Sexual Selection,Automata and Ethics in George Eliot's The Mill on the Floss and Olive Schreiner's Undine and From Man to Man

Abstract

This paper brings together two related areas of debate in the latter half of the nineteenth century. The first concerns how the courtship plot of the nineteenth-century novel responded to, and helped to shape, scientific ideas of sexual competition and selection. In The Mill on the Floss (1860), George Eliot strikingly prefigures Darwin's later work on sexual selection, drawing from her own extensive knowledge of the wider debates within which evolutionary theory developed. Maggie Tulliver's characterisation allows Eliot to explore the ethical complexities raised by an increasingly powerful scientific naturalism, where biology is seen to be embedded within morality in newly specific ways. The second strand of the paper examines the extension of scientific method to human mind and motivation which constituted the new psychology. It argues that there are crucial continuities of long-established ethical and religious ideas within this increasingly naturalistic view of human mind and motivation. The contention that such ideas persist and are transformed, rather than simply jettisoned, is illustrated through the example of Thomas Henry Huxley's 1874 essay on automata. Turning finally to focus on Olive Schreiner's Undine (1929) and From Man to Man (1926), the paper explores the importance of these persistent ethical and religious ideas in two novels which remained unpublished during her lifetime. It argues that they produce both difficulty and opportunity for imagining love plots within the context of increasingly assertive biological and naturalistic accounts of human beings.     

Living With the Other's Pain: The Ethical Implications of Mitsein in Simone de Beauvoir's Le sang des autres

This article establishes that the suffering of the other represents a serious philosophical and ethical problem in Beauvoir's first post–World War II novel. In fact, the other's suffering poses such a complex problem in Le sang des autres particularly because Beauvoir depicts her characters’ world as a kind of Mitsein, which is Heidegger's word to describe how our lives necessarily intertwine with and envelop the lives of others while still allowing for the existential experience of separation. In the novel, the main characters’ potential responses to the other's suffering—quietism, indifference, charity, and empathy—fail according to the novel's existentialist ethical framework because of the ways these responses deny the fundamental ambiguity of Beauvoirian Mitsein. Only in accepting separation and connection as codependent ethical values do the characters find an ethically palatable response to the other's suffering at the end of the novel.     

The Christian Socialist Movement in Scotland C. 1850–1930

Abstract

This essay reads Politics and Passion as a philosophical complement to theological projects that see no innate conflict between Christianity and liberalism and considers the significance of Waltzer's "more egalitarian liberalism" from the perspective of one who believes there to be compelling theological, ethical and political grounds for "making common cause" with liberalism. Liberal human rights discourse provides the lens through which this case is argued. This essay endorses the revisions proposed in Politics and Passion and suggests that developments in human rights discourse since the early twentieth century allows one to regard this discourse as a still unfinished version of Waltzer's more egalitarian liberalism. I argue that it is precisely because of the pressures identified by Waltzer that a thicker, more contextually varied conceptualization of rights has been generated. Moreover, when human rights language is understood as a discourse of egalitarian rather than emancipatory liberalism, then the claims that it is irredeemably secular, individualistic and voluntaristic, and that its adoption will result in the marginalization of Christian narrative traditions, are no longer tenable.     

Diverse Strains: Music and Religion in Dickens's Edwin Drood

Music in Dickens's final and unfinished novel, The Mystery of Edwin Drood, shares in the lethargy affecting traditional English community. That life has become stagnant in Cloisterham, the ancient city in which the novel is set, is nowhere more evident than in the desultory choral worship offered in its cathedral. Yet the unevenness of Dickens's writing in Edwin Drood does not make for consistency, and discrepancies in plotting extend to the musical occupations of its protagonists. By considering Edwin Drood alongside the shifting fortunes of choral music in Victorian Britain, this article focuses on what such discrepancies reveal about Dickens's notion of the place of religion in social renewal. Habitual forms of life in Cloisterham, such as the choral service of its cathedral, are being overwhelmed by marginal presences, arriving from the imperial East, but they may also give voice to a future revival. Something of the changeability in Dickens's feeling for established religion can be glimpsed in this duality.     

THE TIME OF THE SELF AND THE TIME OF THE OTHER

What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time‐consciousness” in twentieth‐century European philosophy. Hoy's book traces the turn‐of‐the‐century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project is to distinguish between the scientific‐objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective‐scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time‐consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time‐consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice.     

ENTANGLED INVASIVE LIVES: INDIGENOUS INVASIVE PLANT MANAGEMENT IN NORTHERN AUSTRALIA

This article explores the entanglement of two kinds of invasive lives in northern Australia: invasive plants, and the enduring life of the unfinished colonial project, which continues to have implications for indigenous peoples. In the extensive indigenous lands of Australia's tropical north, communities have increasing responsibility for invasive plant management among other pressing land management tasks. In a context of climate change and novel ecosystems, these entanglements exacerbate environmental management challenges in the tropical savanna and affect indigenous livelihoods. Drawing on arguments that it is necessary to literally speak novel ecologies, we here enunciate and describe a novel ecological assemblage we call Indigenous Invasive Plant Management (IIPM). Historical accounts and contemporary ethnography (semi‐structured interviews and participant observation undertaken in 2010–2013) show a lingering colonial heritage in the ways that IIPM is entwined with tenure and governance issues, and in its everyday practice. These findings illustrate how IIPM can risk being a form of continuing dispossession as well as having good potential outcomes.     

Houses,Objects, and the Politics of Inheritance in Josep Maria de Sagarra's Vida privada

Josep Maria de Sagarra's novel Vida privada (1932) portrays an upper-class Catalan family, the Lloberolas, as unable to adapt to the new economic and political situation taking place in the city of Barcelona at the end of Primo de Rivera's dictatorship and at the beginning of the Second Republic in the late 1920s and early 1930s. Through a close reading of this family's houses, furniture, and personal belongings, I argue that material elements in this novel are central to the narrator's ethical critique and moral judgment of Barcelona's elite. The Lloberolas treat humans as objects and objects as humans, and I contend that, in an ironic emulation, the narrator also objectifies the Lloberolas and equates them with their objects. This comparison elucidates the family's superficiality and corrupted morals. Objects are also essential in destabilizing public and private boundaries because they often transcend the private domain and expose—to the readers and to the other inhabitants of Barcelona—the protagonists’ personality. Moreover, in Vida privada, houses, furniture, and surnames are understood as an inheritance that transfers very specific ideals of social status from parents to children. By presenting this material heritage with the exemplifying case of the Lloberola family, Sagarra offers a sharp critique of the Catalan upper classes and their superficial values. Their necessity to cling to an inherited world centered on material possessions finally results in their loss of power and evidences their economic and moral decline.     

Cleaning up down South: Supermarkets,ethical trade and African horticulture

Supermarkets in Great Britain have joined the country's Ethical Trading Initiative (ETI) in order to demonstrate their commitment to social welfare and environmental standards in their supply chains. They have been particularly concerned to enforce ethical as well as food safety standards in the African horticultural industry, which has historically depended on cheap labour to produce high-value vegetables. The supermarkets' 'ethical turn' appears to signal an important change from forms of commodity fetishism that obscured exploitative relations of food production in the South. This paper, however, argues that in an era of high food anxiety for both retailers and consumers, ethical standards are themselves fetishized. It also shows how the effort to impose such standards on Zambia's horticultural export industry resembles the colonial 'hygienic mission', and faces a similar contradiction.     

Editorial

Abstract

In the United States of America, the National Science Foundation distributes over 600 million annually for scientific and technological research. The Director, Dr H. Guyford Stever, who is also President Ford's scienfific adviser, writes about the complex relationship between scientific research, technological development and their consequent economic, social and ethical effects. He exemplifies an American point of view in his discussion of a variety of NSF supported projects, ranging from the utilization of solar energy and enzyme catalyzed chemical processes to the development of better tunneling techniques. The problem of morality, law and international equity are recognized and Stever argues for the importance of scientific and technological research to ensure a better future for mankind.     

2. THE VICTIM'S VOICE AND MELODRAMATIC AESTHETICS IN HISTORY1

Saul Friedländer's recent Nazi Germany and the Jews: The Years of Extermination offers a brilliant new literary mode for historical representation of extreme events such as the Holocaust. He has produced an authoritative historical narrative of the Holocaust, within which he integrates the victims' authentic voices, as recorded (mostly) in their contemporary writings. This article offers a comparative assessment of Friedländer's achievement with regard to the integration of Jewish sources into the historical account. It begins with a contextualization of Friedländer's book within a framework that compares the ways in which Jewish sources are addressed by different historiographical approaches. In the second part it seeks to contextualize analytically and critically Friedländer's concept of “disbelief”—a concept by which he defines the role of the “victims’ voices” in his narrative. I claim that in our current “era of the witness,” set within a culture addicted to the “excessive,” the voices of the victims and the witnesses appear to have lost their radical political and ethical force. They seem no longer to bear the excess of history, and can thus hardly claim to be the guardians of disbelief. Excess and disbelief have thus become the most commonplace cultural topos. In our current culture, I contend, the excessive voices of the victims have, to some extent, exchanged their epistemological, ontological, and ethical revolutionary function for an aesthetic one. They operate according to the pleasure principle in order to bring us, the consumers of Holocaust images, the most expected image of the “unimaginable,” which therefore generates a melancholic pleasure and involves the narrative in melodramatic aesthetics. The article concludes by briefly suggesting some guidelines for an alternative approach to the study of contemporary Jewish Holocaust sources.     

A Russian Version of Christian Realism: Spiritual Wisdom and Politics in the Thought of S. L. Frank (1877–1950)

Christian realism is a concept normally associated with the US theologian and ethicist Reinhold Niebuhr. However, Niebuhr was not alone in warning Christians of the dangers of utopianism and trying to promote a religiously inspired political realism; thinkers from a number of countries had similar aspirations. In this context, the Russian philosopher Semyon Liudvigovich Frank (1877–1950) deserves particular attention. A Marxist in his youth, Frank became disillusioned with revolutionary ideas before and after the 1905 revolution, and was drawn away from politics to philosophy. However, he remained interested in political questions, both while he was in Russia and after he was forced into exile in 1922. This found expression in the 1940s in a form of Christian realism. Frank rejected the doctrine ‘the end justifies the means.’ But he was a gradualist in his approach to social change, believing that politicians needed to have a pragmatic attitude of mind. A distinctive feature of Frank's approach was the connection he made between spiritual inwardness on the one hand and effective decision-making on the other, although he also saw spirituality as arising in a social context. Ultimately, there was a mystical dimension to Frank's Christian realism that was absent in Niebuhr's doctrine.     

Modern revolutions: An introduction to the analysis of a political phenomenon

This paper provides an interpretation of the movement of Arendt's thought in her Denktagebuch, from 1950 to 1973. This movement results in an incipient political philosophy based on new concepts of freedom, equality, and solidarity. As a contribution to debates on the normative foundations of Arendt's political thought, the paper seeks to show that her incipient political philosophy is based on an ethical understanding of the human condition as constituted by its openness to the divine, the worldly, and the (human) Other. Despite its fragmentary nature and its politically problematic indebtedness to theological traditions, Arendt's private thought nevertheless allows us to rethink her place in the history of European ideas. Beyond that, it also provides a powerful alternative to the view that ethical and political thought must remain ‘political not metaphysical’.     

The ethico-politics of homo-ness: Beckett's How It Is and Casement's Black Diaries

In recent years, Beckett studies has taken an ‘ethical turn’ as critics have given increased attention to the status of the Other and otherness in the writer's oeuvre. How It Is, a key text for these critics, was written as Beckett was reading the newly published Black Diaries of Roger Casement, a volume that contains homoerotic content long considered scandalous for the Irish republican icon and yet offers a remarkable vision of social relations structured around sameness or what Leo Bersani calls ‘homo-ness’. Reading Beckett's novel alongside Casement's diaries reveals the significance of How It Is for thinking an ethico-politics that depends neither on the ideological foundations of the nation-state nor on critical perspectives that emphasise the primacy of difference, but rather on a fundamental reorientation of sociality. In this regard, Beckett's anti-redemptive narrative may be considered a work of penetrating utopian writing, which nonetheless reminds us of the hazards of utopian thought.     

Silas Marner,Catalepsy, and Mid-Victorian Medicine: George Eliot's Ethics of Care

‘Silas Marner, Catalepsy, and Mid-Victorian Medicine’ reads Eliot's novel Silas Marner through the history of medicine, and particularly in the context of Marner's strange cataleptic trances which embody his alienation and suffering. Eliot, I argue, employs catalepsy in order to investigate ideas of illness and care, especially as that relates to professional medicine and to ideas of community. Focusing on cataleptic case histories and on Eliot's personal health concerns I show how issues of care become philosophical questions about ethical responsibility. It is through Silas Marner and his catalepsy, I conclude, that Victorian scholars can come to understand more about what that means within Eliot's canon and, more widely, in the mid-Victorian period. Overall, the article provides a unique reading of Silas Marner, drawing on significant new archival research on catalepsy and in Eliot's writing of illness narratives.     

Enemy of the people: Simmel,Ibsen, and the Civic legacy of Nietzschean sociology

The fall of Communism continued an ongoing weakening of Marxist ideology, which had been hegemonic among the European Left since the Great War. While the decline of Marxist thought can be justly seen negatively as the historical correlative of globalization, this decline has also produced cultural space for a re-evaluation of non-Marxist critiques of capitalist civilization. One example of a powerful non-Marxist critique of capitalist civilization is Georg Simmel's sociology of money culture. Before turning to Simmel's radical critique, this essay explains how Simmel came to be viewed as a conservative. Simmel's presumed conservatism is challenged via a re-examination of the civic implications of his Nietzschean sociology. A central question is whether Simmel's ethical individualism is conservative. This question is finally answered through an analysis of Ibsen's Enemy of the People. The choice of Ibsen is not random, for it amplifies the close ethical and historical affinity of Naturalist drama and Simmel's philosophy.     

The Levelling Process as a Function of the Masses in the View of Kierkegaard and Ortega Y Gasset

The present article is an analysis of the emergence of a new Uruguayan author, Armonía Somers (1914–94), as well as the publication in 1950 of her first novel, La mujer desnuda (The Naked Woman). It focuses on the Uruguayan social body of the 1950s, when society lived the paradox of recognizing women in its legal structure, but limiting them in the everyday social and cultural life. In this context, Somers's novel symbolically explores what I call the “crisis of feminine subjectivity,” through the creation of a woman who on her thirtieth birthday decided to throw away all the costumes and masks with which society and tradition imposed feminine roles and, naked, tried new ways of being, new subjectivities. Central to this study is an analysis of the different ways in which historical, social, and cultural demands produce certain kinds of human bodies, especially how they produce a woman's body. The specific argument that underlies this article is that the body inserts itself in conflictive and tense manners with the marks imposed on the genders. This article's theoretical contribution lies in its emphasis on the aesthetic and ethical ramifications of “feminine subjectivities” and “historical marked bodies” in a fiction that presents itself as a black box in which Somers finds herself as a woman who became a novelist in the 1950s and in which readers also find themselves questioning the persistence of gender marks on their own social bodies.     

INTEGRATION OF IMMIGRANTS,BRIDGING SOCIAL CAPITAL,ETHNICITY, AND LOCALITY

This paper analyses a uniquely detailed data set of social integration characteristics of immigrants belonging to four non‐native ethnic groups (i.e., Turks, Moroccans, Surinamese, and Antilleans) living in Dutch neighborhoods. It is well known that an individual's level of social integration is related to the ethnic composition and economic development of an immigrant's residential locality, as well as the generation of the immigrant. Yet, what is not known is whether the social and economic characteristics of adjacent or neighboring localities also influence an individual's level of social integration. Using a multilevel hierarchical analysis with spatial interaction effects, we examine the extent to which four social integration aspects of the bridging social capital of these immigrant groups are related to their ethnicity, their generation, their immediate locality, and the effects of the neighboring localities. Our findings regarding the effects of the ethnic concentration and economic development of the immediate locality along with the immigrant's generation broadly concur with existing studies. At the same time, however, we also find that the features of neighboring localities exert an additional influence on an individual's social integration over and above those related to the immigrant's generation and immediate locality. These additional spatial spillover effects are broadly in line with those associated with the immediate locality, but they are also sensitive to particular proxies for social integration which are employed. These spatial spillover effects on social capital and social integration have not been observed before.     

British Muslims,multiculturalism and UK foreign policy: ‘integration’ and ‘cohesion’ in and beyond the state

After the 7 July and 21 July 2005 attacks on London the government‐sponsored effort to ‘prevent extremism together’ has repeatedly acknowledged the central role of anger at UK foreign policy in the radicalization of some British Muslims. This acknowledgement has been incorporated into a ‘comprehensive framework for action’ centring upon the need for increased ‘integration’ and an effort, critically, to re‐work British multiculturalism as a means to combat terrorism. Examining the history of multiculturalism in Britain and the tradition of living and acting ‘together’ that it suggests, however, raises a set of questions about the society into which integration is supposed to occur, what integration might involve and its real efficacy for combating terrorists. In addressing these issues, this article suggests that the debate over contemporary multiculturalism should be situated within a much wider social and political crisis over the meaning of ‘community’ in the UK, to which questions of global order and foreign policy are central. Comparing the ‘ethical’ basis of Al‐Qaeda's attacks with Tony Blair's invocation of ‘values’ as the foundation for military intervention reveals that both seek to realize models of community through violence and a shared process of ‘radicalization’ which in both cases precedes 9/11 and which might be traced back to the Gulf War of 1991. The article concludes that debate over the future of multiculturalism in the UK is being conducted alongside and is implicated within a second, violent global conflict over community: one which is central to, but essentially unarticulated within the domestic context.     

Spinners and weavers of auffay. Rural industry and the sexual division of labour in a French village, 1750–1850

German scholars of Jewish origin who were students of Martin Heidegger in the 1920s and 1930s are frequently criticized for their supposed postwar refusal to ‘disavow earlier liaisons with Heidegger.’ These scholars are thus indicted for being fundamentally anti-liberal or apolitical, and for those reasons dangerous disciples of Heidegger. By examining the works of Karl Löwith and Hans Jonas, two of Heidegger's influential former students, the following paper presents a more nuanced reading of the relationship between master and disciples, namely that Jonas and Löwith operate with Heidegger's philosophical grammar in order to turn against Heidegger, philosophically and politically. Within this framework, the article fleshes out the crucial importance of theology to the understanding of Jonas’ and Löwith's philosophical critique of Heidegger's thought. Following this theological turn, the paper demonstrates the complexity of Jonas’ and Löwith's postwar approach, that is an anti-Heideggerian ethical and political quest which is anchored nonetheless in Heidegger's philosophy. As such, Jonas’ and Löwith's political projects demonstrate the manner in which Heideggerian categories are not exhausted by Heidegger's own political interpretation; they grippingly denotes the aptitude to steer Heideggerian philosophy towards new ethical and political shores.