The ‘Sleepiness’ of George Sarawia: The Impact of Disease on the Melanesian Mission at Mota,c. 1870–1900

George Sarawia, ordained in 1873 as the Melanesian Mission’s first Indigenous priest, was a pioneering figure in the mission’s plans for an Indigenous-led Anglican Church in the region. Sarawia founded Kohimarama, a mission station on Mota in the Banks Islands, Vanuatu, where he taught Mota Islanders and hosted visiting teachers and clergy. By the 1890s, some of the European missionaries had become critical of Sarawia and his flock on Mota, underlining their ‘natural, sleepy condition’ and recommending more intensive European supervision. This article will explore the role of epidemic and endemic disease, as well as the shortage of water on Mota, in creating substantial challenges for Sarawia and his mission. As he grew more incapacitated in later life, these challenges were insufficiently acknowledged by Sarawia’s critics.     

The Story of Jimmy: the Practice of History on North Pentecost,Vanuatu1

The Story of Jimmy is a frequently told oral‐historical account of ‘first contact’ from North Pentecost, Vanuatu. It describes the adventures of a group of ni‐Vanuatu plantation labourers who escape from Fiji by hijacking a ship and navigate a return to their home islands in Vanuatu. Central to the story is a young white man, known simply as Jimmy. Unwittingly forced to make the journey with them, and before they are all finally shipwrecked on the east coast of North Pentecost, Jimmy witnesses the murder and cannibalisation of his father by the starving hijackers. Yet upon departing for home some four years later he bestows a new name upon the Island: Uretabe, the ‘world of love/gifts’. This story, with its dual‐inverted narrative of abduction, transformation, escape and return, presents a remarkable account at a unique moment of historical rupture and cross‐cultural exchange. In doing so it also expresses idiomatic themes of mobility, place and identity as they relate to the politics of both the colonial past and postcolonial present in North Pentecost. This paper explores those themes and narratives while considering their relevance to my own experiences as a researcher in the area.     

Yusuf Islam (aka Cat Stevens) and his anti-war and pro-peace protest songs: from hippy peace to Islamic peace

ABSTRACT

In the 1970s Yusuf Islam (aka Cat Stevens) inspired a generation with his songs on anti-materialism, finding self and peace in such classic albums as Tea for the Tillerman (1970, US 3x platinum) and Teaser and the Firecat (1971, US 3x platinum). In December 1977 he converted to Islam, gave up popular music and focussed on humanitarian and educational work, until he returned to popular music in 2006. Meanwhile, Muslims became associated in the West as intolerant and violent. Yusuf has emerged in the last decade as a voice for progressive Muslims. This article explores the continuities in his music from his Cat Stevens days to his comeback and how he has reconciled popular music and his Cat Stevens past with his understanding of Islam. The focus is on his anti-war and pro-peace songs. It argues that his earlier songs are similar in their messages of world peace through love and unity, though less dark than his post-2006 songs. Additionally, his recent songs have a new message that the world must be more inclusive to achieve world peace. This is connected to him being a Muslim in the West and his feeling of exclusion, in an age when many in the West portray all Muslims as extremists. Consequently, in his recent music he reflects his experience as a Muslim, in the same way as his earlier music reflected the counter-culture of that period. Thus he has gone back to his earlier self after adopting a progressive understanding of Islam. Not Started Completed Rejected.     

Foucault and Technology

This article offers the first comprehensive analysis of the ways in which the French philosopher Michel Foucault (1926-1984) employed the terms ‘technology’ and the ‘technique’ over the course of his intellectual career. His use of these words in his mature writings, it is argued, reflects a profound ambivalence: Foucault sought to denounce the pernicious effects of what he called modern ‘technologies of power,’ but also deliberately evoked the more positive values associated with ‘technology’ to develop a philosophical standpoint shorn of the ‘humanist’ values he associated with existentialism and phenomenology. The article situates Foucault’s condemnation of power technologies within the broader skepticism towards ‘technological society’ that pervaded French intellectual circles following World War II. In the first phase of his career (1954-1960), Foucault built on these attitudes to articulate a conventional critique of technology’s alienating effects. Between 1961 and 1972, the theme of ‘technology’ fell into abeyance in his work, though he often suggested a connection between the rise of technology and the advent of the ‘human sciences.’ Between 1973 and 1979, ‘technology’ became a keyword in Foucault’s lexicon, notably when he coined the phrase ‘technologies of power’. He continued to use the term in the final stage of his career (1980-1984), when his emphasis shifted from power to ‘technologies of the self.’ The essay concludes by addressing Paul Forman’s thesis on the primacy of science in modernity and of technology in modernity, suggesting that in many respects Foucault is more of a modernist than a postmodernist.     

The Meaning of Things: Kipling’s Formative Journey ‘Home’ in 1889 and the Late Victorian Imperial Tour

The ‘seven years’ hard’ Rudyard Kipling spent as a journalist in north India are generally seen as the making of both his poetic and his politics. But, important as origin, community, identity and ‘my father’s house’ are to Kipling, he should also be seen as a wayfarer of no fixed abode. In 1889 he used his first royalties to return to metropolitan fame by the long way round: Burma, the Straits, Japan, the Pacific and a transcontinental journey past landmarks of his Americanophile boyhood reading. Both distressing and exhilarating, it was a journey that stimulated the productive tension in him between the parochial and the universal. If an upcountry Punjab station had impressed him with the necessity of colonial rule, it was this voyage that engendered his all-embracing imperial vision. If he had honed his eye for ‘local colour’, this trip intimated to him that his metier would lie in culturally translating disparate portions of the empire to one another. Anticipating Baden-Powell’s call to ‘look wider’, vagabonding proved to be an agreeable mode of existence, but metropolitan arrival was to hold its own unforeseen challenges and anxieties. At a time when English writers like Arthur Symons aestheticised their sensation of cultural rootlessness in the figure of the vagabond, Kipling sought to foreground his own vagabondism with a persuasive claim to belonging.     

A Clerk's View

One enduring challenge of being a law clerk for Justice Stevens was trying to prove, at least to yourself, that the Justice actually needed a clerk. He could do it all himself—and he frequently did. It wasn't just the fact that he drafted his own opinions, although that was definitely part of it. (What exactly do you say as a young, recent lawschool graduate when he gives you his polished and carefully conceived draft?“Good effort, Justice, I think you’re coming along nicely”?) And it wasn't just the fact that he would read the same mountain of briefs as you and then come up with an insight that nobody had seen and that irrevocably turned the case on its side for all concerned, including the lawyers and the other Justices.     

‘So Much to Do’: Oxford and the Wills of Cecil Rhodes

Cecil Rhodes (1853–1902) safeguarded his imperial vision with a series of wills. Sensing that his life would be relatively short, he left to his trustees the task of carrying out his wishes after his death. He also left a substantial fortune to make it possible. This article uses those wills to follow the development of Rhodes’ ‘big idea’, the creation of a secret society to promote imperial expansion, from its birth in Oxford to the final compromise of the Rhodes Scholarships. The article questions the existence of a much-quoted teenage will, examines the influences on Rhodes at Oxford that led to the famous ‘Confession of Faith’ will and identifies a link between the 1892 will and the Mandela Rhodes scholarships founded in 2003.     

Fallout from the thunder: poetry and politics in Seamus Heaney's District and Circle

This article examines Heaney's preoccupation in District and Circle (2006) with international political events during this ‘new age of anxiety’, and how he initially approaches these circuitously through a return to originary, boyhood experiences. Such momentous acts as the attacks of 9/ll, the ‘War on Terror’ and the London bombings are filtered through, juxtaposed with and illuminated by episodes both from the ancient past and Heaney's family history. In attendance, as always, throughout the latest volume is the poet's diverse literary ancestry, a reminder of how his work exemplifies core claims made in ‘Tradition and the Individual Talent’ (1919), where Eliot argues that ‘what makes the writer most acutely conscious of his own place in time’ is ‘the historical sense’, ‘a feeling for the whole of literature’ from Homer onwards. Thus, alongside its detailed address to politics and such crucial literary matters as structure, form and metaphor, the essay repeatedly returns to the intertextual ‘presences’ which haunt and animate Heaney's continuing creative project.     

The Legacy of Planter Jean My: Analysis of Two Private Colonial Homes in Southern Melanesia

This paper discusses two private houses built by New Hebrides planter Jean Marot dit My, one on Santo Island, northern Vanuatu, and another in Nouméa, New Caledonia. The former is relatively well known in Vanuatu, as it is assumed to be the inspiration behind the octagonally shaped mansion of the character Emile de Becque, a French planter in James A. Michener’s Tales of the South Pacific. Mr My’s houses are linked to French Art Deco style and are here compared to one another. Through the study of their similarities and differences, and of their interiors, the integration of Art Deco style and design can be demonstrated. While they represent two very different ways of life, they show the inspiration, aspirations and trajectory of a colonial French family in southern Melanesia. Hopefully, this research will help promote the protection of both houses, through emphasising the importance of their historical and literary connections.     

Conflicting obituaries: the Abyssinian ‘outlaw’ Debeb as treacherous bandit and romantic hero in late nineteenth-century Italian imagination

In 1886 the Abyssinian chief Debeb became a public figure in Italy as a rapacious colonial bandit. However, over the next five years he acquired additional public personas, even contradictory ones: as a condottiero ally, a ladies' man, a traitor, a young Abyssinian aristocrat and pretender to an ancient throne, a chivalrous warrior, and a figure representing the frontier and an Africa mysterious and hidden to Europeans. Upon his 1891 death in combat, he was the subject of conflicting Italian press obituaries. For some commentators, Debeb exemplified treacherous and deceitful African character, an explanation for Italy's colonial disappointments and defeats. However, other commentators clothed him in a romanticised mystique and found in him martial and even chivalrous traits to admire and emulate. To this extent his persona blurred the line demarcating the African ‘other’. Although he first appeared to Italians as a bandit, the notion of the bandit as a folk hero (the ‘noble robber’ or ‘social bandit’, Hobsbawm) does not fit his case. A more fruitful approach is to consider his multi-faceted public persona as reflecting the ongoing Italian debate over ‘national character’ (Patriarca). In the figure of Debeb, public debates over colonialism and ‘national character’ merged, with each contributing to the other.     

‘A Young Tory’? The Early Parliamentary Career of Charles James Fox 1768–74

This article seeks to redress the neglect, even by his biographers, of Fox's early career, when he made over 250 speeches in the house of commons in six years. The period when young Fox supported government was an inappropriate prelude to his later fame as opponent of Prime Minister Pitt and champion of ‘liberal causes’. He was anything but a ‘man of the people’ in his authoritarian attitude and detestation of popular opinion, and yet there were signs that he would not be an administration man in the mould of his father, Henry Fox.     

Thomas Fitzherbert's reason of state

Thomas Fitzherbert's two-part Treatise concerning Policy and Religion (1606, 1610) was a rebuttal of unidentified Machiavellians, statists or politikes and their politics and policies. The work was apparently still well-regarded in the following century. Fitzherbert's objections to ‘statism’ were principally religious, and he himself thought the providentialist case against it unanswerable. But for those who did not share his convictions, he attempted to undermine Machiavellism on its own ground. Like both ‘Machiavellians’ and their opponents, he argued by inference from historical examples, but with a particularly copious knowledge of historians ancient, medieval and modern to draw on. Equally, however, he deployed the principles of speculative (principally Aristotelian) ‘political science,’ as well as theology and jurisprudence, to demonstrate that the kind of knowledge that Machiavellians required to guarantee the success of their ‘reason of state’ policies was simply unobtainable. A particularly striking strategy (perhaps modelled on that of his mentor and friend Robert Persons) was Fitzherbert's attempt to demonstrate, on the Machiavellians’ own premises, that they advocated policies which were very likely to fail, and would be visited with divine punishments sooner as well as later, whereas policies that were compatible with faith and morals were also much more likely to succeed, even judged in purely human and ‘statist’ terms.     

The Representation of Joe Whelks: Charles Dickens’s Reflections on a Theatre Audience

This article explores how Charles Dickens both alludes to and occludes the Victoria Theatre’s looking-glass curtain in his article ‘The Amusements of the People’ (1850). This vast mirror curtain hung at the Victoria in the early 1820s and again in the mid-1830s. Contending that Dickens would have been aware of this spectacular novelty, this article argues that his reference to the Victoria Theatre’s management ‘holding up a mirror’ to its audience is an allusion to the curtain. The mirror curtain reflected the working-class audience at the theatre back to itself, putting it ‘on the stage’, a comment on the nature of representation and its relationship to reality. Like theatre itself, which it also figured, the mirror curtain had a heterotopic nature, both representing and contesting reality. This challenge was particularly unsettling to middle-class onlookers in the context of the representation of an unrepresented (disenfranchised) plebeian audience. I argue that Dickens’s article, like the mirror curtain, reflects the Victoria’s working-class audience and that he alludes to the mirror when making radical arguments concerning the political and class-based nature of aesthetic judgements about representation. His article, however, remains equivocal about the right to working-class self-determination and enfranchisement that the mirror curtain represented. Dickens gestures to, but occludes, the curtain and displaces it with his own representation of the Victoria’s audience and his mediation on their behalf. Ultimately, the challenge posed by the looking-glass curtain to the social and aesthetic order is too great to be fully acknowledged.     

Colonies and Colonisation in Bulwer Lytton’s The Caxtons,A Strange Story and The Coming Race

Sir Edward Bulwer Lytton, an eminently popular novelist, published The Caxtons in 1849. Though sub-titled A Family Picture and mainly concerned with domestic life, it included a lengthy disquisition on colonisation and emigration, its value to British society and its role in extending civilisation by spreading ‘God’s law, improvement’. His colonial example was ‘Australia’. A Radical MP in the 1830s, but opposed to the encroachment of ‘democracy’ and supportive of the Corn Laws, in the early 1850s Lytton turned to the Conservative Party. In 1858–59 he served as secretary of state for the colonies. In the light of his experience, his view of Australia and of self-governing colonies was modified, as A Strange Story (1862) shows. But in 1871, in The Coming Race, an elaborate satire on democracy and egalitarianism, he made a distinct addition to the colonial theme of The Caxtons. He did not doubt that ‘improvement’ and colonisation produced evidence of ‘the triumph of civilization’, but a metaphor embedded in the later novel indicated the inevitability of displacement of aboriginal inhabitants by Anglo-Saxon settlers.     

Retour aux sources: crisis and reappraisal in Albert Camus's final pronouncements on justice,

Both personally and professionally, the 1950s proved a difficult decade for Albert Camus. Not only would the controversy surrounding the publication of L'Homme re´volte´ (1951) leave an indelible mark, but also the pressures of history would increasingly impact on his concern for justice throughout this troubled period. This article examines how Camus's moral sensibility is undermined by le drame alge´rien to such an extent that, as the pressures of history and personal circumstance become increasingly intolerable for him, he is forced to undertake a ‘scaling-down process’ of his whole attitude towards justice. Both the ‘Appel pour une tre?ve civile en Alge´rie’ (1956) and the ‘Re´flexions sur la guillotine’ (1957) can usefully be read in this context where, against a more general background of a,retour aux sources, Camus reverts to his earlier ‘person-to-person’ response to perceived injustice as a means, perhaps, by which to reinvigorate his now frustrated moral stance.     

Le statue di marte e venere nel tempio di marte ultore sul foro di augusto 1

This paper explores the question of whether any circumstances, events or activities can be identified that may have made Cicero feel that he and / or other people were experiencing a moment or period of happiness in their private or public lives. By reviewing meaningful excerpts from a variety of Ciceronian works, this contribution presents examples of possible conditions and instances of happiness in Cicero's life (as far as it is possible to discover the feelings of an individual exclusively on the basis of their writings to other people). While Cicero hardly ever mentions preconditions for his own ‘happiness’ or states explicitly that he is ‘happy’, it can be inferred that he took pleasure in a range of situations that are generally regarded as blessings for human beings, such as having a family or a comfortable home. His special intellectual capability and his political career presented Cicero with further possibilities of winning success and satisfaction. Yet Cicero's feelings of happiness in all respects seem to have a basic component oriented towards community. Because Cicero's personal life is so intertwined with his public life and he has also considered the issue philosophically, his emotional disposition in ‘normal’ and ‘extraordinary’ moments is of a particular quality: he was able to derive joy from beliefs such as that he had saved the Republic, beyond the ordinary pleasures of all human beings such as conversations with good friends.     

‘Seeing in the Dark’: Franz Joseph Thun and his Encyclopedia

Abstract

In the late 1790s the extravagant Bohemian aristocrat Franz Joseph Thun (1734–1801) composed a massive encyclopedia containing his wide-ranging and esoteric knowledge, which was not discovered until 2009. In this article I discuss the contents of his encyclopedia and investigate Thun’s place within the broader intellectual climate in Central Europe. I argue that Thun was an exceptional case in the Habsburg context, where scientists generally rejected outright the sort of excesses his encyclopedia contains. None the less, he became famous for his experiments with a spirit named ‘Gablidon’ and for his sessions in Mesmerism. His encyclopedia focuses on three topics: human ethics, man’s place in nature, and the sins of the French Revolution. He saw man as the middle link in the ‘great chain of being’, whose morality must be based on submission to God. Although he distanced himself from the Catholic Church, he rejected the French Revolution as an attempt to establish a state without religious basis.     

Harry Holland's ‘Samoan Complex’

ABSTRACT

‘Harry’ Holland, one of the early leaders of the parliamentary Labour Party in New Zealand, was an anomalous figure in early 20th-century New Zealand politics. In addition to a principled adoption of militant socialism, he stood apart from the rest of the House of Representatives due to his pronounced interest in Samoan affairs. This interest was so acute that one of his Labour colleagues, John A. Lee, remarked that he possessed a ‘Samoan complex’. This paper addresses the lack of critical attention paid to this facet of his career. Even though Holland's attitudes towards Samoa were sometimes couched in the same vocabulary as the coloniser, he always stood on the side of the colonised. His endorsement of Indigenous self-government was ahead of its time, and his campaigning played a key role in the Samoan struggle for independence. At a broader level, Holland was possibly the most significant of a cohort of colonial critics who questioned New Zealand's right to govern Pacific Islanders and who sought to rein in New Zealand's more overbearing Pacific Island administrations.