Multiplying Labour,Multiplying Resistance: Class Composition in Buenos Aires’ Clandestine Textile Workshops

Buenos Aires’ talleres clandestinos (clandestine textile workshops) are powerful sites of accumulation and resistance; a complex and communitarian migrant economy. The economy’s complexity is, however, masked by its spatiality, clandestinity, and the promotion of culturalist analyses that ignore intra-collective class differentials. This paper considers the “autonomy of migration” approach through the lens of “class composition” to explore the talleres’ contours. Witnessed in the talleres is a clear “multiplication of labour”, yet approaching this multiplication compositionally highlights the multiple examples of resistance and refusal immanent to the workshop economy. But this dialectic of control and resistance transcends the workplace, with the talleres one node in a wider, socially reproductive borderscape. By developing a framework that neither condemns nor celebrates economic structures like the talleres, but instead unpacks their antagonistic nature, the paper highlights the benefits of (a) analysing the autonomy of migration approach compositionally, and (b) further geographical engagement with autonomist thinking.     

The religious geography of Marvell’s “An Horatian Ode”: popery,presbytery, and parti-coloured picts

ABSTRACT

Marvell’s “Ode” (1650) is an English poem about a British problem – a problem further problematized by religion. The “Ode” lauds Cromwell’s Irish and Scottish campaigns, but English responses to these “colonial” wars were in reality complicated by protestant infighting among presbyterians, independents, and sectarians. Writers like Milton and Nedham rallied English support for Cromwell’s Irish campaign by recycling Spenserian stereotypes of Irish catholic barbarity. But Milton and Nedham also undercut English protestant unity by flinging these same anti-catholic stereotypes at Scottish presbyterians in Belfast and Edinburgh. Departing from previous studies, this article argues that Marvell’s “Ode” eschews Milton and Nedham’s anti-Presbyterianism in ways calculated to elide, rather than divide, protestant communities. The article explores how the “Ode” presents Cromwell’s Irish and Scottish campaigns as exclusively anti-catholic (rather than anti-presbyterian) crusades, comparing Marvell’s presentation of Cromwell in the “Ode” with his identification of Cromwell as an anti-catholic crusader in “First Anniversary” (1655). Both poems anticipate in this respect Marvell’s later anti-catholic, but pro-nonconformist, approach to Ireland in Rehearsal transpros’d (1672–1673). The article is therefore concerned to root Marvell’s post-Restoration commitment to protestant tolerationism within the anti-catholic language of the “Ode”.     

Leibniz’s Kehre: From Ultradeterminism to the Philosophy of Freedom

Abstract

This article examines the rift in Leibniz’s conception of determinism after being rebuffed by the Parisian theologian Antoine Arnauld in their correspondence of 1686. As, in addition, his study of surds infracted his confidence in the “complete concept,” Leibniz embarked on a new, dynamic doctrine of substance or “law of the series.” In the literature, this strategy has been widely (mis)understood as “tweaking” the system to allow some self-assertion of free will. But as this article will show, it amounts to a revolutionary conception that culminates in the unmasking of determinism as an insupportable, indeed incoherent doctrine. As all forms of determinism are profoundly entangled with human self-perception, the Leibnizian Kehre invites us to a new engagement with human freedom and autonomy and the disentanglement from a philosophical position for which neither a metaphysical nor an empirical proof can be given.     

Burst of the property bubble and Hong Kong’s changing land and housing policies post-1997

Momentous events have characterized the Hong Kong Special Administrative Region since its founding in 1997. Among these were drastic and repeated changes in housing and policies, shifting from one emphasizing the role of the state to one purportedly relying primarily on market forces, and then back to a more proactive stance of the state. Associated with these changes were roller-coaster movements in residential prices and housing completions. These developments took place in the context of phenomenal upheavals within and beyond Hong Kong: the Asian financial crisis and the burst of Hong Kong’s property bubble; the contestation of Hong Kong’s autonomy under “one country, two systems”; and the flooding of “hot money” consequent upon repeated rounds of quantitative easing by the Federal Reserve of the United States to counteract the global financial crisis of 2007–2008 and the Great Recession that followed.     

Globalizing a Race to Publish an Encyclopedia

In 1912, Daniel Alexander Payne Murray published a prospectus for his “Historical and Biographical Encyclopedia of the Colored Race throughout the World.” He promised to publish what literary historian Henry Louis Gates Jr., would describe as the “Grail” for black scholars. As Murray planned his encyclopedia in the first decade of the twentieth century, persons of African descent in the United States were killed and assaulted because of their race, and racial identification was as critical an issue as it was also ambiguous. Moreover, despite its ambiguity, or perhaps, because of it, race, in 1912 and since the Naturalization Act of 1790, had everything to do with American citizenship. In Murray’s time, whether a person was identified on the one hand as “white” or “octoroon” versus an identity as “black,” “Negro,” “mulatto,” or “quadroon” influenced whether or not that person could exercise his rights as an American citizen (with her rights barely entering the question). However, race, as Murray understood with its skin color codes shading the meaning of American citizenship, was much more a social construction than it was biological evidence of a person’s hereditary origins. Formulating a strategy in support of black American citizenship, Murray developed a global interpretation of the black American experience from a pragmatically ambiguous cultural practice to compose an identity for himself, his people, and his proposed encyclopedia.     

L’autobiographie allemande du XVIIIe siècle,interprétée à la lumière de la sociologie de niklas Luhmann

With the help of Luhmann’s theory, this essay tries to define the connection between the boom of autobiographical writing in the late 18th century and the rise of the middle classes. Central to this, is his definition of “career”, with which he describes the individuals’ behaviour in the new functional bourgeois society. Strictly speaking, the individual gains personal and social identity, through his or her spoken or written autobiography as can be seen clearly in Jung-Stilling’s autobiography, which was published bit by bit. The individual hereby improves its prospects of social advancement. On the other hand, K. P. Moritz in hisAnton Reiser describes his hero’s life as the “career” of a failure whose hyperactive imagination interferes with the formation of his identity. Thus autobiographical writing in the 18th century shows itself as the literary autopoiesis of the authors’ concrete individuality.     

« Techno-Esthétique » de L’Économie Smithienne Valeur et Fonctionnalité des Objets dans L’Angleterre des Lumières

From The Theory of Moral Sentiments to his essay on The Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts, Adam Smith offered a vision of aesthetics combining beauty and utility. An echo of exchange value as the “ability to buy other goods” — the “power” to organize and achieve one’s goals — his definition of beauty was premised on the “aptness” of things, that is, the fact that they were also useful. Sustained by the commodification of products, a kind of “techno-aesthetics” thus emerged in England in the 18^th century, one that implied designing, adapting, reducing and showcasing the means of production.     

“As Though There Was No Boundary”: the Shipshaw Project and Continental Integration

This essay reads Munro’s 2001 story collection as embodiment of her artistic accomplishment. Beginning with a 1952 internal Canadian Broadcasting Corporation reader noting “evocative and luminous phrases” in two of Munro’s earliest stories, it argues that such phrases have informed Munro’s fiction throughout her career. In Hateship, these phrasings are key to “Family Furnishings,” “Hateship, Friendship, Courtship, Loveship, Marriage,” “Post and Beam,” “The Bear Came Over the Mountain,” and especially “Nettles.” There Munro structures her stories around “real facts in the making,” combining autobiographical facts and situations with her imaginative renderings of them. This collection reveals Munro at the height of her accomplished art.     

‘That street is taking us to home’: young children’s photographs of public spaces

ABSTRACT

Children’s identities constitute and are constituted by the everyday spaces they inhabit. Though there are innumerable accounts of what adults think public spaces like subways and city streets mean to children, fewer recorded accounts exist from young children themselves (Faulkner and Zolkos 2016, “Introduction.” In Critical Childhood Studies and the Practice of Interdisciplinarity, ix–xvii. Lexington: Lanham.). In this work I explored 2- – 5-year-old children’s conceptions of public space through the photographs they took and the narratives they told in and around those images. I focused on how children imaged their spaces, how their narrative fragments added layers of story to the images’ contents, and how their photographic performances acted as ‘visual voice’ (Burke 2005, “‘Play in Focus’: Children Researching Their Own Spaces and Places for Play.” Children Youth and Environments 15 (1): 27–53.), highlighting for us how they see themselves and their positions within the larger urban environment. The young children’s photographs depicted their growing autonomy and mobility within an urban context, attunements to non-human forms of the city, and knowledge of what it means to live in their communities.     

Mineral commons: Collective claims to territory in the goldfields of Madagascar

This paper examines how artisanal miners in northern Madagascar have contested state-corporate authority and staked claims to subterranean territory through the production and maintenance of goldfields as mineral commons. Drawing on ethnographic evidence collected over 15 months of field-based research, as well as interviews and archival data, I elaborate how community members in the diggings of Betsiaka have used commoning to resist subsoil enclosure, engender local autonomy, and secure collectivized access to gold as a basis for extended social reproduction. Constructing Betsiaka's mineral commons has relied on three overlapping yet distinct components: (1) the materiality or geological character of deposits, mediated through local understandings of gold's occurrence and (in)exhaustibility; (2) the socio-historical construction of discourse around resource access; and (3) the political-economic organization and management of the goldfields via sedimented institutions of governance. The paper's arguments challenge assumptions across varying domains of commons scholarship that tend to exclude resources deemed “nonrenewable” from discussions of commons, demonstrating both that socio-natural particularities can render mineral deposits effectively “inexhaustible,” and that even subsoil resources perceived as finite can be managed by community members to facilitate collective access and broadly-shared benefit. They furthermore contribute to ongoing discussions regarding territorialization and governance in extractive landscapes, adding commons and commoning to the list of tactics and instruments used by mining communities to avoid dispossession, order activities, and sustain livelihoods. Recognizing mineral commons in Betsiaka and beyond thus has significant implications for enhancing our understanding of local mineral politics—and also for rethinking approaches to formalization and decentralization.     

The Picture of Artificial Intelligence and the Secularization of Thought

ABSTRACT

This article offers a critical interpretation of Artificial Intelligence (AI) as a philosophical notion which exemplifies a secular conception of thinking. One way in which AI notably differs from the conventional understanding of “thinking” is that, according to AI, “intelligence” or “thinking” does not necessarily require “life” as a precondition: that it is possible to have “thinking without life.” Building on Charles Taylor’s critical account of secularity as well as Hubert Dreyfus’ influential critique of AI, this article offers a theological analysis of AI’s “lifeless” picture of thinking in relation to the Augustinian conception of God as “Life itself.” Following this critical theological analysis, this article argues that AI’s notion of thinking promotes a societal privilege of certain rationalistic or calculative ways of thought over more existential or spiritual ways of thinking, and thereby fosters a secularization or de-spiritualization of thinking as an ethical human practice.     

This Is Not an Improvisation: Letitia Landon and the Slipperiness of Taxonomy

ABSTRACT

Writing in 2007, in The Wordsworth Circle, Jeffrey Robinson remarked on the “ephemerality” of improvisational poetry, its fundamental resistance to being “preserved.” Printed poetry is typically regarded as “fixed” and static: what any poem represents as improvisation is, at best, only a record, executed in a fixed medium, of a performance whose infinite variability is inherent in the nature of improvisation itself. Partly an homage to Rene Magritte’s This is Not a Pipe (1928–29) and to Michel Foucault’s 1973 essay on that painting, and using as a test case The Improvisatrice (1825), the long poem by Letitia Elizabeth Landon, herself a devotee of interdisciplinary and multimedia performance, this essay considers the physical, structural, and methodological challenges and limitations posed to printed “word art” by works that purport to be, or aspire to the condition of, “improvisations.” The improvisatrice who is the poem’s narrator claims to be both a painter and a songstress, but her “speech,” captured and rendered in printed words by Landon (who ventriloquizes that speech), can neither “be” nor even “represent” a work produced (“performed”) in visual art or vocal song. In her long poem Landon effectively creates a literary trompe l’oeil, an illusion that depends for its “completion” upon the reader’s implied participation in that performative act of completion. In the process, Landon’s poem reveals the fundamental incompatibility of improvisational literary production with the performative nature of improvisation.     

Shelley’s Jingling Food for Oblivion: Hybridizing High and Low Styles and Forms

ABSTRACT

This essay argues that there was a sense in which Shelley actively approved of “jingling verse.” His poetic energy was sustained by a substratum of popular and tuneful versifying, such as impromptus, bouts-rimés, anagrams, enigmas, ballads, Mother Goose rhymes, proverbs, hymns, and drinking songs. He hybridizes the registers and meters of these humble forms with elevated, sublime, and erudite ones. This hybridization is, arguably, connected to the characteristic coexistence of the direct and clear with the knotty and puzzling in his poetry. After a brief account of Shelley’s submerged youthful reading, noting in passing that Shelley’s lyrics proved amenable during the early twentieth century to recycling as Shelleyesque jingles, the essay illustrates its thesis from unfamiliar fragments in Shelley’s notebooks, such as the late lyric fragment “Time is flying,” and from more familiar matter such as “Dirge for the Year,” “Mont Blanc,” “The Cloud,” “On the Medusa of Leonardo da Vinci,” “The Sensitive Plant,” “Song: to the Men of England,” “Ode to the West Wind,” and Peter Bell the Third.     

Fire,Smoke, and Judah in Judges: A Response to Gregory Wong

Abstract

In a recent SJOT article, Gregory Wong set out to “[reexamine] the evidence for the alleged pro-Judah polemic in Judges.” His conclusion is that “even though the body of evidence commonly cited in support of a direct pro-Judah polemic [in Judges] seems impressive at first glance, a case-by-case examination seems to suggest that it is, unfortunately, a case of all smoke but no fire.” As a member of the rapidly growing group of scholars who believe otherwise, I would like, in my turn, to examine the arguments presented by Wong in support of this conclusion. I will demonstrate that although some of these arguments, mainly those having to do with Judah’s presentation in Judges 1, are valid and rightfully refute certain vulnerable interpretations, overall Wong’s case against seeing Judges as a profoundly pro-Judah text is extremely weak.     

Solomon’s Table Talk: Martin Luther on the Authorship of Ecclesiastes

ABSTRACT

Martin Luther’s comments in a section of Table Talk continue to be used as evidence that he denied the Solomonic authorship of Ecclesiastes. A comparison of the passage with Luther’s “Preface” to Jesus Sirach demonstrates that the majority of Luther’s comments in that section of Table Talk pertain to Sirach. However, the passage also has clear parallels in Luther’s “Preface to Solomon’s ‘The Preacher,’” suggesting that it is a mixture of Luther’s comments on Ecclesiastes and Sirach. The portions of Table Talk which do pertain to Ecclesiastes have commonly been misinterpreted. Luther does not deny that Solomon was the author of Ecclesiastes; he denies that Solomon was the scribe. He thought that Ecclesiastes was written down by students on the basis of the oral teachings of their master, much like his own Table Talk.     

“纸生仔”现象的历史现实与文学想象*--以伍慧明《望岩》为例的分析 A

论文结合历史事实和伍慧明的《望岩》对“纸生仔”的形象塑造,分析探讨了“纸生仔”对美国华人的个人关系、家庭关系以及对整个华人社区的影响。“纸生仔”作为美国华人历史上的一个重要现象,一方面,它给众多通过“纸生仔”进入美国的个人及其家庭、整个华人社区造成了长久影响;另一方面,“纸生仔”的影响是代际传递的,它影响了整个华人社区的社会关系。同时,《望岩》展示了在麦卡锡时代和“坦白计划”背景下的华人社区,揭示了“纸生仔”对华人社区造成的持续伤痛。     

Beyond the One-World Frame of Fiction: The Breakdown of Reality in Hushang Golshiri's Stories

The debate over political commitment in Iran was never limited to adjudicating content: it was frequently a debate over form as well. In the realm of fiction, this debate fixated on realism, the nature of mimesis, and the autonomy of art and the literary text. Within a few short years after forming the iconoclastic journal Jong-e Esfahan in 1965 with a group of likeminded colleagues, the writer Hushang Golshiri had become the preeminent modernist fiction writer in Iran. His critical essays represented a passionate defense of aesthetic autonomy at a time when realism and, particularly, socialist and “engaged” literature were powerful shibboleths in the Tehran literary scene. This paper begins with a look at Golshiri's critical interventions in this debate and then moves on to show how the short stories he produced in the Jong era were an even more integral part of his response to the mimesis question. By reading his stories with a methodology drawn from “possible worlds” theories of narratology, Todorov's fantastic, and Golshiri's own theories, we see how these works break down the “one-world” frame of reality that realism takes for granted, and require the reader to grapple with multiple, often contradictory, possible realities in its stead.     

A Call to Higher Things

Abstract

Seeking a responsible middle ground between complaisance and the “religious totalitarianism” of Sayyid Qutb, Miroslav Volf proposes a proper role for religion as a faithful advisor in the public square and an inspired one in the corridors of conscience. But he seems to lose patience with that theme without addressing John Rawls’ case for silencing religious counsels—or engaging the strident atheism of Dennett, Dawkins, Hitchens, or Grayling, and he takes Qutb more as a foil than an adversary to be grappled with directly. Turning away from debates over religion’s proper public role he catalogues the “malfunctions” of faith, sidestepping many of today’s more burning issues in favor of a generic call to “lives of integrity”—while acknowledging that we mortals are “powerless against the lure of evil,” too often seconded by “the power of the systems that surround us.” Prayer, Volf argues, finds its best use when we ask to be made “willing, capable, and effective instruments in God’s hand.” One only wishes he had been more explicit and more ready for down and dirty argument with those who reject the very idea of prayer and with those who imagine they become God’s best instrument when holding an incendiary device.