Making a Life: Getting Ahead,and Getting a Living in Aboriginal New South Wales

ABSTRACT This paper offers an ethnographically grounded examination of the intersections between work, employment and identity for Indigenous people living in a country town in far western New South Wales, Australia. It argues that work, employment and labour are locally deployed categories that meet mainstream discourse in a precarious fashion and, that this disjunction has clear material and ideological repercussions. For most Aboriginal people in Wilcannia, you are who you are, not by virtue of what you have ‘become’ in any economic, professional or educational sense. Who you are is not a becoming, it is established at birth. These genealogical forms of being through kinship see a construction of self which in many ways is at variance to the standard ‘autonomous self‐regulating individual’ (Sennett 1998:215). This sense of self, for most, is not determined by engagement in the capitalist division of labour; indeed, the greater the engagement in the capitalist economy, the more problematic and fraught a sense of self and of belonging can become.     

Unsociable Sociability and the Crisis of Natural Law: Michael Hissmann (1752–1784) on the State of Nature

Summary

This article studies the impact of the debate about human sociability on the crisis of natural law in the later eighteenth century examining the Untersuchungen über den Stand der Natur of 1780 by the Göttingen scholar Michael Hissmann. It makes the case that this crisis ensued from Rousseau's Discours sur l‘inégalité and a revival of neo-Epicurean trends in moral philosophy more generally. The sociability debate revolved around the question to what extent society was natural or artificial to man. This had important implications for the problem of whether distinctions between right and wrong or just and unjust were natural and inborn, or had developed at a much later stage of mankind's history, reflecting merely the respective needs and utility of different societies and cultures. Hissmann's essay summarises this European debate concisely. His point of departure is Rousseauian premises, yet his political conclusions turn Rousseau upside down. Here, Hissmann's essay opens up several questions regarding the allegedly radical political character of one-substance theories in philosophy.     

Contemporary Irish theatre,the new Playboy controversy,and the economic crisis

Abstract

This article examines the impact of the economic crisis on contemporary Irish theatre. More specifically, I contend that the legal controversy surrounding Bisi Adigun and Roddy Doyle’s second production of Playboy of the Western World: A New Version in 2008 provides a case study of how professional theatre productions that dramatised stories of immigrant empowerment during the Irish economic boom were profoundly inhibited by the bust that followed. Their collaborative version of the new Playboy was widely regarded as Ireland’s most successful intercultural play and a commercial success when it was first staged at the Abbey Theatre in 2007. The subsequent breakdown in their relationship and ensuing legal dispute is more symptomatic of Celtic Tiger Ireland in economic collapse, I suggest, than the content of the play itself, or most other productions mounted in the period. I argue that this dispute did not simply reflect but also reinforced the social effects of the economic crisis, through its prolonged litigation, enormous expense, and especially the missed opportunity that it represented to position the multicultural and migrant themed Playboy within the Irish theatrical mainstream. More broadly, I suggest that the economic crisis has been marked by the disappearance of immigrants from the professional Irish stage, a void which was only partially filled by community theatre productions. A case in point is Adigun and Arambe’s most recent adaptation of Jimmy Murphy’s The Kings of the Kilburn High Road in The Paddies of Parnell Street (2013), a play which I positively appraise as an example of successful “intercultural re-appropriation”.     

FRIDRIK THORDARSON (7.3.1928–2.10.2005) IN MEMORIAM

This article looks at Horace's two Books of Satires, Books I-III of the Odes and the First Book of Epistles in the perspective of the following thesis. One of the most important themes of Horace's poetry is happiness, and measure and moderation are the means to bring about and secure a happy life. In the various poetry books this ethics of measure and moderation undergoes certain variations. The message of the Satires is that you are happy if you are content on the basis of moderation. The Odes of the first edition convey the idea that we are happy if we live in peace and friendliness, founded on the principle of moderation. The First Book of Letters is focussed on the central notion that I am happy if I am free and independent, and again, the precondition for that is moderation. The point of the article is thus, first, that it underscores an aspect of the unity of Horace's poetry: the search for happiness, and, second, that it offers an account of the diversifications of that unifying theme in the different genres of poetry and different phases of the poet's life.     

What was the Religious Crisis of the 1960s?

The crisis of the 1960s is now central to debates about religious change and secularisation in the twentieth century. However, the nature of the crisis is contested. Using Hugh McLeod's The Religious Crisis of the 1960s (2007) as a starting point, this article explores the issues that divide scholars — the origin and length of the crisis (was it revolution or evolution?); was it generated more by developments within the Christian churches or by developments without them; and what was the relative importance of liberal Christianity versus conservative Christianity in the development and legacy of the crisis? It argues that secularisation of the period should be regarded as mostly a sudden and shocking event, based on external threats, and reflected in the churches dividing between liberals and conservatives in ways that were to become ever more militant as the century wore on.     

The Crisis of the “Disadvantaged Child”: Poverty Research,IQ, and Muppet Diplomacy in the 1960s

In the early 1960s, the US federal government deemed poverty to be a national crisis, and actively intervened to solve this problem. My question for this article is how did preschool education become a key site to remedy this crisis? Government interventions were a combination of poverty research, racialized politics, and child development. I show how the discipline of early childhood education cohered around the term “disadvantaged child”, in turn influencing the War on Poverty policies, including the basis of Head Start preschool education. During this same decade proponents of Sesame Street—with private funding, along with extensive testing mechanisms by consultants—argued that the television could reach more children, therefore be more cost effective. This paper investigates how surplus populations became determined and demarcated, as early as three years old. I question how televised preschool taught “affective skills” and proper social relations during times of political crisis.     

Geography,political economy and the ‘personality of Britain’

SUMMARY: This paper engages with the historical archaeology of the British Isles (With one or two exceptions, I follow the usage of Kearney 2006 in preferring the term ‘British Isles’ to ‘Atlantic archipelago’, preferring the more ideologically loaded, but familiar, term over the arguably more neutral but obscure term.) as a whole. It advocates an approach that foregrounds geography and political economy, via quite simple and traditional ways of mapping variation, for example the work of Cyril Fox. It seeks to play to archaeology’s strengths: rather than seeking abstract origins, it examines how practices later labelled as ‘colonial’ emerged from an intersection of concrete material practices.     

Beneath the “Zunami”: Jacob Zuma and the Gendered Politics of Social Reproduction in South Africa

Abstract: In April 2009, African National Congress leader Jacob Zuma was swept into power in South Africa's fourth democratic general election. To date, this political “Zunami” has largely been presented as either a leftist rebellion against Mbeki's neoliberalism, a reassertion of patriarchal “traditionalism”, or an example of Zulu ethnic mobilization. This article draws on a long‐term ethnographic study to provide a critical gendered perspective on Zuma's rise. It argues that Zuma resonates with many poor South Africans, including women, in part because of his ability to connect the personal and political in ways that talk to South Africa's “crisis of social reproduction”. A key point the article emphasizes—one virtually absent from contemporary discussions about Zuma—is the profound gendering of growing class divisions, specifically the way this manifests itself in huge reductions in marital rates and heightened gendered contestations.     

Jerusalem 720-705 BCE. No Flood of Israelite Refugees

ABSTRACT

Beside the use of ???? in the priestly and poetic material of the Hebrew Bible the term appears several times in First Isaiah. While priestly authors used (verb and noun) only in reference to God as elementary part of his revelation, the meaning in Isa 1-10 and 13-23 differs frequently. ???? ap-pears with regard to God, persons and objects. in Isa 6; 8 and 10,5-34 the term names a phenomenon which is equivalent to the Mesopotamian melammu ?arruti. In Isa 5 and 10,1-4 it is used as expression for the visible image of a person or a nation. Finally in Isa 4,2-6 and 11,10-16 it represents mount Zion as place of God's revelation. Insofar the results of the motif critical investigation approves former redaction critical studies. In contrast to this in Isa 13-23 the term has an almost consistent meaning. In Isaiah's words to the nations it is used for the nation's actual condition and qualifies the situation as good or bad.     

Western Arrernte Pmere Kwetethe Spirits

This article explores the difference between the meaning and use of TGH Strehlow's term pmara kutata (his spelling) and of pmere kwetethe (modern spelling) in contemporary Western Arrernte society. The expression pmara kutata features prominently in TGH Strehlow's oeuvre. He defined pmara kutata, as the ‘centre of a local totemic clan’, ‘sacred site’ and the ‘everlasting home’ where an important local totemic ancestor originated and /or passed to his last rest. Interestingly enough the term pmara kutata or pmere kwetethe seems to have undergone a semantic shift. In contemporary Western Arrernte society pmere kwetethe is used to denote a range of spirit beings with different characters that dwell on and in the landscape. In English the expression pmere kwetethe is sometimes glossed as ‘the spirits of the land’ or ‘the invisible people‘.     

Von der Naturgeschichte zur Naturwissenschaft Die Naturwissenschaften als eigenes Fachgebiet an der Universität Jena

Since 1790, the term Naturwissenschaften occurs in the lecture lists of the University of Jena published in the Allgemeine Literatur-Zeitung of Jena. Naturwissenschaften is used as a title for lectures previously listed under the headings of Philosophie or Naturgeschichte. The introduction of the concept of Naturwissenschaften is interesting for several reasons: Firstly, at that time it is not the usual label in this context, and one therefore has to ask whether it already implies the connotations that are associated with the modern concept of Naturwissenschaften, i. e. science in the modern sense. Secondly, the lecture lists of the University of Jena give insight into the various changes in the established ordering scheme for academic lectures that lead to the introduction of the term Naturwissenschaften, thus contributing to a better understanding of both the history of this concept and of the development of the university faculties as we know them. A close look at the concept of Naturwissenschaften as it was used around 1800 may, thirdly, help to understand the use made of this concept in philosophy, especially in the philosophy of nature of this period.     

Hayden White: Beyond Irony

A crisis of our age that is usually identified with the loss of the sacred was one of the causes of the fall into irony in the nineteenth century. In the case of historians, asHayden White has shown in Metahistory, this irony was caused by a“bitterness” stemming from the failure of reality to fulfill their expectations. Anironic apprehension of the world arose in an atmosphere of social breakdown or cultural decline.A current stage of irony manifests itself in a doubt as to the capacity of language to grasp reality. Thus we live in a “prison house of language.” An intellectual parlor-gameproduces “second-hand knowledge” that cannot satisfy the needs of post-postmodern men and women still looking for another metanarrative. Therefore, the main purpose of this essay is to answer the question: how can we go beyond irony? This text is a “post-postmodern post mortem topostmodernism.” I am grateful to postmodernism for many things, especially for giving me an alternative apprehension of the world in terms of difference and continuity rather than binary oppositions, but I am tired of ontological insecurity and epistemological chaos. I need order. I miss metanarrative. In trying to break with some modern/postmodern “principles” andretain within my discourse the premodernist perspective, I follow the current trend in thehumanities. We observe at present the breakdown of methodology and the rise of a more poeticapproach in the human sciences. Evidence of this phenomenon is the more autobiographical formof writing in anthropology (James Clifford, Clifford Geertz) and a more literary style inhistorical writing (Natalie Zemon Davis, Emmanuel Le Roy Ladurie, Simon Schama). This trendis associated with a revaluation of the subjective aspects of research. Perhaps, and I wouldwelcome it, it also could be identified with a reappearance of a Collingwoodian idea of history ashuman self-knowledge, knowledge about human nature, knowledge about “what it is to be a man . . . what it is to be the kind of man you are . . . and what it is to be the man you are and nobody else is.”     

Science and theatre in open dialogue: Biblioetica,Le Cas de Sophie K. and the postdramatic science play

Abstract

Judging by the many new ventures into the genre of the 'science play' over the last few years, the surge of interest in science on stage continues unchecked. The most interesting aspect of this trend, however, is not quantity but variety, and the ways in which directors in particular are beginning to challenge the playwright-driven and biographically inflected engagements that have so far dominated science on stage. In this article we discuss two recent productions from two prominent directors: Luca Ronconi's Biblioetica, staged in Turin in February–March 2006, and Jean-François Peyret's Le Cas de Sophie K., given in Paris in April–May. The gulf between these productions and more theatrically conventional plays like Copenhagen and Arcadia is wide, and this new work represents a significant step for science plays in the direction of 'postdramatic theatre', a term used by Hans-Thies Lehmann in his groundbreaking work on the subject. We argue that for many reasons these productions suggest that the interaction of science and the stage lends itself by its very nature to the postdramatic condition.     

The Dissents of John Marshall Harlan I

I want to start by offering you two quotations. Both are from Harlan's famous dissent from Plessy v. Ferguson in 1896, when the rest of the Justices held that it was constitutional to segregate people according to their race. The first quotation is famous; the second is not well-known—in fact, some of you may have never heard it before. Here is the first quotation:     

Transport Geography: A bit of a caveat here and there1

But you must also be aware of another distinct bias nearly all of the examples are from the United States, Canada, Britain and Sweden. Is it fair? Are the new ideas to be found almost exclusively in these four countries —what the French call les Anglo-Saxons. Is this where the explosion in modern geography started, and continues to gather its strength? Now I am probably going to make myself extremely unpopular around the world but I am going to answer Yes to those three questions with a bit of a caveat here and there—which is the Latin word for a loophole you can wriggle out of if you have to     

Introduction: Italy and the Euro–Mediterranean ‘migrant crisis’: national reception,lived experiences,E.U. pressures

The introduction discusses the origins of this themed section of the Journal of Modern Italian Studies, based on a 2017 interdisciplinary conference about migration and the migrant experience in Italy. The co-editors recognized early on that the U.S. media was paying inadequate attention to migrant landings in Italy during the so-called refugee crisis around 2015–16, and engaged scholars active in Italy, the U.K. and the U.S. to provide further nuance to this particular migratory flow, and in particular to question how the term ‘crisis’ was used in describing it. In response to a public debate increasingly prone to alarmism, the articles produced after the conference investigate the contradictions of the Italian reception system of migrants and refugees; the often glossed-over labour, race, and gender aspects of the flows; and the critical conditions of the Mediterranean crossing as represented in film and theatre. The contributions specifically bring forward the migrants’ voices to challenge the exclusionary practices adopted in Italy and Europe in favour of structured legal channels, and to reveal the growing crisis of E.U. democratic principles.     

Old Turkic Oracle Books

Professor Wilhelm

When I began research on this topic some months ago, I had expected to find many obvious influences of the I Ching on the Turkic works. As you will see, the results were quite different; nonetheless, I hope you will find my short study interesting and enjoyable.     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

The Murders in Maupassant's “En Voyage”

The term futurism was used in aesthetic circles during the first decade of the twentieth century throughout Europe. The broad use of the term has sometimes led to critical attempts to link the various "futurisms" together into a coherent whole. In my article, I compare and contrast Alomar's Catalan futurism with the Italian futurism associated with Filippo Tommaso Marinetti (1876-1944). Although the two futurisms share the name and, to some extent, similar philosophical backgrounds, their foundational documents or manifestos are more different than they are similar, and Alomar's futurism cannot and should not be critically subordinated to Marinetti's Italian one. My article addresses what is futurist in Alomar's thought as well as its unique regionalist underpinnings that find no analogue in other European futurisms.