The Forgotten Menzies: Cultural Puritanism and Australian Social Thought

Recent debates on the social thought of Australia's longest-serving Prime Minister, Sir Robert Menzies, describe his career as a programme either to realise liberalism, conservatism, or liberal conservatism in Australian institutions and national identity. While these analyses have some merit, they fail to capture the historical context of Menzies' age, particularly the kind of Britishness for which he stood, a Britishness compatible with modes of liberalism and conservatism, but far more comprehensive than either of those traditions conceived narrowly as systematic ideologies. We contend that what Menzies was trying to do for much of his career was to reinvigorate what modern historians, and Menzies' contemporary social commentators, identified as a cultural puritan inflexion to British character. Once the nature of this cultural puritanism is understood, Menzies' political ideas, at least up until the Cold War, look less like attempts to promote liberalism or conservatism, and more as a project to reinvigorate a conception of Britishness that many during Menzies' time feared was in mortal danger by the forces of affluence, individualism, and socialism. We focus on his most well-known speech, “The Forgotten People” (1942), and analyse it in the context of many of his other writings, published and hitherto unpublished.     

The Battīl and Zārūqah of Musandam,Oman

Most of the traditional boats still in use in Musandam, Oman, are essentially batātīl or zawārīq. Both types of vessel are described and compared in detail and placed within the larger context of boat types found in the surrounding region. This article attempts to establish a classification based primarily on shape, construction and decorative features, and provides names of individual components in both in Arabic and Kumzari.     

The Intellectual Internment of a Conflict: The Forgotten War in Northern Ireland

One of the most enduring ideas about the Northern Ireland conflict is that it has been rigorously studied. This is a myth. The stark absence of analysis of its military and international dimensions makes the conflict one of the least understood of modern times. Scholarly studies of Northern Ireland have been insulated from influences in the wider academic world by the dominance of hitherto unchallenged images about the crisis. These images support a dominant orthodoxy that has confined intellectual investigation of the 'Troubles' to Northern Ireland itself, sustaining a view that little of value can be gained from studying the military nature of the conflict. This orthodoxy is one to which, depressingly, the international relations community has been only too willing to contribute to justify its fear and neglect. Not only does this reflect poorly on academic practice but it has also helped to engender a dangerously distorted image of the conflict that bodes ill for the future.     

The Artist and Space

Abstract

For fifteen years from 1962–1977, scores of artists have walked among the launch pads, conversed with astronauts, space scientists and technicians, taken make-believe rides to the Moon in a simulator, were as close as safety allowed to the space launches, and waited for weeks in mid-ocean aboard an aircraft carrier for the return of the Moon explorers. The author directed this unique art program for almost all the time it was in existence and here reviews its philosophy, the interrelationships between engineers and artists, the difficulties that arose and the rewards which accrued.