Cultural governance and creative industries in Singapore

Singapore, a leading country in the Asia‐Pacific region, is currently attempting to transform its cultural industry into creative economy. Creative economies capitalise on how knowledge can be marketed by merging arts, technology and business. They ensure a nation's competitiveness within an integrated global economy. This paper critically examines Singapore's recent cultural policy developments in tourism, broadcasting and new media. It argues that new creative industries have produced new consumption patterns and identities that harness the place‐branding of “New Asia” as a form of cultural capital and a strategy of regional dominance. Cybernetics is proposed as an approach to frame creative cultural governance and consumption in Singapore.     

Remembering Lee Kuan Yew: politics,heritage and political heritage in Singapore

The paper discusses issues of political heritage and the commemoration of notable figures within the context of the small city state of Singapore, a former British colony which celebrated 50 years of full independence in 2015. Particular reference is made to Mr Lee Kuan Yew, hailed as the founding father of the modern republic, who also died that year. Heritage overall is shown to occupy an important place in official nation building efforts, including political heritage dominated by the narrative of the success of the government formed by the party created and led by Mr Lee. Approaches to remembering the man and his legacy are considered, focusing on debate about turning his home into a memorial and possibly a national monument. The case confirms the generally observed manner in which formal depictions of political heritage, encompassing stories of influential individuals, are inextricably tied to contemporary politics. It also reveals the particular challenges of heritage management in Singapore arising from its history and official endeavours to shape public and private memories.     

新加坡李光前文物馆所藏中国画谈略

国大博物馆位于新加坡国立大学校园的西北角,它含有三个展览馆。这里有雕塑家黄荣庭先生展览馆,收藏雕塑家先驱黄荣庭先生最完整的作品;南亚以及东南亚的展览馆,发扬南亚及东南亚的艺术文化;以及李光前文物馆,藏有亚洲的文物艺术品及近代书画作品,主要是中国的艺术作品。而在国大博物馆中藏品最为珍贵也就是李光前文物馆。     

Global governance and the politics of culture: campaigns against female circumcision in East Africa

International organizations, national governments, and civil society organizations have condemned female genital cutting (FGC). In doing so, campaigners and policy-makers often describe female excision as backward, barbaric, and a problem of African culture. What does widespread international condemnation of FGC as a so-called traditional practice mean for campaigns against excision ‘on the ground?’ Drawing on critical global governance scholarship, this article argues that pervasive understandings of female excision as a problem of African culture obscure the far-reaching politics of campaigns against genital cutting. Focusing on efforts to criminalize female circumcision and educational projects in Tanzania and Kenya, I illustrate ways in which campaigns against female circumcision are dynamic sites of conflict characterized by politicized negotiations and resistance. I argue that initiatives that view FGC as a cultural problem in narrow terms may have unanticipated consequences when campaigns inscribe the communities they identify with female excision as local, traditional, and marginal. Notably, campaigns against the so-called traditional culture can counterproductively politicize diverse practices of excision as reified markers of ‘insider’ cultural identity. As a result, campaigns against excision may lead to outcomes antithetical to their stated goals of reducing practices of genital cutting.     

Managing the world: conceptions of imperial rule between republicanism and technocracy

The article examines a technocratic vision of empire arising in Britain in the late nineteenth and early twentieth centuries and its implications for the theorization of empires, the legitimation of large-scale political orders, and their spatial imagination. The role of the Roman model for the British in the decades after 1870 as a resource of policy advice, legitimation, and identity-building serves as a case study for analyzing the role of historical precedence for imperial elites. This analysis opens the perspective onto a notion of empire that significantly differs from the one discussed in recent debates on liberalism and empire: British political actors and observers delineate a concept of empire that is not universalist, but heterogeneous, hierarchical, and technocratic.     

新加坡小印度 充满咖喱味儿的幻彩世界

新加坡虽是个弹丸小国,却有着十分多元的文化。除了占人口总数3/4的华人外,还有马来人和印度人（泰米尔人）,各民族和谐共处,各自保留着独特的生活习性和灿烂的民族文化,为新加坡增添了独特的魅力。在新加坡,实笼岗路（Serangoon Road）一带是印度社群聚集的地方,这里充满了印度风情,好似印度的缩影,人们习惯把这里称作“小印度”。     

Beyond the EU/NATO dichotomy: the beginnings of a European strategic culture

The European Union and its member states have moved with considerable speed towards the creation of a European Security and Defence Policy (ESDP). Whether what has been achieved so far adds up to a revolution remains a moot point. The Common Foreign and Security Policy of the Maastricht Treaty has not always been noted for its binding character, and too often the debate over security and defence has degenerated into an artificial, zero-sum-type game between Atlanticists and Europeanists. What is required for the success of the ESDP is not simply continued commitment to achieving the Headline Goals set out at Helsinki in 1999, but also the development of what the authors call a 'strategic culture', i.e. an institutional confidence and processes to manage and deploy military force as part of the effective range of legitimate policy instruments of the Union. The authors argue that political commitment at the highest levels has been underpinned by the institutionalization, within the Council Secretariat, of the 'military option' in the form of the Military Committee and a Directorate General for the EU's Military Staff (DGEUMS). Even more importantly, there are already signs, especially through such concepts as 'security sector reform' and 'structural stability', that the EU, through its development and humanitarian programmes, has already recognized the necessity of military solutions.     

Empire: The View from Beyond

JOHN M. MACKENZIE. The Empire of Nature: Hunting, Conservation and British Imperialism. Manchester: Manchester University Press; dist., New York: St. Martin's Press, 1989. Pp. x, 34a. £40.00;

STEPHEN CONSTANTINE, ed. Emigrants and Empire: British Settlement in the Dominions between the Wars. Manchester Manchester University Press; dist., St. Martin's Press, 1990. Pp. x, 208. £40.00;

J.A. MANGAN, ed. Making Imperial Mentalities: Socialisation and British Imperialism. Manchester: Manchester University Press; dist., New York: St. Martin's Press, 1990. Pp. xi, 227. £40.00

RONALD HYAM. Empire and Sexuality: The British Experience. Manchester: Manchester University Press; dist., New York: St. Martin's Press, 1990. Pp. ix. 234. £10.95 (paper);

W.J. READER. ‘At Duty's Call’: A Study in Obsolete Patriotism. Manchester: Manchester University Press, 1988. Pp. viii, 152. £45.00;

JACQUELINE BRATTON et al. Acts of Supremacy: The British Empire and the Stage, 1790–1930. Manchester: Manchester University Press; dist., New York: St. Martin's Press, 1991. Pp. vii, 248. £40.00;

P.J. RICH. Elixir of Empire: The English Public Schools, Ritualism, Freemasonry, and Imperialism. London and New York: Regency Press, 2nd. ed., 1992. Pp. 152. £9.95.     

Visual culture in Brazil's First Republic (1889–1930): allegories and elite discourse

ABSTRACT. The research on which the present work is based analyses the ornamentation of the façades of major Brazilian public buildings and investigates how that representation contributed to the construction of a visual national identity during Brazil's First Republic (1889–1930). Two government buildings are discussed: Pedro Ernesto Palace, inaugurated in 1923 to house the municipal chamber of Rio de Janeiro, and Tiradentes Palace, erected in the years 1922–26 to house Brazil's Parliament. The article focuses on the allegorical figures ornamenting these two buildings in order to explore contradictory aspects of the discourse they convey. It will be argued that visual culture, more precisely architecture and architectural sculpture, served the elites of this period as a powerful tool for projecting their values and for preventing contradictions within Brazilian society from emerging in visual terms.     

Choosing What to Remember in Neoliberal Singapore: The Singapore Story,State Censorship and State-Sponsored Nostalgia

This article interrogates the persistence of heavy-handed censorship of political films in Singapore at a time of cultural liberalisation when the state has generally shown greater tolerance for alternative political expression in theatre, the literary arts, academia and public events. Part of this has to do with the focus of these films on political dissidents and their greater capacity to present a fundamental challenge to The Singapore Story, which is the regime-legitimising official account of Singapore’s history. It also has to do with the power and outreach of relatively low-budget independent films and the documentary genre in particular to evoke alternative histories vividly, give voice to the silenced, and channel these voices digitally into the collective cinematic and social media experience of the present. With the jubilee celebrations of 2015, the ruling party has been working hard to regain hegemony after experiencing its worst electoral losses in the 2011 general elections. Its main approach for achieving this has been to sponsor widespread national nostalgia coupled with highly selective censorship of political films that challenge the dominant official discourse in ways that can erode the government’s electoral dominance and political authority.     

Technological parables and iconic illustrations: American technocracy and the rhetoric of the technological fix

This paper traces the role of American technocrats in popularizing the notion later dubbed the ‘technological fix’. Channeled by their long-term ‘chief’, Howard Scott, their claim was that technology always provides the most effective solution to modern social, cultural and political problems. The account focuses on the expression of this technological faith, and how it was proselytized, from the era of high industrialism between the World Wars through, and beyond, the nuclear age. I argue that the packaging and promotion of these ideas relied on allegorical technological tales and readily-absorbed graphic imagery. Combined with what Scott called ‘symbolization’, this seductive discourse preached beliefs about technology to broad audiences. The style and conviction of the messages were echoed by establishment figures such as National Lab director Alvin Weinberg, who employed the techniques to convert mainstream and elite audiences through the end of the twentieth century.