Re-tribalization in the 21st century,part 1

This exploratory study presents ‘re-tribalization’ as a framework for comprehending contemporary global patterns and phenomena. It posits a link between the erosion of modernity's traits and a resurgence of tribal behaviour – the more elements that we associate with modernity diminish, the more we see the emergence of group formations akin to anthropological notions of tribes. This trend manifests not only in societies where tribal and lineage affiliations remain central to identity but also – perhaps more notably, considering modernity's promises – in developed nations, including global powerhouses like the USA, India and China. ‘Re-tribalization’ signifies a modern-day recourse to a so-called tribal past, fortifying intra-group cohesion and creating a distinction from other groups, thus delineating ‘us’ and ‘them’. This process highlights the drawing of boundaries between communities, positing that such delineations were more apparent in the past and need to be re-established to navigate today's challenges and crises. The study traces the historical lineage of re-tribalization appeals and their ties to nationalism, citing instances from Johann Gottfried Herder's works. This argument leverages the authors’ nearly two decades of ethnographic fieldwork, a collection of four studies and initial insights from their soon-to-be-published book.     

The Death of Beauty: Goya's Etchings and Black Paintings through the Eyes of André Malraux

Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of the time. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a significance of a much deeper kind. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the European artistic tradition that began with the Renaissance, an essentially humanist tradition founded on the pursuit of a transcendent world of nobility, harmony and beauty—an ideal world outside of which, as Malraux writes, ‘man did not fully merit the name man’. Following the illness that left him deaf for life—an encounter with ‘the irremediable’, to borrow Malraux's term—Goya developed an art of a fundamentally different kind—an art, Malraux writes, ruled by ‘the unity of the prison house’, which replaced transcendence with a pervasive ‘feeling of dependence’ and from which all trace of humanism has been erased. Foreshadowing modern art's abandonment of the Renaissance ideal, and created semi-clandestinely, the etchings and black paintings are an early announcement of the death of beauty in Western art.     

Front and Back Covers,Volume 35, Number 2. April 2019

Front and back cover caption, volume 35 issue 2 Front cover You overlook them every day — sentient vegetative life forms in the cracks and crevices of urban worlds. Perhaps on a spring day you passingly notice ‘trees’ or ‘flowers’ as they bloom, but see nothing of their specificity, their agency, their sociality. Yet plants provide a basis for how we think — ‘roots’ and ‘branches’ structure our language and computational forms; as our thoughts ramify, they ‘sprout’ ideas that ‘stem’ in various directions. And they are the foundation upon which mammals have thrived on earth, so far. You should know more about them than you do. Stop for a moment now and give them your attention. Consider: indigenous communities, whose medicinal plants and knowledge circulate in global marketplaces; roots' and the capacity of roots and seeds to remake, regrow and re-establish themselves in new contexts; or the roles, statuses, channels, spatial-temporal scales and ontological frames required for engaging a plant's point of view. Ponder: taking position alongside botanists and indigenous sages to remake ethnobotanical knowledge; seed conservation as a generative experimental space from which new forms of human-plant relations might flourish; or how communicative phytochemicals differ from the signs and symbols anthropologists typically study. In this special issue we will learn how it is that we think with and through plants. Svalbard Global Seed Vault ( http://www.seedvault.no ) in Longyearbyen, February 2008. The vault provides a safe backup of seeds from food crops conserved by seed banks worldwide. This picture is from the day of the official opening. The entrance to the vault is well guarded from visiting polar bears. During the opening, the vault was guarded by an armed guard and an ice sculpture of a polar bear. Back cover ETHNOGRAPHY OF PLANTS Plants congregate and socialize, and they have long formed part of our publics. They are more than representations in human knowledge systems or world views. But knowing them is difficult and sometimes takes a lifetime. Ethnographers have long gathered and mulled over plant lore, often while partaking of them in various herbal or culinary renderings. This special issue on plant ethnography marks a shift in this contemplative listening stance, by bending closer, leaning over and studying their ways. The questions posed here are important: how do we address them? Can they thrive in the wake of habitat destruction? What can we learn from them before it's too late? Botanists identify and assess rare plant species in the Sonoran Desert in southern California in order to plan the collection of their seeds for long-term seed conservation at the Rancho Santa Ana Botanical Garden, a partner of the global Millennium Seed Bank Partnership (MSBP). The Sonoran Desert has more plant diversity than any other desert in the world, with over 2,000 native plant species which have developed fine balances and beautiful adaptations to life there. These species, however, are caught between two key pressures of the Anthropocene: the prospect of a changing climate, and the encroachment on their habitat by human development, in this case — ironically — by the earmarking of vast areas of the desert as prospective solar energy facility sites. MSBP partners, like Rancho Santa Ana BG, have conserved 13 per cent of the world's wild plant species. The banking of plant seeds insures against their extinction and provides resources for research and reintroduction which can support their conservation, but ultimately, the deserts cannot be conserved through seeds in freezers alone.     

Pocock,Machiavelli and Political Contingency in Foreign Affairs: Republican Existentialism Outside (and Within) the City

SUMMARY

In this essay, inspired by J.G.A. Pocock's appropriation of Machiavelli's theory of political contingency, and building upon my previous engagements with Pocock's ‘republican existentialism’, I focus on the role played by ‘accidents’ in Machiavelli's analysis of war and foreign affairs within The Prince and the Discourses. In so doing, I consider the following issues: the ways through which a potential imperial hegemon might consolidate control over nearby lesser powers—and, conversely, how such less powerful polities might resist imperial encroachments on their autonomy; the contrasting military modes and orders characteristic of ancient and modern republics; and the extent to which Machiavelli actually thought that accidents in foreign affairs were ever truly ‘accidental’ in light of his determinations concerning well- versus badly ordered domestic institutions.     

CONTRASTS MARRIAGE AND IDENTITY IN WESTERN FIJI

You see how people get married here, how much work it involves. The mats, the drums, the animals, it's murder! If it's a woman, that's all right, you just go and eat. But if you've got a young man, you have to start raising cattle. With you foreigners, it's easy. You have a small party and that's it. It's better that way, here it is just too much. You know how the Indians get married, Niko? The man goes to the woman's father and says, ‘Here's a thousand dollars. How about it?’ He says, ‘That's not much.’ Then the man offers fifteen hundred, he says ‘Ummm.’ Then when the man offers two thousand, he says, ‘All right.’ Different customs, say!     

Humanists and Travellers,Gorgons and Gorillas: Hanno the Navigator's Periplus and Early Modern Geography (1530–1630)

This article is concerned with early modern interpretations of Hanno the Navigator's Periplus, an ancient travel account of a Carthaginian voyage down the coasts of Africa. The early modern period saw a rise in interest in geographical knowledge, and the ways in which different authors used Hanno's voyage reflects their understanding of the role of geography in conceptualising the world. In these discussions, writers had to negotiate between the confusing portrayals of the voyage in the received classical tradition and new reports brought by voyages of exploration. Here, I will discuss how these syntheses between humanist methods and contemporary travellers' accounts were shaped by the economic and political concerns tied to the first wave of European overseas expansion. Amid this climate, ancient geographical knowledge found pragmatic applications in contemporary issues of navigation, commerce and claims of territorial possession, as well as shaping European perceptions of ‘self’ and ‘the other’. This paper thus seeks to situate humanist practices and classical knowledge within the wider context of overseas voyages and early modern political and economic developments.     

Jules Verne's Metaphor of the Iron Cage

Max Weber's concept of the iron cage has become a byword in the scholarly world since the publication in 1930 of Talcott Parsons’ translation of The Protestant Ethic and the Spirit of Capitalism. What is less well-known is that Jules Verne had earlier used the iron cage metaphor in Twenty Thousand Leagues Under the Sea (1869) to reveal the paradoxes of modernity. Roland Barthes criticized Verne's vision of modernity as bourgeois and positivistic, pointing out his narrow-minded enthusiasm for futuristic technology. In this essay, I argue that Verne's originality lies precisely in his equivocal attitude towards modernity with its high technology. Verne, I suggest, does not reject technological modernity, but by dissecting it he reveals its propelling forces, high demands and price. He shows that the Enlightenment's Rule of Reason is, in the end, governed by the ancient passions of fear, bitterness and the thirst for revenge. It is this combination that makes the human condition tragic. Verne's Homeric imagination creates an epic hero—Captain Nemo—who personifies the remarkable alliance of modern science and ancient heroism.     

Philosophy,Sociability and Modern Patriotism: Young Herder between Rousseau and Abbt

Summary

In his early years Herder is known to have been a follower of Rousseau (via Kant). This article argues that there was indeed a substantial overlap between Herder's and Rousseau's ideas in Herder's early writings, particularly in terms of their joint critique of abstract philosophy and their understanding of the sentimental foundations of morality, as well as their commitment to the ideals of human moral independence and political freedom. Yet Herder's admiration for Rousseau's moral philosophy did not lead him to adopt Rousseau's critique of sociability even in this early period, and there was in fact a deep divergence between their political views. Herder attempted to combine a Rousseauian cultural critique, ‘human’ moral philosophy and philosophy of education with ideas inspired by Thomas Abbt's theory of monarchical patriotism. In contrast to Rousseau, and following Abbt, Herder posited the existence of natural patriotic feelings and underlined their importance in guaranteeing good government and political freedom. Thus, Herder could have a relatively optimistic view of the role of ‘human philosophy’ in regenerating patriotism in a modern setting. Herder embraced Abbt's emphasis on the positive aspects of modern monarchies and ‘modern liberty’ when compared to ancient republics, highlighting the compatibility of Christianity, international commerce and religious tolerance, and the general possibility of developing one's natural inclinations in modern monarchies.     

Covering the Building of a Kingdom: The Saudi Arabian Authority in The London Times and The New York Times, 1901–1932

The orientalist literature subjected the Middle East in an exotic way — mostly as an “Arabian Nights” society ruled by traditional sultans and/or tribal chiefs — rather than modern governance structure's “bureaucracy.” The presumption within postcolonial scholarship has been that this perception influenced the policy landscape in the United States and Europe, especially the media depictions of the oriental leaders and leadership. The paper empirically tests this hypothesis through content analysis using Weber's categorization of leadership of two newspapers of record — The New York Times in the United States and The London Times in the United Kingdom — during the period of state building in Saudi Arabia (1901–1932). I find that rather than depicting the Saudi leadership as “backward,” these newspapers in particular, tend to overstate the development of the Saudi state during this period. As Weber is best known for his three types of authority, it benefits the discipline to see how the interpretive communities of Western journalists operationalized “authority” in terms of politics and religion of Saudi Arabia as this monarchy emerged.     

Place,space and odyssey: Exploring the future of early medieval sculpture,Rosemarkie, Inverness-shire

Abstract

The world today is often described as ‘postmodern’ - or, recently, post-postmodern. The question is, can postmodern ideas help to explain the many inconsistencies and logical binds in which museums find themselves entangled at the start of the 21st century? The postmodern is set in contrast with the Modern project, with which museums are closely associated. Superstition and disorder were swept aside, in theory at least, by scientific evidence and orderly arrangement, promoting a stable social hierarchy. In the West, the rational, scientific mindset became the dominant way of explaining the world. Museums are deeply implicated in the Modern, as instruments for cataloguing and characterizing first the natural world and, later, the world of invention, design and technology. Can museums, as ‘modern’ institutions, survive in the postmodern age? The museum's salvation could, it is argued, lie in its collections. Museums could shrug off their insistence on exhibitions as their major function: their ‘modern’ face. Instead they could move towards being providers of a service to open up the collections themselves and the knowledge and information about them, rather than guarding them as a private treasure.     

The (Jean) Nouvel Other: Primitivism and the Musée du Quai Branly

The Musée du Quai Branly, located beside the Eiffel Tower in Paris, opened in June 2006. Constructed to house France's important collection of non-western art, the museum has been promoted as ‘decidedly post-colonial’ and a place of ‘reconciliation and sharing’. Historians have situated the creation of the museum within political debates over the restructuring of several of France's museums and, more broadly, the country's position in a post-colonial world, while focusing little critical attention on the building itself. The author argues that Jean Nouvel's architectural program for the Musée du Quai Branly—a ‘primitive shelter’ surrounded by a ‘sacred wood’—gives physical form to a primitivist aesthetic. The unproblematised binaries of self versus other and culture versus nature evident in Nouvel's design reveal a surprisingly unsophisticated theoretical standpoint. As a frame in which to view and understand the objects on display, the Musée du Quai Branly invites a primitivist—and colonial—reading of its collection.     

Masculinity,Autobiography and History

Men's history—masculine history, if you will—begins when we redefine our usual notion of historical significance and when we shift our usual frame of reference. Once we have made these two conceptual adjustments, we uncover some secrets hidden in the familiar landscape of the past. More often—and ultimately more important—as we shift our angle of vision, we recognise new meanings in the evidence that lay in front of our eyes all along.¹ A man would never set out to write a book on the peculiar situation of the human male. But if I wish to define myself I must first of all say: ‘I am a woman’; a man never begins by presenting himself as an individual of a certain sex, it goes without saying that he is a man.²     

Front and Back Covers,Volume 35, Number 5. October 2019

Front and back cover caption, volume 35 issue 5 Front cover This installation was part of the ‘Hurray Menstruation’ protest organized by gender activists during the Sabarimala pilgrimage of 2018–19. This protest was supported by the Kerala government as part of its ‘Renaissance’ campaign against the BJP’ s (Bharatiya Janata Party) provocative assertion of traditional Hindu values. The installation is a condensed symbol in Victor Turner's sense, with many layers of meaning. The major elements are a vulva, alongside an image of the Constitution of India, centrally mediated by a woman blowing a trumpet - an expression of freedom from repressive and oppressive moral values espoused by the dominant middle class. The installation draws attention to oppressive rules in Hindu religiosity and ritual practice that target women as polluting due to biological processes particular to them. By contrast, the installation attributes positive values to these ‘polluting’ processes instead. Back cover THE PARABLE OF THE FOOTBRIDGE A footbridge in the wetlands. Where will it lead? ‘The between’ is a powerful theme in ritual and mythical traditions the world over. However, different traditions will express ‘the between’ in different ways. As described by Paul Stoller in this issue, Sufi traditions hold the bridge as a major symbol for barzakh, a space that links two distinct domains - a place that is between things, a space that separates the known from the unknown, the comprehensible from the incomprehensible, a nebulous space that compels the imagination. The footbridge is the epitome of ‘the between’, of being neither here nor there, of being liminal. On the footbridge, you may not know your front from your back or your past from your present. In this neither space, uncertainty seeps into your being. Where will your steps take you? If you make it to the other side, will things be different? Will you be the same person? The existential crisis of ‘the between’ that one finds on the footbridge can bring disruption, turbulence and stress. Amid this risky and unstable state of ‘negative capability’, the mind is sometimes cleared of clutter as one enters a space of imagination, creativity, innovation and invention. Are contemporary anthropologists ready to risk disruption and invention so we can follow the sinuous path to the anthropological future? If we move forward, what will we find on the other side of the footbridge?     

‘Walking … just walking’: how children and young people's everyday pedestrian practices matter

This paper considers the importance of walking for many children and young people's everyday lives, experiences and friendships. Drawing upon research with 175 9- to 16-year-olds living in new urban developments in south-east England, we highlight key characteristics of (daily, taken-for-granted, ostensibly aimless) walking practices, which were of constitutive importance in children and young people's friendships, communities and geographies. These practices were characteristically bounded, yet intense and circuitous. They were vivid, vital, loved, playful, social experiences yet also dismissed, with a shrug, as ‘just walking’. We argue that ‘everyday pedestrian practices’ (after Middleton 2010, 2011) like these require critical reflection upon chief social scientific theorisations of walking, particularly the large body of literature on children's independent mobility and the rich, multi-disciplinary line of work known as ‘new walking studies’. In arguing that these lines of work could be productively interrelated, we propound ‘just walking’—particularly the often-unremarked way it matters—as a kind of phenomenon which is sometimes done a disservice by chief lines of theory and practice in social and cultural geography.     

Spatial Disparities and Economic Development in China, 1953-92: A Comparative Study

It seems to be widely accepted that China's interior development during the Maoist period was based on ‘equality’ considerations, which narrowed Chinese regional disparities. By contrast, the recent coastal development during Deng's reform era has been coined as ‘uneven’ and ‘undesirable’, because it has created tremendous inequalities across the country. However, the findings of this study suggest that the question may not be that simple. This article examines the spatial disparities of economic development in China between 1953 and 1992, focusing on a time-series comparison between the development policies of Mao and Deng, their outcomes and the resulting changes. By using provincial and regional economic and investment data, the article elaborates why Mao's interior development did not lead to a more equitable outcome than Deng's uneven strategy of’ east coastal development’. The findings provide an insight into some of the unexpected outcomes of more than forty years of socialist development, in the realm of economic growth and disparity.     

Theorising the anti-nation: George Woodcock,anarchism, and Canadian nationalism

George Woodcock was anarchism's most influential historian and an important public intellectual in Canada. This article focuses on his engagement with Canadian nationalism in the 1960s and 1970s. It argues that a ‘philosophical anarchism’ was at the heart of his intellectual project, and this informed his reading of Canadian cultural development and subsequent political challenge to Pierre Elliott Trudeau's civic nationalism. Woodcock decoupled the concepts of ‘nation’ and ‘state’ in order to develop a radically different model for Canada—the ‘anti-nation’—defined by regionalism, federalism and direct democracy. His reading of Canada's cultural history supporting this position was therefore part of a strategy to repurpose nationalist rhetoric towards anti-state ends.     

The Meanings of Lesbianism in Post-War America

I had been a closet gay before I got married, about 1948, which means I had a relationship with a woman, and I'd been in love with her but I thought I was the only person in the world. There was no others in the world. I had never read a gay book. I didn't even know the word ‘gay’… I didn't know the word ‘lesbian’… And I really believe that women used to dress mannish simply to get you to know who they were … In those days it was very important.¹     

Eating,serving, and self-realisation: food and modern identities in contemporary Indian women's writing

The ‘new Indian woman’ is often invoked in popular and academic discourse as the embodiment of a modern nation—the ‘new India’. Feminist studies of this figure typically focus on the body of the imagined ‘new woman’ as a site upon which modernity is inscribed, allowing little room for the agency of women who actively contest imposed identities and roles in the quintessentially modern project of self-determination. In this article I argue that narratives of food in contemporary fiction and fictionalised autobiographical writing by Indian women challenge both dominant feminist critiques of the ‘new woman’, and influential accounts of modernity as ‘rupture’ in masculinist theoretical literature. In these texts food, and particularly the practice of serving food to others, is used by women as a tool for gaining independence, as a weapon to combat oppression, and as a means of negotiating migrant identities, among other things. The texts thus demonstrate the importance of appreciating the gendered nature of modernity, recognising women's modernities to be genuinely transformative of the individual, as well as continuous with traditional and conventionally feminine practices rather than necessarily opposed to them.