Beyond the stereotypes: Mary Lavin's Irish women

This paper discusses Mary Lavin's place within the Irish literary tradition by means of an analysis of her representations of female characters. It argues, first, that Lavin's short stories depart from the short story tradition in general and the Irish short story tradition in particular by failing to subscribe to the cultivation of the romantic outsider and focusing instead on family relations and social responsibilities. Second, Mary Lavin's marginal position in a feminist or female literary tradition is explained through her unwillingness to portray women as victims and through the absence of a clear critique of patriarchy in her work. The paper then tries to characterise the relationship between individual and society in Lavin's short fiction in a more positive way, by focusing on the notions of individual fate and personal responsibility, which turn out to be crucial to Mary Lavin's philosophy. This philosophy is first discussed explicitly in a reading of the story ‘Happiness’ and ‘The Widow's Son’ and subsequently shown to lie behind the oppositions and dilemmas in several other stories. Finally, the article demonstrates how Lavin manages to realise her Nietzschean belief in an Amor Fati in some of her most positive female characters through a clever use of imagery and point of view, without thereby succumbing to sentimentality or cliché.     

Beyond ‘State Ibuism’: Empowerment Effects in State‐led Development in Indonesia

This article examines the ways women's processes of self‐formation are indicative (or not) of new possibilities for women's gendered selves in the post‐Reformasi period in Indonesia. It focuses on the development arena to reveal how shifts in state rhetoric, from top‐down guidance based on a patriarchal familial model to bottom‐up, inclusive development based on empowerment, have transformed what is referred to as the ‘topography for self’. The article draws upon theories of personhood a) to show how gendered selves emerge and are contested within particular historical conditions; and b) to develop an alternative framework of ‘empowerment’ that focuses not on capabilities and choice, but on an expansion in the possibilities for self. It argues that models of community‐driven development have provided new opportunities for women to hold and enact socially recognizable subject positions. This constitutes a form of empowerment for individual women but does not necessarily reflect challenges to patriarchy in Indonesia.     

Power and Historical Figuring: Rachael Pringle Polgreen's Troubled Archive

Rachael Pringle Polgreen, a freed‘mulatto’ woman who owned an infamous brothel/hotel in Bridgetown, Barbados during the 1770s and 1780s became known to her contemporaries through her role in the (sexual) entertainment of transient naval officers and the visits of Prince William of England. Piecing together ‘evidence’ from her will, estate inventory, a nineteenth‐century novel, a lithograph and an interview with a British officer, I engage Polgreen's complicated and fragmented archive, revealing how Polgreen represents an example of the problems with sources depicting women of African descent who lived in a slave society and the silences that inundate their archive. The first part of this article critically re‐examines pieces of her archive, through which an image of Polgreen emerges incommensurable with narratives of her triumphs. Next, through an analysis of the processes by which Polgreen is historically confined by powerful archival and subsequent historical representations, I challenge previous assumptions about her life. Finally, introducing material from the British parliamentary debates in which an incident involving Polgreen is described and new material from Barbados deeds left by Polgreen's former slave, I expose the nuances of Polgreen's ‘agency’ in a slave society – that which depended upon her sexual subjugation of other women of African descent.     

The elusive ‘je’: Language and female subjectivity in Simone de Beauvoir's Les Belles Images

The most striking feature of the narrative of Simone de Beauvoir's novel Les Belles Images (1966) is the constant shift between the third‐person pronoun ‘elle’ (or ‘Laurence') and the first‐person pronoun ‘je’. The pattern produced by this shift in narrative voice within the text has important implications for the construction of female subjectivity in the narrative, primarily in relation to its central character, Laurence. This article examines the nature of Laurence's relationship with language using arguments offered by the feminist psychoanalyst Luce Irigaray pertaining to the relationship of exclusion binding women to language in patriarchal culture. My reading of the novel examines how far Laurence's problematic relationship with language might be read in terms of a quest to articulate her ‘je’ and make her ‘marginal’ voice heard. Further, it engages with, but ultimately problematises, Toril Moi's notion of an ‘authorial’ reading at work in Beauvoir's fictional texts.     

Using an awakening narrative to leave behind a former national‐identity: an investigation of the conversion of national‐identity in Taiwan

National‐identity has become a civil religion and a major source of how people define themselves. Changing one's nationality thus is a salient event/social process in today's society; therefore, people's nationality conversion deserves more academic attention. Treating the convert as a social type and regarding people's self‐reports (or converts' accounts) as topics for analysis, this article examines the Taiwan case to illuminate how people tell their stories of converting nationality. ‘Converts’ usually employed an awakening narrative to leave their former national‐identity behind: For example, the ‘awakening’ plot is readily apparent, a huge contrast between a previous ‘wrong’ self and a current ‘correct’ self is mentioned, and the ‘awakening’ is delineated as an achievement. The symbolic awakening is harnessed as a strategic tool to create discontinuity autobiographically, to justify one's major change, to ensure that one's cognitive security remains intact, and to call for more awakenings. This article further notes that, since narrative itself is a practice, people always have ‘a self in the making’ which determines (and is determined by) how people (re)tell their life stories. Moreover, in Taiwan's case, we see that ‘awakeners’ usually admired early awakeners but blamed late awakeners (which constitutes an interesting triadic group relationship); people may also describe their experience of having multiple awakenings before the ‘grand’ awakening (‘Awakening’). © The author(s) 2015. Nations and Nationalism © ASEN/John Wiley & Sons Ltd 2015     

Mary Malone's Lessons: A Narrative of Citizenship in Federation Australia

Between 1886 and 1896 Mary Malone, a young Australian woman of Irish Catholic background, selected eighty‐two articles and fifty‐nine poems to preserve in an old school exercise book. This article argues that the clippings Mary assembled in her exercise book formed a narrative designed to secure a sense of social identity as the Australian colonies moved towards Federation in 1901. The exercise book reflects Mary's meditation on the stories of the colonial public sphere, a meditation that in turn faciliated her participation in community, work and as a citizen. Mary's exercise book reveals the mutual dependence of public and private realms of knowledge and experience, and the subjective assimilation of public discourse required to take a place in the social world.     

Probability and certainty in seventeenth-century england. a study of the relationships between natural science,religion, history. law,and literature

Enlightenment optimism over mankind's progress was often voiced in terms of botanical growth by key figures such as John Millar; the mind's cultivation marked the beginning of this process. For agriculturists such as Arthur Young cultivation meant an advancement towards virtue and civilization; the cultivation of the mind can similarly be seen as an enlightenment concept which extols the human potential for improvable reason. In the course of this essay I aim to explore the relationship between ‘culture’ and ‘cultivation’ through botanical metaphor. By using the recurring motif of the mind's cultivation as a site from which to explore enlightenment views on female understanding, I investigate how far concerns with human progress extended to the female mind.

I examine the language of botany and cultivation in texts by authors such as Mary Wollstonecraft and Anna Laetitia Barbauld alongside that of Rousseau and Millar. Wollstonecraft's appropriation and subsequent inversion of the conventional cultivation metaphor, for example, demonstrates her desire to draw attention to society's neglect of women's educational potential by substituting images of enlightened growth with those of luxuriant decay. By pushing this analogy further she indicates how society has cultivated women rearing them like exotic flowering plants or ‘luxuriants’ where ‘strength of body and mind are sacrificed to libertine notions of beauty’. I discuss the antipastoral rationalism which enables her to unmask the false sentiment behind this traditional metaphoric association between women and flowers arguing that such familiar tropes are the language of male desire and are indicative of women's problematic relationship to culture.     

A zone of exception: gendered violences of family ‘Happiness’ in Vietnam

This article examines the ways in which women’s ‘family happiness’ in Vietnam paradoxically, and alarmingly, is rendered compatible with the endurance of what is diminished as ‘minor’ partner violence. Thus focusing on the gendering of ‘happiness’ and the discrepancies between ideals and practices, the article unfolds how intersections between a number of ‘power-geometries’ including violence preventive legislation, an official family discourse, and the patrilineally organized family facilitate the conditions that allow for male-to-female violence in the domestic sphere. The article highlights how Intimate Partner Violence transmutes the ‘happy family’ into a ‘zone of exception’ wherein which the laws prohibiting violence are suspended, the juridico-political status and rights of a woman blurred, and a state of chronic precariousness and crisis generated. Such tendencies are fortified by the ambiguous strategies of the Women’s Union. In maneuvering between violence preventive legislation and family ideals, the Union is criticizing patriarchal family hierarchies while also encouraging women to nurture family happiness by complying with an abusive partner.     

Morals,modern identities and the Catholic woman: fashion in Famiglia Cristiana, 1954–1968

Abstract

This article uses the prism of dress to explore the ways in which ordinary women negotiated Catholic morality codes in Italy during the great social transformations of the ‘economic miracle’ and afterwards. These years saw dramatic changes in gender roles and the influence of the mass media in society, as well as a rapid increase in migration, urbanization and financial well-being among Italians, and all of these changes were reflected in a very visible, everyday sense in changing fashions. At the same time, the Church was on the defensive and launched a morality crusade, focusing particularly on feminine ‘purity’ and modesty in dress, seeing more modern ways as a threat to Catholic values and traditions. Here, the advice column of Italy's leading – Catholic – magazine in these years is used to examine how individual Catholic women negotiated the competing influences of these years as they decided how to dress.     

Italian identity: Catholic responses to secularist definitions,c.1910–48

In united Italy, assertions by Catholic militants about their nation's true identity have been bound up with polemic against secularist forces and with claims about the position due to the Church in Italian society. They have insisted that Italy's authentic traditions are Catholic and that her true greatness resides in her being the heart of Christian civilization. Hostile or threatening ideologies, e.g. idealist philosophy and Communism, have been stigmatized as alien to Italian tradition. In the face of Fascism, with which the ‘Catholic world's’ relations were ambivalent, there was a major ideological campaign to assert a Catholic definition of the keyword romanità. The way in which Catholic theoreticians have defined the ‘nation’ in organicist terms have been linked to strategies of ideological defence against state forms, whether liberal or Fascist, perceived to be overweening.     

The Problem that Had a Name: French High‐Rise Developments and the Fantasy of a Suburban Homemaker Pathology, 1954–73

Within Western Europe, France had the largest and longest postwar commitment to private social‐market housing inside dense residential suburbs called grands ensembles d'habitation (GEs). Social‐Catholic activists and planners viewed the GEs as facilitating women's maternal mission within egalitarian communities, but others across the political spectrum saw them as pathological spaces, especially for women who supposedly contracted a psychological disease dubbed ‘sarcellite’, after France's flagship GE of Sarcelles. This article analyses how a phantasmatic gendered discourse of housing disaster, first circulated by the media, strategically influenced gendered actors’ residential desires and legitimised policy shifts toward single‐family housing. The discourse of sarcellite reveals how housing realities and imaginaries shaped gendered claims to housing as an evolving aspect of social citizenship. The article considers both suburban women's demands for subsidised childcare and other services and the nuances and contradictions of the evolving discourse of sarcellite.     

Hair in the Disraeli Papers: A Victorian Harvest

The Hughenden Collection of Disraeli Papers at the Bodleian Library in Oxford comprises over 50,000 items relating to the life and work of Benjamin Disraeli and his family. This article tracks hair through the Hughenden Collection in order to explore the collecting habits of Mary Anne Disraeli. It argues that reading Mary Anne Disraeli's story through hair – both hair as object, held in an archive and hair as represented in archival text – reveals aspects of that story occluded by reading only those archival texts with self-evident documentary value. It thus makes the case for a holistic reading of the Disraeli archive, and Victorian collections of personal papers more generally, by taking Mary Anne Disraeli as its central case study. In so doing it also illuminates her story, and points to the necessity of reading the stories of forgotten women through archival silences and absences. Section I reviews recent scholarship on hair in nineteenth-century Britain in order to contextualize Mary Anne Disraeli's case. Section II anatomizes the Hughenden hair collection in order to illuminate Mary Anne's history, her impulses as a collector, and the extent to which her activities complicate scholarly narratives about the sentimental commodification of Victorian hair. Section III gestures towards recent work on the archive and material culture to tease out the consequences of her example for our reading of the archive and our understanding of the texture of Victorian ‘thing culture’ more generally.     

The Anti‐Essentialist Choice: Nationalism and Feminism in the Interaction between Two Women's Projects

Abstract. Two cross‐national women's organisations, one in Northern Ireland the other in Bosnia‐Herzegovina, are observed here in interaction with each other. The article explores the connection between their ability to sustain such cross‐community alliances and their choice to be women's projects. In so doing, it addresses the question ‘are feminism and nationalism compatible?’ Not all the women are ‘anti‐nationalist’ in philosophy, but they draw distinctions between variants of nationalism, and may be described as ‘anti‐essentialist’. The article distinguishes between variants of ‘feminism’, recognising it, too, as a plurality of movements. An anti‐essentialist understanding of ethnicity and nation is partnered in both the Network and Medica by an anti‐essentialist feminism, in which a woman's family role is minimised and value placed instead on her autonomy and agency. Certain forms of feminism and nationalism are thus compatible – but the configuration may be progressive or retrograde.     

Islamist violence and regime stability in Saudi Arabia

Saudi Arabia, homeland of Osama bin Laden and 15 of the 19 hijackers of September 11, 2001, experienced low levels of internal violence until 2003, when a terrorist campaign by ‘Al‐Qaeda on the Arabian Peninsula’ (QAP) shook the world's leading oil producer. Based on primary sources and extensive fieldwork in the Kingdom, this article traces the history of the Saudi jihadist movement and explains the outbreak and failure of the QAP campaign. It argues that jihadism in Saudi Arabia differs from jihadism in the Arab republics in being driven primarily by extreme pan‐Islamism and not socio‐revolutionary ideology, and that this helps to explain its peculiar trajectory. The article identifies two subcurrents of Saudi jihadism, ‘classical’ and ‘global’, and demonstrates that Al‐Qaeda's global jihadism enjoyed very little support until 1999, when a number of factors coincided to boost dramatically Al‐Qaeda recruitment. The article argues that the violence in 2003 was not the result of structural political or economic strains inside the Kingdom, but rather organizational developments within Al‐Qaeda, notably the strategic decision taken by bin Laden in early 2002 to open a new front in Saudi Arabia. The QAP campaign was made possible by the presence in 2002 of a critical mass of returnees from Afghanistan, a clever two‐track strategy by Al‐Qaeda, and systemic weaknesses in the Saudi security apparatus. The campaign failed because the militants, radicalized in Afghan camps, represented an alien element on the local Islamist scene and lacked popular support. The near‐absence of violence in the Kingdom before 2003 was due to Al‐Qaeda's weak infrastructure in the early 1990s and bin Laden's 1998 decision to suspend operations to preserve local networks. The Saudi regime is currently more stable and self‐confident—and therefore less inclined to democratic reform—than it has been in many years.     

‘Signs of the still recent war’: Medbh McGuckian and conflict

In a review of Medbh McGuckian's poetry, Christopher Benfey maintained that ‘[t]o scan her poems for allusions to sectarian violence would be as fruitless and naïve as to sift Emily Dickinson's poems for references to the Civil War’. McGuckian's work is not often read for its commentary on or critique of violence in Northern Ireland. Indeed, in an interview with John Brown, the poet revealed that ‘I never thought of myself as a “Troubles” poet; it was not part of my oeuvre and I couldn't do it simply as an exercise, so I didn't take it on’. This article tests the validity of her self-assessment by examining poems which borrow from sources focused on conflict, particularly the two world wars. The intertexts allow the poet to explore moments of crisis (due to violence, imprisonment and enforced deprivation) without having to deal explicitly with the more immediate conflict in Northern Ireland.     

Mothers/Fighters/Citizens: Violence and Disillusionment in Post‐War El Salvador

This article explores post‐war El Salvador as characterised by disillusionment in the nation's neoliberal rebuilding project. A key part of my argument is that this disillusion‐ment is gendered. Specifically, I focus on a spectrum of gendered experiences and responses to social and inter‐personal violence in El Salvador's recent history. Is there a relationship between wartime political violence, continued processes of exclusion (i.e. education, healthcare, housing), and post‐war waves of domestic violence, youth violence and ‘random’ violence? While some scholars posit questions regarding Salvadoran toler‐ance to violence through time, I tackle this question by focusing on emerging criticisms of El Salvador's post‐war reconciliation. I privilege a focus on the everyday and people's ambiguities as they deal with political change and a neoliberal economy that marginalises the rural sector. In particular, I argue for placing many rural women's stories of gender‐based violence, their assertions of an embodied vulnerability and daily insecurity, within a political economic understanding of the contradictions of El Salvador's peace and nation‐building project. Through a series of ethnographic examples based on seventeen months of research in a former warzone, I suggest that a daily and gendered violence is rendered invisible. My aim is to theorise a range of women's and men's losses and to impart the urgency of their narratives that problematise assumptions of what constitutes pain, sorrow and the challenges of war‐torn life. This is an attempt to write outside privileged texts that ask subaltern women to speak in a collective voice and articulate their past loss and future hopes. In doing so, I discuss methodology and historicise my own fraught positioning as an international witness/researcher at a very particular moment of El Salvador's transition to democracy.     

Noble Traditions and Christian Principles: The Integral Spirituality of Bernard Narokobi

ABSTRACT

This article describes some of the major events in the Catholic Church in Papua New Guinea (PNG) following the Second Vatican Council, the ‘self study’ of the church in PNG in the 1970s, and the General Assembly of 2003–4. An outcome of the self study was the establishment of a national Catholic council in which Bernard Narokobi played a significant role. The article continues with a reflection on how Narokobi’s promotion of Melanesian spirituality finds links with a Catholic theology of grace and sacrament and how these two contribute to his understanding of the dual pillars of the PNG Constitution with its noble traditions and Christian principles coming together in the ideal of integral human development. The article lays out different ways Bernard Narokobi was formally involved with the church over his lifetime and how his bringing together of Melanesian experience and Christian faith provided a model for the integral liberation he envisaged and expressed – both in his work in the church and in the National Goals and Directive Principles of the PNG Constitution.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Gender and Sexuality in Latina/o Miami: Documenting Latina Transsexual Activists

This article examines the borderlands between transgender MTF (male‐to‐female) and gay male communities in Latina/o Miami through an analysis of the participation of Latinas in the Transsexual Action Organization (TAO). Previous research suggests that Cuban and Cuban American gay male culture have historically been associated with gender transgressive behaviour and identity. Because of this, it is often unclear how to distinguish between what is gay male/homosexual expression and transgender expression. If outward gender manifestations that we now call ‘transgender’ were understood in other historical and cultural contexts as ‘homosexual’, how do we label those manifestations today? By labelling them as homosexual are we simply reinscribing the marginalisation of transgender individuals? On the other hand, by labelling them as transgender are we imposing a contemporary category and therefore performing another kind of intellectual violence? In order to address these questions, I analyse a Latino/a organisation that explicitly labelled itself ‘transsexual’. TAO was an early transsexual rights organisation founded in 1970 by Angela Douglas in Los Angeles which moved to Miami Beach, Florida in 1972. Drawing on the organisation's publications, Moonshadow and Mirage Magazine (1972–75), and Douglas's self‐published autobiographical texts, Triple Jeopardy: The Autobiography of Angela Lynn Douglas (1983) and Hollywood's Obsession (1992), I analyse the rarely discussed participation of Latinas in the organisation.