicted in Punch were often intended as not only whimsical responses to the theories put forward by Darwin and Mill, they also point to the formation of the British subject.     

The Elephant In and Out of the Room: Remigio dei Girolami’s Responses to Charles de Valois

In November 1301, Charles de Valois, brother of French King Philip IV, entered Florence at the request of Pope Boniface VIII and his Florentine allies. While Charles’ mission was ostensibly peacemaking between Florence’s Black and White factions, in reality his visit led to violence and exile of leading Whites, including Dante. Much of what we know about these events was written in retrospect, from the chronicles of Compagni and Villani to Dante’s Commedia. The Florentine Dominican Remigio dei Girolami, however, preached two sermons that week that provide a more immediate impression. One was given at the official communal welcome ceremony for Charles. The other, one of his sermons De pace, was probably given at a semi-secret peace procession mentioned by Compagni. Rhetorical analysis of these two sermons shows that Remigio tailored his message to his audience. When Charles was present, Remigio diplomatically avoided the subject of factional division, instead advising Charles on his upcoming mission to Sicily (perhaps subtly encouraging him to get on with it and leave Florentine politics alone). In Charles’ absence, however, Remigio obliquely criticized Charles and stressed to his fellow-citizens that, as the sermon’s thema stated, peace was in their power.     

Obituary Notice

Abstract

St Vitus’s Cathedral, founded in 1344, is a prime example of 14th-century cathedral Gothic, a product of the cooperation between the ingenious architect Peter Parler and his patron, Emperor Charles IV. The unusual layout consisted of a pair of choirs set side by side in the eastern section of the cathedral, an arrangement inspired by the earlier Romanesque double-choir basilica. One was dedicated to St Vitus and was used by the canons, the other to the Virgin Mary and operated by the mansionars. The royal and imperial necropolis was placed in the latter of the two choirs, with Charles IV’s tomb-chest protected by a sculptured canopy and surrounded by the cenotaphs of deceased family members and later kings and queens. The form of two choirs is probably the result of an extensive rearrangement of the earlier project completed in the 1350s, when initial plans to locate the royal burial ground in the canons’ choir were abandoned. The main choir contained a tabernacle of remarkable design, dating from c. 1365. There may originally have been plans for a third choir to be built around the tomb of St Adalbert located in the middle of the nave, the work on which was initiated in 1392.     

Alice Munro,Charles McGrath,and the Shaping of “The Turkey Season”

Using archival evidence of the editorial process behind the publication of the story “The Turkey Season,” this article explores the collaborative literary relationship between Alice Munro and one of her long-time editors at The New Yorker magazine, Charles McGrath. It reveals McGrath’s exceptional contribution to the story—restructuring it by combining the two versions Munro submitted into a composite—and theorizes the composite version’s effects on the epistemological grounding of the story and the narrator’s certainty about her own memory of the events she recounts, both of which are features that are often considered characteristic of Munro’s style in her mature writing.     

Fragments of the Modern City: Material Culture and the Rhythms of Everyday Life in Victorian London

This essay analyses the influence of Charles Baudelaire's and Théophile Gautier's fetishist poetics on the early works of Algernon Charles Swinburne. If the crucial role played by the Victorian poet as a cultural ‘passeur’ between France and England has often been highlighted in recent criticism, his aesthetic delight in certain forms of sexual deviance such as podophilia has rarely been explored in relation to the verse of his French mentors. Swinburne, Gautier, and Baudelaire may have indeed shared this erotic fascination with feet: this is a fascination that was partly grounded in these poets' common interest in antique literary models, in particular in Sappho's poetry. Rather than extolling the Hellenic ‘sweetness and light’ which some of his contemporaries set so high, Swinburne indulged in dangerously eroticised Dionysian aesthetics which were perceived as both ‘too Hellenic’ and ‘too French’. I argue that the fetishism of the poetic foot may be read as one of the keys to the Victorian poet's subversive shift away from the serenity often associated with Victorian neoclassicism in favour of a Dionysian energy that anticipates Friedrich Nietzsche's works.     

Innocent III and the world of symbols of the papacy

ABSTRACT

This essay explores some of the papal symbols which assumed particular prominence during the pontificate of Pope Innocent III (1198–1216). These symbols belong to different modes of expression: metaphoric speech and writing (vicarius Christi, the pope’s body); clothing (pallium, tiara); objects (the Golden Rose); and visual art (the mosaic in Old St Peter’s). It is argued that the pope – and his curia – employed these symbols to represent the special position of authority which the pope held within the Church and society at large, and that several of them played a role in ritual enactments of papal authority. It is furthermore argued that they should be seen as part of a coherent system of symbols and that many of them serve to emphasise the relationship between the pope and Christ, and thus represent Pope Innocent III’s ecclesiological programme in which the pope as God’s representative on earth plays a pivotal role.     

Marvell as libertin: Upon Appleton House and the Legacy of Théophile de Viau

Abstract

This paper argues for a ‘libertine Marvell’ as heir to a line of intellectual and poetic influence stretching from the atheist philosopher Lucilio Vanini, through the poets Théophile de Viau and Marc-Antoine Gérard de Saint-Amant, via their English translators Charles Cotton, Thomas Stanley, and Thomas Fairfax, to Marvell’s poem Upon Appleton House. It argues that Upon Appleton House captures the libertine spirit of Théophile more faithfully than Stanley and Cotton’s largely sanitised versions. Conversely, French libertine poetry and thought of the 1610s and 1620s are seen to provide the best context for understanding the ‘vitalism’ of Marvell’s garden poems, as well as their unusually divagating observational style.     

Vagrant,Convict, Cannibal Chief: Abel Magwitch and the Culture of Cannibalism in Great Expectations

Charles Dickens’s Great Expectations opens with a jolt, as Abel Magwitch – an escaped convict – pounces on the narrator and protagonist, Pip. Despite this rather dramatic introduction, and the pivotal role that he goes on to play in the plot, Magwitch has never been given the sustained critical analysis that he warrants. More often than not he has been treated as one of Dickens’s infamous ‘flat’ characters; a kind of ‘pantomime wicked uncle’, in the words of George Orwell. This is a critical legacy that this paper seeks to redress. Seeing Magwitch as an essential element in Dickens’s critique of mid nineteenth-century society, this paper examines Magwitch’s largely ignored peripatetic and homeless past. By contextualizing Magwitch in his role as a vagrant outsider, and then exploring how this marginal position nuances the cannibalistic appetite he displays in the first pages of the novel, I argue that Magwitch’s violence and ‘savagery’ forms a foil for the more sadistic practices of civilized society. In doing so I position Magwitch at the dark heart of Dickens’s social pessimism, and re-evaluate the culture of cannibalism that we see in Great Expectations.     

‘The Pathos of Conservation’: Raphael Samuel and the politics of heritage

When Raphael Samuel’s Theatres of Memory: Past and Present in Contemporary Culture was published in 1994, it was critically received. Yet, the book has not had the impact of other key works such as Lowenthal’s The Past is a Foreign Country (1985) or Hewison’s The Heritage Industry (1987). A number of factors have contributed to this, such as Theatres essentially being an unfinished project, and ‘heritage’ in the book having multiple personas – the net result being that Samuel’s arguments can at times be hard to pin down. Yet with interest in his approach to heritage now growing, this article seeks to unravel Samuel’s core ideas and arguments pertaining to heritage, and to give an historical background to their evolution. With the central tenets of Samuel’s argument essentially being a case for the democratisation of heritage; the validity of what we might today call ‘unofficial’ narratives and discourses; and to challenge the dominant view that heritage was ultimately history’s poor cousin, I argue that Samuel’s ideas have much to offer contemporary research agendas in heritage.     

‘We will make the happy tremble’: triumphal victimhood in Charles Robert Maturin's The Milesian Chief

Charles Robert Maturin’s The Milesian Chief (1812), long neglected, may now be ripe for closer attention, particularly for its evocation of the imagined power of suffering over audiences. Deploying a structure supplied by Sidney Owenson’s The Wild Irish Girl and Madame De Staël’s Corinne, the novel dramatizes the arrival of a cosmopolitan heroine in Ireland, her tortured romance with an Irish nobleman, and their ultimate destruction in a rebellion vaguely reminiscent of those of 1798 and 1803. Less useful for its insight into national history than for its almost anthropological grasp of deeply changing patterns of desire, the novel dramatises a struggle that ends in a striking triumphalism little noted by previous critics. The concepts of René Girard and Eric Gans are used to assess the work’s rhetoric of victimhood and its insistent emphasis on the effect of renunciations of desire on adversaries individual and collective.     

The politics of disenchantment: Marcel Gauchet and the French struggle with secularization

ABSTRACT

This article looks at Marcel Gauchet’s major metahistorical statement, The Disenchantment of the World: A Political History of Religion (1985), and uses it to advance a series of claims about the place of secularization in debates within and about French politics, especially in relation to modern French history. The argument is put forward that Gauchet’s work is best understood as offering an alternative philosophy of history to Marxism that could serve to support a broadly republican realignment of French politics in the 1980s. Revisionist historiography concerning the French Revolution likewise played a role in this development, and served as a prerequisite of sorts to Gauchet’s broader historical project. The article also considers Gauchet’s work in light of postmodern skepticism of the utility of historical metanarratives.     

Legal learning and saintly authority in thirteenth-century hagiography: the Magna vita sancti Hugonis

Law is central to the construction of sanctity in Adam of Eynsham’s Magna vita of Hugh of Lincoln (1186–1200). Hugh had no formal training in canon law, and, beyond the Magna vita, there is no evidence to suggest that he was a particularly proficient judge. If that lack of legal training was not a problem in Hugh’s lifetime, it had become a more sensitive issue by c.1212, the date of the composition of the Magna vita. Rather than ignoring the law, or denying its importance, Adam attempted to demonstrate that Hugh received mastery of legal argument as a divine gift, and multiple miracles involve Hugh correcting legal scholars. Recognising these careful patterns of construction raises problems for reading Adam’s Magna vita. While Adam has traditionally been characterised as a truthful biographer, this reading suggests he was engaged in a more complex project of marrying sanctity to legal learning.     

Race,polygenesis and equality: John Crawfurd and nineteenth-century resistance to evolution

The nineteenth-century Orientalist and ethnologist, John Crawfurd, publicly rejected Charles Darwin’s theory of evolution in 1868. Crawfurd was a leading advocate of polygenesis but also a supporter of racial equality. In 1820 he published his History of the Indian Archipelago, where he advocated granting household suffrage to all races in the British colonies. After finishing a career in the East India Company in 1828 he became the foremost expert on South-East Asia in Britain. Crawfurd became a regular writer on ethnology and Asian affairs for the Examiner newspaper and in the 1860s he was President of the Ethnological Society of London. Accounts of nineteenth-century anthropology in Britain characterise debate around race as falling into two camps: advocates of monogenesis and advocates of polygenesis. In the United States of America, advocates of polygenesis were often associated with advocates of slavery and racial inequality. Recent research has demonstrated that Charles Darwin’s hatred of slavery drove him to write Origin of the Species to demonstrate the unity of the human species and reject the polygenesis position. This paper explores Crawfurd’s ideas and demonstrates that a belief in polygenesis in the nineteenth century did not necessarily equate with a belief in racial inequality.     

List of figures

Although the general historical context of Christine de Pizan's Livre du corps de policie (LCP), the Orleanist-Burgundian feud occasioned by the periodic insanity of King Charles VI, has long been recognised, the precise argument that the author wages through her unique configuration of the third part of the body politic has not been explored. This essay reads the LCP as an intervention into the escalating struggle for power between Charles VI's brother, the duke of Orleans, and his cousin, the duke of Burgundy. Christine's purpose emerges most clearly in her peculiar arrangement of the third part of her body politic, le peuple, where two points bear particular consideration: her inclusion of the University and her division of the ‘merchants’ across two separate categories, a repartition which seems to refer to the contemporary distinction between the highly-placed merchants of Paris and the butchers. Christine seems to be arguing that if the University were to make common cause with the ruling burghers and well-placed merchants, they could force into submission their more restless brothers and sisters, the butchers and their thuggish followers, whom the duke of Burgundy would finally convince to rise up in 1413 in what has become known as the Cabochian Revolt.     

‘Affirmative Signalling’: Dickens’s Railway Journalism and Victorian Risk Society

This essay explores Charles Dickens’s railway journalism of the 1850s and 1860s and its differences from his more well-known fictional accounts of the British railway network. While fictional works such as Dombey and Son and ‘The Signalman’ emphasize the catastrophic aspects of railway accidents, Dickens’s journalism in Household Words and All the Year Round examines the modern systematicity of the railway network, which by its nature as system, necessitated accidents on the lines. The essay incorporates theoretical readings of risk by Ulrich Beck and Paul Virilio into its critical assessment of Dickens’s railway journalism. Fundamentally, it aims to demonstrate that Dickens’s railway journalism illuminates the complexity of Victorian narratives of technological and bureaucratic industrial and transport systems by prioritizing the global dimensions of systematic accidents over the period’s tendencies to focus merely on local accidental events.     

Inventing the Victorian age: the Greville Diary and its Early Critics

The Journals of Charles Greville, clerk to the Privy Council from 1821 to 1859 are among the most well-known, well-respected and widely cited sources for the political and social history of their times. What is less well-known is the controversy they aroused among Greville's Victorian readers when first published (less than a decade after Greville's death) in 1874. The purpose of investigation here is to chart the course and extent of reader reaction as it unfolded during 1874–75, to explore ways of accounting for its intensity and, finally, to attempt evaluation of its impact as a cultural experience conducive to the emergence among readers of a conscious recognition of themselves as ‘Victorians’. When read in the context of the preoccupations of its first readers, Greville's Journals prove to be anything but a dead historical source. Instead, reader reaction is found to be driven by a series of contemporary concerns. They include the question of the degree of respect owing to hereditary authority; the definition of standards of honourable behaviour in protection of the private dealings of people of public reputation; and the very degree of reliability to be attributed to diary-based ‘memoirs’, given their contestable genre. Even so, participants in the controversies which broke out on all these fronts found themselves admitting common ground in acknowledging across their differences that the ‘Victorian’ age in which they lived was a decisive cultural and political break from the past world the Journals recorded.     

His Brother’s Keeper: Charles Livingstone and the ‘Failure’ of David Livingstone’s Zambezi Expedition

David Livingstone’s Second Expedition to Africa (1858 to 1863) began with lavish promises and expectations and ended ignominiously, with official Britons castigating the once greatly esteemed explorer of Africa. To what extent did Charles Livingstone, an ordained Congregational minister and David’s American-trained younger brother, help to diminish the Expedition’s successes? Were David Livingstone’s promising exploring and scientific efforts compromised by his seemingly troubled, racist, brother? American-trained and an ordained minister, with a supposed ‘ascendancy’ over his elder brother, how did Charles’ prejudices and actions undermine his brother’s leadership and the accomplishments of the Zambezi project?     

The Great East Window of Gloucester Cathedral and its Heraldic Glass

Although the coats of arms in the great east window of Gloucester Cathedral are often associated with Edward III’s 1346–47 military campaign in France, the window’s function as a commemorative monument has never been thoroughly studied. The aim of this paper is to provide a political and social contextualisation to the heraldry of the east window, while considering its symbolic meaning (and possible intention) in the framework of the window’s iconography and spatial setting. In regarding the heraldry as thematically connected to the window’s overall theme, and by examining the window in correlation to contemporary discourse on England’s military victories, this paper demonstrates how the window’s composition evokes the exalted social position of Edward III’s military companions after the victories in the first phase of the Hundred Years War. Additionally, this paper argues that the window coincides with Edward III’s kingly ideals by celebrating his rule and lineage as divinely blessed, while affirming his right to the French throne.