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W. A. Craigie M. A. 《Folklore》2013,124(4):353-358
Although ATU 510A, ‘Cinderella’, is known to have ancient origins, it was widely thought that the ash-name did not become a feature of the tale type until Giambattista Basile’s ‘La Gatta cenerentola’ (The Ashy Cat) in the seventeenth century. However, it is preceded in this regard by a little-known fourteenth-century Icelandic romance, Vilmundar saga viðutan (The Saga of Vilmundr the Outsider). Using this saga as a starting point, this article traces the literary transmission of ATU 510A through the extant corpus of Old Norse literature, with particular reference to the development of three key aspects of ‘Cinderella’: the persecuted heroine; the lost-and-found shoe; and the cinder-name.  相似文献   

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The objective of this article is to determine the number of combatants in the Mixtón War (1541–42), one of the most important military confrontations of the early years of the vice-royalty in Western Mexico, by analysing the Peñol de Nochistlán. To this end, information provided by historians has been compared with the population estimates established from the density of settlements known from archaeological evidence in order to define the area occupied by the armies involved in the conflict. This exercise resulted in a shifting array of spaces that could have been used by the combatants during confrontations. However, it will enable more intense archaeological prospecting in the area around the site of El Tuiche — the place identified as the Peñol of Nochistlán — revealing new evidence of the events that occurred on this battlefield.  相似文献   

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The Poema de Fernán González is usually regarded as a hybrid text—while its subject matter is deemed epic, its expression, intentionality, and ideology are considered clerical. This article studies several elements shared by Fernán González and the other poems of the mester de clerecía school: the same stanza (the cuaderna vía) and poetic rules; similar modes of composition, transmission, and reception; and common structural, thematic, and verbal patterns. The article concludes that the Poema de Fernán González fully participates in the common artistry of the mester de clerecía and therefore can be regarded as the attempt to produce epic poetry by this learned clerical school.  相似文献   

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Adrián Curiel Rivera is a Mexican novelist, short-story writer and academic. In addition to his novels Vikingos (2012), A bocajarro (2008) and Bogavante (2000), and the collections of stories Día franco (2016) and Madrid al través (2003), he has published two substantial volumes of critical essays, Los piratas del Caribe en la novelística hispanoamericana del siglo XIX (2010) and Novela española y boom hispanoamericano (2006). In 2013 he published Blanco Trópico, an excoriating and often hilarious fictional account of life in the Mexican Academy in the wake of sweeping neoliberal reforms in the university sector, the nature and consequences of which will be all too familiar to many European and US academics. The book caused something of a storm in his native Mexico. In the following interview, which took place in the summer of 2016, he discusses the genesis of and reactions to the novel, but also touches on a broad range of social and literary issues which the book raises: globalization, publishing, the Mexican literary canon and its sacred cows, as well as the place of the campus novel and science fiction in the current Latin American literary landscape.  相似文献   

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Jacobean devotion and national awareness are closely related in the Poema de Fernán González (PFG). The great advance of the Reconquest in the thirteenth century and the reevaluation of the past that it caused enabled the broad Hispanic perspective of the PFG. Spain is not only a distant and longed-for reality (“regnum Gothorum”) but a current political concept. This is the frame of the PFG's intense Castilian sentiment. Castile is the bastion of the Visigothic monarchy, which did not yield to the Muslims and was the foundation for the recovery of Spain. The territorial diversity becomes the outstanding feature of this country, in which the “Montaña” takes an important role. Confronting the proposal of the cult of Saint Millán by the Monastery of San Millán de la Cogolla, the author of the PFG, aware of the damages that such a cult was causing to his monastery, clings to the Jacobean devotion that achieved a broad Hispanic scope.  相似文献   

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《Romance Quarterly》2013,60(4):263-270
This article examines the literary relationship of Emilia Pardo Bazán and Miguel de Unamuno by analyzing Unamuno's 1905 review of La Quimera, as well as his tribute to Pardo Bazán on the occasion of her death in 1921. These two critical pieces, together with Unamuno's Dos madres and La tía Tula, reveal that while Unamuno dismisses Pardo Bazán's realism in his discussion of her works, he develops in his own fiction alter egos who struggle with dominant female figures, just as he competes with Pardo Bazán's model of authorship.  相似文献   

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The focus of the Poema de Fernán González falls squarely on its protagonist, the tenth-century Castilian warrior lord known to us today as Count Fernán González. Nevertheless, a third of the poem is devoted to the narration of events and prominent figures who preceded the Count. Most notable among these is Bernardo del Carpio, a fully fictitious epic hero who prefigures the Count in his willingness to fight for the independence of the Castilian nation. This analysis of the narration of Bernardo's heroic deeds against the invading army of Charlemagne is meant to clarify lingering doubts about the sources of the poem and their mode of transmission.  相似文献   

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The Late and Terminal Formative (ca. 300 B.C. to A.D. 200) was the crucial period during which the early Monte Albán state came into being and began to extend its political influence over a wide area in what is now the Mexican state of Oaxaca. One of the most distinctive and frequent ceramic types of this period is the G.12, which is a grayware (gris) bowl with characteristic incising on the interior rim and base. Originally defined by Alfonso Caso, Ignacio Bernal, and Jorge Acosta based on their excavations at Monte Albán, the G.12 bowl has also been found at many other Oaxacan sites. The incised motifs on the interior bases of G.12 bowls show substantial variability, but researchers have been uncertain whether any portion of this variability shows chronological patterning. We present a new microtypology of G.12 bowls based on our recent excavations at three sites near SanMartín Tilcajete, some 27 km south of Monte Albán. Our analysis yields a finer-grained chronology that helps elucidate the step-by-step territorial expansion of the emergent Monte Albán state.  相似文献   

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Copán, a major Classic Maya center in western Honduras, has been the focus of archaeological investigation for over a century. An intense period of research since 1975, involving projects and scholars from many institutions, has resulted in a comprehensive understanding of the origin, maturation, and decline of this major Maya polity.  相似文献   

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Using archaeological and historical data from eighteenth- and nineteenth-century haciendas in theParroquia de Yaxcabá, Yucatán, this paper demonstrates how documentary records can be employed to create diachronic archaeological explanations. Both the organization of production on the hacienda and the entrepreneurial strategies pursued by the estate owners. contribute to the form of the hacienda. The following analysis suggests quantitative and qualitative explanations for variation in hacienda size and architectural elaboration. The archaeological interpretations offer a reconsideration of processes of economic change in central Yucatán prior to the Caste War of 1847.  相似文献   

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This article examines the lives of academic women in Mérida, the state capital of the Yucatán in southern Mexico. In particular, I consider the relationship between work – including household management – and consumer practices in light of Mérida's changing socioeconomic climate. I address how women's lives have been impacted by the neoliberal restructuring of Mexico's political economy and what these changes mean to their experience of university life, household management styles and consumption practices. I point out how labor and consumption are deeply interrelated cultural practices, which have acquired new meanings in the neoliberal landscape. Accordingly, consumption practices must be understood in connection with women's social and professional identities.  相似文献   

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This article deals with the ways in which different political conflicts surrounding the emergence, independence, and consolidation of Castile as a political agent are managed and solved in the Poema de Fernán González. It shows how internal conflicts within the Castilian community are settled by favoring an authoritarian vision of leadership, discouraging consensus and shared decision making. Regarding conflicts with other political domains, the poem legitimizes Castilian independence by means of a narrative that makes natural Castilian claims on Visigothic heritage, while at the same time presenting Castile as following legal procedures and as a victim of external aggression.  相似文献   

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The Poem or Book of Fernán González was probably written c. 1250 by a monk of San Pedro de Arlanza (Burgos, Castile) to strengthen the legendary foundation of his monastery by the tenth-century Castilian Count, Fernán González, and to promote his tomb cult there. The Arlanza poet was competing with the benefits that Santiago and San Millán de la Cogolla were trying to get on legendary accounts of the champion of the independence of the County of Castile from the Kingdom of León. It is clear that this is a work of monastic propaganda, designed to attract pilgrims and donations; therefore perhaps a better title for it would be Poem of the Foundation of San Pedro de Arlanza. The Arlanza poet was fond of the popular and orally transmitted Romance epics (Hispanic and Carolingian songs). He knew Siete infantes de Salas, the tradition of the Youthful Deeds of Rodrigo (Gesta de las Mocedades de Rodrigo), the anti-Carolingian song(s) of Bernardo del Carpio, and the Roncesvals Matière. We also suspect that the poet was recasting a now-lost epic cantar de gesta of Fernán González. This cantar was probably also known by Gonzalo de Berceo, who was actively working in San Millán de la Cogolla, a few years earlier, trying to attract pilgrims and donations. In this article, I try to analyze how much we know of the lost Cantar de Fernán González and if the Monastery of Sahagún (León) also reappropriated it for its own propaganda.  相似文献   

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Lime was widely utilized throughout ancient Mesoamerica. Drawing on the expertise of traditional Maya lime producers from a small local community, we address the energetics, material inputs, and archaeological signature of burnt-lime production in the Northern Yucatan Peninsula of Mexico. When compared with the estimated lime usage at the Maya site of Mayapan, the data collected from experimental lime burning suggest that traditional lime production was reasonably labor intensive and used large, albeit sustainable, quantities of raw materials, especially wood. Lime manufacture was an important component of ancient Mesoamerican economic life, especially in urban settings where it may have been a full time occupation for some, at least during certain parts of the year. This analysis allows us to predict what the remains of lime burning sites should look like and where they are most likely to be encountered archaeologically.  相似文献   

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