Front and Back Covers,Volume 39, Number 4. August 2023

Front and back cover caption, volume 39 issue 4 CBDC'S BOTANICAL IMAGERY In the ever-evolving landscape of global finance, the Bank for International Settlements (BIS) has cultivated a botanical metaphor to illustrate the concept of central bank digital currency (CBDC). In this issue, Swartz & Westermeier explore this metaphor (illustrated here by Matthew Kurina), presenting a fascinating anthropological perspective on the intersection of technology, economy and imagination. The BIS's metaphorical ‘money tree’ positions the central bank as the sturdy trunk, providing stability and support to the financial ecosystem. The branches, representing various financial institutions, extend from this trunk, while the leaves, symbolizing the diverse forms of money, flourish at the periphery. This metaphor not only encapsulates the hierarchical structure of the financial system but also naturalizes the concept of CBDC, subtly implying its inevitability and organic integration into the existing monetary ecosystem. The BIS uses the ‘money flower’, another botanical metaphor, to classify the past, present and future forms of money. The petals of this flower represent different characteristics of money, such as whether it is digital or physical, centralized or decentralized. This metaphorical taxonomy provides a framework for understanding the evolution of money and the potential role of CBDCs in the future financial landscape. However, while visually appealing and conceptually insightful, these botanical metaphors also raise anthropological questions. They mask the sociopolitical implications of CBDCs, presenting them as natural phenomena rather than human-made constructs. This portrayal glosses over the potential power dynamics, control mechanisms and geopolitical tensions inherent in adopting CBDCs. As we stand at the precipice of a new era in digital currency, these metaphors serve as a reminder of the need for critical engagement with the narratives that shape our understanding of complex financial technologies. The ‘money tree’ and ‘money flower’ are not just symbols of financial evolution, but also tools of persuasion, framing our perception of the future of money. CULTURAL EVOLUTION IN THE AGE OF NFTs The Bored Ape Yacht Club (BAYC), an intriguing collection of algorithmically generated cartoon ape NFTs etched into the Ethereum blockchain, has not only sparked a cultural phenomenon but also inspired the first ever NFT-themed restaurant, Bored & Hungry, in Long Beach, California, USA. Why apes? A BAYC founder suggests it is a response to the existential ennui that follows the attainment of vast wealth through crypto investments. ‘Once you've achieved unimaginable wealth, what's next? You join a swamp club with a bunch of apes and embrace the unusual’. Or, you could always enjoy a burger. Yet, these seemingly whimsical endeavours are more than just a pastime for the crypto rich. NFTs signify a profound shift in the political discourse surrounding blockchain technology. They challenge the financialization of blockchain, aligning with a contemporary wave of anti-finance far-right populism and potentially offering an alternative to the prevailing capitalist democratic order. In this issue, Bill Maurer delves into the uneasy relationship between the concept of non-fungibility and anthropological theories of embedded or social economies. This tension, he suggests, could pave the way for a post-neoliberal future, one that is not rooted in finance but in regenerative models for future social worlds. From an anthropological perspective, the rise of NFTs and blockchain technology represents a fascinating evolution of societal norms and values. It challenges our traditional understanding of ownership, value and community, creating a new form of ‘digital tribalism’ where belonging is tied to shared digital assets. Furthermore, the boredom expressed by the crypto wealthy and their subsequent retreat into a virtual ‘swamp club’ can be seen as a form of digital ‘potlatch’, a ceremonial feast of the Kwakiutl, where status is asserted not through wealth accumulation, but through its ostentatious disposal. As blockchain technology continues infiltrating all aspects of life, anthropology grapples to understand its impact. The cultural shift it brings is as significant as it is complex, and its full implications are yet to be unravelled.     

Front and Back Covers,Volume 39, Number 1. February 2023

Front and back cover caption, volume 39 issue 1 MUTUALISM IN MONGOLIA The front cover of this special issue on mutualism depicts Amarjargal, a young herding woman in Mongolia, holding a newborn kid who is having trouble finding its mother within the herd. Spring in Mongolia is a busy time for herding families, as they assist with the birth and nursing of newborn herd animals under rapid fluctuations in temperature of + or − 20°C within a single day. Before the sheep and goat herd head out to graze on pasture, Amarjargal, who knows each animal individually, searches for the distinct characteristics of the missing nanny goat to match the mother with her young. Before the herd is moved out to nearby pastures, the lambs and kids feed from their mothers. This activity enables the herders to scan the herd to assess whether adults or young are showing any signs of illness. Those struggling and unable to keep up with the moving herd remain behind in the encampment. Weak adults are given extra nutritional feed, while weak newborns are taken inside the circular yurt (ger) to huddle together near the warmth of the central fire. If any have diarrhoea or intestinal worms, they are treated with medicinal plants from the surrounding mountainsides or with biomedicine purchased from the local veterinary clinic. This photograph captures the mutualistic relationship between herding families and their animals in Mongolia. Herding families put a lot of time and energy into nurturing their animals, especially during spring, which is then reciprocated by the nurturing of the family through dairy products and in the form of meat, allowing for the survival of both. The accompanying article highlights how human-animal mutualism also involves interconnections with a diversity of plants such as the pasque flower (yargui) in the surrounding ecology. DOG MUTUALISM In this photograph, we see a Bankhar puppy – a breed of dog unique to southern Siberia and Mongolia known for its thick, shaggy, dark coat and distinctive yellow eye patches – cautiously approaching Natasha Fijn, who has brought unfamiliar smells and objects to the herding encampment. Although Bankhar dogs are not typically used for herding, they are vital to mobile herding encampments. They are respected for their role in guarding against unwanted visitors, rustlers and predators and for their loyalty and dedication to protecting the herd and ensuring the safety of the human herders. Their eye patches are thought to serve as a deterrent to ward off predators like wolves and evil spirits. This moment illustrates the intimate and reciprocal nature of multispecies relations within the domestic sphere or domus. Adult herders do not treat their animals as coddled pets, but the close contact between them within the encampment is evident, whether it be while riding a horse, hand-milking a cow or coaxing a newborn lamb to feed from its mother. Animals like this Bankhar puppy serve as prime examples of social forms of mutualism. This reciprocal relationship, as seen in Mongolia, has existed for thousands of years, with humans providing daily food scraps and care, and dogs providing protection and loyalty in return. This photograph, therefore, captures a glimpse of the theme of this special issue: the enduring bond between humans and animals. It highlights how mutualism can involve the animal existing as a valuable member of the community rather than as a dominated and contained object.     

Front and Back Covers,Volume 34, Number 5. October 2018

Front and back cover caption, volume 34 issue 5 Front cover TRUMP'S ‘ZERO TOLERANCE’ CHILDREN From early April to late June 2018, nearly 2,600 immigrant children – mostly refugees fleeing violence and poverty in Central America – were forcibly taken from their parents at the United States’ southern border following implementation of the Trump administration's ‘zero tolerance’ policy. Prior to being sent to detention facilities located throughout the country, children were held in Border Patrol ‘processing centres’ like this one located in a converted warehouse in McAllen, Texas. The US Department of Homeland Security released photos of the facility, some of which revealed small children huddled on mats, wrapped in Mylar blankets. Following a public outcry and growing protests, President Trump issued an executive order declaring an end to family separations on 20 June. Several days later, a federal court mandated that the government reunite immigrant families affected by the ‘zero tolerance’ policy. Even so, in mid‐August, more than 550 children who had been detained following the implementation of the policy remained in federal custody. Thousands more ‘unaccompanied minors’ – typically teenagers who were caught crossing the border without adults – remain in indefinite detention. The Trump administration's ‘zero tolerance’ policy raises broader questions about how refugees are treated – not only in the US, but in Europe, China, Australia and other parts of the world. At a time when many countries are experiencing resurgent forms of racism and the rise of authoritarian right‐wing politicians, how should anthropologists respond? Back Cover GANESHA in THAILAND For increasing numbers of Thais, the ritual worship of the elephant‐headed god Ganesha is providing new ways for attaining prosperity. Although Ganesha devotion is hardly new to practitioners of Theravada Buddhism, in the past five years, the Northern Thai city of Chiang Mai has experienced a boom in the establishment and patronage of dedicated Ganesha institutions. With the new institutions come Ganesha‐related ritual events, merit‐making and the collective effervescence of festival revelry. At this 2017 Ganesha Chaturthi opening day parade at the Ganesha Museum in Chiang Mai province, devotees tow a giant float through the crowds. Here, sacred Ganesha dons distinctly Indian‐style attire as he lounges in a howdah atop an elephant. Other participants in the parade include teachers and students from three local elementary schools, and women from 11 local village housewives' associations. On the back of recent economic downturns, political and existential crises notwithstanding, what makes this Hindu god become the centre of a new Thai prosperity cult? Ganesha has long been worshipped as the god of new beginnings and the remover of obstacles. He is also associated with the creative arts. But today, Thais are increasingly turning to him for their physical and financial health problems, and new media and spirit mediums contribute to exciting new forms of enchantment. In this issue, Ayuttacorn & Ferguson explore how two Ganesha institutions in Chiang Mai facilitate these processes, and create new kinds of sacred, symbolic packages for spiritual assistance.     

Front and Back Covers,Volume 28, Number 5. October 2012

Front and back cover caption, volume 28 issue 5 Front cover THE CRISIS IN MALI. Malian refugees are seen at the Mbera refugee camp in eastern Mauritanian, Mbera, Mauritania, 17 July 2012. At that point, roughly 92,000 refugees had arrived in the camp. Estimates are that nearly half a million Malians have been displaced from their homes this year with many refugees having also fled to Burkina Faso and Niger. Photo taken by award‐winning photographer, Lynsey Addario ( http://www.lynseyaddario.com ). Back cover TOURISM: WORK VS LEISURE A tourist from Hong Kong photographs a young Mursi woman with lip‐plate in her lower lip. Tourists queue up orderly for each to take their turn photographing the wonders of Mursi culture. The image demonstrates the complexity of tourist encounters, and the multifaceted aspects of leisure and work. The Mursi prepare for their visitors well ahead of touring cars arriving at their settlements. They make themselves up and imitate the kinds of working activities (e.g. grinding) they know from experience will fascinate and elicit a response from tourists. Tourists typically ask the Mursi for permission to photograph the process and, occasionally, join in themselves with the Mursi in their ‘work’. In this sense, the Mursi imitate ‘traditional’ sociality as they simulate their own working activities for tourists who supposedly spend their leisure time in Mursiland. As Tamàs Règi argues in this issue, instead of seeing leisure as a fixed human condition within one society, anthropologists might approach it, rather, as a process that evolves at the interface between different societies that meet. In this way, leisure is a constantly developing practice in cross‐cultural encounters.     

Front and Back Covers,Volume 35, Number 5. October 2019

Front and back cover caption, volume 35 issue 5 Front cover This installation was part of the ‘Hurray Menstruation’ protest organized by gender activists during the Sabarimala pilgrimage of 2018–19. This protest was supported by the Kerala government as part of its ‘Renaissance’ campaign against the BJP’ s (Bharatiya Janata Party) provocative assertion of traditional Hindu values. The installation is a condensed symbol in Victor Turner's sense, with many layers of meaning. The major elements are a vulva, alongside an image of the Constitution of India, centrally mediated by a woman blowing a trumpet - an expression of freedom from repressive and oppressive moral values espoused by the dominant middle class. The installation draws attention to oppressive rules in Hindu religiosity and ritual practice that target women as polluting due to biological processes particular to them. By contrast, the installation attributes positive values to these ‘polluting’ processes instead. Back cover THE PARABLE OF THE FOOTBRIDGE A footbridge in the wetlands. Where will it lead? ‘The between’ is a powerful theme in ritual and mythical traditions the world over. However, different traditions will express ‘the between’ in different ways. As described by Paul Stoller in this issue, Sufi traditions hold the bridge as a major symbol for barzakh, a space that links two distinct domains - a place that is between things, a space that separates the known from the unknown, the comprehensible from the incomprehensible, a nebulous space that compels the imagination. The footbridge is the epitome of ‘the between’, of being neither here nor there, of being liminal. On the footbridge, you may not know your front from your back or your past from your present. In this neither space, uncertainty seeps into your being. Where will your steps take you? If you make it to the other side, will things be different? Will you be the same person? The existential crisis of ‘the between’ that one finds on the footbridge can bring disruption, turbulence and stress. Amid this risky and unstable state of ‘negative capability’, the mind is sometimes cleared of clutter as one enters a space of imagination, creativity, innovation and invention. Are contemporary anthropologists ready to risk disruption and invention so we can follow the sinuous path to the anthropological future? If we move forward, what will we find on the other side of the footbridge?     

Front and Back Covers,Volume 37, Number 5. October 2021

Front and back cover caption, volume 37 issue 5 Front cover FOOD STALL AT BRICK LANE MARKET Brick Lane is one of London's most iconic streets. Over the centuries, it has served as a refuge for Huguenots and east European Jews fleeing religious persecution, as well as Irish fleeing the famine. More recently, Bengalis, predominantly from the Sylhet area, moved to the UK because of political and economic instability at the time of Bangladesh's independence in 1971. Many settled along Brick Lane and its surrounding streets. Because of the lane's social, cultural, and economic importance to the Bangladeshi diaspora – it played a pivotal role in the renaming of the neighbourhood as Spitalfields and Banglatown in 2001, for example – some first-generation British Bangladeshis still say, ‘There are three Bengals: west Bengal, east Bengal, and Brick Lane’. Nonetheless, this inner-city area's working-class identity and employment patterns are threatened by super-gentrification in the housing, office development, and hotel and catering sectors. The effects of the Covid-19 pandemic are amplifying these trends. In this issue, Seán Carey looks at some of the trials and tribulations of the Bangladeshi community in and around Brick Lane. Back cover BANGLADESH IN BRICK LANE Street art on the shutters of a restaurant in Brick Lane.     

Front and Back Covers,Volume 29, Number 5. October 2013

Front and back cover caption, volume 29 issue 5 Front cover Mud masons in Mali Mason Konamadou Djennepo participating in the annual re‐claying of the Djenné Mosque. Located in the heart of Mali's Inland Niger Delta region, Djenné is an ancient trading town renowned for its monumental mud‐brick architecture. The art of mud building reaches its zenith in the bold compositions and sculpted contours of the Djenné Mosque (1906–07) and in the elegant façades of its historic and modern houses. Masonry has been a specialized trade in Djenné for centuries. Entrants undergo a lengthy apprenticeship and qualified practitioners are due‐paying members of the barey ton association which sets wages, provides social security, and regulates working conditions and disputes. During the past two years, however, the masons – like craftspeople and artisans across Mali – struggled to find work and to survive. Their nation was beset by drought, a heavily‐armed Taureg rebellion, an Islamist insurgency, and a military coup d'état. Tourism vanished, foreign investment dwindled, development aid was frozen, and Mali's frail economy was strained to breaking point. During this period of continuing austerity and uncertainty, it is important to recall Mali's rich cultural heritage and look to its future. As mason Boubacar Kouroumansé remarked: ‘When people talk of Mali today, some automatically think about the war and about the hand‐chopping that goes on now. But there are others who don't see it so narrowly. They still remember Mali for its old tradition of dignity and honour. We need to focus more on that!’ In response, a year‐long exhibition on the Mud Masons of Mali opened at the Smithsonian Institution's National Museum of Natural History on 30 August. Curated by Mary Jo Arnoldi (Smithsonian) and Trevor Marchand (SOAS), and grounded in Marchand's fieldwork, the exhibition includes photographs, displays of tools and building materials, and a series of new documentary films that explore the lives, work, and aspirations of five Djenné masons. For more information visit http://www.mnh.si.edu/exhibits/mud‐masons/index.html Back cover Human‐elephant relations Daytime training: young Paras Gaj is roped to adult training elephants and learns to accept Satya Narayan as his driver, 2004. Since 1986, the Khorsor Elephant Breeding Centre in Nepal has been crucial for maintaining the captive elephant population used to help patrol Nepalese lowland national parks. Elephants assist with anti‐poaching patrolling, biodiversity conservation research, and nature tourism. Khorsor is one of six government stables (hattisar) where humans and elephants live and work together. The Tharu people have been employed by the state for elephant capture and care for several hundred years, and the stable represents a total institution in which elephants are treated variously as animals, persons, and gods. Training practices previously used for adult elephants caught in the wild, have now been adapted for captive‐born elephants, like the three‐year‐old Paras Gaj depicted here. Along with their principal handlers, elephants go through a training process with both practical and ritual elements. Indeed, elephant training represents a multi‐species rite of passage involving sacrificial practices and ritual prohibitions that produce new competencies and status roles for both elephant and handler alike. Sacrifices to the fierce forest goddess Ban Devi, and the benevolent Ganesh mark the commencement and conclusion of the liminal period of training. Training takes just a few weeks, serving to make the elephant receptive to a human rider and human command. The elephant is no longer a baby, and the handler has distinguished himself as an elephant trainer. This issue contains the review of a symposium on Human‐elephant relations in South and South‐East Asia organized by Piers Locke.     

Front and Back Covers,Volume 27, Number 5. October 2011

Front and back cover caption, volume 27 issue 5 Front cover TERRORISM IN NORWAY At the Blue Stone Monument in the centre of Bergen, Norway's second city, a young couple mourns the 77 Norwegians killed by a right‐wing extremist in Oslo and Utøya on 22 July 2011. A cut‐and‐paste manifesto published on the internet and sent to his contacts all over Europe revealed that mass murderer Anders Behring Breivik targeted government buildings in Oslo and the Labour Party youth camp at Utøya in an attempt to instigate a civil war in Europe, aimed at effacing the presence of Muslims in Norway and Europe. As Thomas Hylland Eriksen argues in his editorial in this issue, Norwegian social democrats were a target of Breivik's violent ire because he believed them to have paved the way for a Muslim ‘conquest’ of Europe. Also in this issue, Sindre Bangstad's account of media representations of Muslims in Norway points to a widespread sense among mainstream Norwegian media of a radical incompatibility between so‐called ‘Norwegian values’ and ‘Islamic values’, especially in the field of women's and gay rights. As Norwegians struggle with the aftermath of the terrible events of 22 July, these profoundly problematic exclusionary religious and ethnic categories may face a challenge from the other Norway, a place of compassion and solidarity in suffering. Back cover THE GREEK CRISIS Right, a poster satirically depicts Greek Prime Minister George Papandreou as the IMF's favourite employee. Under increasing pressure from international institutions – especially the IMF and the European Union (of which it is a member) – Greece has been experiencing an upsurge in street clashes between protesters and police, as well as acts of petty crime. At least since 2008, already rampant stereotypes about the Greeks have greedily fed on the images of unbridled violence. Greece was once so crime‐free that the national newspapers reported acts of pickpocketing in Athens; today, such a scenario seems the very stuff of nostalgic dreams. But does the current situation really mean, as the media repeatedly suggest, that Greece has become a violent country? In this issue, Michael Herzfeld – who was first tear gassed and then mugged in Athens in July – argues that such claims are a gross misrepresentation and indeed are part of the problem. Greece – which certainly has acted with financial insouciance in the past – has now become the punchbag for the more generic frustrations of its European partners and of international finance. In the resulting vicious circle, its financial woes threaten to drag the whole European Union into final collapse. Meanwhile, severe austerity measures and rising unemployment have provoked simmering unrest, while competition for jobs feeds anti‐immigrant resentment (especially as Greece has agreed not restrict the onward travel of undocumented migrants, thereby increasing their numbers). In the resultant stereotyping, Greece is treated as a naughty child. Its young people, many of them well‐educated and painfully aware of the corruption that has hitherto protected a privileged few, face a precarious employment environment. Under that pressure, Herzfeld argues, traditional forms of violence and ideas about reciprocal moral obligation now shape the debates that are agitating the country and the world. Anthropologists, he suggests, can help correct the often misleading media representations of what is happening and why.     

Front and Back Covers,Volume 32, Number 5. October 2016

Front and back cover caption, volume 32 issue 5 Front cover CHÁVEZ'S AFTERLIVES Amid widespread crisis and uncertainty today, political symbols are pivotal in the shaping of political subjectivities. In today's widespread crisis and uncertainty, political symbols, ranging from national flags and monuments to mausoleums and street names, are regaining prominence as objects of public display, debate and contentious activity. Some of these symbols have become strongly associated with the shaping of increasingly polarized political publics across the globe. In this issue, Luis Angosto‐Ferrández examines the intensification of an ongoing struggle over political symbols in contemporary Venezuela, focusing on the figure of Chávez as the epitome of a contested national symbol. At a conjuncture of political readjustments in the country, the fate of Chávez's corpse, currently located in a mausoleum, is at stake, but also the configuration of the institutionally sanctioned symbolic order with which political actors aim to condition political manoeuvring in years to come. The figure of Chávez has been transformed into a ‘master symbol’ with political afterlives. This helps explain the strength of Chávez‐as‐symbol among those who resort to it in support of their political hopes: as Christianity continued without Christ, political Chavismo is said to live on without the flesh and bone Chávez, transubstantiated in his supporters. Does the manipulation of symbols imply a degree of creational (social) power, or do symbols represent and mobilize already existing social groupings? Are symbols exclusively generated and manipulated by elites who use them to control social demands, or are symbolic and material political practices intertwined in a more dialectical way? In exploring these questions we are invited to interrogate the nature, potential and challenges facing contemporary democracies. Back cover Walls, barbed wire, spiked and electric fences as well as CCTV cameras are prominent components of the South African securityscape, especially in middle and upper‐class areas. It would not be an exaggeration to say that in post‐apartheid South Africa, the previous socio‐spatial segregation along racial lines has been replaced by one based on economic inequalities. In this issue, Thomas G. Kirsch discusses the semantics and internal logic of security discourse. The securitization of South Africa has a material, tangible side that endows security concerns with an omnipresence, even if it is not talked about explicitly. Here, the text and photographs combine to illustrate and exemplify why security discourses and practices are proliferating worldwide.     

Front and Back Covers,Volume 31, Number 5. October 2015

Front and back cover caption, volume 31 issue 5 Front cover Shark attack! July 2015 marked the 40th anniversary of Jaws, the blockbuster film directed by Steven Spielberg and based on the novel of the same name by Peter Benchley. At the time, the enormous success of the film was attributed to the way it tapped into the primal instincts of the audience, exposing people to primitive fears usually hidden in their collective unconscious. In later years, Benchley became a committed conservationist and announced that he would never again write a story in which an animal was depicted as ‘a conscious villain’. Benchley was by no means repudiating his earlier work. He claimed he was simply acknowledging that society (in his case, the USA) had moved on, that ideas about animals had progressed, and that portraying animals as villainous creatures was no longer socially acceptable. Writing from South Australia where some of the original footage for Jaws was filmed, Adrian Peace argues that great white sharks continue to be construed by many Australians as rational and ruthless killers (‘assassins’). Peace takes as problematic the idea that sharks occupy a particular place in the Australian psyche, especially when commentators draw on evolutionary psychology to explain the response to great whites in terms of an instinctual and hard wired primal fear. By carefully unpacking the current public discourse surrounding shark attacks in Australian waters, Peace provides a cultural interpretation of the relationship between Australians and great white sharks which is firmly focused on current beliefs and contemporary interpretations. Back cover EUROPE'S REFUGEE CRISIS Irish naval personnel from the LÉ Eithne rescuing migrants in the central Mediterranean, June 2015. The Irish vessel took part in Joint Operation Triton, coordinated by the European border agency Frontex and by Italian authorities. Following a series of shipwrecks off the Libyan coast, in late April 2015 European Union (EU) leaders agreed on the need to extend Triton's scope to 138 nautical miles south of Sicily. The EU is expected to finance Operation Triton throughout 2016. Several countries are participating in the operation, with vessels, helicopters, planes, and teams of border agents. Transshipping migrants takes time and is a skilled task that requires specific training. There have been cases of boats in distress capsizing upon sighting a rescue vessel, as passengers suddenly move to one side. Thus, large navy vessels usually dispatch two smaller units, approaching migrant boats from both sides. Everyone is immediately instructed to sit down, and then to don a lifejacket. How do we distinguish between a humanitarian and a border patrolling exercise? In this issue, Maurizio Albahari looks at what is by now the most serious refugee crisis in Europe since World War II.     

Front and Back Covers,Volume 36, Number 5. October 2020

Front and back cover caption, volume 36 issue 5 Front cover Covid-19 symbolism: Amabie in Japan The Japanese yōkai Amabie (アマビエ) was a forgotten chimeric figure from the Japanese history of disaster and epidemics until the emergence of the Covid-19 pandemic, when a few manga artists and Kyoto University Library brought her back to public attention and gave her global fame on social media. A drawing contest with the hashtag #AmabieChallenge started in earnest, crossing the borders of Japan to reach and captivate an enthusiastic global audience. Her body is an assemblage of human, fish and bird characteristics, with three fish tails/legs and long, dark hair. The front cover picture on this issue of AT was taken in September 2020 at the annual Scarecrow Competition in Tokyo, which this year elected to have Amabie as its theme. In this issue, Claudia Merli explores how this yōkai's resurgence from pre-modern Japan intersects with some central ecological and political discourses in the context of the Covid-19 pandemic, especially those associated with culinary practices, human rights and relations with other historical epidemics. Reasons for Amabie's sudden celebrity hark back to the culture of representation of historical epidemics via woodblock prints and the special place occupied by ningyo (mermaids and mermen) in Japan. Presented by some commentators as a pandemic mascot, this uncanny yokai from southern Japan addresses our contemporary lives as they are caught in a suspension of our usual temporal and spatial dimensions. We could even say that as we entered the pandemic, Amabie came to reinhabit a world she previously belonged to, one of unfathomable disasters and global intersections. The article follows some of these serendipitous connections to make sense of a phenomenon that should be analyzed in terms of the polysemic capacity of an icon of protection, whose beaky features recall all too well the spectral appearance of a plague doctor in Renaissance Europe. Back cover COVID-19 SYMBOLISM: TEDDY BEARS IN NZ On the day that Aotearoa/New Zealand started its unprecedented nationwide lockdown, Prime Minister Jacinda Ardern announced that despite the order to ‘stay home’, walking locally was not prohibited and that children, in particular, were welcome to stroll through their neighbourhoods in search of teddy bears in windows. She then added, ‘And if you're in Wellington and you're walking in a local neighbourhood, you might see one in my window’. Within days, across the country a multitude of teddy bears, as well as other stuffed animals and plastic toys, appeared in residential windows, tied on top of letterboxes or, like this one, affixed onto lamp posts. Inspired by the popular children's book, We're going on a bear hunt, wellknown for its refrain, ‘we're not scared’, the bears were widely understood to inspire ‘hope’ and ‘care’ and were just one of the ways that New Zealanders affectively invested in the Covid-19 lockdown. While scholarly work on national crises has frequently focused on the misuse of emergency measures to expand state power, much less has been said of the ways that citizens help constitute states of emergency. During the first Covid-19 lockdown (March-May 2020), New Zealanders set up community roadblocks to seal off neighbourhoods deemed to be under threat, ‘dobbed in’ perceived rule breakers or engaged in acts of vigilante justice against them, and called on the nation to recast the lockdown as a rahui or Maori protective prohibition. They also displayed a seemingly endless array of teddy bears, including the occasional bear engaged in acts that contravened lockdown regulations. Examining these and similar acts of collective responsibility, care and blame is a vital step in widening our understanding of the variety of dynamics that create and sustain states of emergency in democratic nations as well as their potential long-term implications.     

Front and Back Covers,Volume 39, Number 2. April 2022

Front and back cover caption, volume 39 issue 2 POLYCRISIS: FROM DIVINE INTERVENTION TO HUMAN AGENCY The front cover image is of Thanatos (Death), the fourth horseman of the apocalypse, astride a pale steed and followed by Hades (as depicted by Gustave Doré in 1868). It serves as a haunting reminder of crisis understood in religious terms. In Christian theology, the Four Horsemen were given divine authority to kill by sword, famine, plague and through the beast; four original strands of polycrisis (Revelation 6:7-8). Other eschatological traditions speak of entangled immorality, meteorological phenomena, geological violence and the coming of messianic saviours before the End Time. As our world faces an unprecedented era of interrelated and overlapping crises, we increasingly place human agency at the centre of our explanations. Yet we need to understand their underlying power dynamics and complexity better. This collection of articles invites us to examine how certain events trigger deliberation and critique of what constitutes a crisis and whether we can still identify cause and effect in an increasingly interconnected world. From socioeconomic forces to ecological thought and the coexistence of divine intervention, contributors explore how markets, solidarity, faith and future planning shape our responses to unexpected events spiralling out of control. We shift from the ‘crisis-chasing’ evident over the last two decades to a meaningful critique of emergent multiscalar events. We interrogate the usefulness of the developing polycrisis paradigm to understand better the interrelated endless crises afflicting our planet today. BEES IN CRISIS March 2023, northeastern Bosnia. A bee forager seeks out this Pink Pussy Willow, an early spring bloomer whose catkins offer up a generous supply of pollen, fuelling the hive's spring development. For the honeybees, who rely on environmental signs, such as temperature, to ascertain the seasons and sync their nest affairs with the cyclical rhythms of local weather patterns, soils and plants, willow catkin blossoms signal the beginning of a new foraging year. Yet, in the changing climate, local weather is unhinged from the seasons, and ambient cues are increasingly ambiguous and untimely. Plants, whose life cycles are likewise synced with environmental cues, interpret the changing atmosphere and respond with vigorous physiological changes. Warming temperatures and changing precipitation regimes in the Northern Hemisphere induce shorter and milder winters, earlier dates of greening in the spring and later browning in the autumn. Such changes are recorded by satellite imaging and are readily evident to lay observers. How exactly the plants and their companion insects will respond is unknown. Biologists know that responses to the changing climate and extreme weather will be idiosyncratic because ‘biodiversity’, the world of living difference, entails a vigorous differentiation of signage and meaning in an emergency. The thing to do now is to attend to these ontologically plural, interspecies signs of the times with methods and theories that are open to the unexpected and unintimidated by either the ominous or the meaningful quality of the world we share. This volume presents a joint endeavour in thinking about crisis as an ethnographic concept and an embodied, existential experience of discomfort from which to begin an earnest response.     

Front and Back Covers,Volume 38, Number 1. February 2022

Front and back cover caption, volume 38 issue 1 QANON This QAnon supporter was part of the crowd of demonstrators at the Washington DC ‘Million MAGA March’ shortly after Trump's 2020 electoral defeat. This woman's sign alludes to ‘The Storm’, a millenarian denouement that, in the QAnon imagination, will see Trump and his supporters rounding up and arresting top Democrats so as to retake power. In this issue, McIntosh describes the verbal art with which the mysterious and oracular figure of ‘Q’ managed to enlist millions of enthusiasts through the Internet. Q specialized in cryptic messages and urged online followers to decode and interpret them. These exercises fostered the notion that supporters themselves were engaging in high-stakes interpretive work, and that a digital army of Q followers could see through fraudulent politicians and experts, ultimately garnering their own knowledge and expertise. At the same time, Q used the power of secrecy to impart the conviction that Q was connected to a new alt-right state waiting in the wings. McIntosh also argues that the alt-right — including but not limited to Q — have increasingly encouraged the idea that reality or truth may lie somewhere behind or beneath the unreliable sign vehicle. Communications from political enemies should be read with suspicion, while communications from Q and Trump alike should be decrypted for their underlying encoded meanings, particularly dark portents. This oracular semiotic ideology now thrives alongside conventional liberal understandings of rational political processes. MAGICAL CONSCIOUSNESS Pagan shaman Gordon MacLellan, also known as Creeping Toad, is an environmental educator who helps people find their own stories in nature. Here, he is storytelling in Plas Power Woods, Wales, UK. Gordon's stories are inclusive to anyone who wants to listen without discrimination. In this issue, Susan Greenwood characterizes magical consciousness as a pan-human participatory and analogical mode of thought that underpins mythopoetic expressions ranging from the ancient narratives of the Australian Aboriginal Rainbow Snake and the life-enhancing ecological stories of Gordon MacLellan to the alt-right conspiracy theories fostering racial hatred embraced by ‘shaman’ and QAnon supporter Jake Angeli, a central figure in the storming of the US Capitol in 2021. Stories and storytelling are the modus operandi of magical consciousness. Essentially amoral, magical consciousness engages the emotions and helps create meaningful patterns that encompass varieties of human expression cross-culturally. Magical consciousness manifests itself along a spectrum. It can sometimes lead to divisive actions fuelled by conspiracy theories such as QAnon. Analysis of magical consciousness may add a further dimension to the investigation of Western post-truth societies whereby the Enlightenment notion of reason and scientific facts — as the only locus of ‘truth’ — contrasts with ways of engaging with reality primarily through emotions and beliefs. A better understanding of magical consciousness may help build bridges between Western cultures and the world views of indigenous peoples. In replacing machine metaphors with metaphors drawn from nature, such understandings may help shape our future responses to our planet's ecological, economic and social crises.     

Front and Back Covers,Volume 37, Number 3. June 2021

Front and back cover caption, volume 37 issue 3 Front cover PLASTIC POSSIBILITIES The front cover depicts an art installation by South Korean artist Choi Jeong Hwa, also known as ‘the plastic alchemist’, at the ‘Your Bright Future’ exhibition in Los Angeles County Museum of Art (LACMA), 2009. For Hwa, plastic is the most artificial material that is at the same time the most common element in today's landscape. Hailed as the quintessential material for design, invention and relentless production, plastic is often associated with post-WWII industrial growth in the Western world. And yet, wading through the ‘plastic islands’ of our oceans, standing knee-deep in landfills, choking on incinerated plastic fumes, the spectacular ‘utopia’ of plastic is beginning to register differently. In this issue, Tridibesh Dey and Mike Michael present the everyday ‘alchemies’, the lived realities assembled with plastic and plastic waste in India. They take us into the household of Dey's parents in Kolkata and familiarize us with the creative repurposing techniques performed on everyday plastic items like bottles, containers, carrier bags, etc., which are supposed to be thrown away after ‘single use’. Like the recycled baskets in Hwa's art installation, the inventive deployment of used plastics here point to the emerging socio-materialities of plastics, which might, in turn, inform and inspire different futures, leading us into collaborative kinship and more-than-human living with plastics. These emergent plastic relations are embedded within more extensive socio-economic, political and ecological relations configured in contemporary India around plastic's production, consumption and waste management. The delicate plastic economies of the poorer urban households are at risk under the recent government reforms in waste management, the neo-liberalization of waste work and the ‘toxic’ externalities produced by large-scale extractive infrastructures. Back cover CONTAINER SHIPPING Above: satellite image of the containership Ever Given from the Evergreen Marine shipping line stuck in the Suez Canal, Egypt, 24 March 2021. Below: the same ship safely moored in the port of Rotterdam, 9 March 2020. The Ever Given, an ultra-large containership, obstructed the Suez Canal for six days in March 2021, thereby accruing an estimated loss to the world economy of US $400 million per hour. Getting stuck in the canal on its way from Asia to Rotterdam, the ship not only brought the seemingly smooth flow of maritime transportation via this central waterway to a hold, but also sparked great public interest in the role of the maritime industry – and its ever-growing container vessels – in the functioning of global capitalism today. In ‘Politics of scale’ in this issue, Hege H⊘yer Leivestad and Elisabeth Schober remind us that the Ever Given is only one of many ultra-large ‘box ships’ sailing the world's oceans today. These vessels have, over recent years, undergone a spectacular growth in size. The reasons for this expansion are no longer primarily located in economies of scale, the authors argue, but rather, are enmeshed with complex political processes in far-flung places across the world. Featuring the story of the HMM Algeciras, currently the largest containership in the world in terms of container-carrying capacity, the article takes us from a ship christening at a South Korean shipyard, past the Suez Canal, to the Spanish port town that the ship is named after. Tracing the complex public-private partnership that brought the HMM Algeciras into being, attention is also paid to the mounting social costs of ultra-large container vessels like these, which require massive (and often public) investments in infrastructures at the land-sea interface. Bigger is not always better. In the containership industry, have we arrived at a point where unsustainable false economies of scale are setting in?