‘Our lives,our fortunes,and our sacred honors’: The Kansas Civil War and the revolutionary tradition

New England settlers used the history of the American Revolution in their struggle against the proslavery party in Kansas territory. As the settlement of Kansas became increasingly politicized over slavery, New England settlers drew on the history of their Puritan and Patriot ancestors to legitimize their actions. Although the New Englanders were a minority of the Kansas population, they nonetheless claimed a privileged understanding of the meaning of liberty in the United States. The free‐state political movement used these claims as an effective propaganda tool. The New England settlers, and the free‐state movement, claimed to be acting on the principles of the Revolution. At times, free‐staters argued that their struggle surpassed the Revolution in significance. Eventually, later Kansans concluded that the Kansas Civil War had been, not a revolution itself, but the prelude to a national Civil War of revolutionary significance in its spread of human liberty.     

“Three concepts”—Hospitality, cosmopolitanism, and human dignity: Reconceptualising heritage futures

Resumen Utilizando las imágenes de la destrucción del patrimonio cultural Palestino como punto de partida, este artículo trata de reflexionar de forma crítica sobre el futuro del WAC recapacitando sobre las actuales preocupaciones, a nivel teórico y práctico, en relación con el patrimonio cultural y con la “arqueología de un único mundo”. Mi estrategia es “dotar” de tres conceptos—hospitalidad, el ser cosmopolita y la dignidad humana, a este debate sobre el futuro del WAC, a través de tres autores, Virginia Woolf, Jacques Derrida, y Edward Said. En mi opinión estos tres ‘conceptos’ no son sólo fundamentales para la reconceptualización del patrimonio cultural sino también para sacar a la luz cuestiones claves en relación con la identidad institucional del WAC y los posibles cambios futuros. Mis conclusiones ratifican que la madurez del WAC cristaliza la necesidad de conmemorar no sólo las aspiraciones fundacionales y los logros acumulados, sino también de abrir el futuro de la organización, de forma crítica y reflexiva, a nuevos miembros y a preocupaciones, arqueologías y patrimonios alternativos o paralelos.

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Résumé A l'aide d'images sur la destruction de l'héritage culturel palestinien je cherche à réfléchir sur l'avenir du WAC à travers les rapports contemporains philosopho-operationels de l'héritage culturel et de l'archéologie mondiale. Ma stratégie est de démontrer à travers trois auteurs tels que Virginia Woolf, Jacques Derrida, et Edward Said, trois idées-l'hospitalité, le cosmopolitanisme et la dignité humaine, portant sur ce débat concernant l'avenir du WAC. Je discute le fait que ces idées sont non seulement fondamentales à la reconceptualisation de l'héritage culturel mais aussi capables de donner naissance à des questions fondamentales sur l'identité de l'institution et sur de possibles transformations du WAC. Mes conclusions répètent que l'entrée en majorité du WAC souligne le besoin non seulement de commémorer les aspirations et les efforts accomplis mais aussi d'élargir l'avenir de l'organisation vers de nouvelles fonctions et des héritages archéologiques.

     

The reproduction of heritage in a Chinese village: whose heritage,whose pasts?

The study investigates heritage practices in a Chinese village, by describing the tensions that have played out among different voices, meanings and understandings centred on the village’s heritage. In the process of ‘heritageisation’, stakeholders that include the state, the local government, the villagers and the principal lineage strive to negotiate different cultural meanings, values and the traditions. Consequently, three different heritage discourses coexist alongside each other in one locality. On the one hand, the ‘authorised heritage discourse’ is taken up by the government to weave and frame a narrative of nation-building around a Memorial Park. On the other hand, the village uses the past to foster local identity of the place in an attempt to attract tourists. For its part, the major lineage in the village uses the ancestral hall to continue the long tradition of remembering their ancestors via worshiping ceremonies. In between are a medley of heritage sites and artefacts existing in a state of flux and struggle over their conservation. The authors contend that, no matter how mundane, grand or hybrid, assemblages of rich and locally meaningful heritage, such as depicted in this article, should be cherished and utilised for the present agenda of cultural construction in rural China.     

BIFFOs,jackeens and Dagenham Yanks: county identity, “authenticity” and the Irish diaspora

Despite being an everyday point of reference in Irish discourse, the extent to which the county serves as a locus of identification has been oddly overlooked in the Irish studies literature. In particular, the persistence of identification with the county of origin post-migration offers new insights on the construction and maintenance of identity within the Irish diaspora. Drawing on my PhD research on discourses of authenticity and identity among the Irish in England, this article investigates the ways in which county identity is invoked both by Irish migrants and those of Irish descent. It illustrates how the county is used as a rhetorical tool to situate the speaker within discourses of belonging and authenticity, but how this may also act as a constraint on the articulation of a collective, diasporic identity. It argues for a greater research focus on translocalism within the context of changing Ireland–diaspora relations.     

Whom does heritage empower,and whom does it silence? Intangible cultural heritage at the Jemaa el Fnaa,Marrakech

Since the 2001–2005 Proclamations of Masterpieces and the highly successful 2003 Convention, the UNESCO paradigms of intangible cultural heritage (ICH) and safeguarding have become influential concepts in international, national and local cultural policy. But the thinking employed in the ICH model – where practitioners are ‘bearers’ of reified, bounded heritage practices – neglects the lived realities of practitioners, ultimately safeguarding little and potentially exacerbating existing inequalities. While the ICH model contains promises of community empowerment, its actual execution can in fact disempower many, merely replicating existing inequalities in the new context of ICH management. While existing literature addresses the theoretical shortcomings of UNESCO’s approach, the purpose of this article was to examine the ways in which they unfold in real life. As a practical case study, it is based on fieldwork among the performers at the Jemaa el Fnaa Square in Marrakech, a site addressed in the earliest rounds of the UNESCO ICH project. Using this case study, I discuss ways in which the issues of power inherent in the ICH paradigm have real consequences for those affected and implications for the success of the projects developed under its umbrella.     

Keeping it real? Subcultural graffiti,street art,heritage and authenticity

This article considers the implications of framing subcultural graffiti and street art as heritage. Attention is paid to subcultural graffiti’s relationship to street art and the incompatibility of its traditions of illegality, illegibility, anti-commercialism and transience with the formalised structures of heritage frameworks. It is argued that the continued integration of street art and subcultural graffiti into formal heritage frameworks will undermine their authenticity and mean that traditional definitions of heritage, vandalism and the historic environment will all need to be revisited. The article contributes to the current re-theorisation of heritage’s relationship with erasure by proposing that subcultural graffiti should be perceived as an example of ‘alternative heritage’ whose authenticity might only be assured by avoiding the application of official heritage frameworks and tolerating loss in the historic environment.     

“This is our land”: collective violence,property law,and imagining the geography of Palestine

This study seeks to explain the origins of two types of violence occurring on the Palestinian landscape, the erasure of Palestinian farms and the demolition of Palestinian homes. Such violence has two sources. One source derives from an enduring practice of meaning-making about geographical places that has inspired groups with territorial ambitions to seize control of the landscapes they covet and is referred to by Edward Said as the crafting of “imaginative geographies.” The second source focuses on changes in property rights that follow when groups with territorial ambitions succeed in seizing control of coveted land. It is the imagined geography of Palestine as a homeland for the Jewish people, first framed by Zionists of the late 19^th century and absorbed into the practices of Israeli state-building, and the changes in property rights inscribed into the Palestinian landscape following Zionist and Israeli military conquests in 1948 and 1967, that lie at the core of violence directed against the Palestinian farm and home today. This process of imagination, legal transformation, and violence is part of a longstanding lineage of dispossession that includes the English enclosures and the taking of land from Amerindians on the Anglo-American colonial frontier.     

Civil War heritage as American diplomacy, 1957–1965

This paper explores the role of Civil War heritage in U.S. public diplomacy during the Cold War era. Especially during the celebration of the Civil War’s centennial, between 1961 and 1965, the Americans endeavoured to harness the conflict’s heritage to promote U.S. interests in Europe. How they intended to do this is demonstrated primarily through an examination of Colonel Sidney Morgan’s mission to Europe to find how the commemoration of the Civil War could be used for public diplomacy. Additionally, by exploring how Civil War heritage was spread and used in the British public sphere, the paper examines and underlines the key role saved to unofficial cultural agents, such as Civil War re-enactment clubs and private people, in heritage diplomacy. The focus on unofficial agents and networks enable this study to show how heritage diplomacy works at the un-institutionalised level and to explore the interaction between the official and unofficial level in heritage diplomacy. The historical perspective and methodology cast new light on the use of history, historical memory and heritage for diplomatic ends and introduces both historians and heritage scholars with new avenues to explore, such as the role of memory and historical consciousness in shaping international relations.     

“Over our dead bodies”: Placing necropolitical activism

Analysing a struggle between Palestinian campaigners and Israeli authorities over an ancient Muslim cemetery in Jerusalem, this paper explores the role of necrogeography in contesting urban boundaries, asserting historical legitimacy and realizing emancipatory spatial practices. The article bridges an existing gap between the geographical study of death spaces, and the necropolitical realities of conflict in late modernity. The case-study analyses one arena of contemporary urban geopolitics of death in Israel–Palestine, and the myriad of factors that shape its dynamics of struggle and power relations. The article argues that the multiple avenues of nuanced and creative political action found in necrogeographical research over the past two decades offers a lived alternative to the politics of despair that often dominates the prevailing conceptualizations of necropolitics.     

“Charcoal scribblings of the most rascally character”: conflict,identity, and testimony in American Civil War graffiti

Civil War soldiers’ graffiti survive at more than 60 sites, predominantly in Virginia, including churches, court houses, caves, and houses. Although often terse and fragmentary, they provide an intriguing insight into soldiers’ experiences. This essay offers a tentative framework for analyzing how the graffiti functioned: as informal commemoration of wartime experiences; as a social activity, displaying the loyalties, frustrations, and humor of army life; and as an invasive act, vandalizing southern property.     

The collision of heritage and economy at Uxbenká, Belize

The relationship between the Mopan Maya community of Santa Cruz and the Classic period Maya site of Uxbenká in southern Belize has had a lasting impact on archaeological investigation and conservation at the site over the last generation. Community members, long the ‘stewards’ of Uxbenká, believe they have an economic right to the ruins that translates loosely into ‘ownership’. Although they seek to maintain the relationship between Santa Cruz and Uxbenká, archaeologists with the Uxbenká Archaeological Project (UAP) challenge the legitimacy of the community’s claim via the power vested in them by the state to conduct scholarly investigations at the site. For both the UAP and the state‐affiliated Institute of Archaeology, Uxbenká belongs not to one village but to all Belizeans. This paper is a data‐driven analysis of the interactions and expectations of community members, archaeologists, and the state as they interact within the archaeoscape of Uxbenká.     

Our land is our voice: First Nation heritage-making in the Tr’ondëk/Klondike

Abstract

The subsistence lifeways of the Tr’ondëk Hwëch’in, a First Nation in northwestern Canada, were radically challenged by the arrival of settler colonialism during the Klondike Gold Rush (1896–98). This Yukon First Nation has subsequently faced down a powerful array of Western heritage activities and commemorations, both local and national, designed to absorb them into modernity. Through a conscious and continuous programme of heritage-making, the citizens of the First Nation have re-asserted their territorial sovereignty and maintained and adapted their cultural identity to changing circumstances. Their heritage-making strategies are illustrated through a review of their call for a treaty, the creation of new instruments for carrying and expressing their cultural identity and their more recent programme of support for the survivors of the Canadian Government’s Indian Residential Schools.     

Coastal heritage in touristic regional identity narratives: a comparison between the Norwegian region Sørlandet and the Dutch Wadden Sea area

ABSTRACT

Heritage plays a central role in narratives of coastal regions that promote them as places of leisure. This paper compares this role of heritage in Sørlandet (Norway) and the Dutch Wadden Sea area. Both regions have rich and related cultural histories, but at the same time exhibit striking differences in the role of cultural heritage and other aspects of heritage in regional identity narratives that are aimed at attracting tourists. We conclude that while the narratives of Sørlandet affirm a romantic, picturesque image of pre-industrial, societies, those in the Dutch Wadden Sea area frame this region as a pristine and timeless wilderness, in which human history has no place.